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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A095E8 it is the complementary color #5F6A17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A095E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A095E8 shade: #A595E3, #B6A7F6, #C7B9FF, #D8CBFF and #E9DDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A095E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A095E8 shade: #A095E8, #8F83D5, #7E71C2, #6D5FAF and #5C4D9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A095E8 shade: #A196E8, #B796E8, #CD96E8, #E396E8 and #E896D6

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A095E8 shade: #A196E8 and #9696E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A095E8 shade matches the following richer shades: #A196E8, #998CF2 and #9281FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A095E8 shade: #A196E8, #A8A0DD, #B0ABD3, #B8B5C9 and #BFBFBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A095E8 shade: #96B8E8, #96A2E8, #9F96E8, #B596E8 and #CB96E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A095E8 shade: #6452D9, #8274E0, #A196E8, #BFB8EF and #DDDAF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A095E8 shade: #A095E8, #E896CE and #ADE896

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A095E8 shade: #A095E8, #E89F96 and #96E89F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A095E8 shade: #A095E8, #E896CE, #DEE896 and #96E8B0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A095E8 shade: #A095E8, #E896B5, #DEE896 and #96E8C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 36 / 0 / 9

HEX #A095E8

RGB 160 149 232

HSL 247.95, 0.64%, 0.75%

LAB 65.59, 22.43, -40.52

 

Complementary color

CMYK 10 / 0 / 78 / 58

HEX #5F6A17

RGB 95 106 23

HSL 67.95, 0.64%, 0.25%

LAB 42.46, -15.74, 42.1

 

CMYK 27 / 34 / 0 / 11

HEX #A595E3

RGB 165 149 227

HSL 252.31, 0.58%, 0.74%

LAB 65.78, 22.6, -37.43

 

CMYK 26 / 32 / 0 / 4

HEX #B6A7F6

RGB 182 167 246

HSL 251.39, 0.81%, 0.81%

LAB 72.39, 21.96, -37.44

 

CMYK 22 / 27 / 0 / 0

HEX #C7B9FF

RGB 199 185 255

HSL 252, 1%, 0.86%

LAB 78.5, 19.09, -32.73

 

CMYK 15 / 20 / 0 / 0

HEX #D8CBFF

RGB 216 203 255

HSL 255, 1%, 0.9%

LAB 84.24, 14.51, -23.81

 

CMYK 9 / 13 / 0 / 0

HEX #E9DDFF

RGB 233 221 255

HSL 261.18, 1%, 0.93%

LAB 89.98, 10.33, -15.02

 

CMYK 31 / 36 / 0 / 9

HEX #A095E8

RGB 160 149 232

HSL 247.95, 0.64%, 0.75%

LAB 65.59, 22.43, -40.52

 

CMYK 33 / 38 / 0 / 16

HEX #8F83D5

RGB 143 131 213

HSL 248.78, 0.49%, 0.67%

LAB 58.86, 23.18, -40.6

 

CMYK 35 / 42 / 0 / 24

HEX #7E71C2

RGB 126 113 194

HSL 249.63, 0.4%, 0.6%

LAB 52, 24.02, -40.73

 

CMYK 38 / 46 / 0 / 31

HEX #6D5FAF

RGB 109 95 175

HSL 250.5, 0.33%, 0.53%

LAB 44.98, 24.99, -40.91

 

CMYK 41 / 51 / 0 / 39

HEX #5C4D9C

RGB 92 77 156

HSL 251.39, 0.34%, 0.46%

LAB 37.81, 26.11, -41.14

 

CMYK 31 / 35 / 0 / 9

HEX #A196E8

RGB 161 150 232

HSL 248.05, 0.64%, 0.75%

LAB 65.92, 22.14, -40

 

CMYK 21 / 35 / 0 / 9

HEX #B796E8

RGB 183 150 232

HSL 264.15, 0.64%, 0.75%

LAB 67.8, 28.48, -36.92

 

CMYK 12 / 35 / 0 / 9

HEX #CD96E8

RGB 205 150 232

HSL 280.24, 0.64%, 0.75%

LAB 69.91, 35.07, -33.49

 

CMYK 2 / 35 / 0 / 9

HEX #E396E8

RGB 227 150 232

HSL 296.34, 0.64%, 0.75%

LAB 72.21, 41.81, -29.74

 

CMYK 0 / 35 / 8 / 9

HEX #E896D6

RGB 232 150 214

HSL 313.17, 0.64%, 0.75%

LAB 72.11, 40.18, -19.96

 

CMYK 31 / 35 / 0 / 9

HEX #A196E8

RGB 161 150 232

HSL 248.05, 0.64%, 0.75%

LAB 65.92, 22.14, -40

 

CMYK 35 / 35 / 0 / 9

HEX #9696E8

RGB 150 150 232

HSL 240, 0.64%, 0.75%

LAB 65.06, 19.11, -41.4

 

CMYK 31 / 35 / 0 / 9

HEX #A196E8

RGB 161 150 232

HSL 248.05, 0.64%, 0.75%

LAB 65.92, 22.14, -40

 

CMYK 37 / 42 / 0 / 5

HEX #998CF2

RGB 153 140 242

HSL 247.65, 0.8%, 0.75%

LAB 63.29, 28.31, -49.68

 

CMYK 42 / 49 / 0 / 1

HEX #9281FC

RGB 146 129 252

HSL 248.29, 0.95%, 0.75%

LAB 60.64, 35.64, -59.44

 

CMYK 31 / 35 / 0 / 9

HEX #A196E8

RGB 161 150 232

HSL 248.05, 0.64%, 0.75%

LAB 65.92, 22.14, -40

 

CMYK 24 / 28 / 0 / 13

HEX #A8A0DD

RGB 168 160 221

HSL 247.87, 0.47%, 0.75%

LAB 68.52, 15.82, -29.85

 

CMYK 17 / 19 / 0 / 17

HEX #B0ABD3

RGB 176 171 211

HSL 247.5, 0.31%, 0.75%

LAB 71.6, 9.88, -19.6

 

CMYK 8 / 10 / 0 / 21

HEX #B8B5C9

RGB 184 181 201

HSL 249, 0.16%, 0.75%

LAB 74.48, 4.92, -9.73

 

CMYK 0 / 0 / 1 / 25

HEX #BFBFBE

RGB 191 191 190

HSL 60, 0.01%, 0.75%

LAB 77.31, -0.18, 0.49

 

CMYK 35 / 21 / 0 / 9

HEX #96B8E8

RGB 150 184 232

HSL 215.12, 0.64%, 0.75%

LAB 73.93, 0, -27.65

 

CMYK 35 / 30 / 0 / 9

HEX #96A2E8

RGB 150 162 232

HSL 231.22, 0.64%, 0.75%

LAB 68.13, 12.26, -36.61

 

CMYK 31 / 35 / 0 / 9

HEX #9F96E8

RGB 159 150 232

HSL 246.59, 0.64%, 0.75%

LAB 65.76, 21.58, -40.26

 

CMYK 22 / 35 / 0 / 9

HEX #B596E8

RGB 181 150 232

HSL 262.68, 0.64%, 0.75%

LAB 67.62, 27.89, -37.21

 

CMYK 13 / 35 / 0 / 9

HEX #CB96E8

RGB 203 150 232

HSL 278.78, 0.64%, 0.75%

LAB 69.71, 34.47, -33.81

 

CMYK 54 / 62 / 0 / 15

HEX #6452D9

RGB 100 82 217

HSL 248, 0.64%, 0.59%

LAB 43.88, 43.2, -67.05

 

CMYK 42 / 48 / 0 / 12

HEX #8274E0

RGB 130 116 224

HSL 247.78, 0.64%, 0.67%

LAB 54.68, 31.6, -53.48

 

CMYK 31 / 35 / 0 / 9

HEX #A196E8

RGB 161 150 232

HSL 248.05, 0.64%, 0.75%

LAB 65.92, 22.14, -40

 

CMYK 20 / 23 / 0 / 6

HEX #BFB8EF

RGB 191 184 239

HSL 247.64, 0.63%, 0.83%

LAB 77.03, 13.63, -26.43

 

CMYK 10 / 11 / 0 / 4

HEX #DDDAF6

RGB 221 218 246

HSL 246.43, 0.61%, 0.91%

LAB 88.05, 6.3, -13.28

 

CMYK 31 / 36 / 0 / 9

HEX #A095E8

RGB 160 149 232

HSL 247.95, 0.64%, 0.75%

LAB 65.59, 22.43, -40.52

 

CMYK 0 / 35 / 11 / 9

HEX #E896CE

RGB 232 150 206

HSL 319.02, 0.64%, 0.75%

LAB 71.84, 38.85, -15.96

 

CMYK 25 / 0 / 35 / 9

HEX #ADE896

RGB 173 232 150

HSL 103.17, 0.64%, 0.75%

LAB 86.4, -33.52, 34.02

 

CMYK 31 / 36 / 0 / 9

HEX #A095E8

RGB 160 149 232

HSL 247.95, 0.64%, 0.75%

LAB 65.59, 22.43, -40.52

 

CMYK 0 / 31 / 35 / 9

HEX #E89F96

RGB 232 159 150

HSL 6.59, 0.64%, 0.75%

LAB 72.33, 26.04, 15.71

 

CMYK 35 / 0 / 31 / 9

HEX #96E89F

RGB 150 232 159

HSL 126.59, 0.64%, 0.75%

LAB 85.35, -39.54, 27.83

 

CMYK 31 / 36 / 0 / 9

HEX #A095E8

RGB 160 149 232

HSL 247.95, 0.64%, 0.75%

LAB 65.59, 22.43, -40.52

 

CMYK 0 / 35 / 11 / 9

HEX #E896CE

RGB 232 150 206

HSL 319.02, 0.64%, 0.75%

LAB 71.84, 38.85, -15.96

 

CMYK 4 / 0 / 35 / 9

HEX #DEE896

RGB 222 232 150

HSL 67.32, 0.64%, 0.75%

LAB 89.6, -15.83, 38.81

 

CMYK 35 / 0 / 24 / 9

HEX #96E8B0

RGB 150 232 176

HSL 139.02, 0.64%, 0.75%

LAB 85.67, -36.58, 19.49

 

CMYK 31 / 36 / 0 / 9

HEX #A095E8

RGB 160 149 232

HSL 247.95, 0.64%, 0.75%

LAB 65.59, 22.43, -40.52

 

CMYK 0 / 35 / 22 / 9

HEX #E896B5

RGB 232 150 181

HSL 337.32, 0.64%, 0.75%

LAB 71.08, 34.96, -3.24

 

CMYK 4 / 0 / 35 / 9

HEX #DEE896

RGB 222 232 150

HSL 67.32, 0.64%, 0.75%

LAB 89.6, -15.83, 38.81

 

CMYK 35 / 0 / 14 / 9

HEX #96E8C8

RGB 150 232 200

HSL 156.59, 0.64%, 0.75%

LAB 86.19, -31.9, 7.7

 

Description

Color code: HEX #A095E8 | qconv.com Color code: HEX #A095E8 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 149 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 149 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 36 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 36% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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