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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A08FE2CE it is the complementary color #5F701DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A08FE2CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A08FE2CE shade: #A58FDDCE, #B6A1F0CE, #C7B3FFCE, #D8C5FFCE and #E9D7FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A08FE2CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A08FE2CE shade: #A08FE2CE, #8F7DCFCE, #7E6BBCCE, #6D59A9CE and #5C4796CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A08FE2CE shade: #9F8DE2, #B58DE2, #CC8DE2, #E28DE1 and #E28DCA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A08FE2CE shade: #9F8DE2 and #8D8DE2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A08FE2CE shade matches the following richer shades: #9F8DE2, #9882ED and #9176F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A08FE2CE shade: #9F8DE2, #A699D6, #ACA5CB, #B3B0BF and #BABCB4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A08FE2CE shade: #8DAAE2, #8D93E2, #9E8DE2, #B58DE2 and #CB8DE2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A08FE2CE shade: #674CD1, #836DD9, #9F8DE2, #BBAEEA and #D6CFF3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A08FE2CE shade: #A08FE2, #E28DC0 and #9EE28D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A08FE2CE shade: #A08FE2, #E29E8D and #8DE29E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A08FE2CE shade: #A08FE2, #E28DC0, #D1E28D and #8DE2AF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A08FE2CE shade: #A08FE2, #E28DA7, #D1E28D and #8DE2C8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 24 / 30 / 0 / 9

HEX #A08FE2CE

RGBA 160 143 226 0.81

HSLA 252.29, 0.59%, 0.72%, 0.81

LABA 63.84, 24.34, -39.94, 0.81

 

Complementary color

CMYK 12 / 0 / 60 / 45

HEX #5F701DCE

RGBA 95 112 29 0.81

HSLA 72.29, 0.59%, 0.28%, 0.81

LABA 44.39, -18.61, 41.64, 0.81

 

CMYK 21 / 29 / 0 / 11

HEX #A58FDDCE

RGBA 165 143 221 0.81

HSLA 256.92, 0.53%, 0.71%, 0.81

LABA 64.05, 24.55, -36.81, 0.81

 

CMYK 20 / 27 / 0 / 5

HEX #B6A1F0CE

RGBA 182 161 240 0.81

HSLA 255.95, 0.72%, 0.79%, 0.81

LABA 70.68, 23.89, -36.83, 0.81

 

CMYK 18 / 24 / 0 / 0

HEX #C7B3FFCE

RGBA 199 179 255 0.81

HSLA 255.79, 1%, 0.85%, 0.81

LABA 77.04, 22.38, -34.97, 0.81

 

CMYK 12 / 18 / 0 / 0

HEX #D8C5FFCE

RGBA 216 197 255 0.81

HSLA 259.66, 1%, 0.89%, 0.81

LABA 82.78, 17.73, -26.04, 0.81

 

CMYK 7 / 13 / 0 / 0

HEX #E9D7FFCE

RGBA 233 215 255 0.81

HSLA 267, 1%, 0.92%, 0.81

LABA 88.52, 13.49, -17.22, 0.81

 

CMYK 24 / 30 / 0 / 9

HEX #A08FE2CE

RGBA 160 143 226 0.81

HSLA 252.29, 0.59%, 0.72%, 0.81

LABA 63.84, 24.34, -39.94, 0.81

 

CMYK 25 / 32 / 0 / 15

HEX #8F7DCFCE

RGBA 143 125 207 0.81

HSLA 253.17, 0.46%, 0.65%, 0.81

LABA 57.09, 25.11, -40.01, 0.81

 

CMYK 27 / 35 / 0 / 21

HEX #7E6BBCCE

RGBA 126 107 188 0.81

HSLA 254.07, 0.38%, 0.58%, 0.81

LABA 50.19, 25.98, -40.13, 0.81

 

CMYK 29 / 38 / 0 / 27

HEX #6D59A9CE

RGBA 109 89 169 0.81

HSLA 255, 0.32%, 0.51%, 0.81

LABA 43.15, 26.97, -40.29, 0.81

 

CMYK 31 / 43 / 0 / 33

HEX #5C4796CE

RGBA 92 71 150 0.81

HSLA 255.95, 0.36%, 0.43%, 0.81

LABA 35.95, 28.09, -40.49, 0.81

 

CMYK 30 / 38 / 0 / 11

HEX #9F8DE2

RGB 159 141 226

HSL 252.71, 0.59%, 0.72%

LAB 63.27, 25.2, -40.84

 

CMYK 20 / 38 / 0 / 11

HEX #B58DE2

RGB 181 141 226

HSL 268.24, 0.59%, 0.72%

LAB 65.25, 31.55, -37.6

 

CMYK 10 / 38 / 0 / 11

HEX #CC8DE2

RGB 204 141 226

HSL 284.47, 0.59%, 0.72%

LAB 67.56, 38.43, -33.83

 

CMYK 0 / 38 / 0 / 11

HEX #E28DE1

RGB 226 141 225

HSL 300.71, 0.59%, 0.72%

LAB 69.93, 44.94, -29.41

 

CMYK 0 / 38 / 11 / 11

HEX #E28DCA

RGB 226 141 202

HSL 316.94, 0.59%, 0.72%

LAB 69.1, 40.95, -17.95

 

CMYK 30 / 38 / 0 / 11

HEX #9F8DE2

RGB 159 141 226

HSL 252.71, 0.59%, 0.72%

LAB 63.27, 25.2, -40.84

 

CMYK 38 / 38 / 0 / 11

HEX #8D8DE2

RGB 141 141 226

HSL 240, 0.59%, 0.72%

LAB 61.83, 20.29, -43.2

 

CMYK 30 / 38 / 0 / 11

HEX #9F8DE2

RGB 159 141 226

HSL 252.71, 0.59%, 0.72%

LAB 63.27, 25.2, -40.84

 

CMYK 36 / 45 / 0 / 7

HEX #9882ED

RGB 152 130 237

HSL 252.34, 0.75%, 0.72%

LAB 60.56, 32.47, -51.25

 

CMYK 42 / 53 / 0 / 2

HEX #9176F9

RGB 145 118 249

HSL 252.37, 0.92%, 0.72%

LAB 57.86, 40.88, -62.24

 

CMYK 30 / 38 / 0 / 11

HEX #9F8DE2

RGB 159 141 226

HSL 252.71, 0.59%, 0.72%

LAB 63.27, 25.2, -40.84

 

CMYK 22 / 29 / 0 / 16

HEX #A699D6

RGB 166 153 214

HSL 252.79, 0.43%, 0.72%

LAB 66.32, 17.51, -29.39

 

CMYK 15 / 19 / 0 / 20

HEX #ACA5CB

RGB 172 165 203

HSL 251.05, 0.27%, 0.72%

LAB 69.46, 10.17, -18.46

 

CMYK 6 / 8 / 0 / 25

HEX #B3B0BF

RGB 179 176 191

HSL 252, 0.1%, 0.72%

LAB 72.49, 3.94, -7.25

 

CMYK 1 / 0 / 4 / 26

HEX #BABCB4

RGB 186 188 180

HSL 75, 0.06%, 0.72%

LAB 75.89, -2.16, 3.79

 

CMYK 38 / 25 / 0 / 11

HEX #8DAAE2

RGB 141 170 226

HSL 219.53, 0.59%, 0.72%

LAB 69.4, 3.72, -31.4

 

CMYK 38 / 35 / 0 / 11

HEX #8D93E2

RGB 141 147 226

HSL 235.76, 0.59%, 0.72%

LAB 63.36, 16.81, -40.8

 

CMYK 30 / 38 / 0 / 11

HEX #9E8DE2

RGB 158 141 226

HSL 252, 0.59%, 0.72%

LAB 63.19, 24.92, -40.98

 

CMYK 20 / 38 / 0 / 11

HEX #B58DE2

RGB 181 141 226

HSL 268.24, 0.59%, 0.72%

LAB 65.25, 31.55, -37.6

 

CMYK 10 / 38 / 0 / 11

HEX #CB8DE2

RGB 203 141 226

HSL 283.76, 0.59%, 0.72%

LAB 67.45, 38.12, -34

 

CMYK 51 / 64 / 0 / 18

HEX #674CD1

RGB 103 76 209

HSL 252.18, 0.59%, 0.56%

LAB 42.24, 44.8, -65.11

 

CMYK 40 / 50 / 0 / 15

HEX #836DD9

RGB 131 109 217

HSL 252.22, 0.59%, 0.64%

LAB 52.7, 33.99, -52.69

 

CMYK 30 / 38 / 0 / 11

HEX #9F8DE2

RGB 159 141 226

HSL 252.71, 0.59%, 0.72%

LAB 63.27, 25.2, -40.84

 

CMYK 20 / 26 / 0 / 8

HEX #BBAEEA

RGB 187 174 234

HSL 253, 0.59%, 0.8%

LAB 74.05, 16.78, -28.33

 

CMYK 12 / 15 / 0 / 5

HEX #D6CFF3

RGB 214 207 243

HSL 251.67, 0.6%, 0.88%

LAB 84.69, 9.27, -16.79

 

CMYK 29 / 37 / 0 / 11

HEX #A08FE2

RGB 160 143 226

HSL 252.29, 0.59%, 0.72%

LAB 63.84, 24.34, -39.94

 

CMYK 0 / 38 / 15 / 11

HEX #E28DC0

RGB 226 141 192

HSL 324, 0.59%, 0.72%

LAB 68.77, 39.33, -12.88

 

CMYK 30 / 0 / 38 / 11

HEX #9EE28D

RGB 158 226 141

HSL 108, 0.59%, 0.72%

LAB 83.75, -37.09, 34.92

 

CMYK 29 / 37 / 0 / 11

HEX #A08FE2

RGB 160 143 226

HSL 252.29, 0.59%, 0.72%

LAB 63.84, 24.34, -39.94

 

CMYK 0 / 30 / 38 / 11

HEX #E29E8D

RGB 226 158 141

HSL 12, 0.59%, 0.72%

LAB 71.25, 23.21, 19.05

 

CMYK 38 / 0 / 30 / 11

HEX #8DE29E

RGB 141 226 158

HSL 132, 0.59%, 0.72%

LAB 83.19, -39.73, 25.34

 

CMYK 29 / 37 / 0 / 11

HEX #A08FE2

RGB 160 143 226

HSL 252.29, 0.59%, 0.72%

LAB 63.84, 24.34, -39.94

 

CMYK 0 / 38 / 15 / 11

HEX #E28DC0

RGB 226 141 192

HSL 324, 0.59%, 0.72%

LAB 68.77, 39.33, -12.88

 

CMYK 8 / 0 / 38 / 11

HEX #D1E28D

RGB 209 226 141

HSL 72, 0.59%, 0.72%

LAB 86.93, -18.85, 39.67

 

CMYK 38 / 0 / 23 / 11

HEX #8DE2AF

RGB 141 226 175

HSL 144, 0.59%, 0.72%

LAB 83.52, -36.64, 16.95

 

CMYK 29 / 37 / 0 / 11

HEX #A08FE2

RGB 160 143 226

HSL 252.29, 0.59%, 0.72%

LAB 63.84, 24.34, -39.94

 

CMYK 0 / 38 / 26 / 11

HEX #E28DA7

RGB 226 141 167

HSL 341.65, 0.59%, 0.72%

LAB 68.03, 35.61, 0.01

 

CMYK 8 / 0 / 38 / 11

HEX #D1E28D

RGB 209 226 141

HSL 72, 0.59%, 0.72%

LAB 86.93, -18.85, 39.67

 

CMYK 38 / 0 / 12 / 11

HEX #8DE2C8

RGB 141 226 200

HSL 161.65, 0.59%, 0.72%

LAB 84.08, -31.55, 4.61

 

Description

Color code: HEX #A08FE2CE | qconv.com Color code: HEX #A08FE2CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 143 green and 226 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 143 226 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 24 cyan, 30 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
24% 30% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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