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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A08FD4 it is the complementary color #5F702B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A08FD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A08FD4 shade: #A58FCF, #B6A1E2, #C7B3F5, #D8C5FF and #E9D7FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A08FD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A08FD4 shade: #A08FD4, #8F7DC1, #7E6BAE, #6D599B and #5C4788

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A08FD4 shade: #A190D5, #B490D5, #C690D5, #D590D1 and #D590BF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A08FD4 shade: #A190D5 and #9090D5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A08FD4 shade matches the following richer shades: #A190D5, #9B84E1, #9477EE and #8E6BFA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A08FD4 shade: #A190D5, #A79CC9, #AEA9BC, #B4B5B0 and #BAC2A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A08FD4 shade: #90A5D5, #9092D5, #A090D5, #B390D5 and #C590D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A08FD4 shade: #6E54BE, #8872CA, #A190D5, #BAAEE0 and #D4CCEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A08FD4 shade: #A08FD4, #D590B7 and #9CD590

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A08FD4 shade: #A08FD4, #D5A090 and #90D5A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A08FD4 shade: #A08FD4, #D590B7, #C5D590 and #90D5AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A08FD4 shade: #A08FD4, #D590A2, #C5D590 and #90D5C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 25 / 33 / 0 / 17

HEX #A08FD4

RGB 160 143 212

HSL 254.78, 0.45%, 0.7%

LAB 63.24, 20.9, -33.1

 

Complementary color

CMYK 15 / 0 / 62 / 56

HEX #5F702B

RGB 95 112 43

HSL 74.78, 0.45%, 0.3%

LAB 44.51, -17.54, 35.45

 

CMYK 20 / 31 / 0 / 19

HEX #A58FCF

RGB 165 143 207

HSL 260.63, 0.4%, 0.69%

LAB 63.47, 21.24, -29.92

 

CMYK 19 / 29 / 0 / 11

HEX #B6A1E2

RGB 182 161 226

HSL 259.38, 0.53%, 0.76%

LAB 70.12, 20.67, -30.03

 

CMYK 19 / 27 / 0 / 4

HEX #C7B3F5

RGB 199 179 245

HSL 258.18, 0.77%, 0.83%

LAB 76.66, 20.14, -30.18

 

CMYK 15 / 23 / 0 / 0

HEX #D8C5FF

RGB 216 197 255

HSL 259.66, 1%, 0.89%

LAB 82.78, 17.73, -26.04

 

CMYK 9 / 16 / 0 / 0

HEX #E9D7FF

RGB 233 215 255

HSL 267, 1%, 0.92%

LAB 88.52, 13.49, -17.22

 

CMYK 25 / 33 / 0 / 17

HEX #A08FD4

RGB 160 143 212

HSL 254.78, 0.45%, 0.7%

LAB 63.24, 20.9, -33.1

 

CMYK 26 / 35 / 0 / 24

HEX #8F7DC1

RGB 143 125 193

HSL 255.88, 0.35%, 0.62%

LAB 56.44, 21.57, -33.08

 

CMYK 28 / 39 / 0 / 32

HEX #7E6BAE

RGB 126 107 174

HSL 257.01, 0.29%, 0.55%

LAB 49.5, 22.31, -33.09

 

CMYK 30 / 43 / 0 / 39

HEX #6D599B

RGB 109 89 155

HSL 258.18, 0.27%, 0.48%

LAB 42.4, 23.16, -33.16

 

CMYK 32 / 48 / 0 / 47

HEX #5C4788

RGB 92 71 136

HSL 259.38, 0.31%, 0.41%

LAB 35.12, 24.13, -33.27

 

CMYK 24 / 32 / 0 / 16

HEX #A190D5

RGB 161 144 213

HSL 254.78, 0.45%, 0.7%

LAB 63.61, 20.87, -33.07

 

CMYK 15 / 32 / 0 / 16

HEX #B490D5

RGB 180 144 213

HSL 271.3, 0.45%, 0.7%

LAB 65.32, 26.67, -30.28

 

CMYK 7 / 32 / 0 / 16

HEX #C690D5

RGB 198 144 213

HSL 286.96, 0.45%, 0.7%

LAB 67.09, 32.32, -27.4

 

CMYK 0 / 32 / 2 / 16

HEX #D590D1

RGB 213 144 209

HSL 303.48, 0.45%, 0.7%

LAB 68.53, 36.35, -22.84

 

CMYK 0 / 32 / 10 / 16

HEX #D590BF

RGB 213 144 191

HSL 319.13, 0.45%, 0.7%

LAB 67.91, 33.18, -13.76

 

CMYK 24 / 32 / 0 / 16

HEX #A190D5

RGB 161 144 213

HSL 254.78, 0.45%, 0.7%

LAB 63.61, 20.87, -33.07

 

CMYK 32 / 32 / 0 / 16

HEX #9090D5

RGB 144 144 213

HSL 240, 0.45%, 0.7%

LAB 62.24, 15.91, -35.31

 

CMYK 24 / 32 / 0 / 16

HEX #A190D5

RGB 161 144 213

HSL 254.78, 0.45%, 0.7%

LAB 63.61, 20.87, -33.07

 

CMYK 31 / 41 / 0 / 12

HEX #9B84E1

RGB 155 132 225

HSL 254.84, 0.61%, 0.7%

LAB 60.7, 29, -44.35

 

CMYK 38 / 50 / 0 / 7

HEX #9477EE

RGB 148 119 238

HSL 254.62, 0.78%, 0.7%

LAB 57.72, 38.04, -56.36

 

CMYK 43 / 57 / 0 / 2

HEX #8E6BFA

RGB 142 107 250

HSL 254.69, 0.93%, 0.7%

LAB 55.25, 46.69, -67.02

 

CMYK 24 / 32 / 0 / 16

HEX #A190D5

RGB 161 144 213

HSL 254.78, 0.45%, 0.7%

LAB 63.61, 20.87, -33.07

 

CMYK 17 / 22 / 0 / 21

HEX #A79CC9

RGB 167 156 201

HSL 254.67, 0.29%, 0.7%

LAB 66.68, 13.15, -21.62

 

CMYK 7 / 10 / 0 / 26

HEX #AEA9BC

RGB 174 169 188

HSL 255.79, 0.12%, 0.7%

LAB 70.18, 5.47, -9.08

 

CMYK 1 / 0 / 3 / 29

HEX #B4B5B0

RGB 180 181 176

HSL 72, 0.03%, 0.7%

LAB 73.47, -1.27, 2.41

 

CMYK 4 / 0 / 16 / 24

HEX #BAC2A3

RGB 186 194 163

HSL 75.48, 0.2%, 0.7%

LAB 77.08, -8.22, 14.68

 

CMYK 32 / 23 / 0 / 16

HEX #90A5D5

RGB 144 165 213

HSL 221.74, 0.45%, 0.7%

LAB 67.76, 3.95, -26.77

 

CMYK 32 / 31 / 0 / 16

HEX #9092D5

RGB 144 146 213

HSL 238.26, 0.45%, 0.7%

LAB 62.75, 14.76, -34.51

 

CMYK 25 / 32 / 0 / 16

HEX #A090D5

RGB 160 144 213

HSL 253.91, 0.45%, 0.7%

LAB 63.53, 20.57, -33.2

 

CMYK 16 / 32 / 0 / 16

HEX #B390D5

RGB 179 144 213

HSL 270.43, 0.45%, 0.7%

LAB 65.23, 26.36, -30.44

 

CMYK 8 / 32 / 0 / 16

HEX #C590D5

RGB 197 144 213

HSL 286.09, 0.45%, 0.7%

LAB 66.99, 32, -27.57

 

CMYK 42 / 56 / 0 / 25

HEX #6E54BE

RGB 110 84 190

HSL 254.72, 0.45%, 0.54%

LAB 43.32, 36.12, -52.33

 

CMYK 33 / 44 / 0 / 21

HEX #8872CA

RGB 136 114 202

HSL 255, 0.45%, 0.62%

LAB 53.53, 28.31, -42.82

 

CMYK 24 / 32 / 0 / 16

HEX #A190D5

RGB 161 144 213

HSL 254.78, 0.45%, 0.7%

LAB 63.61, 20.87, -33.07

 

CMYK 17 / 22 / 0 / 12

HEX #BAAEE0

RGB 186 174 224

HSL 254.4, 0.45%, 0.78%

LAB 73.61, 14.25, -23.57

 

CMYK 10 / 14 / 0 / 7

HEX #D4CCEC

RGB 212 204 236

HSL 255, 0.46%, 0.86%

LAB 83.57, 8.81, -14.77

 

CMYK 25 / 33 / 0 / 17

HEX #A08FD4

RGB 160 143 212

HSL 254.78, 0.45%, 0.7%

LAB 63.24, 20.9, -33.1

 

CMYK 0 / 32 / 14 / 16

HEX #D590B7

RGB 213 144 183

HSL 326.09, 0.45%, 0.7%

LAB 67.66, 31.85, -9.67

 

CMYK 27 / 0 / 32 / 16

HEX #9CD590

RGB 156 213 144

HSL 109.57, 0.45%, 0.7%

LAB 79.99, -31.31, 28.4

 

CMYK 25 / 33 / 0 / 17

HEX #A08FD4

RGB 160 143 212

HSL 254.78, 0.45%, 0.7%

LAB 63.24, 20.9, -33.1

 

CMYK 0 / 25 / 32 / 16

HEX #D5A090

RGB 213 160 144

HSL 13.91, 0.45%, 0.7%

LAB 70.39, 17.47, 15.99

 

CMYK 32 / 0 / 25 / 16

HEX #90D5A0

RGB 144 213 160

HSL 133.91, 0.45%, 0.7%

LAB 79.65, -32.52, 19.45

 

CMYK 25 / 33 / 0 / 17

HEX #A08FD4

RGB 160 143 212

HSL 254.78, 0.45%, 0.7%

LAB 63.24, 20.9, -33.1

 

CMYK 0 / 32 / 14 / 16

HEX #D590B7

RGB 213 144 183

HSL 326.09, 0.45%, 0.7%

LAB 67.66, 31.85, -9.67

 

CMYK 8 / 0 / 32 / 16

HEX #C5D590

RGB 197 213 144

HSL 73.91, 0.45%, 0.7%

LAB 82.63, -16.58, 32.38

 

CMYK 32 / 0 / 18 / 16

HEX #90D5AE

RGB 144 213 174

HSL 146.09, 0.45%, 0.7%

LAB 79.94, -29.89, 12.46

 

CMYK 25 / 33 / 0 / 17

HEX #A08FD4

RGB 160 143 212

HSL 254.78, 0.45%, 0.7%

LAB 63.24, 20.9, -33.1

 

CMYK 0 / 32 / 24 / 16

HEX #D590A2

RGB 213 144 162

HSL 344.35, 0.45%, 0.7%

LAB 67.05, 28.62, 1.22

 

CMYK 8 / 0 / 32 / 16

HEX #C5D590

RGB 197 213 144

HSL 73.91, 0.45%, 0.7%

LAB 82.63, -16.58, 32.38

 

CMYK 32 / 0 / 8 / 16

HEX #90D5C3

RGB 144 213 195

HSL 164.35, 0.45%, 0.7%

LAB 80.44, -25.56, 1.99

 

Description

Color code: HEX #A08FD4 | qconv.com Color code: HEX #A08FD4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 143 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 143 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 25 cyan, 33 magenta, none yellow and 17 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
25% 33% 0% 17% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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