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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A08F30 it is the complementary color #5F70CF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A08F30. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A08F30 shade: #A58F2B, #B6A13E, #C7B351, #D8C564 and #E9D777

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A08F30. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A08F30 shade: #A08F30, #8F7D1D, #7E6B0A, #6D5900 and #5C4700

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A08F30 shade: #A19030, #A17130, #A15330, #A13530 and #A13030

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A08F30 shade: #A19030, #94A130, #75A130, #57A130 and #38A130

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A08F30 shade matches the following richer shades: #A19030, #B29C1F and #C3A70E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A08F30 shade: #A19030, #908441, #7F7852, #6E6D63 and #5D6174

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A08F30 shade: #A15230, #A17030, #A18E30, #96A130 and #78A130

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A08F30 shade: #61571D, #817327, #A19030, #C1AC3A and #CDBB57

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A08F30 shade: #A08F30, #30A134 and #6130A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A08F30 shade: #A08F30, #30A18E and #8E30A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A08F30 shade: #A08F30, #30A134, #3043A1 and #A1309D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A08F30 shade: #A08F30, #30A156, #3043A1 and #A1307B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 70 / 37

HEX #A08F30

RGB 160 143 48

HSL 50.89, 0.54%, 0.41%

LAB 59.28, -4.75, 50.59

 

Complementary color

CMYK 54 / 46 / 0 / 19

HEX #5F70CF

RGB 95 112 207

HSL 230.89, 0.54%, 0.59%

LAB 50.13, 20.91, -51.27

 

CMYK 0 / 13 / 74 / 35

HEX #A58F2B

RGB 165 143 43

HSL 49.18, 0.59%, 0.41%

LAB 59.72, -2.76, 53.22

 

CMYK 0 / 12 / 66 / 29

HEX #B6A13E

RGB 182 161 62

HSL 49.5, 0.49%, 0.48%

LAB 66.35, -3.89, 52.57

 

CMYK 0 / 10 / 59 / 22

HEX #C7B351

RGB 199 179 81

HSL 49.83, 0.51%, 0.55%

LAB 72.88, -4.81, 51.58

 

CMYK 0 / 9 / 54 / 15

HEX #D8C564

RGB 216 197 100

HSL 50.17, 0.6%, 0.62%

LAB 79.3, -5.58, 50.44

 

CMYK 0 / 8 / 49 / 9

HEX #E9D777

RGB 233 215 119

HSL 50.53, 0.72%, 0.69%

LAB 85.63, -6.23, 49.26

 

CMYK 0 / 11 / 70 / 37

HEX #A08F30

RGB 160 143 48

HSL 50.89, 0.54%, 0.41%

LAB 59.28, -4.75, 50.59

 

CMYK 0 / 13 / 80 / 44

HEX #8F7D1D

RGB 143 125 29

HSL 50.53, 0.66%, 0.34%

LAB 52.5, -3.52, 50.84

 

CMYK 0 / 15 / 92 / 51

HEX #7E6B0A

RGB 126 107 10

HSL 50.17, 0.85%, 0.27%

LAB 45.6, -1.97, 49.79

 

CMYK 0 / 18 / 100 / 57

HEX #6D5900

RGB 109 89 0

HSL 48.99, 1%, 0.21%

LAB 38.54, -0.02, 46.25

 

CMYK 0 / 23 / 100 / 64

HEX #5C4700

RGB 92 71 0

HSL 46.3, 1%, 0.18%

LAB 31.3, 2.3, 40.28

 

CMYK 0 / 11 / 70 / 37

HEX #A19030

RGB 161 144 48

HSL 50.97, 0.54%, 0.41%

LAB 59.65, -4.85, 51

 

CMYK 0 / 30 / 70 / 37

HEX #A17130

RGB 161 113 48

HSL 34.51, 0.54%, 0.41%

LAB 51.38, 12.48, 42.4

 

CMYK 0 / 48 / 70 / 37

HEX #A15330

RGB 161 83 48

HSL 18.58, 0.54%, 0.41%

LAB 44.2, 29.37, 34.5

 

CMYK 0 / 67 / 70 / 37

HEX #A13530

RGB 161 53 48

HSL 2.65, 0.54%, 0.41%

LAB 38.44, 44.29, 27.81

 

CMYK 0 / 70 / 70 / 37

HEX #A13030

RGB 161 48 48

HSL 0, 0.54%, 0.41%

LAB 37.67, 46.39, 26.89

 

CMYK 0 / 11 / 70 / 37

HEX #A19030

RGB 161 144 48

HSL 50.97, 0.54%, 0.41%

LAB 59.65, -4.85, 51

 

CMYK 8 / 0 / 70 / 37

HEX #94A130

RGB 148 161 48

HSL 66.9, 0.54%, 0.41%

LAB 63.34, -19.55, 54.34

 

CMYK 27 / 0 / 70 / 37

HEX #75A130

RGB 117 161 48

HSL 83.36, 0.54%, 0.41%

LAB 61.21, -32.38, 51.49

 

CMYK 46 / 0 / 70 / 37

HEX #57A130

RGB 87 161 48

HSL 99.29, 0.54%, 0.41%

LAB 59.64, -43.19, 49.39

 

CMYK 65 / 0 / 70 / 37

HEX #38A130

RGB 56 161 48

HSL 115.75, 0.54%, 0.41%

LAB 58.55, -51.68, 47.91

 

CMYK 0 / 11 / 70 / 37

HEX #A19030

RGB 161 144 48

HSL 50.97, 0.54%, 0.41%

LAB 59.65, -4.85, 51

 

CMYK 0 / 12 / 83 / 30

HEX #B29C1F

RGB 178 156 31

HSL 51.02, 0.7%, 0.41%

LAB 64.44, -4.41, 62.05

 

CMYK 0 / 14 / 93 / 24

HEX #C3A70E

RGB 195 167 14

HSL 50.72, 0.87%, 0.41%

LAB 68.95, -3.04, 70.03

 

CMYK 0 / 11 / 70 / 37

HEX #A19030

RGB 161 144 48

HSL 50.97, 0.54%, 0.41%

LAB 59.65, -4.85, 51

 

CMYK 0 / 8 / 55 / 44

HEX #908441

RGB 144 132 65

HSL 50.89, 0.38%, 0.41%

LAB 54.88, -4.66, 37.36

 

CMYK 0 / 6 / 35 / 50

HEX #7F7852

RGB 127 120 82

HSL 50.67, 0.22%, 0.41%

LAB 50.16, -3.51, 21.87

 

CMYK 0 / 1 / 10 / 57

HEX #6E6D63

RGB 110 109 99

HSL 54.55, 0.05%, 0.41%

LAB 45.84, -1.56, 5.72

 

CMYK 20 / 16 / 0 / 55

HEX #5D6174

RGB 93 97 116

HSL 229.57, 0.11%, 0.41%

LAB 41.43, 2.86, -11.22

 

CMYK 0 / 49 / 70 / 37

HEX #A15230

RGB 161 82 48

HSL 18.05, 0.54%, 0.41%

LAB 43.98, 29.91, 34.25

 

CMYK 0 / 30 / 70 / 37

HEX #A17030

RGB 161 112 48

HSL 33.98, 0.54%, 0.41%

LAB 51.13, 13.05, 42.13

 

CMYK 0 / 12 / 70 / 37

HEX #A18E30

RGB 161 142 48

HSL 49.91, 0.54%, 0.41%

LAB 59.1, -3.76, 50.44

 

CMYK 7 / 0 / 70 / 37

HEX #96A130

RGB 150 161 48

HSL 65.84, 0.54%, 0.41%

LAB 63.5, -18.69, 54.55

 

CMYK 25 / 0 / 70 / 37

HEX #78A130

RGB 120 161 48

HSL 81.77, 0.54%, 0.41%

LAB 61.39, -31.2, 51.74

 

CMYK 0 / 10 / 70 / 62

HEX #61571D

RGB 97 87 29

HSL 51.18, 0.54%, 0.25%

LAB 36.83, -3.6, 33.98

 

CMYK 0 / 11 / 70 / 49

HEX #817327

RGB 129 115 39

HSL 50.67, 0.54%, 0.33%

LAB 48.35, -3.92, 42.35

 

CMYK 0 / 11 / 70 / 37

HEX #A19030

RGB 161 144 48

HSL 50.97, 0.54%, 0.41%

LAB 59.65, -4.85, 51

 

CMYK 0 / 11 / 70 / 24

HEX #C1AC3A

RGB 193 172 58

HSL 50.67, 0.54%, 0.49%

LAB 70.28, -5.15, 58.62

 

CMYK 0 / 9 / 58 / 20

HEX #CDBB57

RGB 205 187 87

HSL 50.85, 0.54%, 0.57%

LAB 75.58, -6.01, 52.01

 

CMYK 0 / 11 / 70 / 37

HEX #A08F30

RGB 160 143 48

HSL 50.89, 0.54%, 0.41%

LAB 59.28, -4.75, 50.59

 

CMYK 70 / 0 / 68 / 37

HEX #30A134

RGB 48 161 52

HSL 122.12, 0.54%, 0.41%

LAB 58.38, -52.94, 46.01

 

CMYK 40 / 70 / 0 / 37

HEX #6130A1

RGB 97 48 161

HSL 266.02, 0.54%, 0.41%

LAB 32.32, 45.44, -52.98

 

CMYK 0 / 11 / 70 / 37

HEX #A08F30

RGB 160 143 48

HSL 50.89, 0.54%, 0.41%

LAB 59.28, -4.75, 50.59

 

CMYK 70 / 0 / 12 / 37

HEX #30A18E

RGB 48 161 142

HSL 169.91, 0.54%, 0.41%

LAB 59.95, -35.82, 0.79

 

CMYK 12 / 70 / 0 / 37

HEX #8E30A1

RGB 142 48 161

HSL 289.91, 0.54%, 0.41%

LAB 38.62, 55.1, -42.51

 

CMYK 0 / 11 / 70 / 37

HEX #A08F30

RGB 160 143 48

HSL 50.89, 0.54%, 0.41%

LAB 59.28, -4.75, 50.59

 

CMYK 70 / 0 / 68 / 37

HEX #30A134

RGB 48 161 52

HSL 122.12, 0.54%, 0.41%

LAB 58.38, -52.94, 46.01

 

CMYK 70 / 58 / 0 / 37

HEX #3043A1

RGB 48 67 161

HSL 229.91, 0.54%, 0.41%

LAB 32.29, 25.17, -53.22

 

CMYK 0 / 70 / 2 / 37

HEX #A1309D

RGB 161 48 157

HSL 302.12, 0.54%, 0.41%

LAB 41.41, 58.78, -35.47

 

CMYK 0 / 11 / 70 / 37

HEX #A08F30

RGB 160 143 48

HSL 50.89, 0.54%, 0.41%

LAB 59.28, -4.75, 50.59

 

CMYK 70 / 0 / 47 / 37

HEX #30A156

RGB 48 161 86

HSL 140.18, 0.54%, 0.41%

LAB 58.78, -48.31, 30.07

 

CMYK 70 / 58 / 0 / 37

HEX #3043A1

RGB 48 67 161

HSL 229.91, 0.54%, 0.41%

LAB 32.29, 25.17, -53.22

 

CMYK 0 / 70 / 24 / 37

HEX #A1307B

RGB 161 48 123

HSL 320.18, 0.54%, 0.41%

LAB 39.78, 53.59, -17.26

 

Description

Color code: HEX #A08F30 | qconv.com Color code: HEX #A08F30 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 143 green and 48 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 143 48 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 70 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 70% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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