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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A083DB it is the complementary color #5F7C24. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A083DB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A083DB shade: #A583D6, #B695E9, #C7A7FC, #D8B9FF and #E9CBFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A083DB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A083DB shade: #A083DB, #8F71C8, #7E5FB5, #6D4DA2 and #5C3B8F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A083DB shade: #A184DB, #B984DB, #D084DB, #DB84CF and #DB84B8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A083DB shade: #A184DB, #8A84DB and #8484DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A083DB shade matches the following richer shades: #A184DB, #9D78E8 and #986BF5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A083DB shade: #A184DB, #A591CF, #AA9EC2, #AEABB5 and #B3B8A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A083DB shade: #8497DB, #8984DB, #A084DB, #B784DB and #CE84DB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A083DB shade: #7045C9, #8964D2, #A184DB, #BAA4E5 and #D2C4EE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A083DB shade: #A083DB, #DB84AF and #8CDB84

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A083DB shade: #A083DB, #DBA084 and #84DBA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A083DB shade: #A083DB, #DB84AF, #C0DB84 and #84DBB1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A083DB shade: #A083DB, #DB8494, #C0DB84 and #84DBCB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 40 / 0 / 14

HEX #A083DB

RGB 160 131 219

HSL 259.77, 0.55%, 0.69%

LAB 60.62, 29.47, -41.09

 

Complementary color

CMYK 23 / 0 / 71 / 51

HEX #5F7C24

RGB 95 124 36

HSL 79.77, 0.55%, 0.31%

LAB 48.23, -24.32, 42.63

 

CMYK 23 / 39 / 0 / 16

HEX #A583D6

RGB 165 131 214

HSL 264.58, 0.5%, 0.68%

LAB 60.86, 29.71, -37.89

 

CMYK 22 / 36 / 0 / 9

HEX #B695E9

RGB 182 149 233

HSL 263.57, 0.66%, 0.75%

LAB 67.52, 28.97, -37.92

 

CMYK 21 / 34 / 0 / 1

HEX #C7A7FC

RGB 199 167 252

HSL 262.59, 0.93%, 0.82%

LAB 74.07, 28.29, -37.97

 

CMYK 15 / 27 / 0 / 0

HEX #D8B9FF

RGB 216 185 255

HSL 266.57, 1%, 0.86%

LAB 79.91, 24.21, -30.44

 

CMYK 9 / 20 / 0 / 0

HEX #E9CBFF

RGB 233 203 255

HSL 274.62, 1%, 0.9%

LAB 85.63, 19.84, -21.57

 

CMYK 27 / 40 / 0 / 14

HEX #A083DB

RGB 160 131 219

HSL 259.77, 0.55%, 0.69%

LAB 60.62, 29.47, -41.09

 

CMYK 29 / 44 / 0 / 22

HEX #8F71C8

RGB 143 113 200

HSL 260.69, 0.44%, 0.61%

LAB 53.84, 30.32, -41.16

 

CMYK 30 / 48 / 0 / 29

HEX #7E5FB5

RGB 126 95 181

HSL 261.63, 0.37%, 0.54%

LAB 46.92, 31.25, -41.25

 

CMYK 33 / 52 / 0 / 36

HEX #6D4DA2

RGB 109 77 162

HSL 262.59, 0.36%, 0.47%

LAB 39.86, 32.28, -41.37

 

CMYK 36 / 59 / 0 / 44

HEX #5C3B8F

RGB 92 59 143

HSL 263.57, 0.42%, 0.4%

LAB 32.67, 33.4, -41.48

 

CMYK 26 / 40 / 0 / 14

HEX #A184DB

RGB 161 132 219

HSL 260, 0.55%, 0.69%

LAB 60.95, 29.18, -40.57

 

CMYK 16 / 40 / 0 / 14

HEX #B984DB

RGB 185 132 219

HSL 276.55, 0.55%, 0.69%

LAB 63.29, 36.18, -36.75

 

CMYK 5 / 40 / 0 / 14

HEX #D084DB

RGB 208 132 219

HSL 292.41, 0.55%, 0.69%

LAB 65.77, 43.07, -32.69

 

CMYK 0 / 40 / 5 / 14

HEX #DB84CF

RGB 219 132 207

HSL 308.28, 0.55%, 0.69%

LAB 66.57, 44.26, -24.67

 

CMYK 0 / 40 / 16 / 14

HEX #DB84B8

RGB 219 132 184

HSL 324.14, 0.55%, 0.69%

LAB 65.77, 40.45, -12.99

 

CMYK 26 / 40 / 0 / 14

HEX #A184DB

RGB 161 132 219

HSL 260, 0.55%, 0.69%

LAB 60.95, 29.18, -40.57

 

CMYK 37 / 40 / 0 / 14

HEX #8A84DB

RGB 138 132 219

HSL 244.14, 0.55%, 0.69%

LAB 58.99, 22.84, -43.78

 

CMYK 40 / 40 / 0 / 14

HEX #8484DB

RGB 132 132 219

HSL 240, 0.55%, 0.69%

LAB 58.53, 21.26, -44.55

 

CMYK 26 / 40 / 0 / 14

HEX #A184DB

RGB 161 132 219

HSL 260, 0.55%, 0.69%

LAB 60.95, 29.18, -40.57

 

CMYK 32 / 48 / 0 / 9

HEX #9D78E8

RGB 157 120 232

HSL 259.82, 0.71%, 0.69%

LAB 58.44, 38.15, -51.82

 

CMYK 38 / 56 / 0 / 4

HEX #986BF5

RGB 152 107 245

HSL 259.57, 0.87%, 0.69%

LAB 55.87, 47.53, -63.19

 

CMYK 26 / 40 / 0 / 14

HEX #A184DB

RGB 161 132 219

HSL 260, 0.55%, 0.69%

LAB 60.95, 29.18, -40.57

 

CMYK 20 / 30 / 0 / 19

HEX #A591CF

RGB 165 145 207

HSL 259.35, 0.39%, 0.69%

LAB 63.96, 20.11, -29.15

 

CMYK 12 / 19 / 0 / 24

HEX #AA9EC2

RGB 170 158 194

HSL 260, 0.23%, 0.69%

LAB 67.2, 11.47, -16.92

 

CMYK 4 / 6 / 0 / 29

HEX #AEABB5

RGB 174 171 181

HSL 258, 0.06%, 0.69%

LAB 70.5, 2.98, -4.75

 

CMYK 3 / 0 / 9 / 28

HEX #B3B8A8

RGB 179 184 168

HSL 78.75, 0.1%, 0.69%

LAB 73.99, -4.66, 7.52

 

CMYK 40 / 31 / 0 / 14

HEX #8497DB

RGB 132 151 219

HSL 226.9, 0.55%, 0.69%

LAB 63.47, 10.18, -36.79

 

CMYK 37 / 40 / 0 / 14

HEX #8984DB

RGB 137 132 219

HSL 243.45, 0.55%, 0.69%

LAB 58.91, 22.57, -43.91

 

CMYK 27 / 40 / 0 / 14

HEX #A084DB

RGB 160 132 219

HSL 259.31, 0.55%, 0.69%

LAB 60.86, 28.9, -40.72

 

CMYK 16 / 40 / 0 / 14

HEX #B784DB

RGB 183 132 219

HSL 275.17, 0.55%, 0.69%

LAB 63.08, 35.59, -37.08

 

CMYK 6 / 40 / 0 / 14

HEX #CE84DB

RGB 206 132 219

HSL 291.03, 0.55%, 0.69%

LAB 65.54, 42.47, -33.06

 

CMYK 44 / 66 / 0 / 21

HEX #7045C9

RGB 112 69 201

HSL 259.55, 0.55%, 0.53%

LAB 41.09, 48.09, -62.33

 

CMYK 35 / 52 / 0 / 18

HEX #8964D2

RGB 137 100 210

HSL 260.18, 0.55%, 0.61%

LAB 50.79, 38.79, -51.73

 

CMYK 26 / 40 / 0 / 14

HEX #A184DB

RGB 161 132 219

HSL 260, 0.55%, 0.69%

LAB 60.95, 29.18, -40.57

 

CMYK 19 / 28 / 0 / 10

HEX #BAA4E5

RGB 186 164 229

HSL 260.31, 0.56%, 0.77%

LAB 71.31, 20.9, -29.81

 

CMYK 12 / 18 / 0 / 7

HEX #D2C4EE

RGB 210 196 238

HSL 260, 0.55%, 0.85%

LAB 81.49, 12.85, -18.98

 

CMYK 27 / 40 / 0 / 14

HEX #A083DB

RGB 160 131 219

HSL 259.77, 0.55%, 0.69%

LAB 60.62, 29.47, -41.09

 

CMYK 0 / 40 / 20 / 14

HEX #DB84AF

RGB 219 132 175

HSL 330.34, 0.55%, 0.69%

LAB 65.48, 39.07, -8.34

 

CMYK 36 / 0 / 40 / 14

HEX #8CDB84

RGB 140 219 132

HSL 114.48, 0.55%, 0.69%

LAB 80.69, -41.08, 35.29

 

CMYK 27 / 40 / 0 / 14

HEX #A083DB

RGB 160 131 219

HSL 259.77, 0.55%, 0.69%

LAB 60.62, 29.47, -41.09

 

CMYK 0 / 27 / 40 / 14

HEX #DBA084

RGB 219 160 132

HSL 19.31, 0.55%, 0.69%

LAB 70.78, 18.37, 23.21

 

CMYK 40 / 0 / 27 / 14

HEX #84DBA0

RGB 132 219 160

HSL 139.31, 0.55%, 0.69%

LAB 80.8, -38.85, 20.96

 

CMYK 27 / 40 / 0 / 14

HEX #A083DB

RGB 160 131 219

HSL 259.77, 0.55%, 0.69%

LAB 60.62, 29.47, -41.09

 

CMYK 0 / 40 / 20 / 14

HEX #DB84AF

RGB 219 132 175

HSL 330.34, 0.55%, 0.69%

LAB 65.48, 39.07, -8.34

 

CMYK 12 / 0 / 40 / 14

HEX #C0DB84

RGB 192 219 132

HSL 78.62, 0.55%, 0.69%

LAB 83.72, -22.92, 39.81

 

CMYK 40 / 0 / 19 / 14

HEX #84DBB1

RGB 132 219 177

HSL 151.03, 0.55%, 0.69%

LAB 81.15, -35.56, 12.5

 

CMYK 27 / 40 / 0 / 14

HEX #A083DB

RGB 160 131 219

HSL 259.77, 0.55%, 0.69%

LAB 60.62, 29.47, -41.09

 

CMYK 0 / 40 / 32 / 14

HEX #DB8494

RGB 219 132 148

HSL 348.97, 0.55%, 0.69%

LAB 64.72, 35.32, 5.84

 

CMYK 12 / 0 / 40 / 14

HEX #C0DB84

RGB 192 219 132

HSL 78.62, 0.55%, 0.69%

LAB 83.72, -22.92, 39.81

 

CMYK 40 / 0 / 7 / 14

HEX #84DBCB

RGB 132 219 203

HSL 168.97, 0.55%, 0.69%

LAB 81.77, -29.94, -0.39

 

Description

Color code: HEX #A083DB | qconv.com Color code: HEX #A083DB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 131 green and 219 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 131 219 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 40 magenta, none yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 40% 0% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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