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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A07C0000 it is the complementary color #5F83FF00. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A07C0000. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A07C0000 shade: #A57C0000, #B68E0E00, #C7A02100, #D8B23400 and #E9C44700

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A07C0000. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A07C0000 shade: #A07C0000, #8F6A0000, #7E580000, #6D460000 and #5C340000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A07C0000 shade: #9E7B00, #9E5000, #9E2500 and #9E0000

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A07C0000 shade: #9E7B00, #979E00, #6C9E00, #429E00 and #179E00

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A07C0000 shade matches the following richer shades: #9E7B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A07C0000 shade: #9E7B00, #91730D, #856C1A, #786526 and #6B5E33

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A07C0000 shade: #9E2500, #9E4F00, #9E7900, #999E00 and #6F9E00

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A07C0000 shade: #4C3B00, #755B00, #9E7B00, #C79B00 and #F1BA00

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A07C0000 shade: #A07C00, #059E00 and #3A009E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A07C0000 shade: #A07C00, #009E79 and #79009E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A07C0000 shade: #A07C00, #059E00, #00259E and #99009E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A07C0000 shade: #A07C00, #009E2A, #00259E and #9E0074

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 0 / 0 / 0

HEX #A07C0000

RGBA 160 124 0 0

HSLA 46.5, 1%, 0.31%, 0

LABA 53.91, 4.28, 59.59, 0

 

Complementary color

CMYK 0 / 0 / 0 / 0

HEX #5F83FF00

RGBA 95 131 255 0

HSLA 226.5, 1%, 0.69%, 0

LABA 57.93, 25.09, -65.62, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A57C0000

RGBA 165 124 0 0

HSLA 45.09, 1%, 0.32%, 0

LABA 54.46, 6.6, 60.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #B68E0E00

RGBA 182 142 14 0

HSLA 45.71, 0.86%, 0.38%, 0

LABA 61.07, 4.6, 63.5, 0

 

CMYK 0 / 0 / 0 / 0

HEX #C7A02100

RGBA 199 160 33 0

HSLA 45.9, 0.72%, 0.45%, 0

LABA 67.57, 2.87, 64.98, 0

 

CMYK 0 / 0 / 0 / 0

HEX #D8B23400

RGBA 216 178 52 0

HSLA 46.1, 0.68%, 0.53%, 0

LABA 73.99, 1.4, 65.23, 0

 

CMYK 0 / 0 / 0 / 0

HEX #E9C44700

RGBA 233 196 71 0

HSLA 46.3, 0.79%, 0.6%, 0

LABA 80.32, 0.15, 64.79, 0

 

CMYK 0 / 0 / 0 / 0

HEX #A07C0000

RGBA 160 124 0 0

HSLA 46.5, 1%, 0.31%, 0

LABA 53.91, 4.28, 59.59, 0

 

CMYK 0 / 0 / 0 / 0

HEX #8F6A0000

RGBA 143 106 0 0

HSLA 44.48, 1%, 0.28%, 0

LABA 47.17, 6.55, 54.04, 0

 

CMYK 0 / 0 / 0 / 0

HEX #7E580000

RGBA 126 88 0 0

HSLA 41.9, 1%, 0.25%, 0

LABA 40.27, 8.94, 48.38, 0

 

CMYK 0 / 0 / 0 / 0

HEX #6D460000

RGBA 109 70 0 0

HSLA 38.53, 1%, 0.21%, 0

LABA 33.2, 11.48, 42.6, 0

 

CMYK 0 / 0 / 0 / 0

HEX #5C340000

RGBA 92 52 0 0

HSLA 33.91, 1%, 0.18%, 0

LABA 25.96, 14.2, 35.94, 0

 

CMYK 0 / 22 / 100 / 38

HEX #9E7B00

RGB 158 123 0

HSL 46.71, 1%, 0.31%

LAB 53.42, 3.92, 59.15

 

CMYK 0 / 49 / 100 / 38

HEX #9E5000

RGB 158 80 0

HSL 30.38, 1%, 0.31%

LAB 42.77, 28.21, 52.18

 

CMYK 0 / 77 / 100 / 38

HEX #9E2500

RGB 158 37 0

HSL 14.05, 1%, 0.31%

LAB 35.19, 48.13, 48.07

 

CMYK 0 / 100 / 100 / 38

HEX #9E0000

RGB 158 0 0

HSL 0, 1%, 0.31%

LAB 32.41, 56.02, 46.44

 

CMYK 0 / 22 / 100 / 38

HEX #9E7B00

RGB 158 123 0

HSL 46.71, 1%, 0.31%

LAB 53.42, 3.92, 59.15

 

CMYK 4 / 0 / 100 / 38

HEX #979E00

RGB 151 158 0

HSL 62.66, 1%, 0.31%

LAB 62.54, -18.2, 65.38

 

CMYK 32 / 0 / 100 / 38

HEX #6C9E00

RGB 108 158 0

HSL 78.99, 1%, 0.31%

LAB 59.56, -36.4, 61.83

 

CMYK 58 / 0 / 100 / 38

HEX #429E00

RGB 66 158 0

HSL 94.94, 1%, 0.31%

LAB 57.67, -50.53, 59.54

 

CMYK 85 / 0 / 100 / 38

HEX #179E00

RGB 23 158 0

HSL 111.27, 1%, 0.31%

LAB 56.72, -58.63, 58.38

 

CMYK 0 / 22 / 100 / 38

HEX #9E7B00

RGB 158 123 0

HSL 46.71, 1%, 0.31%

LAB 53.42, 3.92, 59.15

 

CMYK 0 / 22 / 100 / 38

HEX #9E7B00

RGB 158 123 0

HSL 46.71, 1%, 0.31%

LAB 53.42, 3.92, 59.15

 

CMYK 0 / 21 / 91 / 43

HEX #91730D

RGB 145 115 13

HSL 46.36, 0.84%, 0.31%

LAB 49.87, 2.57, 53.35

 

CMYK 0 / 19 / 80 / 48

HEX #856C1A

RGB 133 108 26

HSL 45.98, 0.67%, 0.31%

LAB 46.69, 1.3, 46.23

 

CMYK 0 / 16 / 68 / 53

HEX #786526

RGB 120 101 38

HSL 46.1, 0.52%, 0.31%

LAB 43.42, -0.17, 37.34

 

CMYK 0 / 12 / 52 / 58

HEX #6B5E33

RGB 107 94 51

HSL 46.07, 0.35%, 0.31%

LAB 40.2, -1.08, 26.41

 

CMYK 0 / 77 / 100 / 38

HEX #9E2500

RGB 158 37 0

HSL 14.05, 1%, 0.31%

LAB 35.19, 48.13, 48.07

 

CMYK 0 / 50 / 100 / 38

HEX #9E4F00

RGB 158 79 0

HSL 30, 1%, 0.31%

LAB 42.55, 28.76, 52.05

 

CMYK 0 / 23 / 100 / 38

HEX #9E7900

RGB 158 121 0

HSL 45.95, 1%, 0.31%

LAB 52.89, 5.04, 58.78

 

CMYK 3 / 0 / 100 / 38

HEX #999E00

RGB 153 158 0

HSL 61.9, 1%, 0.31%

LAB 62.7, -17.31, 65.58

 

CMYK 30 / 0 / 100 / 38

HEX #6F9E00

RGB 111 158 0

HSL 77.85, 1%, 0.31%

LAB 59.74, -35.22, 62.04

 

CMYK 0 / 22 / 100 / 70

HEX #4C3B00

RGB 76 59 0

HSL 46.58, 1%, 0.15%

LAB 25.76, 1.49, 34.96

 

CMYK 0 / 22 / 100 / 54

HEX #755B00

RGB 117 91 0

HSL 46.67, 1%, 0.23%

LAB 40.02, 2.76, 47.7

 

CMYK 0 / 22 / 100 / 38

HEX #9E7B00

RGB 158 123 0

HSL 46.71, 1%, 0.31%

LAB 53.42, 3.92, 59.15

 

CMYK 0 / 22 / 100 / 22

HEX #C79B00

RGB 199 155 0

HSL 46.73, 1%, 0.39%

LAB 66.2, 5, 70.06

 

CMYK 0 / 23 / 100 / 5

HEX #F1BA00

RGB 241 186 0

HSL 46.31, 1%, 0.47%

LAB 78.36, 6.99, 80.51

 

CMYK 0 / 23 / 100 / 37

HEX #A07C00

RGB 160 124 0

HSL 46.5, 1%, 0.31%

LAB 53.91, 4.28, 59.59

 

CMYK 97 / 0 / 100 / 38

HEX #059E00

RGB 5 158 0

HSL 118.1, 1%, 0.31%

LAB 56.57, -59.97, 58.2

 

CMYK 63 / 100 / 0 / 38

HEX #3A009E

RGB 58 0 158

HSL 262.03, 1%, 0.31%

LAB 21.46, 56.88, -69.18

 

CMYK 0 / 23 / 100 / 37

HEX #A07C00

RGB 160 124 0

HSL 46.5, 1%, 0.31%

LAB 53.91, 4.28, 59.59

 

CMYK 100 / 0 / 23 / 38

HEX #009E79

RGB 0 158 121

HSL 165.95, 1%, 0.31%

LAB 57.88, -44.23, 9.58

 

CMYK 23 / 100 / 0 / 38

HEX #79009E

RGB 121 0 158

HSL 285.95, 1%, 0.31%

LAB 30.72, 63.03, -53.61

 

CMYK 0 / 23 / 100 / 37

HEX #A07C00

RGB 160 124 0

HSL 46.5, 1%, 0.31%

LAB 53.91, 4.28, 59.59

 

CMYK 97 / 0 / 100 / 38

HEX #059E00

RGB 5 158 0

HSL 118.1, 1%, 0.31%

LAB 56.57, -59.97, 58.2

 

CMYK 100 / 77 / 0 / 38

HEX #00259E

RGB 0 37 158

HSL 225.95, 1%, 0.31%

LAB 22.97, 39.93, -66.77

 

CMYK 3 / 100 / 0 / 38

HEX #99009E

RGB 153 0 158

HSL 298.1, 1%, 0.31%

LAB 36.44, 67.87, -44.08

 

CMYK 0 / 23 / 100 / 37

HEX #A07C00

RGB 160 124 0

HSL 46.5, 1%, 0.31%

LAB 53.91, 4.28, 59.59

 

CMYK 100 / 0 / 73 / 38

HEX #009E2A

RGB 0 158 42

HSL 135.95, 1%, 0.31%

LAB 56.7, -58.13, 48.09

 

CMYK 100 / 77 / 0 / 38

HEX #00259E

RGB 0 37 158

HSL 225.95, 1%, 0.31%

LAB 22.97, 39.93, -66.77

 

CMYK 0 / 100 / 27 / 38

HEX #9E0074

RGB 158 0 116

HSL 315.95, 1%, 0.31%

LAB 35.06, 63, -20.2

 

Description

Color code: HEX #A07C0000 | qconv.com Color code: HEX #A07C0000 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 124 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 124 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, none magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 0% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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