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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0777E it is the complementary color #5F8881. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0777E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0777E shade: #A57779, #B6898C, #C79B9F, #D8ADB2 and #E9BFC5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0777E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0777E shade: #A0777E, #8F656B, #7E5358, #6D4145 and #5C2F32

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0777E shade: #A1787F and #A17878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0777E shade: #A1787F, #A1788A, #A17895, #A178A0 and #9778A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0777E shade matches the following richer shades: #A1787F, #B36572, #C65266, #D9405A and #EB2D4E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0777E shade: #A1787F, #8E8A8B, #7C9D97, #69AFA3 and #57C2B0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0777E shade: #A17895, #A1788A, #A1787F, #A17B78 and #A18678

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0777E shade: #755157, #8D6269, #A1787F, #B29096 and #C3A8AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0777E shade: #A0777E, #A0A178 and #7890A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0777E shade: #A0777E, #7FA178 and #787FA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0777E shade: #A0777E, #A0A178, #78A199 and #7878A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0777E shade: #A0777E, #94A178, #78A199 and #8578A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 21 / 37

HEX #A0777E

RGB 160 119 126

HSL 349.76, 0.18%, 0.55%

LAB 54.21, 17.13, 2.45

 

Complementary color

CMYK 30 / 0 / 5 / 47

HEX #5F8881

RGB 95 136 129

HSL 169.76, 0.18%, 0.45%

LAB 53.63, -15.75, -0.8

 

CMYK 0 / 28 / 27 / 35

HEX #A57779

RGB 165 119 121

HSL 357.39, 0.2%, 0.56%

LAB 54.63, 18.31, 6.04

 

CMYK 0 / 25 / 23 / 29

HEX #B6898C

RGB 182 137 140

HSL 356, 0.24%, 0.63%

LAB 61.42, 17.61, 5.08

 

CMYK 0 / 22 / 20 / 22

HEX #C79B9F

RGB 199 155 159

HSL 354.55, 0.28%, 0.69%

LAB 68.09, 16.98, 4.21

 

CMYK 0 / 20 / 18 / 15

HEX #D8ADB2

RGB 216 173 178

HSL 353.02, 0.36%, 0.76%

LAB 74.64, 16.42, 3.4

 

CMYK 0 / 18 / 15 / 9

HEX #E9BFC5

RGB 233 191 197

HSL 351.43, 0.49%, 0.83%

LAB 81.08, 15.91, 2.64

 

CMYK 0 / 26 / 21 / 37

HEX #A0777E

RGB 160 119 126

HSL 349.76, 0.18%, 0.55%

LAB 54.21, 17.13, 2.45

 

CMYK 0 / 29 / 25 / 44

HEX #8F656B

RGB 143 101 107

HSL 351.43, 0.17%, 0.48%

LAB 47.25, 17.85, 3.38

 

CMYK 0 / 34 / 30 / 51

HEX #7E5358

RGB 126 83 88

HSL 353.02, 0.21%, 0.41%

LAB 40.13, 18.69, 4.45

 

CMYK 0 / 40 / 37 / 57

HEX #6D4145

RGB 109 65 69

HSL 354.55, 0.25%, 0.34%

LAB 32.84, 19.67, 5.71

 

CMYK 0 / 49 / 46 / 64

HEX #5C2F32

RGB 92 47 50

HSL 356, 0.32%, 0.27%

LAB 25.38, 20.8, 7.29

 

CMYK 0 / 25 / 21 / 37

HEX #A1787F

RGB 161 120 127

HSL 349.76, 0.18%, 0.55%

LAB 54.6, 17.1, 2.44

 

CMYK 0 / 25 / 25 / 37

HEX #A17878

RGB 161 120 120

HSL 0, 0.18%, 0.55%

LAB 54.41, 16.02, 6.26

 

CMYK 0 / 25 / 21 / 37

HEX #A1787F

RGB 161 120 127

HSL 349.76, 0.18%, 0.55%

LAB 54.6, 17.1, 2.44

 

CMYK 0 / 25 / 14 / 37

HEX #A1788A

RGB 161 120 138

HSL 333.66, 0.18%, 0.55%

LAB 54.91, 18.93, -3.52

 

CMYK 0 / 25 / 7 / 37

HEX #A17895

RGB 161 120 149

HSL 317.56, 0.18%, 0.55%

LAB 55.26, 20.89, -9.41

 

CMYK 0 / 25 / 1 / 37

HEX #A178A0

RGB 161 120 160

HSL 301.46, 0.18%, 0.55%

LAB 55.63, 22.98, -15.23

 

CMYK 6 / 25 / 0 / 37

HEX #9778A1

RGB 151 120 161

HSL 285.37, 0.18%, 0.55%

LAB 54.64, 19.71, -17.4

 

CMYK 0 / 25 / 21 / 37

HEX #A1787F

RGB 161 120 127

HSL 349.76, 0.18%, 0.55%

LAB 54.6, 17.1, 2.44

 

CMYK 0 / 44 / 36 / 30

HEX #B36572

RGB 179 101 114

HSL 350, 0.34%, 0.55%

LAB 51.96, 32.82, 6.56

 

CMYK 0 / 59 / 48 / 22

HEX #C65266

RGB 198 82 102

HSL 349.66, 0.5%, 0.55%

LAB 50.69, 48.02, 12.32

 

CMYK 0 / 71 / 59 / 15

HEX #D9405A

RGB 217 64 90

HSL 349.8, 0.67%, 0.55%

LAB 50.87, 60.67, 20.3

 

CMYK 0 / 81 / 67 / 8

HEX #EB2D4E

RGB 235 45 78

HSL 349.58, 0.83%, 0.55%

LAB 51.94, 70.84, 29.51

 

CMYK 0 / 25 / 21 / 37

HEX #A1787F

RGB 161 120 127

HSL 349.76, 0.18%, 0.55%

LAB 54.6, 17.1, 2.44

 

CMYK 0 / 3 / 2 / 44

HEX #8E8A8B

RGB 142 138 139

HSL 345, 0.02%, 0.55%

LAB 57.84, 1.68, -0.01

 

CMYK 21 / 0 / 4 / 38

HEX #7C9D97

RGB 124 157 151

HSL 169.09, 0.14%, 0.55%

LAB 62.2, -12.67, -0.63

 

CMYK 40 / 0 / 7 / 31

HEX #69AFA3

RGB 105 175 163

HSL 169.71, 0.3%, 0.55%

LAB 66.75, -24.93, -0.79

 

CMYK 55 / 0 / 9 / 24

HEX #57C2B0

RGB 87 194 176

HSL 169.91, 0.47%, 0.55%

LAB 72.06, -35.17, -0.27

 

CMYK 0 / 25 / 7 / 37

HEX #A17895

RGB 161 120 149

HSL 317.56, 0.18%, 0.55%

LAB 55.26, 20.89, -9.41

 

CMYK 0 / 25 / 14 / 37

HEX #A1788A

RGB 161 120 138

HSL 333.66, 0.18%, 0.55%

LAB 54.91, 18.93, -3.52

 

CMYK 0 / 25 / 21 / 37

HEX #A1787F

RGB 161 120 127

HSL 349.76, 0.18%, 0.55%

LAB 54.6, 17.1, 2.44

 

CMYK 0 / 24 / 25 / 37

HEX #A17B78

RGB 161 123 120

HSL 4.39, 0.18%, 0.55%

LAB 55.17, 14.3, 7.34

 

CMYK 0 / 17 / 25 / 37

HEX #A18678

RGB 161 134 120

HSL 20.49, 0.18%, 0.55%

LAB 58.02, 8.05, 11.37

 

CMYK 0 / 31 / 26 / 54

HEX #755157

RGB 117 81 87

HSL 350, 0.18%, 0.39%

LAB 38.47, 16.03, 2.54

 

CMYK 0 / 30 / 26 / 45

HEX #8D6269

RGB 141 98 105

HSL 350.23, 0.18%, 0.47%

LAB 46.2, 18.5, 3.05

 

CMYK 0 / 25 / 21 / 37

HEX #A1787F

RGB 161 120 127

HSL 349.76, 0.18%, 0.55%

LAB 54.6, 17.1, 2.44

 

CMYK 0 / 19 / 16 / 30

HEX #B29096

RGB 178 144 150

HSL 349.41, 0.18%, 0.63%

LAB 63.02, 13.76, 1.67

 

CMYK 0 / 14 / 11 / 24

HEX #C3A8AD

RGB 195 168 173

HSL 348.89, 0.18%, 0.71%

LAB 71.3, 10.65, 1.06

 

CMYK 0 / 26 / 21 / 37

HEX #A0777E

RGB 160 119 126

HSL 349.76, 0.18%, 0.55%

LAB 54.21, 17.13, 2.45

 

CMYK 1 / 0 / 25 / 37

HEX #A0A178

RGB 160 161 120

HSL 61.46, 0.18%, 0.55%

LAB 65.22, -7.26, 21.3

 

CMYK 25 / 11 / 0 / 37

HEX #7890A1

RGB 120 144 161

HSL 204.88, 0.18%, 0.55%

LAB 58.52, -4.51, -11.79

 

CMYK 0 / 26 / 21 / 37

HEX #A0777E

RGB 160 119 126

HSL 349.76, 0.18%, 0.55%

LAB 54.21, 17.13, 2.45

 

CMYK 21 / 0 / 25 / 37

HEX #7FA178

RGB 127 161 120

HSL 109.76, 0.18%, 0.55%

LAB 62.81, -19.81, 17.62

 

CMYK 25 / 21 / 0 / 37

HEX #787FA1

RGB 120 127 161

HSL 229.76, 0.18%, 0.55%

LAB 53.76, 5.24, -19.01

 

CMYK 0 / 26 / 21 / 37

HEX #A0777E

RGB 160 119 126

HSL 349.76, 0.18%, 0.55%

LAB 54.21, 17.13, 2.45

 

CMYK 1 / 0 / 25 / 37

HEX #A0A178

RGB 160 161 120

HSL 61.46, 0.18%, 0.55%

LAB 65.22, -7.26, 21.3

 

CMYK 25 / 0 / 5 / 37

HEX #78A199

RGB 120 161 153

HSL 168.29, 0.18%, 0.55%

LAB 63.16, -15.65, -0.37

 

CMYK 25 / 25 / 0 / 37

HEX #7878A1

RGB 120 120 161

HSL 240, 0.18%, 0.55%

LAB 51.84, 9.37, -21.95

 

CMYK 0 / 26 / 21 / 37

HEX #A0777E

RGB 160 119 126

HSL 349.76, 0.18%, 0.55%

LAB 54.21, 17.13, 2.45

 

CMYK 8 / 0 / 25 / 37

HEX #94A178

RGB 148 161 120

HSL 79.02, 0.18%, 0.55%

LAB 64.28, -11.95, 19.86

 

CMYK 25 / 0 / 5 / 37

HEX #78A199

RGB 120 161 153

HSL 168.29, 0.18%, 0.55%

LAB 63.16, -15.65, -0.37

 

CMYK 17 / 25 / 0 / 37

HEX #8578A1

RGB 133 120 161

HSL 259.02, 0.18%, 0.55%

LAB 52.94, 13.61, -20.15

 

Description

Color code: HEX #A0777E | qconv.com Color code: HEX #A0777E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 119 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 119 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 21 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 21% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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