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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A07503 it is the complementary color #5F8AFC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A07503. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A07503 shade: #A57500, #B68711, #C79924, #D8AB37 and #E9BD4A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A07503. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A07503 shade: #A07503, #8F6300, #7E5100, #6D3F00 and #5C2D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A07503 shade: #A07503, #A04B03, #A02103 and #A00303

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A07503 shade: #A07503, #A09F03, #76A003, #4CA003 and #22A003

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A07503 shade matches the following richer shades: #A07503

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A07503 shade: #A07503, #936F10, #86691E, #78632B and #6B5D38

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A07503 shade: #A02003, #A04A03, #A07403, #A09D03 and #79A003

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A07503 shade: #4F3A02, #785702, #A07503, #C89304 and #F1B005

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A07503 shade: #A07503, #10A003 and #3503A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A07503 shade: #A07503, #03A074 and #7403A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A07503 shade: #A07503, #10A003, #0330A0 and #9303A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A07503 shade: #A07503, #03A025, #0330A0 and #A0037E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 98 / 37

HEX #A07503

RGB 160 117 3

HSL 43.57, 0.96%, 0.32%

LAB 52.07, 8.28, 57.73

 

Complementary color

CMYK 62 / 45 / 0 / 1

HEX #5F8AFC

RGB 95 138 252

HSL 223.57, 0.96%, 0.68%

LAB 59.56, 19.88, -61.35

 

CMYK 0 / 29 / 100 / 35

HEX #A57500

RGB 165 117 0

HSL 42.55, 1%, 0.32%

LAB 52.64, 10.55, 58.99

 

CMYK 0 / 26 / 91 / 29

HEX #B68711

RGB 182 135 17

HSL 42.91, 0.83%, 0.39%

LAB 59.26, 8.51, 61.53

 

CMYK 0 / 23 / 82 / 22

HEX #C79924

RGB 199 153 36

HSL 43.07, 0.69%, 0.46%

LAB 65.79, 6.74, 62.55

 

CMYK 0 / 21 / 75 / 15

HEX #D8AB37

RGB 216 171 55

HSL 43.23, 0.67%, 0.53%

LAB 72.23, 5.23, 62.46

 

CMYK 0 / 19 / 68 / 9

HEX #E9BD4A

RGB 233 189 74

HSL 43.4, 0.78%, 0.6%

LAB 78.59, 3.94, 61.78

 

CMYK 0 / 27 / 98 / 37

HEX #A07503

RGB 160 117 3

HSL 43.57, 0.96%, 0.32%

LAB 52.07, 8.28, 57.73

 

CMYK 0 / 31 / 100 / 44

HEX #8F6300

RGB 143 99 0

HSL 41.54, 1%, 0.28%

LAB 45.31, 10.6, 52.78

 

CMYK 0 / 36 / 100 / 51

HEX #7E5100

RGB 126 81 0

HSL 38.57, 1%, 0.25%

LAB 38.41, 13.1, 47.14

 

CMYK 0 / 42 / 100 / 57

HEX #6D3F00

RGB 109 63 0

HSL 34.68, 1%, 0.21%

LAB 31.36, 15.74, 41.38

 

CMYK 0 / 51 / 100 / 64

HEX #5C2D00

RGB 92 45 0

HSL 29.35, 1%, 0.18%

LAB 24.17, 18.51, 34.24

 

CMYK 0 / 27 / 98 / 37

HEX #A07503

RGB 160 117 3

HSL 43.57, 0.96%, 0.32%

LAB 52.07, 8.28, 57.73

 

CMYK 0 / 53 / 98 / 37

HEX #A04B03

RGB 160 75 3

HSL 27.52, 0.96%, 0.32%

LAB 42.02, 31.79, 51.01

 

CMYK 0 / 79 / 98 / 37

HEX #A02103

RGB 160 33 3

HSL 11.46, 0.96%, 0.32%

LAB 35.14, 50.12, 47.05

 

CMYK 0 / 98 / 98 / 37

HEX #A00303

RGB 160 3 3

HSL 0, 0.96%, 0.32%

LAB 33.02, 56.17, 45.83

 

CMYK 0 / 27 / 98 / 37

HEX #A07503

RGB 160 117 3

HSL 43.57, 0.96%, 0.32%

LAB 52.07, 8.28, 57.73

 

CMYK 0 / 1 / 98 / 37

HEX #A09F03

RGB 160 159 3

HSL 59.62, 0.96%, 0.32%

LAB 63.57, -14.65, 66.06

 

CMYK 26 / 0 / 98 / 37

HEX #76A003

RGB 118 160 3

HSL 76.05, 0.96%, 0.32%

LAB 60.78, -33.27, 62.59

 

CMYK 53 / 0 / 98 / 37

HEX #4CA003

RGB 76 160 3

HSL 92.1, 0.96%, 0.32%

LAB 58.68, -48.33, 60.04

 

CMYK 79 / 0 / 98 / 37

HEX #22A003

RGB 34 160 3

HSL 108.15, 0.96%, 0.32%

LAB 57.55, -57.78, 58.66

 

CMYK 0 / 27 / 98 / 37

HEX #A07503

RGB 160 117 3

HSL 43.57, 0.96%, 0.32%

LAB 52.07, 8.28, 57.73

 

CMYK 0 / 27 / 98 / 37

HEX #A07503

RGB 160 117 3

HSL 43.57, 0.96%, 0.32%

LAB 52.07, 8.28, 57.73

 

CMYK 0 / 24 / 89 / 42

HEX #936F10

RGB 147 111 16

HSL 43.51, 0.8%, 0.32%

LAB 49.02, 5.87, 52.03

 

CMYK 0 / 22 / 78 / 47

HEX #86691E

RGB 134 105 30

HSL 43.27, 0.63%, 0.32%

LAB 46, 3.68, 44.04

 

CMYK 0 / 18 / 64 / 53

HEX #78632B

RGB 120 99 43

HSL 43.64, 0.47%, 0.32%

LAB 42.9, 1.36, 34.27

 

CMYK 0 / 13 / 48 / 58

HEX #6B5D38

RGB 107 93 56

HSL 43.53, 0.31%, 0.32%

LAB 39.98, 0.06, 23.28

 

CMYK 0 / 80 / 98 / 37

HEX #A02003

RGB 160 32 3

HSL 11.08, 0.96%, 0.32%

LAB 35.03, 50.43, 46.99

 

CMYK 0 / 54 / 98 / 37

HEX #A04A03

RGB 160 74 3

HSL 27.13, 0.96%, 0.32%

LAB 41.81, 32.32, 50.88

 

CMYK 0 / 28 / 98 / 37

HEX #A07403

RGB 160 116 3

HSL 43.18, 0.96%, 0.32%

LAB 51.8, 8.85, 57.54

 

CMYK 0 / 2 / 98 / 37

HEX #A09D03

RGB 160 157 3

HSL 58.85, 0.96%, 0.32%

LAB 63.01, -13.61, 65.64

 

CMYK 24 / 0 / 98 / 37

HEX #79A003

RGB 121 160 3

HSL 74.9, 0.96%, 0.32%

LAB 60.97, -32.05, 62.82

 

CMYK 0 / 27 / 97 / 69

HEX #4F3A02

RGB 79 58 2

HSL 43.64, 0.95%, 0.16%

LAB 25.84, 3.8, 34.36

 

CMYK 0 / 28 / 98 / 53

HEX #785702

RGB 120 87 2

HSL 43.22, 0.97%, 0.24%

LAB 39.27, 6.66, 46.75

 

CMYK 0 / 27 / 98 / 37

HEX #A07503

RGB 160 117 3

HSL 43.57, 0.96%, 0.32%

LAB 52.07, 8.28, 57.73

 

CMYK 0 / 27 / 98 / 22

HEX #C89304

RGB 200 147 4

HSL 43.78, 0.96%, 0.4%

LAB 64.29, 9.83, 68.23

 

CMYK 0 / 27 / 98 / 5

HEX #F1B005

RGB 241 176 5

HSL 43.47, 0.96%, 0.48%

LAB 75.92, 12.27, 78.3

 

CMYK 0 / 27 / 98 / 37

HEX #A07503

RGB 160 117 3

HSL 43.57, 0.96%, 0.32%

LAB 52.07, 8.28, 57.73

 

CMYK 90 / 0 / 98 / 37

HEX #10A003

RGB 16 160 3

HSL 115.03, 0.96%, 0.32%

LAB 57.33, -59.77, 58.39

 

CMYK 67 / 98 / 0 / 37

HEX #3503A0

RGB 53 3 160

HSL 259.11, 0.96%, 0.32%

LAB 21.43, 56.36, -70.47

 

CMYK 0 / 27 / 98 / 37

HEX #A07503

RGB 160 117 3

HSL 43.57, 0.96%, 0.32%

LAB 52.07, 8.28, 57.73

 

CMYK 98 / 0 / 28 / 37

HEX #03A074

RGB 3 160 116

HSL 163.18, 0.96%, 0.32%

LAB 58.44, -46.15, 13.17

 

CMYK 28 / 98 / 0 / 37

HEX #7403A0

RGB 116 3 160

HSL 283.18, 0.96%, 0.32%

LAB 30.2, 62.27, -55.72

 

CMYK 0 / 27 / 98 / 37

HEX #A07503

RGB 160 117 3

HSL 43.57, 0.96%, 0.32%

LAB 52.07, 8.28, 57.73

 

CMYK 90 / 0 / 98 / 37

HEX #10A003

RGB 16 160 3

HSL 115.03, 0.96%, 0.32%

LAB 57.33, -59.77, 58.39

 

CMYK 98 / 70 / 0 / 37

HEX #0330A0

RGB 3 48 160

HSL 222.8, 0.96%, 0.32%

LAB 25.78, 33.81, -63.35

 

CMYK 8 / 98 / 0 / 37

HEX #9303A0

RGB 147 3 160

HSL 295.03, 0.96%, 0.32%

LAB 35.61, 66.85, -46.69

 

CMYK 0 / 27 / 98 / 37

HEX #A07503

RGB 160 117 3

HSL 43.57, 0.96%, 0.32%

LAB 52.07, 8.28, 57.73

 

CMYK 98 / 0 / 77 / 37

HEX #03A025

RGB 3 160 37

HSL 132.99, 0.96%, 0.32%

LAB 57.36, -58.98, 50.59

 

CMYK 98 / 70 / 0 / 37

HEX #0330A0

RGB 3 48 160

HSL 222.8, 0.96%, 0.32%

LAB 25.78, 33.81, -63.35

 

CMYK 0 / 98 / 21 / 37

HEX #A0037E

RGB 160 3 126

HSL 312.99, 0.96%, 0.32%

LAB 36.07, 64.25, -24.89

 

Description

Color code: HEX #A07503 | qconv.com Color code: HEX #A07503 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 117 green and 3 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 117 3 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 98 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 98% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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