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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A06CCC it is the complementary color #5F9333. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A06CCC. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A06CCC shade: #A56CC7, #B67EDA, #C790ED, #D8A2FF and #E9B4FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A06CCC. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A06CCC shade: #A06CCC, #8F5AB9, #7E48A6, #6D3693 and #5C2480

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A06CCC shade: #A06CCB, #B96CCB, #CB6CC4, #CB6CAA and #CB6C90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A06CCC shade: #A06CCB, #866CCB and #6C6CCB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A06CCC shade matches the following richer shades: #A06CCB, #A15CDB, #A24CEB and #A43CFC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A06CCC shade: #A06CCB, #9E7CBB, #9D8CAB, #9C9C9B and #9AAC8B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A06CCC shade: #6C6CCB, #856CCB, #9F6CCB, #B86CCB and #CB6CC5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A06CCC shade: #773BA9, #8C4DC1, #A06CCB, #B38AD6 and #C7A9E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A06CCC shade: #A06CCC, #CB6C85 and #6CCB79

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A06CCC shade: #A06CCC, #CB9F6C and #6CCB9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A06CCC shade: #A06CCC, #CB6C85, #98CB6C and #6CCBB2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A06CCC shade: #A06CCC, #CB6F6C, #98CB6C and #6CC8CB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 47 / 0 / 20

HEX #A06CCC

RGB 160 108 204

HSL 272.5, 0.48%, 0.61%

LAB 54.61, 38.91, -42.09

 

Complementary color

CMYK 35 / 0 / 65 / 42

HEX #5F9333

RGB 95 147 51

HSL 92.5, 0.48%, 0.39%

LAB 55.62, -34.09, 43.96

 

CMYK 17 / 46 / 0 / 22

HEX #A56CC7

RGB 165 108 199

HSL 277.58, 0.45%, 0.6%

LAB 54.92, 39.2, -38.73

 

CMYK 17 / 42 / 0 / 15

HEX #B67EDA

RGB 182 126 218

HSL 276.52, 0.55%, 0.67%

LAB 61.59, 38.38, -38.86

 

CMYK 16 / 39 / 0 / 7

HEX #C790ED

RGB 199 144 237

HSL 275.48, 0.72%, 0.75%

LAB 68.17, 37.6, -38.98

 

CMYK 15 / 36 / 0 / 0

HEX #D8A2FF

RGB 216 162 255

HSL 274.84, 1%, 0.82%

LAB 74.61, 36.66, -38.62

 

CMYK 9 / 29 / 0 / 0

HEX #E9B4FF

RGB 233 180 255

HSL 282.4, 1%, 0.85%

LAB 80.28, 32.12, -29.73

 

CMYK 22 / 47 / 0 / 20

HEX #A06CCC

RGB 160 108 204

HSL 272.5, 0.48%, 0.61%

LAB 54.61, 38.91, -42.09

 

CMYK 23 / 51 / 0 / 27

HEX #8F5AB9

RGB 143 90 185

HSL 273.47, 0.4%, 0.54%

LAB 47.82, 39.79, -42.03

 

CMYK 24 / 57 / 0 / 35

HEX #7E48A6

RGB 126 72 166

HSL 274.47, 0.39%, 0.47%

LAB 40.93, 40.68, -41.93

 

CMYK 26 / 63 / 0 / 42

HEX #6D3693

RGB 109 54 147

HSL 275.48, 0.46%, 0.39%

LAB 33.97, 41.49, -41.72

 

CMYK 28 / 72 / 0 / 50

HEX #5C2480

RGB 92 36 128

HSL 276.52, 0.56%, 0.32%

LAB 27.01, 42.03, -41.29

 

CMYK 21 / 47 / 0 / 20

HEX #A06CCB

RGB 160 108 203

HSL 272.84, 0.48%, 0.61%

LAB 54.56, 38.68, -41.6

 

CMYK 9 / 47 / 0 / 20

HEX #B96CCB

RGB 185 108 203

HSL 288.63, 0.48%, 0.61%

LAB 57.42, 45.82, -36.92

 

CMYK 0 / 47 / 3 / 20

HEX #CB6CC4

RGB 203 108 196

HSL 304.42, 0.48%, 0.61%

LAB 59.35, 49.77, -29.76

 

CMYK 0 / 47 / 16 / 20

HEX #CB6CAA

RGB 203 108 170

HSL 320.84, 0.48%, 0.61%

LAB 58.34, 45.45, -16.42

 

CMYK 0 / 47 / 29 / 20

HEX #CB6C90

RGB 203 108 144

HSL 337.26, 0.48%, 0.61%

LAB 57.5, 41.67, -2.62

 

CMYK 21 / 47 / 0 / 20

HEX #A06CCB

RGB 160 108 203

HSL 272.84, 0.48%, 0.61%

LAB 54.56, 38.68, -41.6

 

CMYK 34 / 47 / 0 / 20

HEX #866CCB

RGB 134 108 203

HSL 256.42, 0.48%, 0.61%

LAB 51.96, 31.55, -45.9

 

CMYK 47 / 47 / 0 / 20

HEX #6C6CCB

RGB 108 108 203

HSL 240, 0.48%, 0.61%

LAB 49.77, 25.02, -49.51

 

CMYK 21 / 47 / 0 / 20

HEX #A06CCB

RGB 160 108 203

HSL 272.84, 0.48%, 0.61%

LAB 54.56, 38.68, -41.6

 

CMYK 26 / 58 / 0 / 14

HEX #A15CDB

RGB 161 92 219

HSL 272.6, 0.64%, 0.61%

LAB 52.23, 51.24, -54.4

 

CMYK 31 / 68 / 0 / 8

HEX #A24CEB

RGB 162 76 235

HSL 272.45, 0.8%, 0.61%

LAB 50.51, 62.89, -66.19

 

CMYK 35 / 76 / 0 / 1

HEX #A43CFC

RGB 164 60 252

HSL 272.5, 0.97%, 0.61%

LAB 49.68, 73.55, -77.05

 

CMYK 21 / 47 / 0 / 20

HEX #A06CCB

RGB 160 108 203

HSL 272.84, 0.48%, 0.61%

LAB 54.56, 38.68, -41.6

 

CMYK 16 / 34 / 0 / 27

HEX #9E7CBB

RGB 158 124 187

HSL 272.38, 0.32%, 0.61%

LAB 57.34, 25.36, -28.16

 

CMYK 8 / 18 / 0 / 33

HEX #9D8CAB

RGB 157 140 171

HSL 272.9, 0.16%, 0.61%

LAB 60.66, 12.37, -13.97

 

CMYK 0 / 0 / 1 / 39

HEX #9C9C9B

RGB 156 156 155

HSL 60, 0.01%, 0.61%

LAB 64.33, -0.19, 0.51

 

CMYK 10 / 0 / 19 / 33

HEX #9AAC8B

RGB 154 172 139

HSL 92.73, 0.17%, 0.61%

LAB 68.2, -12.42, 14.91

 

CMYK 47 / 47 / 0 / 20

HEX #6C6CCB

RGB 108 108 203

HSL 240, 0.48%, 0.61%

LAB 49.77, 25.02, -49.51

 

CMYK 34 / 47 / 0 / 20

HEX #856CCB

RGB 133 108 203

HSL 255.79, 0.48%, 0.61%

LAB 51.86, 31.29, -46.05

 

CMYK 22 / 47 / 0 / 20

HEX #9F6CCB

RGB 159 108 203

HSL 272.21, 0.48%, 0.61%

LAB 54.46, 38.39, -41.78

 

CMYK 9 / 47 / 0 / 20

HEX #B86CCB

RGB 184 108 203

HSL 288, 0.48%, 0.61%

LAB 57.3, 45.53, -37.12

 

CMYK 0 / 47 / 3 / 20

HEX #CB6CC5

RGB 203 108 197

HSL 303.79, 0.48%, 0.61%

LAB 59.39, 49.95, -30.27

 

CMYK 30 / 65 / 0 / 34

HEX #773BA9

RGB 119 59 169

HSL 272.73, 0.48%, 0.45%

LAB 37.69, 46.56, -48.97

 

CMYK 27 / 60 / 0 / 24

HEX #8C4DC1

RGB 140 77 193

HSL 272.59, 0.48%, 0.53%

LAB 45.27, 47.92, -50.78

 

CMYK 21 / 47 / 0 / 20

HEX #A06CCB

RGB 160 108 203

HSL 272.84, 0.48%, 0.61%

LAB 54.56, 38.68, -41.6

 

CMYK 16 / 36 / 0 / 16

HEX #B38AD6

RGB 179 138 214

HSL 272.37, 0.48%, 0.69%

LAB 63.85, 29.95, -33.13

 

CMYK 12 / 25 / 0 / 12

HEX #C7A9E1

RGB 199 169 225

HSL 272.14, 0.48%, 0.77%

LAB 73.52, 21.34, -24.16

 

CMYK 22 / 47 / 0 / 20

HEX #A06CCC

RGB 160 108 204

HSL 272.5, 0.48%, 0.61%

LAB 54.61, 38.91, -42.09

 

CMYK 0 / 47 / 34 / 20

HEX #CB6C85

RGB 203 108 133

HSL 344.21, 0.48%, 0.61%

LAB 57.19, 40.25, 3.34

 

CMYK 47 / 0 / 40 / 20

HEX #6CCB79

RGB 108 203 121

HSL 128.21, 0.48%, 0.61%

LAB 74.37, -45.38, 32.4

 

CMYK 22 / 47 / 0 / 20

HEX #A06CCC

RGB 160 108 204

HSL 272.5, 0.48%, 0.61%

LAB 54.61, 38.91, -42.09

 

CMYK 0 / 22 / 47 / 20

HEX #CB9F6C

RGB 203 159 108

HSL 32.21, 0.48%, 0.61%

LAB 68.44, 9.88, 32.78

 

CMYK 47 / 0 / 22 / 20

HEX #6CCB9F

RGB 108 203 159

HSL 152.21, 0.48%, 0.61%

LAB 75.08, -38.35, 13.36

 

CMYK 22 / 47 / 0 / 20

HEX #A06CCC

RGB 160 108 204

HSL 272.5, 0.48%, 0.61%

LAB 54.61, 38.91, -42.09

 

CMYK 0 / 47 / 34 / 20

HEX #CB6C85

RGB 203 108 133

HSL 344.21, 0.48%, 0.61%

LAB 57.19, 40.25, 3.34

 

CMYK 25 / 0 / 47 / 20

HEX #98CB6C

RGB 152 203 108

HSL 92.21, 0.48%, 0.61%

LAB 76.36, -32.97, 41.92

 

CMYK 47 / 0 / 12 / 20

HEX #6CCBB2

RGB 108 203 178

HSL 164.21, 0.48%, 0.61%

LAB 75.52, -34.16, 3.78

 

CMYK 22 / 47 / 0 / 20

HEX #A06CCC

RGB 160 108 204

HSL 272.5, 0.48%, 0.61%

LAB 54.61, 38.91, -42.09

 

CMYK 0 / 45 / 47 / 20

HEX #CB6F6C

RGB 203 111 108

HSL 1.89, 0.48%, 0.61%

LAB 57.22, 35.89, 17.91

 

CMYK 25 / 0 / 47 / 20

HEX #98CB6C

RGB 152 203 108

HSL 92.21, 0.48%, 0.61%

LAB 76.36, -32.97, 41.92

 

CMYK 47 / 1 / 0 / 20

HEX #6CC8CB

RGB 108 200 203

HSL 181.89, 0.48%, 0.61%

LAB 75.33, -26.57, -10.01

 

Description

Color code: HEX #A06CCC | qconv.com Color code: HEX #A06CCC | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 108 green and 204 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 108 204 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 47 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 47% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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