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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A06837 it is the complementary color #5F97C8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A06837. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A06837 shade: #A56832, #B67A45, #C78C58, #D89E6B and #E9B07E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A06837. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A06837 shade: #A06837, #8F5624, #7E4411, #6D3200 and #5C2000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A06837 shade: #A06837, #A04B37 and #A03737

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A06837 shade: #A06837, #A08437, #9FA037, #83A037 and #66A037

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A06837 shade matches the following richer shades: #A06837, #B16625, #C26514 and #D46403

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A06837 shade: #A06837, #8E6948, #7D6A59, #6C6B6B and #5A6C7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A06837 shade: #A0373E, #A04C37, #A06837, #A08437 and #A0A037

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A06837 shade: #624022, #81542C, #A06837, #BE7C41 and #C99160

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A06837 shade: #A06837, #5AA037 and #3E37A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A06837 shade: #A06837, #37A068 and #6837A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A06837 shade: #A06837, #5AA037, #376FA0 and #7D37A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A06837 shade: #A06837, #3AA037, #376FA0 and #9C37A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

Complementary color

CMYK 53 / 25 / 0 / 22

HEX #5F97C8

RGB 95 151 200

HSL 208, 0.49%, 0.58%

LAB 60.55, -4.5, -30.9

 

CMYK 0 / 37 / 70 / 35

HEX #A56832

RGB 165 104 50

HSL 28.17, 0.53%, 0.42%

LAB 49.65, 19.49, 39.68

 

CMYK 0 / 33 / 62 / 29

HEX #B67A45

RGB 182 122 69

HSL 28.14, 0.45%, 0.49%

LAB 56.38, 18.01, 38.06

 

CMYK 0 / 30 / 56 / 22

HEX #C78C58

RGB 199 140 88

HSL 28.11, 0.5%, 0.56%

LAB 63.01, 16.76, 36.49

 

CMYK 0 / 27 / 50 / 15

HEX #D89E6B

RGB 216 158 107

HSL 28.07, 0.58%, 0.63%

LAB 69.55, 15.68, 35.01

 

CMYK 0 / 24 / 46 / 9

HEX #E9B07E

RGB 233 176 126

HSL 28.04, 0.71%, 0.7%

LAB 76, 14.74, 33.62

 

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

CMYK 0 / 40 / 75 / 44

HEX #8F5624

RGB 143 86 36

HSL 28.04, 0.6%, 0.35%

LAB 42.19, 19.23, 37.87

 

CMYK 0 / 46 / 87 / 51

HEX #7E4411

RGB 126 68 17

HSL 28.07, 0.76%, 0.28%

LAB 35.22, 21.18, 39.08

 

CMYK 0 / 54 / 100 / 57

HEX #6D3200

RGB 109 50 0

HSL 27.52, 1%, 0.21%

LAB 28.2, 23.43, 38.96

 

CMYK 0 / 65 / 100 / 64

HEX #5C2000

RGB 92 32 0

HSL 20.87, 1%, 0.18%

LAB 21.24, 25.96, 31.2

 

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

CMYK 0 / 53 / 66 / 37

HEX #A04B37

RGB 160 75 55

HSL 11.43, 0.49%, 0.42%

LAB 42.43, 33.68, 28.42

 

CMYK 0 / 66 / 66 / 37

HEX #A03737

RGB 160 55 55

HSL 0, 0.49%, 0.42%

LAB 38.69, 43.47, 23.82

 

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

CMYK 0 / 18 / 66 / 37

HEX #A08437

RGB 160 132 55

HSL 44, 0.49%, 0.42%

LAB 56.34, 1.74, 44.37

 

CMYK 1 / 0 / 66 / 37

HEX #9FA037

RGB 159 160 55

HSL 60.57, 0.49%, 0.42%

LAB 63.99, -13.85, 52.47

 

CMYK 18 / 0 / 66 / 37

HEX #83A037

RGB 131 160 55

HSL 76.57, 0.49%, 0.42%

LAB 61.86, -25.76, 49.58

 

CMYK 36 / 0 / 66 / 37

HEX #66A037

RGB 102 160 55

HSL 93.14, 0.49%, 0.42%

LAB 60.11, -37.03, 47.18

 

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

CMYK 0 / 42 / 79 / 31

HEX #B16625

RGB 177 102 37

HSL 27.86, 0.65%, 0.42%

LAB 50.67, 25.19, 47.42

 

CMYK 0 / 48 / 90 / 24

HEX #C26514

RGB 194 101 20

HSL 27.93, 0.81%, 0.42%

LAB 52.76, 32.42, 56.46

 

CMYK 0 / 53 / 99 / 17

HEX #D46403

RGB 212 100 3

HSL 27.85, 0.97%, 0.42%

LAB 55.19, 39.97, 63.18

 

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

CMYK 0 / 26 / 49 / 44

HEX #8E6948

RGB 142 105 72

HSL 28.29, 0.33%, 0.42%

LAB 47.39, 10.53, 24.28

 

CMYK 0 / 15 / 29 / 51

HEX #7D6A59

RGB 125 106 89

HSL 28.33, 0.17%, 0.42%

LAB 46.16, 4.73, 12.34

 

CMYK 0 / 1 / 1 / 58

HEX #6C6B6B

RGB 108 107 107

HSL 0, 0%, 0.42%

LAB 45.31, 0.39, 0.13

 

CMYK 27 / 13 / 0 / 51

HEX #5A6C7C

RGB 90 108 124

HSL 208.24, 0.16%, 0.42%

LAB 44.74, -2.75, -11.1

 

CMYK 0 / 66 / 61 / 37

HEX #A0373E

RGB 160 55 62

HSL 356, 0.49%, 0.42%

LAB 38.82, 43.94, 19.64

 

CMYK 0 / 53 / 66 / 37

HEX #A04C37

RGB 160 76 55

HSL 12, 0.49%, 0.42%

LAB 42.64, 33.15, 28.67

 

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

CMYK 0 / 18 / 66 / 37

HEX #A08437

RGB 160 132 55

HSL 44, 0.49%, 0.42%

LAB 56.34, 1.74, 44.37

 

CMYK 0 / 0 / 66 / 37

HEX #A0A037

RGB 160 160 55

HSL 60, 0.49%, 0.42%

LAB 64.07, -13.41, 52.58

 

CMYK 0 / 35 / 65 / 62

HEX #624022

RGB 98 64 34

HSL 28.13, 0.48%, 0.26%

LAB 30.35, 11.38, 24.09

 

CMYK 0 / 35 / 66 / 49

HEX #81542C

RGB 129 84 44

HSL 28.24, 0.49%, 0.34%

LAB 39.9, 14.53, 30.59

 

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

CMYK 0 / 35 / 66 / 25

HEX #BE7C41

RGB 190 124 65

HSL 28.32, 0.49%, 0.5%

LAB 57.79, 20.06, 42.02

 

CMYK 0 / 28 / 52 / 21

HEX #C99160

RGB 201 145 96

HSL 28, 0.49%, 0.58%

LAB 64.57, 15.54, 34.22

 

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

CMYK 44 / 0 / 66 / 37

HEX #5AA037

RGB 90 160 55

HSL 100, 0.49%, 0.42%

LAB 59.52, -41.18, 46.37

 

CMYK 61 / 66 / 0 / 37

HEX #3E37A0

RGB 62 55 160

HSL 244, 0.49%, 0.42%

LAB 30.14, 34.75, -56.08

 

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

CMYK 66 / 0 / 35 / 37

HEX #37A068

RGB 55 160 104

HSL 148, 0.49%, 0.42%

LAB 58.93, -43.24, 20.61

 

CMYK 35 / 66 / 0 / 37

HEX #6837A0

RGB 104 55 160

HSL 268, 0.49%, 0.42%

LAB 34.42, 43.02, -48.93

 

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

CMYK 44 / 0 / 66 / 37

HEX #5AA037

RGB 90 160 55

HSL 100, 0.49%, 0.42%

LAB 59.52, -41.18, 46.37

 

CMYK 66 / 31 / 0 / 37

HEX #376FA0

RGB 55 111 160

HSL 208, 0.49%, 0.42%

LAB 45.25, -2.44, -31.9

 

CMYK 22 / 66 / 0 / 37

HEX #7D37A0

RGB 125 55 160

HSL 280, 0.49%, 0.42%

LAB 37.17, 47.86, -44.36

 

CMYK 0 / 35 / 66 / 37

HEX #A06837

RGB 160 104 55

HSL 28, 0.49%, 0.42%

LAB 49.07, 17.6, 36.25

 

CMYK 64 / 0 / 66 / 37

HEX #3AA037

RGB 58 160 55

HSL 118.29, 0.49%, 0.42%

LAB 58.34, -50.18, 44.74

 

CMYK 66 / 31 / 0 / 37

HEX #376FA0

RGB 55 111 160

HSL 208, 0.49%, 0.42%

LAB 45.25, -2.44, -31.9

 

CMYK 2 / 66 / 0 / 37

HEX #9C37A0

RGB 156 55 160

HSL 297.71, 0.49%, 0.42%

LAB 41.75, 55.36, -36.79

 

Description

Color code: HEX #A06837 | qconv.com Color code: HEX #A06837 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 104 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 104 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 66 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 66% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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