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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0678D it is the complementary color #5F9872. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0678D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0678D shade: #A56788, #B6799B, #C78BAE, #D89DC1 and #E9AFD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0678D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0678D shade: #A0678D, #8F557A, #7E4367, #6D3154 and #5C1F41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0678D shade: #A1688E, #A1687F, #A16870 and #A16868

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0678D shade: #A1688E, #A1689D, #9568A1, #8668A1 and #7768A1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0678D shade matches the following richer shades: #A1688E, #B55595, #C8419B, #DC2DA2 and #F019A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0678D shade: #A1688E, #8D7C87, #799081, #65A47A and #52B874

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0678D shade: #9568A1, #A1689D, #A1688E, #A1687F and #A16870

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0678D shade: #704662, #8A5679, #A1688E, #B182A1 and #C19BB4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0678D shade: #A0678D, #A18668 and #68A19D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0678D shade: #A0678D, #8EA168 and #688EA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0678D shade: #A0678D, #A18668, #68A17B and #6883A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0678D shade: #A0678D, #A19768, #68A17B and #6872A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 36 / 12 / 37

HEX #A0678D

RGB 160 103 141

HSL 320, 0.23%, 0.52%

LAB 50.8, 28.78, -11.42

 

Complementary color

CMYK 38 / 0 / 25 / 40

HEX #5F9872

RGB 95 152 114

HSL 140, 0.23%, 0.48%

LAB 58.14, -27.28, 14.21

 

CMYK 0 / 38 / 18 / 35

HEX #A56788

RGB 165 103 136

HSL 328.06, 0.26%, 0.53%

LAB 51.24, 29.72, -7.74

 

CMYK 0 / 34 / 15 / 29

HEX #B6799B

RGB 182 121 155

HSL 326.56, 0.29%, 0.59%

LAB 58.02, 28.93, -8.51

 

CMYK 0 / 30 / 13 / 22

HEX #C78BAE

RGB 199 139 174

HSL 325, 0.35%, 0.66%

LAB 64.69, 28.2, -9.19

 

CMYK 0 / 27 / 11 / 15

HEX #D89DC1

RGB 216 157 193

HSL 323.39, 0.43%, 0.73%

LAB 71.26, 27.52, -9.83

 

CMYK 0 / 25 / 9 / 9

HEX #E9AFD4

RGB 233 175 212

HSL 321.72, 0.57%, 0.8%

LAB 77.72, 26.89, -10.42

 

CMYK 0 / 36 / 12 / 37

HEX #A0678D

RGB 160 103 141

HSL 320, 0.23%, 0.52%

LAB 50.8, 28.78, -11.42

 

CMYK 0 / 41 / 15 / 44

HEX #8F557A

RGB 143 85 122

HSL 321.72, 0.25%, 0.45%

LAB 43.86, 29.59, -10.69

 

CMYK 0 / 47 / 18 / 51

HEX #7E4367

RGB 126 67 103

HSL 323.39, 0.31%, 0.38%

LAB 36.8, 30.43, -9.83

 

CMYK 0 / 55 / 23 / 57

HEX #6D3154

RGB 109 49 84

HSL 325, 0.38%, 0.31%

LAB 29.63, 31.25, -8.73

 

CMYK 0 / 66 / 29 / 64

HEX #5C1F41

RGB 92 31 65

HSL 326.56, 0.5%, 0.24%

LAB 22.43, 31.84, -7.19

 

CMYK 0 / 35 / 12 / 37

HEX #A1688E

RGB 161 104 142

HSL 320, 0.23%, 0.52%

LAB 51.19, 28.74, -11.42

 

CMYK 0 / 35 / 21 / 37

HEX #A1687F

RGB 161 104 127

HSL 335.79, 0.23%, 0.52%

LAB 50.7, 26.23, -3.26

 

CMYK 0 / 35 / 30 / 37

HEX #A16870

RGB 161 104 112

HSL 351.58, 0.23%, 0.52%

LAB 50.27, 23.98, 5.03

 

CMYK 0 / 35 / 35 / 37

HEX #A16868

RGB 161 104 104

HSL 0, 0.23%, 0.52%

LAB 50.07, 22.89, 9.49

 

CMYK 0 / 35 / 12 / 37

HEX #A1688E

RGB 161 104 142

HSL 320, 0.23%, 0.52%

LAB 51.19, 28.74, -11.42

 

CMYK 0 / 35 / 2 / 37

HEX #A1689D

RGB 161 104 157

HSL 304.21, 0.23%, 0.52%

LAB 51.74, 31.49, -19.41

 

CMYK 7 / 35 / 0 / 37

HEX #9568A1

RGB 149 104 161

HSL 287.37, 0.23%, 0.52%

LAB 50.53, 28.3, -23.73

 

CMYK 17 / 35 / 0 / 37

HEX #8668A1

RGB 134 104 161

HSL 271.58, 0.23%, 0.52%

LAB 48.94, 23.4, -26.32

 

CMYK 26 / 35 / 0 / 37

HEX #7768A1

RGB 119 104 161

HSL 255.79, 0.23%, 0.52%

LAB 47.49, 18.65, -28.68

 

CMYK 0 / 35 / 12 / 37

HEX #A1688E

RGB 161 104 142

HSL 320, 0.23%, 0.52%

LAB 51.19, 28.74, -11.42

 

CMYK 0 / 53 / 18 / 29

HEX #B55595

RGB 181 85 149

HSL 320, 0.39%, 0.52%

LAB 50.09, 46.76, -16.98

 

CMYK 0 / 68 / 23 / 22

HEX #C8419B

RGB 200 65 155

HSL 320, 0.55%, 0.52%

LAB 50.01, 61.95, -20.4

 

CMYK 0 / 80 / 26 / 14

HEX #DC2DA2

RGB 220 45 162

HSL 319.89, 0.71%, 0.52%

LAB 51.5, 74.06, -21.97

 

CMYK 0 / 90 / 30 / 6

HEX #F019A8

RGB 240 25 168

HSL 320.09, 0.88%, 0.52%

LAB 54.08, 82.82, -21.23

 

CMYK 0 / 35 / 12 / 37

HEX #A1688E

RGB 161 104 142

HSL 320, 0.23%, 0.52%

LAB 51.19, 28.74, -11.42

 

CMYK 0 / 12 / 4 / 45

HEX #8D7C87

RGB 141 124 135

HSL 321.18, 0.07%, 0.52%

LAB 53.84, 8.55, -3.57

 

CMYK 16 / 0 / 10 / 44

HEX #799081

RGB 121 144 129

HSL 140.87, 0.09%, 0.52%

LAB 57.65, -11.31, 5.24

 

CMYK 38 / 0 / 26 / 36

HEX #65A47A

RGB 101 164 122

HSL 140, 0.26%, 0.52%

LAB 62.27, -29.67, 15.54

 

CMYK 55 / 0 / 37 / 28

HEX #52B874

RGB 82 184 116

HSL 140, 0.42%, 0.52%

LAB 67.53, -45.01, 25.81

 

CMYK 7 / 35 / 0 / 37

HEX #9568A1

RGB 149 104 161

HSL 287.37, 0.23%, 0.52%

LAB 50.53, 28.3, -23.73

 

CMYK 0 / 35 / 2 / 37

HEX #A1689D

RGB 161 104 157

HSL 304.21, 0.23%, 0.52%

LAB 51.74, 31.49, -19.41

 

CMYK 0 / 35 / 12 / 37

HEX #A1688E

RGB 161 104 142

HSL 320, 0.23%, 0.52%

LAB 51.19, 28.74, -11.42

 

CMYK 0 / 35 / 21 / 37

HEX #A1687F

RGB 161 104 127

HSL 335.79, 0.23%, 0.52%

LAB 50.7, 26.23, -3.26

 

CMYK 0 / 35 / 30 / 37

HEX #A16870

RGB 161 104 112

HSL 351.58, 0.23%, 0.52%

LAB 50.27, 23.98, 5.03

 

CMYK 0 / 38 / 13 / 56

HEX #704662

RGB 112 70 98

HSL 320, 0.23%, 0.36%

LAB 35.41, 22.62, -8.95

 

CMYK 0 / 38 / 12 / 46

HEX #8A5679

RGB 138 86 121

HSL 319.62, 0.23%, 0.44%

LAB 43.42, 27.03, -10.81

 

CMYK 0 / 35 / 12 / 37

HEX #A1688E

RGB 161 104 142

HSL 320, 0.23%, 0.52%

LAB 51.19, 28.74, -11.42

 

CMYK 0 / 27 / 9 / 31

HEX #B182A1

RGB 177 130 161

HSL 320.43, 0.23%, 0.6%

LAB 59.79, 23.15, -9.38

 

CMYK 0 / 20 / 7 / 24

HEX #C19BB4

RGB 193 155 180

HSL 320.53, 0.23%, 0.68%

LAB 68.08, 18.3, -7.59

 

CMYK 0 / 36 / 12 / 37

HEX #A0678D

RGB 160 103 141

HSL 320, 0.23%, 0.52%

LAB 50.8, 28.78, -11.42

 

CMYK 0 / 17 / 35 / 37

HEX #A18668

RGB 161 134 104

HSL 31.58, 0.23%, 0.52%

LAB 57.68, 5.82, 20.01

 

CMYK 35 / 0 / 2 / 37

HEX #68A19D

RGB 104 161 157

HSL 175.79, 0.23%, 0.52%

LAB 62.4, -19.53, -3.85

 

CMYK 0 / 36 / 12 / 37

HEX #A0678D

RGB 160 103 141

HSL 320, 0.23%, 0.52%

LAB 50.8, 28.78, -11.42

 

CMYK 12 / 0 / 35 / 37

HEX #8EA168

RGB 142 161 104

HSL 80, 0.23%, 0.52%

LAB 63.54, -16.62, 27.52

 

CMYK 35 / 12 / 0 / 37

HEX #688EA1

RGB 104 142 161

HSL 200, 0.23%, 0.52%

LAB 56.94, -8.27, -14.27

 

CMYK 0 / 36 / 12 / 37

HEX #A0678D

RGB 160 103 141

HSL 320, 0.23%, 0.52%

LAB 50.8, 28.78, -11.42

 

CMYK 0 / 17 / 35 / 37

HEX #A18668

RGB 161 134 104

HSL 31.58, 0.23%, 0.52%

LAB 57.68, 5.82, 20.01

 

CMYK 35 / 0 / 24 / 37

HEX #68A17B

RGB 104 161 123

HSL 140, 0.23%, 0.52%

LAB 61.54, -27.08, 13.98

 

CMYK 35 / 19 / 0 / 37

HEX #6883A1

RGB 104 131 161

HSL 211.58, 0.23%, 0.52%

LAB 53.76, -2.02, -19.1

 

CMYK 0 / 36 / 12 / 37

HEX #A0678D

RGB 160 103 141

HSL 320, 0.23%, 0.52%

LAB 50.8, 28.78, -11.42

 

CMYK 0 / 6 / 35 / 37

HEX #A19768

RGB 161 151 104

HSL 49.47, 0.23%, 0.52%

LAB 62.26, -3.6, 26.12

 

CMYK 35 / 0 / 24 / 37

HEX #68A17B

RGB 104 161 123

HSL 140, 0.23%, 0.52%

LAB 61.54, -27.08, 13.98

 

CMYK 35 / 29 / 0 / 37

HEX #6872A1

RGB 104 114 161

HSL 229.47, 0.23%, 0.52%

LAB 48.95, 8.03, -26.51

 

Description

Color code: HEX #A0678D | qconv.com Color code: HEX #A0678D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 103 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 103 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 36 magenta, 12 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 36% 12% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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