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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A04D39 it is the complementary color #5FB2C6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A04D39. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A04D39 shade: #A54D34, #B65F47, #C7715A, #D8836D and #E99580

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A04D39. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A04D39 shade: #A04D39, #8F3B26, #7E2913, #6D1700 and #5C0500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A04D39 shade: #A14E3A and #A13A3A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A04D39 shade: #A14E3A, #A16A3A, #A1863A, #A1A13A and #85A13A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A04D39 shade matches the following richer shades: #A14E3A, #B34328, #C53817 and #D62E05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A04D39 shade: #A14E3A, #8F594C, #7E645E, #6C6F6F and #5A7A81

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A04D39 shade: #A13A5E, #A13A43, #A14D3A, #A1683A and #A1843A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A04D39 shade: #653124, #833F2F, #A14E3A, #BD5E48 and #C87966

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A04D39 shade: #A04D39, #7AA13A and #3A50A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A04D39 shade: #A04D39, #3AA14D and #4D3AA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A04D39 shade: #A04D39, #7AA13A, #3A8EA1 and #623AA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A04D39 shade: #A04D39, #5BA13A, #3A8EA1 and #813AA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 52 / 64 / 37

HEX #A04D39

RGB 160 77 57

HSL 11.65, 0.47%, 0.43%

LAB 42.88, 32.76, 27.8

 

Complementary color

CMYK 52 / 10 / 0 / 22

HEX #5FB2C6

RGB 95 178 198

HSL 191.65, 0.47%, 0.57%

LAB 68.28, -19.72, -17.93

 

CMYK 0 / 53 / 68 / 35

HEX #A54D34

RGB 165 77 52

HSL 13.27, 0.52%, 0.43%

LAB 43.59, 34.43, 31.72

 

CMYK 0 / 48 / 61 / 29

HEX #B65F47

RGB 182 95 71

HSL 12.97, 0.44%, 0.5%

LAB 50.2, 32.97, 29.48

 

CMYK 0 / 43 / 55 / 22

HEX #C7715A

RGB 199 113 90

HSL 12.66, 0.49%, 0.57%

LAB 56.77, 31.62, 27.52

 

CMYK 0 / 39 / 50 / 15

HEX #D8836D

RGB 216 131 109

HSL 12.34, 0.58%, 0.64%

LAB 63.29, 30.4, 25.8

 

CMYK 0 / 36 / 45 / 9

HEX #E99580

RGB 233 149 128

HSL 12, 0.7%, 0.71%

LAB 69.74, 29.3, 24.27

 

CMYK 0 / 52 / 64 / 37

HEX #A04D39

RGB 160 77 57

HSL 11.65, 0.47%, 0.43%

LAB 42.88, 32.76, 27.8

 

CMYK 0 / 59 / 73 / 44

HEX #8F3B26

RGB 143 59 38

HSL 12, 0.58%, 0.35%

LAB 36.19, 34.24, 30.3

 

CMYK 0 / 67 / 85 / 51

HEX #7E2913

RGB 126 41 19

HSL 12.34, 0.74%, 0.28%

LAB 29.58, 35.67, 33.05

 

CMYK 0 / 79 / 100 / 57

HEX #6D1700

RGB 109 23 0

HSL 12.66, 1%, 0.21%

LAB 23.22, 36.61, 34.35

 

CMYK 0 / 95 / 100 / 64

HEX #5C0500

RGB 92 5 0

HSL 3.26, 1%, 0.18%

LAB 17.38, 36.55, 26.76

 

CMYK 0 / 52 / 64 / 37

HEX #A14E3A

RGB 161 78 58

HSL 11.65, 0.47%, 0.43%

LAB 43.26, 32.69, 27.71

 

CMYK 0 / 64 / 64 / 37

HEX #A13A3A

RGB 161 58 58

HSL 0, 0.47%, 0.43%

LAB 39.43, 42.67, 22.94

 

CMYK 0 / 52 / 64 / 37

HEX #A14E3A

RGB 161 78 58

HSL 11.65, 0.47%, 0.43%

LAB 43.26, 32.69, 27.71

 

CMYK 0 / 34 / 64 / 37

HEX #A16A3A

RGB 161 106 58

HSL 27.96, 0.47%, 0.43%

LAB 49.73, 17.11, 35.45

 

CMYK 0 / 17 / 64 / 37

HEX #A1863A

RGB 161 134 58

HSL 44.27, 0.47%, 0.43%

LAB 57.01, 1.27, 43.71

 

CMYK 0 / 0 / 64 / 37

HEX #A1A13A

RGB 161 161 58

HSL 60, 0.47%, 0.43%

LAB 64.46, -13.31, 51.74

 

CMYK 17 / 0 / 64 / 37

HEX #85A13A

RGB 133 161 58

HSL 76.31, 0.47%, 0.43%

LAB 62.32, -25.2, 48.82

 

CMYK 0 / 52 / 64 / 37

HEX #A14E3A

RGB 161 78 58

HSL 11.65, 0.47%, 0.43%

LAB 43.26, 32.69, 27.71

 

CMYK 0 / 63 / 78 / 30

HEX #B34328

RGB 179 67 40

HSL 11.65, 0.63%, 0.43%

LAB 43.87, 44.1, 39.3

 

CMYK 0 / 72 / 88 / 23

HEX #C53817

RGB 197 56 23

HSL 11.38, 0.79%, 0.43%

LAB 45.3, 54.38, 49.91

 

CMYK 0 / 79 / 98 / 16

HEX #D62E05

RGB 214 46 5

HSL 11.77, 0.95%, 0.43%

LAB 47.32, 62.67, 58.52

 

CMYK 0 / 52 / 64 / 37

HEX #A14E3A

RGB 161 78 58

HSL 11.65, 0.47%, 0.43%

LAB 43.26, 32.69, 27.71

 

CMYK 0 / 38 / 47 / 44

HEX #8F594C

RGB 143 89 76

HSL 11.64, 0.31%, 0.43%

LAB 43.52, 20.71, 16.84

 

CMYK 0 / 21 / 25 / 51

HEX #7E645E

RGB 126 100 94

HSL 11.25, 0.15%, 0.43%

LAB 44.74, 9.47, 7.37

 

CMYK 3 / 0 / 0 / 56

HEX #6C6F6F

RGB 108 111 111

HSL 180, 0.01%, 0.43%

LAB 46.58, -1.14, -0.41

 

CMYK 30 / 5 / 0 / 49

HEX #5A7A81

RGB 90 122 129

HSL 190.77, 0.18%, 0.43%

LAB 49.1, -9.59, -7.52

 

CMYK 0 / 64 / 42 / 37

HEX #A13A5E

RGB 161 58 94

HSL 339.03, 0.47%, 0.43%

LAB 40.26, 45.84, 1.57

 

CMYK 0 / 64 / 58 / 37

HEX #A13A43

RGB 161 58 67

HSL 354.76, 0.47%, 0.43%

LAB 39.59, 43.31, 17.58

 

CMYK 0 / 52 / 64 / 37

HEX #A14D3A

RGB 161 77 58

HSL 11.07, 0.47%, 0.43%

LAB 43.05, 33.23, 27.46

 

CMYK 0 / 35 / 64 / 37

HEX #A1683A

RGB 161 104 58

HSL 26.8, 0.47%, 0.43%

LAB 49.23, 18.25, 34.87

 

CMYK 0 / 18 / 64 / 37

HEX #A1843A

RGB 161 132 58

HSL 43.11, 0.47%, 0.43%

LAB 56.47, 2.39, 43.11

 

CMYK 0 / 51 / 64 / 60

HEX #653124

RGB 101 49 36

HSL 12, 0.47%, 0.27%

LAB 26.99, 22.09, 18.88

 

CMYK 0 / 52 / 64 / 49

HEX #833F2F

RGB 131 63 47

HSL 11.43, 0.47%, 0.35%

LAB 35.17, 27.8, 23.26

 

CMYK 0 / 52 / 64 / 37

HEX #A14E3A

RGB 161 78 58

HSL 11.65, 0.47%, 0.43%

LAB 43.26, 32.69, 27.71

 

CMYK 0 / 50 / 62 / 26

HEX #BD5E48

RGB 189 94 72

HSL 11.28, 0.47%, 0.51%

LAB 51.03, 36.32, 30.17

 

CMYK 0 / 40 / 49 / 22

HEX #C87966

RGB 200 121 102

HSL 11.63, 0.47%, 0.59%

LAB 58.89, 28.8, 23.54

 

CMYK 0 / 52 / 64 / 37

HEX #A04D39

RGB 160 77 57

HSL 11.65, 0.47%, 0.43%

LAB 42.88, 32.76, 27.8

 

CMYK 24 / 0 / 64 / 37

HEX #7AA13A

RGB 122 161 58

HSL 82.72, 0.47%, 0.43%

LAB 61.6, -29.65, 47.82

 

CMYK 64 / 50 / 0 / 37

HEX #3A50A1

RGB 58 80 161

HSL 227.18, 0.47%, 0.43%

LAB 36.39, 18.21, -46.57

 

CMYK 0 / 52 / 64 / 37

HEX #A04D39

RGB 160 77 57

HSL 11.65, 0.47%, 0.43%

LAB 42.88, 32.76, 27.8

 

CMYK 64 / 0 / 52 / 37

HEX #3AA14D

RGB 58 161 77

HSL 131.07, 0.47%, 0.43%

LAB 58.9, -47.77, 34.93

 

CMYK 52 / 64 / 0 / 37

HEX #4D3AA1

RGB 77 58 161

HSL 251.07, 0.47%, 0.43%

LAB 32.21, 35.92, -53.26

 

CMYK 0 / 52 / 64 / 37

HEX #A04D39

RGB 160 77 57

HSL 11.65, 0.47%, 0.43%

LAB 42.88, 32.76, 27.8

 

CMYK 24 / 0 / 64 / 37

HEX #7AA13A

RGB 122 161 58

HSL 82.72, 0.47%, 0.43%

LAB 61.6, -29.65, 47.82

 

CMYK 64 / 12 / 0 / 37

HEX #3A8EA1

RGB 58 142 161

HSL 191.07, 0.47%, 0.43%

LAB 54.89, -19.2, -17.58

 

CMYK 39 / 64 / 0 / 37

HEX #623AA1

RGB 98 58 161

HSL 263.3, 0.47%, 0.43%

LAB 34.39, 40.31, -49.63

 

CMYK 0 / 52 / 64 / 37

HEX #A04D39

RGB 160 77 57

HSL 11.65, 0.47%, 0.43%

LAB 42.88, 32.76, 27.8

 

CMYK 43 / 0 / 64 / 37

HEX #5BA13A

RGB 91 161 58

HSL 100.78, 0.47%, 0.43%

LAB 59.91, -40.99, 45.49

 

CMYK 64 / 12 / 0 / 37

HEX #3A8EA1

RGB 58 142 161

HSL 191.07, 0.47%, 0.43%

LAB 54.89, -19.2, -17.58

 

CMYK 20 / 64 / 0 / 37

HEX #813AA1

RGB 129 58 161

HSL 281.36, 0.47%, 0.43%

LAB 38.32, 47.59, -43.1

 

Description

Color code: HEX #A04D39 | qconv.com Color code: HEX #A04D39 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 77 green and 57 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 77 57 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 52 magenta, 64 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 52% 64% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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