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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A04974 it is the complementary color #5FB68B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A04974. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A04974 shade: #A5496F, #B65B82, #C76D95, #D87FA8 and #E991BB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A04974. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A04974 shade: #A04974, #8F3761, #7E254E, #6D133B and #5C0128

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A04974 shade: #A14A75, #A14A5D and #A14A4A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A04974 shade: #A14A75, #A14A8C, #9E4AA1, #864AA1 and #6F4AA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A04974 shade matches the following richer shades: #A14A75, #B43775, #C72474 and #DA1174

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A04974 shade: #A14A75, #8E5D75, #7B7075, #688375 and #559676

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A04974 shade: #9E4AA1, #A14A8C, #A14A75, #A14A5E and #A14D4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A04974 shade: #68304C, #843D60, #A14A75, #B55F89 and #C27B9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A04974 shade: #A04974, #A1874A and #4A98A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A04974 shade: #A04974, #75A14A and #4A75A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A04974 shade: #A04974, #A1874A, #4AA175 and #4A64A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A04974 shade: #A04974, #A1A14A, #4AA175 and #4A4AA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 54 / 28 / 37

HEX #A04974

RGB 160 73 116

HSL 330.34, 0.37%, 0.46%

LAB 43.51, 41.06, -7.32

 

Complementary color

CMYK 48 / 0 / 24 / 29

HEX #5FB68B

RGB 95 182 139

HSL 150.34, 0.37%, 0.54%

LAB 67.84, -36.35, 13.92

 

CMYK 0 / 56 / 33 / 35

HEX #A5496F

RGB 165 73 111

HSL 335.22, 0.39%, 0.47%

LAB 44.11, 42.08, -3.27

 

CMYK 0 / 50 / 29 / 29

HEX #B65B82

RGB 182 91 130

HSL 334.29, 0.38%, 0.54%

LAB 50.73, 41.29, -4.69

 

CMYK 0 / 45 / 25 / 22

HEX #C76D95

RGB 199 109 149

HSL 333.33, 0.45%, 0.6%

LAB 57.32, 40.46, -5.85

 

CMYK 0 / 41 / 22 / 15

HEX #D87FA8

RGB 216 127 168

HSL 332.36, 0.53%, 0.67%

LAB 63.84, 39.63, -6.86

 

CMYK 0 / 38 / 20 / 9

HEX #E991BB

RGB 233 145 187

HSL 331.36, 0.67%, 0.74%

LAB 70.29, 38.83, -7.74

 

CMYK 0 / 54 / 28 / 37

HEX #A04974

RGB 160 73 116

HSL 330.34, 0.37%, 0.46%

LAB 43.51, 41.06, -7.32

 

CMYK 0 / 62 / 32 / 44

HEX #8F3761

RGB 143 55 97

HSL 331.36, 0.44%, 0.39%

LAB 36.81, 41.68, -5.76

 

CMYK 0 / 71 / 38 / 51

HEX #7E254E

RGB 126 37 78

HSL 332.36, 0.55%, 0.32%

LAB 30.18, 41.94, -3.67

 

CMYK 0 / 83 / 46 / 57

HEX #6D133B

RGB 109 19 59

HSL 333.33, 0.7%, 0.25%

LAB 23.78, 41.35, -0.72

 

CMYK 0 / 99 / 57 / 64

HEX #5C0128

RGB 92 1 40

HSL 334.29, 0.98%, 0.18%

LAB 17.69, 39.69, 3.39

 

CMYK 0 / 54 / 27 / 37

HEX #A14A75

RGB 161 74 117

HSL 330.34, 0.37%, 0.46%

LAB 43.89, 41.03, -7.35

 

CMYK 0 / 54 / 42 / 37

HEX #A14A5D

RGB 161 74 93

HSL 346.9, 0.37%, 0.46%

LAB 43.16, 37.98, 6.35

 

CMYK 0 / 54 / 54 / 37

HEX #A14A4A

RGB 161 74 74

HSL 0, 0.37%, 0.46%

LAB 42.72, 36.06, 17.42

 

CMYK 0 / 54 / 27 / 37

HEX #A14A75

RGB 161 74 117

HSL 330.34, 0.37%, 0.46%

LAB 43.89, 41.03, -7.35

 

CMYK 0 / 54 / 13 / 37

HEX #A14A8C

RGB 161 74 140

HSL 314.48, 0.37%, 0.46%

LAB 44.76, 44.56, -20.01

 

CMYK 2 / 54 / 0 / 37

HEX #9E4AA1

RGB 158 74 161

HSL 297.93, 0.37%, 0.46%

LAB 45.28, 47.38, -31.81

 

CMYK 17 / 54 / 0 / 37

HEX #864AA1

RGB 134 74 161

HSL 281.38, 0.37%, 0.46%

LAB 42.06, 40.62, -37.1

 

CMYK 31 / 54 / 0 / 37

HEX #6F4AA1

RGB 111 74 161

HSL 265.52, 0.37%, 0.46%

LAB 39.33, 34.32, -41.61

 

CMYK 0 / 54 / 27 / 37

HEX #A14A75

RGB 161 74 117

HSL 330.34, 0.37%, 0.46%

LAB 43.89, 41.03, -7.35

 

CMYK 0 / 69 / 35 / 29

HEX #B43775

RGB 180 55 117

HSL 330.24, 0.53%, 0.46%

LAB 43.83, 55.49, -7.11

 

CMYK 0 / 82 / 42 / 22

HEX #C72474

RGB 199 36 116

HSL 330.55, 0.69%, 0.46%

LAB 45.17, 66.37, -4.12

 

CMYK 0 / 92 / 47 / 15

HEX #DA1174

RGB 218 17 116

HSL 330.45, 0.86%, 0.46%

LAB 47.71, 74.19, 0.04

 

CMYK 0 / 54 / 27 / 37

HEX #A14A75

RGB 161 74 117

HSL 330.34, 0.37%, 0.46%

LAB 43.89, 41.03, -7.35

 

CMYK 0 / 35 / 18 / 44

HEX #8E5D75

RGB 142 93 117

HSL 330.61, 0.21%, 0.46%

LAB 45.45, 23.76, -5.3

 

CMYK 0 / 9 / 5 / 52

HEX #7B7075

RGB 123 112 117

HSL 332.73, 0.05%, 0.46%

LAB 48.37, 5.23, -1.22

 

CMYK 21 / 0 / 11 / 49

HEX #688375

RGB 104 131 117

HSL 148.89, 0.11%, 0.46%

LAB 52.35, -12.71, 4.39

 

CMYK 43 / 0 / 21 / 41

HEX #559676

RGB 85 150 118

HSL 150.46, 0.28%, 0.46%

LAB 57.13, -28.48, 10.47

 

CMYK 2 / 54 / 0 / 37

HEX #9E4AA1

RGB 158 74 161

HSL 297.93, 0.37%, 0.46%

LAB 45.28, 47.38, -31.81

 

CMYK 0 / 54 / 13 / 37

HEX #A14A8C

RGB 161 74 140

HSL 314.48, 0.37%, 0.46%

LAB 44.76, 44.56, -20.01

 

CMYK 0 / 54 / 27 / 37

HEX #A14A75

RGB 161 74 117

HSL 330.34, 0.37%, 0.46%

LAB 43.89, 41.03, -7.35

 

CMYK 0 / 54 / 42 / 37

HEX #A14A5E

RGB 161 74 94

HSL 346.21, 0.37%, 0.46%

LAB 43.19, 38.09, 5.78

 

CMYK 0 / 52 / 54 / 37

HEX #A14D4A

RGB 161 77 74

HSL 2.07, 0.37%, 0.46%

LAB 43.33, 34.49, 18.24

 

CMYK 0 / 54 / 27 / 59

HEX #68304C

RGB 104 48 76

HSL 330, 0.37%, 0.3%

LAB 28.32, 28.71, -5.52

 

CMYK 0 / 54 / 27 / 48

HEX #843D60

RGB 132 61 96

HSL 330.42, 0.37%, 0.38%

LAB 36.15, 34.76, -6.29

 

CMYK 0 / 54 / 27 / 37

HEX #A14A75

RGB 161 74 117

HSL 330.34, 0.37%, 0.46%

LAB 43.89, 41.03, -7.35

 

CMYK 0 / 48 / 24 / 29

HEX #B55F89

RGB 181 95 137

HSL 330.7, 0.37%, 0.54%

LAB 51.63, 39.86, -7.54

 

CMYK 0 / 37 / 19 / 24

HEX #C27B9E

RGB 194 123 158

HSL 330.42, 0.37%, 0.62%

LAB 59.98, 32.58, -7.17

 

CMYK 0 / 54 / 28 / 37

HEX #A04974

RGB 160 73 116

HSL 330.34, 0.37%, 0.46%

LAB 43.51, 41.06, -7.32

 

CMYK 0 / 16 / 54 / 37

HEX #A1874A

RGB 161 135 74

HSL 42.07, 0.37%, 0.46%

LAB 57.46, 1.98, 36.17

 

CMYK 54 / 6 / 0 / 37

HEX #4A98A1

RGB 74 152 161

HSL 186.21, 0.37%, 0.46%

LAB 58.5, -21.32, -12.06

 

CMYK 0 / 54 / 28 / 37

HEX #A04974

RGB 160 73 116

HSL 330.34, 0.37%, 0.46%

LAB 43.51, 41.06, -7.32

 

CMYK 27 / 0 / 54 / 37

HEX #75A14A

RGB 117 161 74

HSL 90.34, 0.37%, 0.46%

LAB 61.45, -30.06, 40.11

 

CMYK 54 / 27 / 0 / 37

HEX #4A75A1

RGB 74 117 161

HSL 210.34, 0.37%, 0.46%

LAB 47.95, -1.76, -28.21

 

CMYK 0 / 54 / 28 / 37

HEX #A04974

RGB 160 73 116

HSL 330.34, 0.37%, 0.46%

LAB 43.51, 41.06, -7.32

 

CMYK 0 / 16 / 54 / 37

HEX #A1874A

RGB 161 135 74

HSL 42.07, 0.37%, 0.46%

LAB 57.46, 1.98, 36.17

 

CMYK 54 / 0 / 27 / 37

HEX #4AA175

RGB 74 161 117

HSL 149.66, 0.37%, 0.46%

LAB 60.1, -36.78, 15.12

 

CMYK 54 / 38 / 0 / 37

HEX #4A64A1

RGB 74 100 161

HSL 222.07, 0.37%, 0.46%

LAB 42.98, 8.67, -36

 

CMYK 0 / 54 / 28 / 37

HEX #A04974

RGB 160 73 116

HSL 330.34, 0.37%, 0.46%

LAB 43.51, 41.06, -7.32

 

CMYK 0 / 0 / 54 / 37

HEX #A1A14A

RGB 161 161 74

HSL 60, 0.37%, 0.46%

LAB 64.61, -12.11, 44.6

 

CMYK 54 / 0 / 27 / 37

HEX #4AA175

RGB 74 161 117

HSL 149.66, 0.37%, 0.46%

LAB 60.1, -36.78, 15.12

 

CMYK 54 / 54 / 0 / 37

HEX #4A4AA1

RGB 74 74 161

HSL 240, 0.37%, 0.46%

LAB 35.84, 25.31, -47.39

 

Description

Color code: HEX #A04974 | qconv.com Color code: HEX #A04974 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 73 green and 116 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 73 116 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 54 magenta, 28 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 54% 28% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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