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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A045C3 it is the complementary color #5FBA3C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A045C3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A045C3 shade: #A545BE, #B657D1, #C769E4, #D87BF7 and #E98DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A045C3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A045C3 shade: #A045C3, #8F33B0, #7E219D, #6D0F8A and #5C0077

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A045C3 shade: #A046C3, #C246C3, #C346A2, #C34681 and #C3465F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A045C3 shade: #A046C3, #7F46C3, #5D46C3 and #4646C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A045C3 shade matches the following richer shades: #A046C3, #A932D7, #B21FEB and #BB0BFE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A045C3 shade: #A046C3, #985AAF, #8F6E9B, #868288 and #7D9574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A045C3 shade: #5D46C3, #7E46C3, #A046C3, #C146C3 and #C346A4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A045C3 shade: #702D8A, #8937A9, #A046C3, #B065CD and #C084D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A045C3 shade: #A045C3, #C34651 and #46C36E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A045C3 shade: #A045C3, #C3A046 and #46C3A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A045C3 shade: #A045C3, #C34651, #6AC346 and #46C3B9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A045C3 shade: #A045C3, #C36146, #6AC346 and #46A8C3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 65 / 0 / 24

HEX #A045C3

RGB 160 69 195

HSL 283.33, 0.51%, 0.52%

LAB 46.54, 56.98, -49.76

 

Complementary color

CMYK 49 / 0 / 68 / 27

HEX #5FBA3C

RGB 95 186 60

HSL 103.33, 0.51%, 0.48%

LAB 67.93, -49.77, 53.38

 

CMYK 13 / 64 / 0 / 25

HEX #A545BE

RGB 165 69 190

HSL 287.6, 0.48%, 0.51%

LAB 46.94, 57.15, -46.17

 

CMYK 13 / 58 / 0 / 18

HEX #B657D1

RGB 182 87 209

HSL 286.72, 0.57%, 0.58%

LAB 53.35, 56.75, -46.78

 

CMYK 13 / 54 / 0 / 11

HEX #C769E4

RGB 199 105 228

HSL 285.85, 0.69%, 0.65%

LAB 59.75, 56.16, -47.22

 

CMYK 13 / 50 / 0 / 3

HEX #D87BF7

RGB 216 123 247

HSL 285, 0.89%, 0.73%

LAB 66.12, 55.47, -47.55

 

CMYK 9 / 45 / 0 / 0

HEX #E98DFF

RGB 233 141 255

HSL 288.42, 1%, 0.78%

LAB 71.96, 52.59, -42.63

 

CMYK 18 / 65 / 0 / 24

HEX #A045C3

RGB 160 69 195

HSL 283.33, 0.51%, 0.52%

LAB 46.54, 56.98, -49.76

 

CMYK 19 / 71 / 0 / 31

HEX #8F33B0

RGB 143 51 176

HSL 284.16, 0.55%, 0.45%

LAB 40.15, 57.08, -49

 

CMYK 20 / 79 / 0 / 38

HEX #7E219D

RGB 126 33 157

HSL 285, 0.65%, 0.37%

LAB 33.89, 56.54, -47.82

 

CMYK 21 / 89 / 0 / 46

HEX #6D0F8A

RGB 109 15 138

HSL 285.85, 0.8%, 0.3%

LAB 27.92, 54.83, -45.94

 

CMYK 23 / 100 / 0 / 53

HEX #5C0077

RGB 92 0 119

HSL 286.39, 1%, 0.23%

LAB 22.33, 51.55, -43.15

 

CMYK 18 / 64 / 0 / 24

HEX #A046C3

RGB 160 70 195

HSL 283.2, 0.51%, 0.52%

LAB 46.7, 56.53, -49.49

 

CMYK 1 / 64 / 0 / 24

HEX #C246C3

RGB 194 70 195

HSL 299.52, 0.51%, 0.52%

LAB 51.6, 64.56, -41.41

 

CMYK 0 / 64 / 17 / 24

HEX #C346A2

RGB 195 70 162

HSL 315.84, 0.51%, 0.52%

LAB 50.21, 59.61, -24.31

 

CMYK 0 / 64 / 34 / 24

HEX #C34681

RGB 195 70 129

HSL 331.68, 0.51%, 0.52%

LAB 48.97, 55.25, -6.49

 

CMYK 0 / 64 / 51 / 24

HEX #C3465F

RGB 195 70 95

HSL 348, 0.51%, 0.52%

LAB 48.02, 51.77, 12.76

 

CMYK 18 / 64 / 0 / 24

HEX #A046C3

RGB 160 70 195

HSL 283.2, 0.51%, 0.52%

LAB 46.7, 56.53, -49.49

 

CMYK 35 / 64 / 0 / 24

HEX #7F46C3

RGB 127 70 195

HSL 267.36, 0.51%, 0.52%

LAB 42.51, 49.08, -56.46

 

CMYK 52 / 64 / 0 / 24

HEX #5D46C3

RGB 93 70 195

HSL 251.04, 0.51%, 0.52%

LAB 38.98, 42.25, -62.35

 

CMYK 64 / 64 / 0 / 24

HEX #4646C3

RGB 70 70 195

HSL 240, 0.51%, 0.52%

LAB 37.16, 38.45, -65.4

 

CMYK 18 / 64 / 0 / 24

HEX #A046C3

RGB 160 70 195

HSL 283.2, 0.51%, 0.52%

LAB 46.7, 56.53, -49.49

 

CMYK 21 / 77 / 0 / 16

HEX #A932D7

RGB 169 50 215

HSL 283.27, 0.67%, 0.52%

LAB 46.48, 70.26, -61.32

 

CMYK 24 / 87 / 0 / 8

HEX #B21FEB

RGB 178 31 235

HSL 283.24, 0.84%, 0.52%

LAB 47.55, 80.47, -70.89

 

CMYK 26 / 96 / 0 / 0

HEX #BB0BFE

RGB 187 11 254

HSL 283.46, 0.99%, 0.52%

LAB 49.45, 87.86, -78.41

 

CMYK 18 / 64 / 0 / 24

HEX #A046C3

RGB 160 70 195

HSL 283.2, 0.51%, 0.52%

LAB 46.7, 56.53, -49.49

 

CMYK 13 / 49 / 0 / 31

HEX #985AAF

RGB 152 90 175

HSL 283.76, 0.35%, 0.52%

LAB 48.36, 40.1, -35.27

 

CMYK 8 / 29 / 0 / 39

HEX #8F6E9B

RGB 143 110 155

HSL 284, 0.18%, 0.52%

LAB 51.1, 21.52, -19.38

 

CMYK 1 / 4 / 0 / 47

HEX #868288

RGB 134 130 136

HSL 280, 0.02%, 0.52%

LAB 54.88, 2.69, -2.7

 

CMYK 16 / 0 / 22 / 42

HEX #7D9574

RGB 125 149 116

HSL 103.64, 0.13%, 0.52%

LAB 59.08, -14.98, 14.68

 

CMYK 52 / 64 / 0 / 24

HEX #5D46C3

RGB 93 70 195

HSL 251.04, 0.51%, 0.52%

LAB 38.98, 42.25, -62.35

 

CMYK 35 / 64 / 0 / 24

HEX #7E46C3

RGB 126 70 195

HSL 266.88, 0.51%, 0.52%

LAB 42.39, 48.86, -56.65

 

CMYK 18 / 64 / 0 / 24

HEX #A046C3

RGB 160 70 195

HSL 283.2, 0.51%, 0.52%

LAB 46.7, 56.53, -49.49

 

CMYK 1 / 64 / 0 / 24

HEX #C146C3

RGB 193 70 195

HSL 299.04, 0.51%, 0.52%

LAB 51.45, 64.33, -41.66

 

CMYK 0 / 64 / 16 / 24

HEX #C346A4

RGB 195 70 164

HSL 314.88, 0.51%, 0.52%

LAB 50.29, 59.9, -25.36

 

CMYK 19 / 67 / 0 / 46

HEX #702D8A

RGB 112 45 138

HSL 283.23, 0.51%, 0.36%

LAB 32.16, 44.68, -39.08

 

CMYK 19 / 67 / 0 / 34

HEX #8937A9

RGB 137 55 169

HSL 283.16, 0.51%, 0.44%

LAB 39.44, 52.6, -46.03

 

CMYK 18 / 64 / 0 / 24

HEX #A046C3

RGB 160 70 195

HSL 283.2, 0.51%, 0.52%

LAB 46.7, 56.53, -49.49

 

CMYK 14 / 51 / 0 / 20

HEX #B065CD

RGB 176 101 205

HSL 283.27, 0.51%, 0.6%

LAB 55.02, 47.36, -41.91

 

CMYK 11 / 39 / 0 / 16

HEX #C084D7

RGB 192 132 215

HSL 283.37, 0.51%, 0.68%

LAB 63.85, 37.43, -33.58

 

CMYK 18 / 65 / 0 / 24

HEX #A045C3

RGB 160 69 195

HSL 283.33, 0.51%, 0.52%

LAB 46.54, 56.98, -49.76

 

CMYK 0 / 64 / 58 / 24

HEX #C34651

RGB 195 70 81

HSL 354.72, 0.51%, 0.52%

LAB 47.72, 50.66, 20.84

 

CMYK 64 / 0 / 44 / 24

HEX #46C36E

RGB 70 195 110

HSL 139.2, 0.51%, 0.52%

LAB 70.5, -53.09, 32.77

 

CMYK 18 / 65 / 0 / 24

HEX #A045C3

RGB 160 69 195

HSL 283.33, 0.51%, 0.52%

LAB 46.54, 56.98, -49.76

 

CMYK 0 / 18 / 64 / 24

HEX #C3A046

RGB 195 160 70

HSL 43.2, 0.51%, 0.52%

LAB 67.42, 2.82, 50.49

 

CMYK 64 / 0 / 18 / 24

HEX #46C3A0

RGB 70 195 160

HSL 163.2, 0.51%, 0.52%

LAB 71.47, -42.8, 7.52

 

CMYK 18 / 65 / 0 / 24

HEX #A045C3

RGB 160 69 195

HSL 283.33, 0.51%, 0.52%

LAB 46.54, 56.98, -49.76

 

CMYK 0 / 64 / 58 / 24

HEX #C34651

RGB 195 70 81

HSL 354.72, 0.51%, 0.52%

LAB 47.72, 50.66, 20.84

 

CMYK 46 / 0 / 64 / 24

HEX #6AC346

RGB 106 195 70

HSL 102.72, 0.51%, 0.52%

LAB 71.24, -49.12, 52.94

 

CMYK 64 / 0 / 5 / 24

HEX #46C3B9

RGB 70 195 185

HSL 175.2, 0.51%, 0.52%

LAB 72.12, -36.4, -5.14

 

CMYK 18 / 65 / 0 / 24

HEX #A045C3

RGB 160 69 195

HSL 283.33, 0.51%, 0.52%

LAB 46.54, 56.98, -49.76

 

CMYK 0 / 50 / 64 / 24

HEX #C36146

RGB 195 97 70

HSL 12.96, 0.51%, 0.52%

LAB 52.5, 36.97, 33.31

 

CMYK 46 / 0 / 64 / 24

HEX #6AC346

RGB 106 195 70

HSL 102.72, 0.51%, 0.52%

LAB 71.24, -49.12, 52.94

 

CMYK 64 / 14 / 0 / 24

HEX #46A8C3

RGB 70 168 195

HSL 192.96, 0.51%, 0.52%

LAB 64.36, -20.24, -22.31

 

Description

Color code: HEX #A045C3 | qconv.com Color code: HEX #A045C3 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 69 green and 195 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 69 195 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, 65 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 65% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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