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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A03E36 it is the complementary color #5FC1C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A03E36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A03E36 shade: #A53E31, #B65044, #C76257, #D8746A and #E9867D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A03E36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A03E36 shade: #A03E36, #8F2C23, #7E1A10, #6D0800 and #5C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A03E36 shade: #A13E36 and #A13636

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A03E36 shade: #A13E36, #A15B36, #A17736, #A19436 and #90A136

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A03E36 shade matches the following richer shades: #A13E36, #B22F24, #C32013 and #D51102

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A03E36 shade: #A13E36, #8F4C47, #7E5B58, #6D6A6A and #5B787B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A03E36 shade: #A13668, #A1364B, #A13D36, #A15936 and #A17636

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A03E36 shade: #632621, #82322B, #A13E36, #BF4A40 and #CA675F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A03E36 shade: #A03E36, #84A136 and #3659A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A03E36 shade: #A03E36, #36A13D and #3D36A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A03E36 shade: #A03E36, #84A136, #369AA1 and #5236A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A03E36 shade: #A03E36, #64A136, #369AA1 and #7236A1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 61 / 66 / 37

HEX #A03E36

RGB 160 62 54

HSL 4.53, 0.5%, 0.42%

LAB 39.89, 40.17, 25.91

 

Complementary color

CMYK 53 / 4 / 0 / 21

HEX #5FC1C9

RGB 95 193 201

HSL 184.53, 0.5%, 0.58%

LAB 72.75, -26.47, -12.83

 

CMYK 0 / 62 / 70 / 35

HEX #A53E31

RGB 165 62 49

HSL 6.72, 0.54%, 0.42%

LAB 40.68, 41.72, 30.04

 

CMYK 0 / 56 / 63 / 29

HEX #B65044

RGB 182 80 68

HSL 6.32, 0.46%, 0.49%

LAB 47.11, 40.49, 27.36

 

CMYK 0 / 51 / 56 / 22

HEX #C76257

RGB 199 98 87

HSL 5.89, 0.5%, 0.56%

LAB 53.56, 39.23, 25.08

 

CMYK 0 / 46 / 51 / 15

HEX #D8746A

RGB 216 116 106

HSL 5.45, 0.59%, 0.63%

LAB 60.01, 38.01, 23.13

 

CMYK 0 / 42 / 46 / 9

HEX #E9867D

RGB 233 134 125

HSL 5, 0.71%, 0.7%

LAB 66.41, 36.87, 21.43

 

CMYK 0 / 61 / 66 / 37

HEX #A03E36

RGB 160 62 54

HSL 4.53, 0.5%, 0.42%

LAB 39.89, 40.17, 25.91

 

CMYK 0 / 69 / 76 / 44

HEX #8F2C23

RGB 143 44 35

HSL 5, 0.61%, 0.35%

LAB 33.48, 41.2, 29.02

 

CMYK 0 / 79 / 87 / 51

HEX #7E1A10

RGB 126 26 16

HSL 5.45, 0.77%, 0.28%

LAB 27.33, 41.69, 32.57

 

CMYK 0 / 93 / 100 / 57

HEX #6D0800

RGB 109 8 0

HSL 4.4, 1%, 0.21%

LAB 21.67, 40.97, 32.73

 

CMYK 0 / 100 / 100 / 64

HEX #5C0000

RGB 92 0 0

HSL 0, 1%, 0.18%

LAB 16.87, 38.03, 26.13

 

CMYK 0 / 61 / 66 / 37

HEX #A13E36

RGB 161 62 54

HSL 4.49, 0.5%, 0.42%

LAB 40.06, 40.54, 26.16

 

CMYK 0 / 66 / 66 / 37

HEX #A13636

RGB 161 54 54

HSL 0, 0.5%, 0.42%

LAB 38.69, 44.2, 24.47

 

CMYK 0 / 61 / 66 / 37

HEX #A13E36

RGB 161 62 54

HSL 4.49, 0.5%, 0.42%

LAB 40.06, 40.54, 26.16

 

CMYK 0 / 43 / 66 / 37

HEX #A15B36

RGB 161 91 54

HSL 20.75, 0.5%, 0.42%

LAB 46.08, 25.32, 33.36

 

CMYK 0 / 26 / 66 / 37

HEX #A17736

RGB 161 119 54

HSL 36.45, 0.5%, 0.42%

LAB 52.99, 9.44, 41.21

 

CMYK 0 / 8 / 66 / 37

HEX #A19436

RGB 161 148 54

HSL 52.71, 0.5%, 0.42%

LAB 60.8, -6.66, 49.62

 

CMYK 11 / 0 / 66 / 37

HEX #90A136

RGB 144 161 54

HSL 69.53, 0.5%, 0.42%

LAB 63.08, -20.89, 51.57

 

CMYK 0 / 61 / 66 / 37

HEX #A13E36

RGB 161 62 54

HSL 4.49, 0.5%, 0.42%

LAB 40.06, 40.54, 26.16

 

CMYK 0 / 74 / 80 / 30

HEX #B22F24

RGB 178 47 36

HSL 4.65, 0.66%, 0.42%

LAB 40.61, 51.85, 38.06

 

CMYK 0 / 84 / 90 / 24

HEX #C32013

RGB 195 32 19

HSL 4.43, 0.82%, 0.42%

LAB 42.28, 61, 49.12

 

CMYK 0 / 92 / 99 / 16

HEX #D51102

RGB 213 17 2

HSL 4.27, 0.98%, 0.42%

LAB 45.01, 68.32, 58.24

 

CMYK 0 / 61 / 66 / 37

HEX #A13E36

RGB 161 62 54

HSL 4.49, 0.5%, 0.42%

LAB 40.06, 40.54, 26.16

 

CMYK 0 / 47 / 50 / 44

HEX #8F4C47

RGB 143 76 71

HSL 4.17, 0.34%, 0.42%

LAB 40.35, 27.61, 15.61

 

CMYK 0 / 28 / 30 / 51

HEX #7E5B58

RGB 126 91 88

HSL 4.74, 0.18%, 0.42%

LAB 42.19, 13.91, 7.39

 

CMYK 0 / 3 / 3 / 57

HEX #6D6A6A

RGB 109 106 106

HSL 0, 0.01%, 0.42%

LAB 45.08, 1.17, 0.41

 

CMYK 26 / 2 / 0 / 52

HEX #5B787B

RGB 91 120 123

HSL 185.63, 0.15%, 0.42%

LAB 48.37, -9.64, -5.06

 

CMYK 0 / 66 / 35 / 37

HEX #A13668

RGB 161 54 104

HSL 331.96, 0.5%, 0.42%

LAB 39.94, 48.73, -5.18

 

CMYK 0 / 66 / 53 / 37

HEX #A1364B

RGB 161 54 75

HSL 348.22, 0.5%, 0.42%

LAB 39.11, 45.74, 11.9

 

CMYK 0 / 62 / 66 / 37

HEX #A13D36

RGB 161 61 54

HSL 3.93, 0.5%, 0.42%

LAB 39.88, 41.02, 25.94

 

CMYK 0 / 45 / 66 / 37

HEX #A15936

RGB 161 89 54

HSL 19.63, 0.5%, 0.42%

LAB 45.62, 26.43, 32.83

 

CMYK 0 / 27 / 66 / 37

HEX #A17636

RGB 161 118 54

HSL 35.89, 0.5%, 0.42%

LAB 52.73, 10.01, 40.93

 

CMYK 0 / 62 / 67 / 61

HEX #632621

RGB 99 38 33

HSL 4.55, 0.5%, 0.26%

LAB 24.16, 27.24, 17.2

 

CMYK 0 / 62 / 67 / 49

HEX #82322B

RGB 130 50 43

HSL 4.83, 0.5%, 0.34%

LAB 32.26, 34.02, 22.09

 

CMYK 0 / 61 / 66 / 37

HEX #A13E36

RGB 161 62 54

HSL 4.49, 0.5%, 0.42%

LAB 40.06, 40.54, 26.16

 

CMYK 0 / 61 / 66 / 25

HEX #BF4A40

RGB 191 74 64

HSL 4.72, 0.5%, 0.5%

LAB 47.42, 46.39, 30.41

 

CMYK 0 / 49 / 53 / 21

HEX #CA675F

RGB 202 103 95

HSL 4.49, 0.5%, 0.58%

LAB 55.16, 38.47, 22.63

 

CMYK 0 / 61 / 66 / 37

HEX #A03E36

RGB 160 62 54

HSL 4.53, 0.5%, 0.42%

LAB 39.89, 40.17, 25.91

 

CMYK 18 / 0 / 66 / 37

HEX #84A136

RGB 132 161 54

HSL 76.26, 0.5%, 0.42%

LAB 62.22, -25.91, 50.4

 

CMYK 66 / 45 / 0 / 37

HEX #3659A1

RGB 54 89 161

HSL 220.37, 0.5%, 0.42%

LAB 38.73, 11.59, -42.82

 

CMYK 0 / 61 / 66 / 37

HEX #A03E36

RGB 160 62 54

HSL 4.53, 0.5%, 0.42%

LAB 39.89, 40.17, 25.91

 

CMYK 66 / 0 / 62 / 37

HEX #36A13D

RGB 54 161 61

HSL 123.93, 0.5%, 0.42%

LAB 58.61, -50.75, 42.32

 

CMYK 62 / 66 / 0 / 37

HEX #3D36A1

RGB 61 54 161

HSL 243.93, 0.5%, 0.42%

LAB 29.92, 35.54, -57.05

 

CMYK 0 / 61 / 66 / 37

HEX #A03E36

RGB 160 62 54

HSL 4.53, 0.5%, 0.42%

LAB 39.89, 40.17, 25.91

 

CMYK 18 / 0 / 66 / 37

HEX #84A136

RGB 132 161 54

HSL 76.26, 0.5%, 0.42%

LAB 62.22, -25.91, 50.4

 

CMYK 66 / 4 / 0 / 37

HEX #369AA1

RGB 54 154 161

HSL 183.93, 0.5%, 0.42%

LAB 58.48, -26.09, -12.15

 

CMYK 49 / 66 / 0 / 37

HEX #5236A1

RGB 82 54 161

HSL 255.7, 0.5%, 0.42%

LAB 31.82, 39.25, -53.87

 

CMYK 0 / 61 / 66 / 37

HEX #A03E36

RGB 160 62 54

HSL 4.53, 0.5%, 0.42%

LAB 39.89, 40.17, 25.91

 

CMYK 38 / 0 / 66 / 37

HEX #64A136

RGB 100 161 54

HSL 94.21, 0.5%, 0.42%

LAB 60.31, -38.28, 47.79

 

CMYK 66 / 4 / 0 / 37

HEX #369AA1

RGB 54 154 161

HSL 183.93, 0.5%, 0.42%

LAB 58.48, -26.09, -12.15

 

CMYK 29 / 66 / 0 / 37

HEX #7236A1

RGB 114 54 161

HSL 273.64, 0.5%, 0.42%

LAB 35.57, 46.03, -47.61

 

Description

Color code: HEX #A03E36 | qconv.com Color code: HEX #A03E36 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 62 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 62 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 61 magenta, 66 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 61% 66% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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