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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A037AF it is the complementary color #5FC850. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A037AF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A037AF shade: #A537AA, #B649BD, #C75BD0, #D86DE3 and #E97FF6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A037AF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A037AF shade: #A037AF, #8F259C, #7E1389, #6D0176 and #5C0063

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A037AF shade: #A037AE, #AE379D, #AE377D, #AE375D and #AE373D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A037AF shade: #A037AE, #7F37AE, #5F37AE, #3F37AE and #3737AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A037AF shade matches the following richer shades: #A037AE, #AD25C1 and #BB12D4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A037AF shade: #A037AE, #924A9C, #845C89, #766F77 and #688164

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A037AF shade: #5F37AE, #7F37AE, #9F37AE, #AE379F and #AE377F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A037AF shade: #662370, #832D8F, #A037AE, #B649C6 and #C369CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A037AF shade: #A037AF, #AE3F37 and #37AE6F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A037AF shade: #A037AF, #AE9F37 and #37AE9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A037AF shade: #A037AF, #AE3F37, #47AE37 and #37A6AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A037AF shade: #A037AF, #AE6337, #47AE37 and #3783AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 9 / 69 / 0 / 31

HEX #A037AF

RGB 160 55 175

HSL 292.5, 0.52%, 0.45%

LAB 43.21, 59.04, -43.36

 

Complementary color

CMYK 53 / 0 / 60 / 22

HEX #5FC850

RGB 95 200 80

HSL 112.5, 0.52%, 0.55%

LAB 72.44, -53.26, 49.82

 

CMYK 3 / 68 / 0 / 33

HEX #A537AA

RGB 165 55 170

HSL 297.39, 0.51%, 0.44%

LAB 43.7, 59.3, -39.57

 

CMYK 4 / 61 / 0 / 26

HEX #B649BD

RGB 182 73 189

HSL 296.38, 0.47%, 0.51%

LAB 49.96, 59.35, -40.65

 

CMYK 4 / 56 / 0 / 18

HEX #C75BD0

RGB 199 91 208

HSL 295.38, 0.55%, 0.59%

LAB 56.27, 59.03, -41.44

 

CMYK 5 / 52 / 0 / 11

HEX #D86DE3

RGB 216 109 227

HSL 294.41, 0.68%, 0.66%

LAB 62.58, 58.52, -42.06

 

CMYK 5 / 48 / 0 / 4

HEX #E97FF6

RGB 233 127 246

HSL 293.45, 0.87%, 0.73%

LAB 68.86, 57.88, -42.55

 

CMYK 9 / 69 / 0 / 31

HEX #A037AF

RGB 160 55 175

HSL 292.5, 0.52%, 0.45%

LAB 43.21, 59.04, -43.36

 

CMYK 8 / 76 / 0 / 39

HEX #8F259C

RGB 143 37 156

HSL 293.45, 0.62%, 0.38%

LAB 37.05, 58.43, -42

 

CMYK 8 / 86 / 0 / 46

HEX #7E1389

RGB 126 19 137

HSL 294.41, 0.76%, 0.31%

LAB 31.13, 56.77, -39.98

 

CMYK 8 / 99 / 0 / 54

HEX #6D0176

RGB 109 1 118

HSL 295.38, 0.98%, 0.23%

LAB 25.51, 53.85, -37.22

 

CMYK 7 / 100 / 0 / 61

HEX #5C0063

RGB 92 0 99

HSL 295.76, 1%, 0.19%

LAB 20.74, 47.85, -32.73

 

CMYK 8 / 68 / 0 / 32

HEX #A037AE

RGB 160 55 174

HSL 292.94, 0.52%, 0.45%

LAB 43.16, 58.85, -42.86

 

CMYK 0 / 68 / 10 / 32

HEX #AE379D

RGB 174 55 157

HSL 308.57, 0.52%, 0.45%

LAB 44.47, 59.32, -30.52

 

CMYK 0 / 68 / 28 / 32

HEX #AE377D

RGB 174 55 125

HSL 324.71, 0.52%, 0.45%

LAB 43.08, 54.75, -13.26

 

CMYK 0 / 68 / 47 / 32

HEX #AE375D

RGB 174 55 93

HSL 340.84, 0.52%, 0.45%

LAB 42.03, 51.15, 5.04

 

CMYK 0 / 68 / 65 / 32

HEX #AE373D

RGB 174 55 61

HSL 356.97, 0.52%, 0.45%

LAB 41.32, 48.63, 23.98

 

CMYK 8 / 68 / 0 / 32

HEX #A037AE

RGB 160 55 174

HSL 292.94, 0.52%, 0.45%

LAB 43.16, 58.85, -42.86

 

CMYK 27 / 68 / 0 / 32

HEX #7F37AE

RGB 127 55 174

HSL 276.3, 0.52%, 0.45%

LAB 38.38, 51.46, -50.78

 

CMYK 45 / 68 / 0 / 32

HEX #5F37AE

RGB 95 55 174

HSL 260.17, 0.52%, 0.45%

LAB 34.44, 44.91, -57.35

 

CMYK 64 / 68 / 0 / 32

HEX #3F37AE

RGB 63 55 174

HSL 244.03, 0.52%, 0.45%

LAB 31.45, 39.54, -62.35

 

CMYK 68 / 68 / 0 / 32

HEX #3737AE

RGB 55 55 174

HSL 240, 0.52%, 0.45%

LAB 30.88, 38.47, -63.31

 

CMYK 8 / 68 / 0 / 32

HEX #A037AE

RGB 160 55 174

HSL 292.94, 0.52%, 0.45%

LAB 43.16, 58.85, -42.86

 

CMYK 10 / 81 / 0 / 24

HEX #AD25C1

RGB 173 37 193

HSL 292.31, 0.68%, 0.45%

LAB 44.32, 70.8, -52.05

 

CMYK 12 / 92 / 0 / 17

HEX #BB12D4

RGB 187 18 212

HSL 292.27, 0.84%, 0.45%

LAB 46.65, 79.95, -59.18

 

CMYK 8 / 68 / 0 / 32

HEX #A037AE

RGB 160 55 174

HSL 292.94, 0.52%, 0.45%

LAB 43.16, 58.85, -42.86

 

CMYK 6 / 53 / 0 / 39

HEX #924A9C

RGB 146 74 156

HSL 292.68, 0.36%, 0.45%

LAB 43.37, 42.97, -31.94

 

CMYK 4 / 33 / 0 / 46

HEX #845C89

RGB 132 92 137

HSL 293.33, 0.2%, 0.45%

LAB 44.75, 24.51, -18.53

 

CMYK 1 / 7 / 0 / 53

HEX #766F77

RGB 118 111 119

HSL 292.5, 0.03%, 0.45%

LAB 47.69, 4.31, -3.46

 

CMYK 19 / 0 / 22 / 49

HEX #688164

RGB 104 129 100

HSL 111.72, 0.13%, 0.45%

LAB 51.34, -14.99, 12.82

 

CMYK 45 / 68 / 0 / 32

HEX #5F37AE

RGB 95 55 174

HSL 260.17, 0.52%, 0.45%

LAB 34.44, 44.91, -57.35

 

CMYK 27 / 68 / 0 / 32

HEX #7F37AE

RGB 127 55 174

HSL 276.3, 0.52%, 0.45%

LAB 38.38, 51.46, -50.78

 

CMYK 9 / 68 / 0 / 32

HEX #9F37AE

RGB 159 55 174

HSL 292.44, 0.52%, 0.45%

LAB 43, 58.63, -43.11

 

CMYK 0 / 68 / 9 / 32

HEX #AE379F

RGB 174 55 159

HSL 307.56, 0.52%, 0.45%

LAB 44.57, 59.63, -31.56

 

CMYK 0 / 68 / 27 / 32

HEX #AE377F

RGB 174 55 127

HSL 323.7, 0.52%, 0.45%

LAB 43.16, 55.01, -14.37

 

CMYK 9 / 69 / 0 / 56

HEX #662370

RGB 102 35 112

HSL 292.21, 0.52%, 0.29%

LAB 27.29, 41.35, -30.59

 

CMYK 8 / 69 / 0 / 44

HEX #832D8F

RGB 131 45 143

HSL 292.65, 0.52%, 0.37%

LAB 35.37, 50.31, -36.86

 

CMYK 8 / 68 / 0 / 32

HEX #A037AE

RGB 160 55 174

HSL 292.94, 0.52%, 0.45%

LAB 43.16, 58.85, -42.86

 

CMYK 8 / 63 / 0 / 22

HEX #B649C6

RGB 182 73 198

HSL 292.32, 0.52%, 0.53%

LAB 50.44, 60.98, -45.09

 

CMYK 6 / 49 / 0 / 19

HEX #C369CF

RGB 195 105 207

HSL 292.94, 0.52%, 0.61%

LAB 58.24, 50.99, -37.82

 

CMYK 9 / 69 / 0 / 31

HEX #A037AF

RGB 160 55 175

HSL 292.5, 0.52%, 0.45%

LAB 43.21, 59.04, -43.36

 

CMYK 0 / 64 / 68 / 32

HEX #AE3F37

RGB 174 63 55

HSL 4.03, 0.52%, 0.45%

LAB 42.51, 44.83, 29.06

 

CMYK 68 / 0 / 36 / 32

HEX #37AE6F

RGB 55 174 111

HSL 148.24, 0.52%, 0.45%

LAB 63.53, -47.52, 23.01

 

CMYK 9 / 69 / 0 / 31

HEX #A037AF

RGB 160 55 175

HSL 292.5, 0.52%, 0.45%

LAB 43.21, 59.04, -43.36

 

CMYK 0 / 9 / 68 / 32

HEX #AE9F37

RGB 174 159 55

HSL 52.44, 0.52%, 0.45%

LAB 65.02, -6.74, 53.94

 

CMYK 68 / 0 / 9 / 32

HEX #37AE9F

RGB 55 174 159

HSL 172.44, 0.52%, 0.45%

LAB 64.63, -36.12, -1.88

 

CMYK 9 / 69 / 0 / 31

HEX #A037AF

RGB 160 55 175

HSL 292.5, 0.52%, 0.45%

LAB 43.21, 59.04, -43.36

 

CMYK 0 / 64 / 68 / 32

HEX #AE3F37

RGB 174 63 55

HSL 4.03, 0.52%, 0.45%

LAB 42.51, 44.83, 29.06

 

CMYK 59 / 0 / 68 / 32

HEX #47AE37

RGB 71 174 55

HSL 111.93, 0.52%, 0.45%

LAB 63.25, -52.22, 50.17

 

CMYK 68 / 5 / 0 / 32

HEX #37A6AE

RGB 55 166 174

HSL 184.03, 0.52%, 0.45%

LAB 62.63, -28, -13.25

 

CMYK 9 / 69 / 0 / 31

HEX #A037AF

RGB 160 55 175

HSL 292.5, 0.52%, 0.45%

LAB 43.21, 59.04, -43.36

 

CMYK 0 / 43 / 68 / 32

HEX #AE6337

RGB 174 99 55

HSL 22.18, 0.52%, 0.45%

LAB 49.74, 26.45, 37.5

 

CMYK 59 / 0 / 68 / 32

HEX #47AE37

RGB 71 174 55

HSL 111.93, 0.52%, 0.45%

LAB 63.25, -52.22, 50.17

 

CMYK 68 / 25 / 0 / 32

HEX #3783AE

RGB 55 131 174

HSL 201.68, 0.52%, 0.45%

LAB 51.95, -9.36, -29.59

 

Description

Color code: HEX #A037AF | qconv.com Color code: HEX #A037AF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 55 green and 175 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 55 175 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 9 cyan, 69 magenta, none yellow and 31 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
9% 69% 0% 31% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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