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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A033A4 it is the complementary color #5FCC5B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A033A4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A033A4 shade: #A5339F, #B645B2, #C757C5, #D869D8 and #E97BEB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A033A4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A033A4 shade: #A033A4, #8F2191, #7E0F7E, #6D006B and #5C0058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A033A4 shade: #A032A4, #A43289, #A4326B, #A4324C and #A43232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A033A4 shade: #A032A4, #8132A4, #6332A4, #4432A4 and #3232A4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A033A4 shade matches the following richer shades: #A032A4, #B021B5 and #C010C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A033A4 shade: #A032A4, #904493, #805581, #706670 and #5F785F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A033A4 shade: #6232A4, #8032A4, #9E32A4, #A4328B and #A4326D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A033A4 shade: #621F65, #812984, #A032A4, #BE3CC3 and #C95CCD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A033A4 shade: #A033A4, #A44332 and #32A471

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A033A4 shade: #A033A4, #A49E32 and #32A49E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A033A4 shade: #A033A4, #A44332, #38A432 and #3293A4

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A033A4 shade: #A033A4, #A46532, #38A432 and #3271A4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 2 / 69 / 0 / 36

HEX #A033A4

RGB 160 51 164

HSL 297.88, 0.53%, 0.42%

LAB 42.03, 58.62, -38.7

 

Complementary color

CMYK 53 / 0 / 55 / 20

HEX #5FCC5B

RGB 95 204 91

HSL 117.88, 0.53%, 0.58%

LAB 73.79, -53.53, 46.35

 

CMYK 0 / 69 / 4 / 35

HEX #A5339F

RGB 165 51 159

HSL 303.16, 0.53%, 0.42%

LAB 42.57, 58.95, -34.81

 

CMYK 0 / 62 / 2 / 29

HEX #B645B2

RGB 182 69 178

HSL 302.12, 0.45%, 0.49%

LAB 48.78, 59.14, -36.09

 

CMYK 0 / 56 / 1 / 22

HEX #C757C5

RGB 199 87 197

HSL 301.07, 0.5%, 0.56%

LAB 55.06, 58.91, -37.06

 

CMYK 0 / 51 / 0 / 15

HEX #D869D8

RGB 216 105 216

HSL 300, 0.59%, 0.63%

LAB 61.36, 58.45, -37.81

 

CMYK 1 / 48 / 0 / 8

HEX #E97BEB

RGB 233 123 235

HSL 298.93, 0.74%, 0.7%

LAB 67.64, 57.85, -38.42

 

CMYK 2 / 69 / 0 / 36

HEX #A033A4

RGB 160 51 164

HSL 297.88, 0.53%, 0.42%

LAB 42.03, 58.62, -38.7

 

CMYK 1 / 77 / 0 / 43

HEX #8F2191

RGB 143 33 145

HSL 298.93, 0.63%, 0.35%

LAB 35.93, 57.78, -37.08

 

CMYK 0 / 88 / 0 / 51

HEX #7E0F7E

RGB 126 15 126

HSL 300, 0.79%, 0.28%

LAB 30.12, 55.77, -34.73

 

CMYK 0 / 100 / 2 / 57

HEX #6D006B

RGB 109 0 107

HSL 301.1, 1%, 0.21%

LAB 24.68, 52.22, -31.45

 

CMYK 0 / 100 / 4 / 64

HEX #5C0058

RGB 92 0 88

HSL 302.61, 1%, 0.18%

LAB 19.96, 45.99, -26.64

 

CMYK 2 / 70 / 0 / 36

HEX #A032A4

RGB 160 50 164

HSL 297.89, 0.53%, 0.42%

LAB 41.9, 59, -38.91

 

CMYK 0 / 70 / 16 / 36

HEX #A43289

RGB 164 50 137

HSL 314.21, 0.53%, 0.42%

LAB 41.18, 55.62, -23.67

 

CMYK 0 / 70 / 35 / 36

HEX #A4326B

RGB 164 50 107

HSL 330, 0.53%, 0.42%

LAB 39.97, 51.62, -6.95

 

CMYK 0 / 70 / 54 / 36

HEX #A4324C

RGB 164 50 76

HSL 346.32, 0.53%, 0.42%

LAB 39.06, 48.48, 11.29

 

CMYK 0 / 70 / 70 / 36

HEX #A43232

RGB 164 50 50

HSL 0, 0.53%, 0.42%

LAB 38.56, 46.69, 26.88

 

CMYK 2 / 70 / 0 / 36

HEX #A032A4

RGB 160 50 164

HSL 297.89, 0.53%, 0.42%

LAB 41.9, 59, -38.91

 

CMYK 21 / 70 / 0 / 36

HEX #8132A4

RGB 129 50 164

HSL 281.58, 0.53%, 0.42%

LAB 37.17, 51.96, -46.74

 

CMYK 40 / 70 / 0 / 36

HEX #6332A4

RGB 99 50 164

HSL 265.79, 0.53%, 0.42%

LAB 33.17, 45.61, -53.41

 

CMYK 59 / 70 / 0 / 36

HEX #4432A4

RGB 68 50 164

HSL 249.47, 0.53%, 0.42%

LAB 29.89, 40.01, -58.89

 

CMYK 70 / 70 / 0 / 36

HEX #3232A4

RGB 50 50 164

HSL 240, 0.53%, 0.42%

LAB 28.48, 37.47, -61.25

 

CMYK 2 / 70 / 0 / 36

HEX #A032A4

RGB 160 50 164

HSL 297.89, 0.53%, 0.42%

LAB 41.9, 59, -38.91

 

CMYK 3 / 82 / 0 / 29

HEX #B021B5

RGB 176 33 181

HSL 297.97, 0.69%, 0.42%

LAB 43.73, 70.36, -45.92

 

CMYK 4 / 92 / 0 / 22

HEX #C010C7

RGB 192 16 199

HSL 297.7, 0.85%, 0.42%

LAB 46.58, 78.94, -51.74

 

CMYK 2 / 70 / 0 / 36

HEX #A032A4

RGB 160 50 164

HSL 297.89, 0.53%, 0.42%

LAB 41.9, 59, -38.91

 

CMYK 2 / 54 / 0 / 42

HEX #904493

RGB 144 68 147

HSL 297.72, 0.37%, 0.42%

LAB 41.49, 43.72, -29.51

 

CMYK 1 / 34 / 0 / 49

HEX #805581

RGB 128 85 129

HSL 298.64, 0.21%, 0.42%

LAB 42.26, 25.59, -17.55

 

CMYK 0 / 9 / 0 / 56

HEX #706670

RGB 112 102 112

HSL 300, 0.05%, 0.42%

LAB 44.4, 5.94, -4.18

 

CMYK 21 / 0 / 21 / 53

HEX #5F785F

RGB 95 120 95

HSL 120, 0.12%, 0.42%

LAB 47.87, -14.42, 10.79

 

CMYK 40 / 70 / 0 / 36

HEX #6232A4

RGB 98 50 164

HSL 265.26, 0.53%, 0.42%

LAB 33.05, 45.41, -53.61

 

CMYK 22 / 70 / 0 / 36

HEX #8032A4

RGB 128 50 164

HSL 281.05, 0.53%, 0.42%

LAB 37.02, 51.74, -46.98

 

CMYK 4 / 70 / 0 / 36

HEX #9E32A4

RGB 158 50 164

HSL 296.84, 0.53%, 0.42%

LAB 41.58, 58.53, -39.44

 

CMYK 0 / 70 / 15 / 36

HEX #A4328B

RGB 164 50 139

HSL 313.16, 0.53%, 0.42%

LAB 41.28, 55.92, -24.75

 

CMYK 0 / 70 / 34 / 36

HEX #A4326D

RGB 164 50 109

HSL 328.95, 0.53%, 0.42%

LAB 40.04, 51.86, -8.1

 

CMYK 3 / 69 / 0 / 60

HEX #621F65

RGB 98 31 101

HSL 297.43, 0.53%, 0.26%

LAB 25.31, 39.93, -26.67

 

CMYK 2 / 69 / 0 / 48

HEX #812984

RGB 129 41 132

HSL 298.02, 0.53%, 0.34%

LAB 33.81, 49.41, -32.57

 

CMYK 2 / 70 / 0 / 36

HEX #A032A4

RGB 160 50 164

HSL 297.89, 0.53%, 0.42%

LAB 41.9, 59, -38.91

 

CMYK 3 / 69 / 0 / 24

HEX #BE3CC3

RGB 190 60 195

HSL 297.78, 0.53%, 0.5%

LAB 49.64, 67.43, -44.55

 

CMYK 2 / 55 / 0 / 20

HEX #C95CCD

RGB 201 92 205

HSL 297.88, 0.53%, 0.58%

LAB 56.56, 58.56, -39.25

 

CMYK 2 / 69 / 0 / 36

HEX #A033A4

RGB 160 51 164

HSL 297.88, 0.53%, 0.42%

LAB 42.03, 58.62, -38.7

 

CMYK 0 / 59 / 70 / 36

HEX #A44332

RGB 164 67 50

HSL 8.95, 0.53%, 0.42%

LAB 41.43, 39, 30.3

 

CMYK 70 / 0 / 31 / 36

HEX #32A471

RGB 50 164 113

HSL 153.16, 0.53%, 0.42%

LAB 60.27, -43.9, 17.46

 

CMYK 2 / 69 / 0 / 36

HEX #A033A4

RGB 160 51 164

HSL 297.88, 0.53%, 0.42%

LAB 42.03, 58.62, -38.7

 

CMYK 0 / 4 / 70 / 36

HEX #A49E32

RGB 164 158 50

HSL 56.84, 0.53%, 0.42%

LAB 63.82, -10.9, 54.47

 

CMYK 70 / 0 / 4 / 36

HEX #32A49E

RGB 50 164 158

HSL 176.84, 0.53%, 0.42%

LAB 61.39, -32.46, -6.11

 

CMYK 2 / 69 / 0 / 36

HEX #A033A4

RGB 160 51 164

HSL 297.88, 0.53%, 0.42%

LAB 42.03, 58.62, -38.7

 

CMYK 0 / 59 / 70 / 36

HEX #A44332

RGB 164 67 50

HSL 8.95, 0.53%, 0.42%

LAB 41.43, 39, 30.3

 

CMYK 66 / 0 / 70 / 36

HEX #38A432

RGB 56 164 50

HSL 116.84, 0.53%, 0.42%

LAB 59.55, -52.56, 48.15

 

CMYK 70 / 10 / 0 / 36

HEX #3293A4

RGB 50 147 164

HSL 188.95, 0.53%, 0.42%

LAB 56.31, -22.19, -17.15

 

CMYK 2 / 69 / 0 / 36

HEX #A033A4

RGB 160 51 164

HSL 297.88, 0.53%, 0.42%

LAB 42.03, 58.62, -38.7

 

CMYK 0 / 38 / 70 / 36

HEX #A46532

RGB 164 101 50

HSL 26.84, 0.53%, 0.42%

LAB 48.8, 20.74, 38.7

 

CMYK 66 / 0 / 70 / 36

HEX #38A432

RGB 56 164 50

HSL 116.84, 0.53%, 0.42%

LAB 59.55, -52.56, 48.15

 

CMYK 70 / 31 / 0 / 36

HEX #3271A4

RGB 50 113 164

HSL 206.84, 0.53%, 0.42%

LAB 45.86, -3.09, -33.3

 

Description

Color code: HEX #A033A4 | qconv.com Color code: HEX #A033A4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 51 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 51 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 2 cyan, 69 magenta, none yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
2% 69% 0% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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