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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A03263 it is the complementary color #5FCD9C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A03263. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A03263 shade: #A5325E, #B64471, #C75684, #D86897 and #E97AAA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A03263. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A03263 shade: #A03263, #8F2050, #7E0E3D, #6D002A and #5C0017

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A03263 shade: #9F3263, #9F3245 and #9F3232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A03263 shade: #9F3263, #9F3280, #9F329D, #83329F and #66329F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A03263 shade matches the following richer shades: #9F3263, #B02161 and #C1105F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A03263 shade: #9F3263, #8E4364, #7D5466, #6C6568 and #5B766A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A03263 shade: #9F329D, #9F3280, #9F3263, #9F3246 and #9F3B32

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A03263 shade: #601E3C, #80284F, #9F3263, #BE3C76 and #CB598C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A03263 shade: #A03263, #9F8432 and #328F9F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A03263 shade: #A03263, #639F32 and #32639F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A03263 shade: #A03263, #9F8432, #329F6E and #324D9F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A03263 shade: #A03263, #999F32, #329F6E and #38329F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 69 / 38 / 37

HEX #A03263

RGB 160 50 99

HSL 333.27, 0.52%, 0.41%

LAB 38.99, 49.5, -3.46

 

Complementary color

CMYK 54 / 0 / 24 / 20

HEX #5FCD9C

RGB 95 205 156

HSL 153.27, 0.52%, 0.59%

LAB 75.14, -43.01, 14.98

 

CMYK 0 / 70 / 43 / 35

HEX #A5325E

RGB 165 50 94

HSL 337.04, 0.53%, 0.42%

LAB 39.73, 50.48, 0.88

 

CMYK 0 / 63 / 38 / 29

HEX #B64471

RGB 182 68 113

HSL 336.32, 0.46%, 0.49%

LAB 46, 50.25, -1.4

 

CMYK 0 / 57 / 34 / 22

HEX #C75684

RGB 199 86 132

HSL 335.58, 0.5%, 0.56%

LAB 52.36, 49.7, -3.2

 

CMYK 0 / 52 / 30 / 15

HEX #D86897

RGB 216 104 151

HSL 334.82, 0.59%, 0.63%

LAB 58.73, 48.98, -4.67

 

CMYK 0 / 48 / 27 / 9

HEX #E97AAA

RGB 233 122 170

HSL 334.05, 0.72%, 0.7%

LAB 65.08, 48.2, -5.92

 

CMYK 0 / 69 / 38 / 37

HEX #A03263

RGB 160 50 99

HSL 333.27, 0.52%, 0.41%

LAB 38.99, 49.5, -3.46

 

CMYK 0 / 78 / 44 / 44

HEX #8F2050

RGB 143 32 80

HSL 334.05, 0.63%, 0.34%

LAB 32.81, 49.13, -0.73

 

CMYK 0 / 89 / 52 / 51

HEX #7E0E3D

RGB 126 14 61

HSL 334.82, 0.8%, 0.27%

LAB 26.98, 47.62, 3.01

 

CMYK 0 / 100 / 61 / 57

HEX #6D002A

RGB 109 0 42

HSL 336.88, 1%, 0.21%

LAB 21.65, 44.53, 8.1

 

CMYK 0 / 100 / 75 / 64

HEX #5C0017

RGB 92 0 23

HSL 345, 1%, 0.18%

LAB 17.17, 38.84, 15.01

 

CMYK 0 / 69 / 38 / 38

HEX #9F3263

RGB 159 50 99

HSL 333.03, 0.52%, 0.41%

LAB 38.82, 49.2, -3.74

 

CMYK 0 / 69 / 57 / 38

HEX #9F3245

RGB 159 50 69

HSL 349.54, 0.52%, 0.41%

LAB 37.99, 46.29, 14.1

 

CMYK 0 / 69 / 69 / 38

HEX #9F3232

RGB 159 50 50

HSL 0, 0.52%, 0.41%

LAB 37.63, 44.99, 25.53

 

CMYK 0 / 69 / 38 / 38

HEX #9F3263

RGB 159 50 99

HSL 333.03, 0.52%, 0.41%

LAB 38.82, 49.2, -3.74

 

CMYK 0 / 69 / 19 / 38

HEX #9F3280

RGB 159 50 128

HSL 317.06, 0.52%, 0.41%

LAB 39.93, 52.97, -20.15

 

CMYK 0 / 69 / 1 / 38

HEX #9F329D

RGB 159 50 157

HSL 301.1, 0.52%, 0.41%

LAB 41.35, 57.56, -35.59

 

CMYK 18 / 69 / 0 / 38

HEX #83329F

RGB 131 50 159

HSL 284.59, 0.52%, 0.41%

LAB 37.13, 51.35, -43.78

 

CMYK 36 / 69 / 0 / 38

HEX #66329F

RGB 102 50 159

HSL 268.62, 0.52%, 0.41%

LAB 33.16, 44.93, -50.39

 

CMYK 0 / 69 / 38 / 38

HEX #9F3263

RGB 159 50 99

HSL 333.03, 0.52%, 0.41%

LAB 38.82, 49.2, -3.74

 

CMYK 0 / 81 / 45 / 31

HEX #B02161

RGB 176 33 97

HSL 333.15, 0.68%, 0.41%

LAB 39.88, 59.49, -0.54

 

CMYK 0 / 92 / 51 / 24

HEX #C1105F

RGB 193 16 95

HSL 333.22, 0.85%, 0.41%

LAB 42.05, 66.87, 4.29

 

CMYK 0 / 69 / 38 / 38

HEX #9F3263

RGB 159 50 99

HSL 333.03, 0.52%, 0.41%

LAB 38.82, 49.2, -3.74

 

CMYK 0 / 53 / 30 / 44

HEX #8E4364

RGB 142 67 100

HSL 333.6, 0.36%, 0.41%

LAB 39.05, 35.69, -4.34

 

CMYK 0 / 33 / 18 / 51

HEX #7D5466

RGB 125 84 102

HSL 333.66, 0.2%, 0.41%

LAB 40.67, 19.95, -3.43

 

CMYK 0 / 6 / 4 / 58

HEX #6C6568

RGB 108 101 104

HSL 334.29, 0.03%, 0.41%

LAB 43.5, 3.36, -0.7

 

CMYK 23 / 0 / 10 / 54

HEX #5B766A

RGB 91 118 106

HSL 153.33, 0.13%, 0.41%

LAB 47.26, -12.5, 3.4

 

CMYK 0 / 69 / 1 / 38

HEX #9F329D

RGB 159 50 157

HSL 301.1, 0.52%, 0.41%

LAB 41.35, 57.56, -35.59

 

CMYK 0 / 69 / 19 / 38

HEX #9F3280

RGB 159 50 128

HSL 317.06, 0.52%, 0.41%

LAB 39.93, 52.97, -20.15

 

CMYK 0 / 69 / 38 / 38

HEX #9F3263

RGB 159 50 99

HSL 333.03, 0.52%, 0.41%

LAB 38.82, 49.2, -3.74

 

CMYK 0 / 69 / 56 / 38

HEX #9F3246

RGB 159 50 70

HSL 348.99, 0.52%, 0.41%

LAB 38.01, 46.37, 13.5

 

CMYK 0 / 63 / 69 / 38

HEX #9F3B32

RGB 159 59 50

HSL 4.95, 0.52%, 0.41%

LAB 39.12, 40.98, 27.34

 

CMYK 0 / 69 / 38 / 62

HEX #601E3C

RGB 96 30 60

HSL 332.73, 0.52%, 0.25%

LAB 22.8, 32.99, -3.14

 

CMYK 0 / 69 / 38 / 50

HEX #80284F

RGB 128 40 79

HSL 333.41, 0.52%, 0.33%

LAB 31.05, 41.41, -3

 

CMYK 0 / 69 / 38 / 38

HEX #9F3263

RGB 159 50 99

HSL 333.03, 0.52%, 0.41%

LAB 38.82, 49.2, -3.74

 

CMYK 0 / 68 / 38 / 25

HEX #BE3C76

RGB 190 60 118

HSL 333.23, 0.52%, 0.49%

LAB 46.29, 56.57, -3.87

 

CMYK 0 / 56 / 31 / 20

HEX #CB598C

RGB 203 89 140

HSL 333.16, 0.52%, 0.57%

LAB 53.74, 50.57, -5.82

 

CMYK 0 / 69 / 38 / 37

HEX #A03263

RGB 160 50 99

HSL 333.27, 0.52%, 0.41%

LAB 38.99, 49.5, -3.46

 

CMYK 0 / 17 / 69 / 38

HEX #9F8432

RGB 159 132 50

HSL 45.14, 0.52%, 0.41%

LAB 56.19, 0.97, 46.5

 

CMYK 69 / 10 / 0 / 38

HEX #328F9F

RGB 50 143 159

HSL 188.81, 0.52%, 0.41%

LAB 54.89, -21.69, -16.44

 

CMYK 0 / 69 / 38 / 37

HEX #A03263

RGB 160 50 99

HSL 333.27, 0.52%, 0.41%

LAB 38.99, 49.5, -3.46

 

CMYK 38 / 0 / 69 / 38

HEX #639F32

RGB 99 159 50

HSL 93.03, 0.52%, 0.41%

LAB 59.6, -38.09, 48.7

 

CMYK 69 / 38 / 0 / 38

HEX #32639F

RGB 50 99 159

HSL 213.03, 0.52%, 0.41%

LAB 41.38, 3.74, -37.42

 

CMYK 0 / 69 / 38 / 37

HEX #A03263

RGB 160 50 99

HSL 333.27, 0.52%, 0.41%

LAB 38.99, 49.5, -3.46

 

CMYK 0 / 17 / 69 / 38

HEX #9F8432

RGB 159 132 50

HSL 45.14, 0.52%, 0.41%

LAB 56.19, 0.97, 46.5

 

CMYK 69 / 0 / 31 / 38

HEX #329F6E

RGB 50 159 110

HSL 153.03, 0.52%, 0.41%

LAB 58.6, -42.48, 16.83

 

CMYK 69 / 52 / 0 / 38

HEX #324D9F

RGB 50 77 159

HSL 225.14, 0.52%, 0.41%

LAB 34.98, 18.07, -47.65

 

CMYK 0 / 69 / 38 / 37

HEX #A03263

RGB 160 50 99

HSL 333.27, 0.52%, 0.41%

LAB 38.99, 49.5, -3.46

 

CMYK 4 / 0 / 69 / 38

HEX #999F32

RGB 153 159 50

HSL 63.3, 0.52%, 0.41%

LAB 63.18, -16.24, 53.52

 

CMYK 69 / 0 / 31 / 38

HEX #329F6E

RGB 50 159 110

HSL 153.03, 0.52%, 0.41%

LAB 58.6, -42.48, 16.83

 

CMYK 65 / 69 / 0 / 38

HEX #38329F

RGB 56 50 159

HSL 243.3, 0.52%, 0.41%

LAB 28.45, 36.57, -58.27

 

Description

Color code: HEX #A03263 | qconv.com Color code: HEX #A03263 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 50 green and 99 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 50 99 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 69 magenta, 38 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 69% 38% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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