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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A02F86 it is the complementary color #5FD079. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A02F86. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A02F86 shade: #A52F81, #B64194, #C753A7, #D865BA and #E977CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A02F86. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A02F86 shade: #A02F86, #8F1D73, #7E0B60, #6D004D and #5C003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A02F86 shade: #A22F88, #A22F69, #A22F4A and #A22F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A02F86 shade: #A22F88, #9E2FA2, #7E2FA2, #5F2FA2 and #402FA2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A02F86 shade matches the following richer shades: #A22F88, #B31E91 and #C40D9A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A02F86 shade: #A22F88, #91407E, #805175, #6F626C and #5E7363

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A02F86 shade: #7E2FA2, #9C2FA2, #A22F89, #A22F6A and #A22F4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A02F86 shade: #621C52, #82266D, #A22F88, #C238A2 and #CE56B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A02F86 shade: #A02F86, #A25F2F and #2FA28D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A02F86 shade: #A02F86, #89A22F and #2F89A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A02F86 shade: #A02F86, #A25F2F, #2FA248 and #2F72A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A02F86 shade: #A02F86, #A2812F, #2FA248 and #2F50A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 16 / 37

HEX #A02F86

RGB 160 47 134

HSL 313.81, 0.55%, 0.41%

LAB 39.96, 55.27, -23.78

 

Complementary color

CMYK 54 / 0 / 42 / 18

HEX #5FD079

RGB 95 208 121

HSL 133.81, 0.55%, 0.59%

LAB 75.4, -50.83, 33.65

 

CMYK 0 / 72 / 22 / 35

HEX #A52F81

RGB 165 47 129

HSL 318.31, 0.56%, 0.42%

LAB 40.6, 55.86, -19.65

 

CMYK 0 / 64 / 19 / 29

HEX #B64194

RGB 182 65 148

HSL 317.44, 0.47%, 0.48%

LAB 46.8, 56.08, -21.41

 

CMYK 0 / 58 / 16 / 22

HEX #C753A7

RGB 199 83 167

HSL 316.55, 0.51%, 0.55%

LAB 53.08, 55.86, -22.77

 

CMYK 0 / 53 / 14 / 15

HEX #D865BA

RGB 216 101 186

HSL 315.65, 0.6%, 0.62%

LAB 59.39, 55.38, -23.85

 

CMYK 0 / 49 / 12 / 9

HEX #E977CD

RGB 233 119 205

HSL 314.74, 0.72%, 0.69%

LAB 65.69, 54.77, -24.75

 

CMYK 0 / 71 / 16 / 37

HEX #A02F86

RGB 160 47 134

HSL 313.81, 0.55%, 0.41%

LAB 39.96, 55.27, -23.78

 

CMYK 0 / 80 / 20 / 44

HEX #8F1D73

RGB 143 29 115

HSL 314.74, 0.66%, 0.34%

LAB 33.89, 54.32, -21.62

 

CMYK 0 / 91 / 24 / 51

HEX #7E0B60

RGB 126 11 96

HSL 315.65, 0.84%, 0.27%

LAB 28.17, 52.07, -18.56

 

CMYK 0 / 100 / 29 / 57

HEX #6D004D

RGB 109 0 77

HSL 317.61, 1%, 0.21%

LAB 22.95, 47.94, -14.27

 

CMYK 0 / 100 / 37 / 64

HEX #5C003A

RGB 92 0 58

HSL 322.17, 1%, 0.18%

LAB 18.28, 41.78, -8.62

 

CMYK 0 / 71 / 16 / 36

HEX #A22F88

RGB 162 47 136

HSL 313.57, 0.55%, 0.41%

LAB 40.4, 56.08, -24.31

 

CMYK 0 / 71 / 35 / 36

HEX #A22F69

RGB 162 47 105

HSL 329.74, 0.55%, 0.41%

LAB 39.13, 51.97, -7

 

CMYK 0 / 71 / 54 / 36

HEX #A22F4A

RGB 162 47 74

HSL 345.91, 0.55%, 0.41%

LAB 38.21, 48.87, 11.33

 

CMYK 0 / 71 / 71 / 36

HEX #A22F2F

RGB 162 47 47

HSL 0, 0.55%, 0.41%

LAB 37.7, 47.07, 27.58

 

CMYK 0 / 71 / 16 / 36

HEX #A22F88

RGB 162 47 136

HSL 313.57, 0.55%, 0.41%

LAB 40.4, 56.08, -24.31

 

CMYK 2 / 71 / 0 / 36

HEX #9E2FA2

RGB 158 47 162

HSL 297.91, 0.55%, 0.41%

LAB 41.07, 59.3, -39.04

 

CMYK 22 / 71 / 0 / 36

HEX #7E2FA2

RGB 126 47 162

HSL 281.22, 0.55%, 0.41%

LAB 36.13, 52.18, -47.23

 

CMYK 41 / 71 / 0 / 36

HEX #5F2FA2

RGB 95 47 162

HSL 265.04, 0.55%, 0.41%

LAB 31.98, 45.82, -54.16

 

CMYK 60 / 71 / 0 / 36

HEX #402FA2

RGB 64 47 162

HSL 248.87, 0.55%, 0.41%

LAB 28.73, 40.5, -59.6

 

CMYK 0 / 71 / 16 / 36

HEX #A22F88

RGB 162 47 136

HSL 313.57, 0.55%, 0.41%

LAB 40.4, 56.08, -24.31

 

CMYK 0 / 83 / 19 / 30

HEX #B31E91

RGB 179 30 145

HSL 313.69, 0.71%, 0.41%

LAB 42.09, 66.38, -26.94

 

CMYK 0 / 93 / 21 / 23

HEX #C40D9A

RGB 196 13 154

HSL 313.77, 0.88%, 0.41%

LAB 44.74, 73.79, -28.01

 

CMYK 0 / 71 / 16 / 36

HEX #A22F88

RGB 162 47 136

HSL 313.57, 0.55%, 0.41%

LAB 40.4, 56.08, -24.31

 

CMYK 0 / 56 / 13 / 43

HEX #91407E

RGB 145 64 126

HSL 314.07, 0.39%, 0.41%

LAB 39.9, 42.27, -19.15

 

CMYK 0 / 37 / 9 / 50

HEX #805175

RGB 128 81 117

HSL 314.04, 0.22%, 0.41%

LAB 40.83, 25.58, -12.4

 

CMYK 0 / 12 / 3 / 56

HEX #6F626C

RGB 111 98 108

HSL 313.85, 0.06%, 0.41%

LAB 43.06, 7.14, -3.75

 

CMYK 18 / 0 / 14 / 55

HEX #5E7363

RGB 94 115 99

HSL 134.29, 0.1%, 0.41%

LAB 46.37, -11.22, 6.3

 

CMYK 22 / 71 / 0 / 36

HEX #7E2FA2

RGB 126 47 162

HSL 281.22, 0.55%, 0.41%

LAB 36.13, 52.18, -47.23

 

CMYK 4 / 71 / 0 / 36

HEX #9C2FA2

RGB 156 47 162

HSL 296.87, 0.55%, 0.41%

LAB 40.75, 58.84, -39.58

 

CMYK 0 / 71 / 15 / 36

HEX #A22F89

RGB 162 47 137

HSL 313.04, 0.55%, 0.41%

LAB 40.44, 56.23, -24.85

 

CMYK 0 / 71 / 35 / 36

HEX #A22F6A

RGB 162 47 106

HSL 329.22, 0.55%, 0.41%

LAB 39.16, 52.08, -7.57

 

CMYK 0 / 71 / 53 / 36

HEX #A22F4C

RGB 162 47 76

HSL 344.87, 0.55%, 0.41%

LAB 38.26, 49.04, 10.12

 

CMYK 0 / 71 / 16 / 62

HEX #621C52

RGB 98 28 82

HSL 313.71, 0.56%, 0.25%

LAB 23.79, 37.82, -16.51

 

CMYK 0 / 71 / 16 / 49

HEX #82266D

RGB 130 38 109

HSL 313.7, 0.55%, 0.33%

LAB 32.34, 46.99, -20.4

 

CMYK 0 / 71 / 16 / 36

HEX #A22F88

RGB 162 47 136

HSL 313.57, 0.55%, 0.41%

LAB 40.4, 56.08, -24.31

 

CMYK 0 / 71 / 16 / 24

HEX #C238A2

RGB 194 56 162

HSL 313.91, 0.55%, 0.49%

LAB 48.14, 64.65, -27.52

 

CMYK 0 / 58 / 14 / 19

HEX #CE56B2

RGB 206 86 178

HSL 314, 0.55%, 0.57%

LAB 55.06, 58.17, -26.03

 

CMYK 0 / 71 / 16 / 37

HEX #A02F86

RGB 160 47 134

HSL 313.81, 0.55%, 0.41%

LAB 39.96, 55.27, -23.78

 

CMYK 0 / 41 / 71 / 36

HEX #A25F2F

RGB 162 95 47

HSL 25.04, 0.55%, 0.41%

LAB 47.07, 23.08, 38.27

 

CMYK 71 / 0 / 13 / 36

HEX #2FA28D

RGB 47 162 141

HSL 169.04, 0.55%, 0.41%

LAB 60.22, -36.69, 1.74

 

CMYK 0 / 71 / 16 / 37

HEX #A02F86

RGB 160 47 134

HSL 313.81, 0.55%, 0.41%

LAB 39.96, 55.27, -23.78

 

CMYK 15 / 0 / 71 / 36

HEX #89A22F

RGB 137 162 47

HSL 73.04, 0.55%, 0.41%

LAB 62.81, -24.79, 53.93

 

CMYK 71 / 15 / 0 / 36

HEX #2F89A2

RGB 47 137 162

HSL 193.04, 0.55%, 0.41%

LAB 53.06, -17.98, -20.97

 

CMYK 0 / 71 / 16 / 37

HEX #A02F86

RGB 160 47 134

HSL 313.81, 0.55%, 0.41%

LAB 39.96, 55.27, -23.78

 

CMYK 0 / 41 / 71 / 36

HEX #A25F2F

RGB 162 95 47

HSL 25.04, 0.55%, 0.41%

LAB 47.07, 23.08, 38.27

 

CMYK 71 / 0 / 56 / 36

HEX #2FA248

RGB 47 162 72

HSL 133.04, 0.55%, 0.41%

LAB 58.89, -51.05, 37.35

 

CMYK 71 / 30 / 0 / 36

HEX #2F72A2

RGB 47 114 162

HSL 205.04, 0.55%, 0.41%

LAB 45.97, -4.89, -31.96

 

CMYK 0 / 71 / 16 / 37

HEX #A02F86

RGB 160 47 134

HSL 313.81, 0.55%, 0.41%

LAB 39.96, 55.27, -23.78

 

CMYK 0 / 20 / 71 / 36

HEX #A2812F

RGB 162 129 47

HSL 42.78, 0.55%, 0.41%

LAB 55.67, 3.83, 47.4

 

CMYK 71 / 0 / 56 / 36

HEX #2FA248

RGB 47 162 72

HSL 133.04, 0.55%, 0.41%

LAB 58.89, -51.05, 37.35

 

CMYK 71 / 51 / 0 / 36

HEX #2F50A2

RGB 47 80 162

HSL 222.78, 0.55%, 0.41%

LAB 35.89, 16.73, -48

 

Description

Color code: HEX #A02F86 | qconv.com Color code: HEX #A02F86 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 47 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 47 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 16 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 16% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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