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Color name
HEX #A02E90

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A02E90 it is the complementary color #5FD16F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A02E90. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A02E90 shade: #A52E8B, #B6409E, #C752B1, #D864C4 and #E976D7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A02E90. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A02E90 shade: #A02E90, #8F1C7D, #7E0A6A, #6D0057 and #5C0044

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A02E90 shade: #9E2E8E, #9E2E70, #9E2E52, #9E2E34 and #9E2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A02E90 shade: #9E2E8E, #902E9E, #712E9E, #532E9E and #352E9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A02E90 shade matches the following richer shades: #9E2E8E, #AF1D9A and #BF0DA6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A02E90 shade: #9E2E8E, #8E3E82, #7D4F77, #6D5F6B and #5C705F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A02E90 shade: #712E9E, #8F2E9E, #9E2E8F, #9E2E71 and #9E2E53

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A02E90 shade: #5E1B55, #7E2572, #9E2E8E, #BE37AB and #CD52BB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A02E90 shade: #A02E90, #9E532E and #2E9E80

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A02E90 shade: #A02E90, #8F9E2E and #2E8F9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A02E90 shade: #A02E90, #9E532E, #2E9E3D and #2E799E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A02E90 shade: #A02E90, #9E752E, #2E9E3D and #2E579E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 10 / 37

HEX #A02E90

RGB 160 46 144

HSL 308.42, 0.55%, 0.4%

LAB 40.31, 57.16, -29.35

 

Complementary color

CMYK 55 / 0 / 47 / 18

HEX #5FD16F

RGB 95 209 111

HSL 128.42, 0.55%, 0.6%

LAB 75.56, -52.78, 38.88

 

CMYK 0 / 72 / 16 / 35

HEX #A52E8B

RGB 165 46 139

HSL 313.11, 0.56%, 0.41%

LAB 40.92, 57.65, -25.28

 

CMYK 0 / 65 / 13 / 29

HEX #B6409E

RGB 182 64 158

HSL 312.2, 0.48%, 0.48%

LAB 47.08, 57.99, -26.95

 

CMYK 0 / 59 / 11 / 22

HEX #C752B1

RGB 199 82 177

HSL 311.28, 0.51%, 0.55%

LAB 53.33, 57.85, -28.21

 

CMYK 0 / 54 / 9 / 15

HEX #D864C4

RGB 216 100 196

HSL 310.34, 0.6%, 0.62%

LAB 59.62, 57.43, -29.21

 

CMYK 0 / 49 / 8 / 9

HEX #E976D7

RGB 233 118 215

HSL 309.39, 0.72%, 0.69%

LAB 65.89, 56.86, -30.03

 

CMYK 0 / 71 / 10 / 37

HEX #A02E90

RGB 160 46 144

HSL 308.42, 0.55%, 0.4%

LAB 40.31, 57.16, -29.35

 

CMYK 0 / 80 / 13 / 44

HEX #8F1C7D

RGB 143 28 125

HSL 309.39, 0.67%, 0.34%

LAB 34.3, 56.06, -27.28

 

CMYK 0 / 92 / 16 / 51

HEX #7E0A6A

RGB 126 10 106

HSL 310.34, 0.85%, 0.27%

LAB 28.63, 53.61, -24.34

 

CMYK 0 / 100 / 20 / 57

HEX #6D0057

RGB 109 0 87

HSL 312.11, 1%, 0.21%

LAB 23.47, 49.24, -20.2

 

CMYK 0 / 100 / 26 / 64

HEX #5C0044

RGB 92 0 68

HSL 315.65, 1%, 0.18%

LAB 18.77, 43.03, -14.88

 

CMYK 0 / 71 / 10 / 38

HEX #9E2E8E

RGB 158 46 142

HSL 308.57, 0.55%, 0.4%

LAB 39.88, 56.35, -28.84

 

CMYK 0 / 71 / 29 / 38

HEX #9E2E70

RGB 158 46 112

HSL 324.64, 0.55%, 0.4%

LAB 38.54, 52.06, -12.35

 

CMYK 0 / 71 / 48 / 38

HEX #9E2E52

RGB 158 46 82

HSL 340.71, 0.55%, 0.4%

LAB 37.54, 48.71, 5.17

 

CMYK 0 / 71 / 67 / 38

HEX #9E2E34

RGB 158 46 52

HSL 356.79, 0.55%, 0.4%

LAB 36.88, 46.41, 23.32

 

CMYK 0 / 71 / 71 / 38

HEX #9E2E2E

RGB 158 46 46

HSL 0, 0.55%, 0.4%

LAB 36.78, 46.08, 26.92

 

CMYK 0 / 71 / 10 / 38

HEX #9E2E8E

RGB 158 46 142

HSL 308.57, 0.55%, 0.4%

LAB 39.88, 56.35, -28.84

 

CMYK 9 / 71 / 0 / 38

HEX #902E9E

RGB 144 46 158

HSL 292.5, 0.55%, 0.4%

LAB 38.47, 55.78, -40.93

 

CMYK 28 / 71 / 0 / 38

HEX #712E9E

RGB 113 46 158

HSL 275.89, 0.55%, 0.4%

LAB 33.84, 48.95, -48.6

 

CMYK 47 / 71 / 0 / 38

HEX #532E9E

RGB 83 46 158

HSL 259.82, 0.55%, 0.4%

LAB 30.06, 43, -54.91

 

CMYK 66 / 71 / 0 / 38

HEX #352E9E

RGB 53 46 158

HSL 243.75, 0.55%, 0.4%

LAB 27.24, 38.23, -59.65

 

CMYK 0 / 71 / 10 / 38

HEX #9E2E8E

RGB 158 46 142

HSL 308.57, 0.55%, 0.4%

LAB 39.88, 56.35, -28.84

 

CMYK 0 / 83 / 12 / 31

HEX #AF1D9A

RGB 175 29 154

HSL 308.63, 0.72%, 0.4%

LAB 41.73, 66.98, -33.01

 

CMYK 0 / 93 / 13 / 25

HEX #BF0DA6

RGB 191 13 166

HSL 308.43, 0.87%, 0.4%

LAB 44.4, 74.36, -35.8

 

CMYK 0 / 71 / 10 / 38

HEX #9E2E8E

RGB 158 46 142

HSL 308.57, 0.55%, 0.4%

LAB 39.88, 56.35, -28.84

 

CMYK 0 / 56 / 8 / 44

HEX #8E3E82

RGB 142 62 130

HSL 309, 0.39%, 0.4%

LAB 39.25, 43.03, -22.65

 

CMYK 0 / 37 / 5 / 51

HEX #7D4F77

RGB 125 79 119

HSL 307.83, 0.23%, 0.4%

LAB 40.05, 26.06, -14.85

 

CMYK 0 / 13 / 2 / 57

HEX #6D5F6B

RGB 109 95 107

HSL 308.57, 0.07%, 0.4%

LAB 42, 7.98, -4.74

 

CMYK 18 / 0 / 15 / 56

HEX #5C705F

RGB 92 112 95

HSL 129, 0.1%, 0.4%

LAB 45.21, -11.1, 7.01

 

CMYK 28 / 71 / 0 / 38

HEX #712E9E

RGB 113 46 158

HSL 275.89, 0.55%, 0.4%

LAB 33.84, 48.95, -48.6

 

CMYK 9 / 71 / 0 / 38

HEX #8F2E9E

RGB 143 46 158

HSL 291.96, 0.55%, 0.4%

LAB 38.31, 55.55, -41.19

 

CMYK 0 / 71 / 9 / 38

HEX #9E2E8F

RGB 158 46 143

HSL 308.04, 0.55%, 0.4%

LAB 39.93, 56.51, -29.37

 

CMYK 0 / 71 / 28 / 38

HEX #9E2E71

RGB 158 46 113

HSL 324.11, 0.55%, 0.4%

LAB 38.58, 52.19, -12.92

 

CMYK 0 / 71 / 47 / 38

HEX #9E2E53

RGB 158 46 83

HSL 340.18, 0.55%, 0.4%

LAB 37.57, 48.81, 4.57

 

CMYK 0 / 71 / 10 / 63

HEX #5E1B55

RGB 94 27 85

HSL 308.06, 0.55%, 0.24%

LAB 23.07, 37.62, -19.71

 

CMYK 0 / 71 / 10 / 51

HEX #7E2572

RGB 126 37 114

HSL 308.09, 0.55%, 0.32%

LAB 31.75, 47.12, -24.56

 

CMYK 0 / 71 / 10 / 38

HEX #9E2E8E

RGB 158 46 142

HSL 308.57, 0.55%, 0.4%

LAB 39.88, 56.35, -28.84

 

CMYK 0 / 71 / 10 / 25

HEX #BE37AB

RGB 190 55 171

HSL 308.44, 0.55%, 0.48%

LAB 47.78, 65.35, -33.47

 

CMYK 0 / 60 / 9 / 20

HEX #CD52BB

RGB 205 82 187

HSL 308.78, 0.55%, 0.56%

LAB 54.66, 61.05, -31.87

 

CMYK 0 / 71 / 10 / 37

HEX #A02E90

RGB 160 46 144

HSL 308.42, 0.55%, 0.4%

LAB 40.31, 57.16, -29.35

 

CMYK 0 / 47 / 71 / 38

HEX #9E532E

RGB 158 83 46

HSL 19.82, 0.55%, 0.4%

LAB 43.73, 28, 34.94

 

CMYK 71 / 0 / 19 / 38

HEX #2E9E80

RGB 46 158 128

HSL 163.93, 0.55%, 0.4%

LAB 58.6, -38.45, 6.73

 

CMYK 0 / 71 / 10 / 37

HEX #A02E90

RGB 160 46 144

HSL 308.42, 0.55%, 0.4%

LAB 40.31, 57.16, -29.35

 

CMYK 9 / 0 / 71 / 38

HEX #8F9E2E

RGB 143 158 46

HSL 68.04, 0.55%, 0.4%

LAB 62.08, -20.29, 53.73

 

CMYK 71 / 9 / 0 / 38

HEX #2E8F9E

RGB 46 143 158

HSL 188.04, 0.55%, 0.4%

LAB 54.76, -22.61, -16.08

 

CMYK 0 / 71 / 10 / 37

HEX #A02E90

RGB 160 46 144

HSL 308.42, 0.55%, 0.4%

LAB 40.31, 57.16, -29.35

 

CMYK 0 / 47 / 71 / 38

HEX #9E532E

RGB 158 83 46

HSL 19.82, 0.55%, 0.4%

LAB 43.73, 28, 34.94

 

CMYK 71 / 0 / 61 / 38

HEX #2E9E3D

RGB 46 158 61

HSL 128.04, 0.55%, 0.4%

LAB 57.44, -51.25, 40.92

 

CMYK 71 / 23 / 0 / 38

HEX #2E799E

RGB 46 121 158

HSL 199.82, 0.55%, 0.4%

LAB 47.91, -10.57, -26.59

 

CMYK 0 / 71 / 10 / 37

HEX #A02E90

RGB 160 46 144

HSL 308.42, 0.55%, 0.4%

LAB 40.31, 57.16, -29.35

 

CMYK 0 / 26 / 71 / 38

HEX #9E752E

RGB 158 117 46

HSL 38.04, 0.55%, 0.4%

LAB 52.05, 8.74, 43.95

 

CMYK 71 / 0 / 61 / 38

HEX #2E9E3D

RGB 46 158 61

HSL 128.04, 0.55%, 0.4%

LAB 57.44, -51.25, 40.92

 

CMYK 71 / 45 / 0 / 38

HEX #2E579E

RGB 46 87 158

HSL 218.04, 0.55%, 0.4%

LAB 37.6, 10.44, -42.85

 

Description

Color code: HEX #A02E90 | qconv.com Color code: HEX #A02E90 | qconv.com - big



The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 46 green and 144 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 46 144 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 10 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 10% 37% C M Y K

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Provide designers and agencies with accurate color values.

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