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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A02E5E it is the complementary color #5FD1A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A02E5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A02E5E shade: #A52E59, #B6406C, #C7527F, #D86492 and #E976A5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A02E5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A02E5E shade: #A02E5E, #8F1C4B, #7E0A38, #6D0025 and #5C0012

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A02E5E shade: #9E2E5D, #9E2E3F and #9E2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A02E5E shade: #9E2E5D, #9E2E7B, #9E2E9A, #842E9E and #662E9E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A02E5E shade matches the following richer shades: #9E2E5D, #AF1D5B and #BF0D58

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A02E5E shade: #9E2E5D, #8E3E60, #7D4F62, #6D5F65 and #5C7068

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A02E5E shade: #9E2E9A, #9E2E7C, #9E2E5F, #9E2E41 and #9E392E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A02E5E shade: #5E1B37, #7E254A, #9E2E5D, #BE3770 and #CD5286

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A02E5E shade: #A02E5E, #9E842E and #2E8B9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A02E5E shade: #A02E5E, #5F9E2E and #2E5F9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A02E5E shade: #A02E5E, #9E842E, #2E9E6D and #2E489E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A02E5E shade: #A02E5E, #979E2E, #2E9E6D and #352E9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 71 / 41 / 37

HEX #A02E5E

RGB 160 46 94

HSL 334.74, 0.55%, 0.4%

LAB 38.26, 50.53, -1.37

 

Complementary color

CMYK 55 / 0 / 23 / 18

HEX #5FD1A1

RGB 95 209 161

HSL 154.74, 0.55%, 0.6%

LAB 76.44, -43.68, 14.14

 

CMYK 0 / 72 / 46 / 35

HEX #A52E59

RGB 165 46 89

HSL 338.32, 0.56%, 0.41%

LAB 39.03, 51.52, 3.02

 

CMYK 0 / 65 / 41 / 29

HEX #B6406C

RGB 182 64 108

HSL 337.63, 0.48%, 0.48%

LAB 45.21, 51.44, 0.51

 

CMYK 0 / 59 / 36 / 22

HEX #C7527F

RGB 199 82 127

HSL 336.92, 0.51%, 0.55%

LAB 51.51, 50.97, -1.47

 

CMYK 0 / 54 / 32 / 15

HEX #D86492

RGB 216 100 146

HSL 336.21, 0.6%, 0.62%

LAB 57.84, 50.29, -3.08

 

CMYK 0 / 49 / 29 / 9

HEX #E976A5

RGB 233 118 165

HSL 335.48, 0.72%, 0.69%

LAB 64.16, 49.52, -4.43

 

CMYK 0 / 71 / 41 / 37

HEX #A02E5E

RGB 160 46 94

HSL 334.74, 0.55%, 0.4%

LAB 38.26, 50.53, -1.37

 

CMYK 0 / 80 / 48 / 44

HEX #8F1C4B

RGB 143 28 75

HSL 335.48, 0.67%, 0.34%

LAB 32.21, 49.9, 1.66

 

CMYK 0 / 92 / 56 / 51

HEX #7E0A38

RGB 126 10 56

HSL 336.21, 0.85%, 0.27%

LAB 26.56, 48, 5.81

 

CMYK 0 / 100 / 66 / 57

HEX #6D0025

RGB 109 0 37

HSL 339.63, 1%, 0.21%

LAB 21.52, 44.19, 11.46

 

CMYK 0 / 100 / 80 / 64

HEX #5C0012

RGB 92 0 18

HSL 348.26, 1%, 0.18%

LAB 17.08, 38.6, 18.27

 

CMYK 0 / 71 / 41 / 38

HEX #9E2E5D

RGB 158 46 93

HSL 334.82, 0.55%, 0.4%

LAB 37.87, 49.82, -1.36

 

CMYK 0 / 71 / 60 / 38

HEX #9E2E3F

RGB 158 46 63

HSL 350.89, 0.55%, 0.4%

LAB 37.08, 47.13, 16.66

 

CMYK 0 / 71 / 71 / 38

HEX #9E2E2E

RGB 158 46 46

HSL 0, 0.55%, 0.4%

LAB 36.78, 46.08, 26.92

 

CMYK 0 / 71 / 41 / 38

HEX #9E2E5D

RGB 158 46 93

HSL 334.82, 0.55%, 0.4%

LAB 37.87, 49.82, -1.36

 

CMYK 0 / 71 / 22 / 38

HEX #9E2E7B

RGB 158 46 123

HSL 318.75, 0.55%, 0.4%

LAB 38.99, 53.54, -18.52

 

CMYK 0 / 71 / 3 / 38

HEX #9E2E9A

RGB 158 46 154

HSL 302.14, 0.55%, 0.4%

LAB 40.5, 58.3, -35.14

 

CMYK 16 / 71 / 0 / 38

HEX #842E9E

RGB 132 46 158

HSL 286.07, 0.55%, 0.4%

LAB 36.61, 53.09, -44

 

CMYK 35 / 71 / 0 / 38

HEX #662E9E

RGB 102 46 158

HSL 270, 0.55%, 0.4%

LAB 32.36, 46.67, -51.07

 

CMYK 0 / 71 / 41 / 38

HEX #9E2E5D

RGB 158 46 93

HSL 334.82, 0.55%, 0.4%

LAB 37.87, 49.82, -1.36

 

CMYK 0 / 83 / 48 / 31

HEX #AF1D5B

RGB 175 29 91

HSL 334.52, 0.72%, 0.4%

LAB 39.15, 59.7, 2.18

 

CMYK 0 / 93 / 54 / 25

HEX #BF0D58

RGB 191 13 88

HSL 334.72, 0.87%, 0.4%

LAB 41.33, 66.24, 7.62

 

CMYK 0 / 71 / 41 / 38

HEX #9E2E5D

RGB 158 46 93

HSL 334.82, 0.55%, 0.4%

LAB 37.87, 49.82, -1.36

 

CMYK 0 / 56 / 32 / 44

HEX #8E3E60

RGB 142 62 96

HSL 334.5, 0.39%, 0.4%

LAB 37.92, 37.74, -3.5

 

CMYK 0 / 37 / 22 / 51

HEX #7D4F62

RGB 125 79 98

HSL 335.22, 0.23%, 0.4%

LAB 39.3, 22.25, -2.98

 

CMYK 0 / 13 / 7 / 57

HEX #6D5F65

RGB 109 95 101

HSL 334.29, 0.07%, 0.4%

LAB 41.81, 6.77, -1.35

 

CMYK 18 / 0 / 7 / 56

HEX #5C7068

RGB 92 112 104

HSL 156, 0.1%, 0.4%

LAB 45.45, -9.19, 1.97

 

CMYK 0 / 71 / 3 / 38

HEX #9E2E9A

RGB 158 46 154

HSL 302.14, 0.55%, 0.4%

LAB 40.5, 58.3, -35.14

 

CMYK 0 / 71 / 22 / 38

HEX #9E2E7C

RGB 158 46 124

HSL 318.21, 0.55%, 0.4%

LAB 39.03, 53.68, -19.08

 

CMYK 0 / 71 / 40 / 38

HEX #9E2E5F

RGB 158 46 95

HSL 333.75, 0.55%, 0.4%

LAB 37.93, 50.04, -2.54

 

CMYK 0 / 71 / 59 / 38

HEX #9E2E41

RGB 158 46 65

HSL 349.82, 0.55%, 0.4%

LAB 37.12, 47.28, 15.44

 

CMYK 0 / 64 / 71 / 38

HEX #9E392E

RGB 158 57 46

HSL 5.89, 0.55%, 0.4%

LAB 38.54, 41.33, 28.99

 

CMYK 0 / 71 / 41 / 63

HEX #5E1B37

RGB 94 27 55

HSL 334.93, 0.55%, 0.24%

LAB 21.72, 33.08, -1.32

 

CMYK 0 / 71 / 41 / 51

HEX #7E254A

RGB 126 37 74

HSL 335.06, 0.55%, 0.32%

LAB 30.04, 41.47, -1.24

 

CMYK 0 / 71 / 41 / 38

HEX #9E2E5D

RGB 158 46 93

HSL 334.82, 0.55%, 0.4%

LAB 37.87, 49.82, -1.36

 

CMYK 0 / 71 / 41 / 25

HEX #BE3770

RGB 190 55 112

HSL 334.67, 0.55%, 0.48%

LAB 45.43, 57.82, -1.47

 

CMYK 0 / 60 / 35 / 20

HEX #CD5286

RGB 205 82 134

HSL 334.63, 0.55%, 0.56%

LAB 52.66, 53.69, -3.84

 

CMYK 0 / 71 / 41 / 37

HEX #A02E5E

RGB 160 46 94

HSL 334.74, 0.55%, 0.4%

LAB 38.26, 50.53, -1.37

 

CMYK 0 / 16 / 71 / 38

HEX #9E842E

RGB 158 132 46

HSL 46.07, 0.55%, 0.4%

LAB 56.06, 0.29, 48.1

 

CMYK 71 / 12 / 0 / 38

HEX #2E8B9E

RGB 46 139 158

HSL 190.18, 0.55%, 0.4%

LAB 53.51, -20.51, -17.98

 

CMYK 0 / 71 / 41 / 37

HEX #A02E5E

RGB 160 46 94

HSL 334.74, 0.55%, 0.4%

LAB 38.26, 50.53, -1.37

 

CMYK 40 / 0 / 71 / 38

HEX #5F9E2E

RGB 95 158 46

HSL 93.75, 0.55%, 0.4%

LAB 59.05, -39.38, 49.69

 

CMYK 71 / 40 / 0 / 38

HEX #2E5F9E

RGB 46 95 158

HSL 213.75, 0.55%, 0.4%

LAB 39.97, 5.25, -39.07

 

CMYK 0 / 71 / 41 / 37

HEX #A02E5E

RGB 160 46 94

HSL 334.74, 0.55%, 0.4%

LAB 38.26, 50.53, -1.37

 

CMYK 0 / 16 / 71 / 38

HEX #9E842E

RGB 158 132 46

HSL 46.07, 0.55%, 0.4%

LAB 56.06, 0.29, 48.1

 

CMYK 71 / 0 / 31 / 38

HEX #2E9E6D

RGB 46 158 109

HSL 153.75, 0.55%, 0.4%

LAB 58.17, -42.96, 16.78

 

CMYK 71 / 54 / 0 / 38

HEX #2E489E

RGB 46 72 158

HSL 226.07, 0.55%, 0.4%

LAB 33.32, 20.41, -49.75

 

CMYK 0 / 71 / 41 / 37

HEX #A02E5E

RGB 160 46 94

HSL 334.74, 0.55%, 0.4%

LAB 38.26, 50.53, -1.37

 

CMYK 4 / 0 / 71 / 38

HEX #979E2E

RGB 151 158 46

HSL 63.75, 0.55%, 0.4%

LAB 62.7, -16.82, 54.56

 

CMYK 71 / 0 / 31 / 38

HEX #2E9E6D

RGB 46 158 109

HSL 153.75, 0.55%, 0.4%

LAB 58.17, -42.96, 16.78

 

CMYK 66 / 71 / 0 / 38

HEX #352E9E

RGB 53 46 158

HSL 243.75, 0.55%, 0.4%

LAB 27.24, 38.23, -59.65

 

Description

Color code: HEX #A02E5E | qconv.com Color code: HEX #A02E5E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 46 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 46 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 71 magenta, 41 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 71% 41% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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