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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0239E it is the complementary color #5FDC61. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0239E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0239E shade: #A52399, #B635AC, #C747BF, #D859D2 and #E96BE5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0239E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0239E shade: #A0239E, #8F118B, #7E0078, #6D0065 and #5C0052

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0239E shade: #9F239D, #9F237B, #9F235A, #9F2339 and #9F2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0239E shade: #9F239D, #7F239F, #5E239F, #3D239F and #23239F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0239E shade matches the following richer shades: #9F239D, #AF13AC and #BE04BB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0239E shade: #9F239D, #8F338E, #80427F, #70526F and #606260

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0239E shade: #5D239F, #7E239F, #9F239F, #9F237E and #9F235D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0239E shade: #5B145A, #7D1B7C, #9F239D, #C12ABE and #D53FD3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0239E shade: #A0239E, #9F3C23 and #239F6D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0239E shade: #A0239E, #9F9F23 and #239F9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0239E shade: #A0239E, #9F3C23, #239F23 and #23869F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0239E shade: #A0239E, #9F6123, #239F23 and #23619F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 78 / 1 / 37

HEX #A0239E

RGB 160 35 158

HSL 300.96, 0.64%, 0.38%

LAB 39.82, 62.95, -38.61

 

Complementary color

CMYK 57 / 0 / 56 / 14

HEX #5FDC61

RGB 95 220 97

HSL 120.96, 0.64%, 0.62%

LAB 78.74, -58.84, 49.44

 

CMYK 0 / 79 / 7 / 35

HEX #A52399

RGB 165 35 153

HSL 305.54, 0.65%, 0.39%

LAB 40.41, 63.22, -34.6

 

CMYK 0 / 71 / 5 / 29

HEX #B635AC

RGB 182 53 172

HSL 304.65, 0.55%, 0.46%

LAB 46.27, 64.33, -36.52

 

CMYK 0 / 64 / 4 / 22

HEX #C747BF

RGB 199 71 191

HSL 303.75, 0.53%, 0.53%

LAB 52.3, 64.71, -37.95

 

CMYK 0 / 59 / 3 / 15

HEX #D859D2

RGB 216 89 210

HSL 302.83, 0.62%, 0.6%

LAB 58.41, 64.65, -39.04

 

CMYK 0 / 54 / 2 / 9

HEX #E96BE5

RGB 233 107 229

HSL 301.9, 0.74%, 0.67%

LAB 64.56, 64.31, -39.9

 

CMYK 0 / 78 / 1 / 37

HEX #A0239E

RGB 160 35 158

HSL 300.96, 0.64%, 0.38%

LAB 39.82, 62.95, -38.61

 

CMYK 0 / 88 / 3 / 44

HEX #8F118B

RGB 143 17 139

HSL 301.9, 0.79%, 0.31%

LAB 34.2, 60.78, -36.14

 

CMYK 0 / 100 / 5 / 51

HEX #7E0078

RGB 126 0 120

HSL 302.86, 1%, 0.25%

LAB 28.88, 57.34, -32.9

 

CMYK 0 / 100 / 7 / 57

HEX #6D0065

RGB 109 0 101

HSL 304.4, 1%, 0.21%

LAB 24.29, 51.28, -28.16

 

CMYK 0 / 100 / 11 / 64

HEX #5C0052

RGB 92 0 82

HSL 306.52, 1%, 0.18%

LAB 19.58, 45.04, -23.21

 

CMYK 0 / 78 / 1 / 38

HEX #9F239D

RGB 159 35 157

HSL 300.97, 0.64%, 0.38%

LAB 39.59, 62.57, -38.38

 

CMYK 0 / 78 / 23 / 38

HEX #9F237B

RGB 159 35 123

HSL 317.42, 0.64%, 0.38%

LAB 37.85, 57.53, -20.27

 

CMYK 0 / 78 / 43 / 38

HEX #9F235A

RGB 159 35 90

HSL 333.39, 0.64%, 0.38%

LAB 36.58, 53.67, -1.32

 

CMYK 0 / 78 / 64 / 38

HEX #9F2339

RGB 159 35 57

HSL 349.35, 0.64%, 0.38%

LAB 35.73, 51, 18.74

 

CMYK 0 / 78 / 78 / 38

HEX #9F2323

RGB 159 35 35

HSL 0, 0.64%, 0.38%

LAB 35.39, 49.91, 32.01

 

CMYK 0 / 78 / 1 / 38

HEX #9F239D

RGB 159 35 157

HSL 300.97, 0.64%, 0.38%

LAB 39.59, 62.57, -38.38

 

CMYK 20 / 78 / 0 / 38

HEX #7F239F

RGB 127 35 159

HSL 284.52, 0.64%, 0.38%

LAB 34.43, 56.45, -48.15

 

CMYK 41 / 78 / 0 / 38

HEX #5E239F

RGB 94 35 159

HSL 268.55, 0.64%, 0.38%

LAB 29.63, 50.46, -56.18

 

CMYK 62 / 78 / 0 / 38

HEX #3D239F

RGB 61 35 159

HSL 252.58, 0.64%, 0.38%

LAB 25.85, 45.65, -62.51

 

CMYK 78 / 78 / 0 / 38

HEX #23239F

RGB 35 35 159

HSL 240, 0.64%, 0.38%

LAB 23.88, 43.07, -65.84

 

CMYK 0 / 78 / 1 / 38

HEX #9F239D

RGB 159 35 157

HSL 300.97, 0.64%, 0.38%

LAB 39.59, 62.57, -38.38

 

CMYK 0 / 89 / 2 / 31

HEX #AF13AC

RGB 175 19 172

HSL 301.15, 0.8%, 0.38%

LAB 42.09, 71.5, -43.22

 

CMYK 0 / 98 / 2 / 25

HEX #BE04BB

RGB 190 4 187

HSL 300.97, 0.96%, 0.38%

LAB 45.11, 77.96, -47.1

 

CMYK 0 / 78 / 1 / 38

HEX #9F239D

RGB 159 35 157

HSL 300.97, 0.64%, 0.38%

LAB 39.59, 62.57, -38.38

 

CMYK 0 / 64 / 1 / 44

HEX #8F338E

RGB 143 51 142

HSL 300.65, 0.47%, 0.38%

LAB 38.13, 50.56, -31.76

 

CMYK 0 / 48 / 1 / 50

HEX #80427F

RGB 128 66 127

HSL 300.97, 0.32%, 0.38%

LAB 37.87, 36.05, -23.1

 

CMYK 0 / 27 / 1 / 56

HEX #70526F

RGB 112 82 111

HSL 302, 0.15%, 0.38%

LAB 38.95, 17.9, -11.74

 

CMYK 2 / 0 / 2 / 62

HEX #606260

RGB 96 98 96

HSL 120, 0.01%, 0.38%

LAB 41.32, -1.2, 0.86

 

CMYK 42 / 78 / 0 / 38

HEX #5D239F

RGB 93 35 159

HSL 268.06, 0.64%, 0.38%

LAB 29.49, 50.29, -56.4

 

CMYK 21 / 78 / 0 / 38

HEX #7E239F

RGB 126 35 159

HSL 284.03, 0.64%, 0.38%

LAB 34.27, 56.25, -48.41

 

CMYK 0 / 78 / 0 / 38

HEX #9F239F

RGB 159 35 159

HSL 300, 0.64%, 0.38%

LAB 39.71, 62.9, -39.4

 

CMYK 0 / 78 / 21 / 38

HEX #9F237E

RGB 159 35 126

HSL 315.97, 0.64%, 0.38%

LAB 37.98, 57.93, -21.92

 

CMYK 0 / 78 / 42 / 38

HEX #9F235D

RGB 159 35 93

HSL 331.94, 0.64%, 0.38%

LAB 36.67, 53.97, -3.1

 

CMYK 0 / 78 / 1 / 64

HEX #5B145A

RGB 91 20 90

HSL 300.85, 0.64%, 0.22%

LAB 21.81, 40.55, -25.06

 

CMYK 0 / 78 / 1 / 51

HEX #7D1B7C

RGB 125 27 124

HSL 300.61, 0.64%, 0.3%

LAB 30.88, 52.13, -32.27

 

CMYK 0 / 78 / 1 / 38

HEX #9F239D

RGB 159 35 157

HSL 300.97, 0.64%, 0.38%

LAB 39.59, 62.57, -38.38

 

CMYK 0 / 78 / 2 / 24

HEX #C12ABE

RGB 193 42 190

HSL 301.19, 0.64%, 0.46%

LAB 47.89, 72.85, -44.39

 

CMYK 0 / 70 / 1 / 16

HEX #D53FD3

RGB 213 63 211

HSL 300.8, 0.64%, 0.54%

LAB 54.45, 74.04, -45.88

 

CMYK 0 / 78 / 1 / 37

HEX #A0239E

RGB 160 35 158

HSL 300.96, 0.64%, 0.38%

LAB 39.82, 62.95, -38.61

 

CMYK 0 / 62 / 78 / 38

HEX #9F3C23

RGB 159 60 35

HSL 12.1, 0.64%, 0.38%

LAB 39.11, 39.77, 35.95

 

CMYK 78 / 0 / 31 / 38

HEX #239F6D

RGB 35 159 109

HSL 155.81, 0.64%, 0.38%

LAB 58.28, -44.96, 16.9

 

CMYK 0 / 78 / 1 / 37

HEX #A0239E

RGB 160 35 158

HSL 300.96, 0.64%, 0.38%

LAB 39.82, 62.95, -38.61

 

CMYK 0 / 0 / 78 / 38

HEX #9F9F23

RGB 159 159 35

HSL 60, 0.64%, 0.38%

LAB 63.58, -14.34, 59.45

 

CMYK 78 / 0 / 0 / 38

HEX #239F9F

RGB 35 159 159

HSL 180, 0.64%, 0.38%

LAB 59.58, -31.63, -9.41

 

CMYK 0 / 78 / 1 / 37

HEX #A0239E

RGB 160 35 158

HSL 300.96, 0.64%, 0.38%

LAB 39.82, 62.95, -38.61

 

CMYK 0 / 62 / 78 / 38

HEX #9F3C23

RGB 159 60 35

HSL 12.1, 0.64%, 0.38%

LAB 39.11, 39.77, 35.95

 

CMYK 78 / 0 / 78 / 38

HEX #239F23

RGB 35 159 35

HSL 120, 0.64%, 0.38%

LAB 57.34, -55.93, 51.36

 

CMYK 78 / 16 / 0 / 38

HEX #23869F

RGB 35 134 159

HSL 192.1, 0.64%, 0.38%

LAB 51.74, -18.93, -21.29

 

CMYK 0 / 78 / 1 / 37

HEX #A0239E

RGB 160 35 158

HSL 300.96, 0.64%, 0.38%

LAB 39.82, 62.95, -38.61

 

CMYK 0 / 39 / 78 / 38

HEX #9F6123

RGB 159 97 35

HSL 30, 0.64%, 0.38%

LAB 47.03, 20.04, 43.94

 

CMYK 78 / 0 / 78 / 38

HEX #239F23

RGB 35 159 35

HSL 120, 0.64%, 0.38%

LAB 57.34, -55.93, 51.36

 

CMYK 78 / 39 / 0 / 38

HEX #23619F

RGB 35 97 159

HSL 210, 0.64%, 0.38%

LAB 40.26, 2.81, -39.23

 

Description

Color code: HEX #A0239E | qconv.com Color code: HEX #A0239E | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 35 green and 158 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 35 158 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 78 magenta, 1 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 78% 1% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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