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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A0226F it is the complementary color #5FDD90. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A0226F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A0226F shade: #A5226A, #B6347D, #C74690, #D858A3 and #E96AB6

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A0226F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A0226F shade: #A0226F, #8F105C, #7E0049, #6D0036 and #5C0023

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A0226F shade: #A0226F, #A0224D, #A0222B and #A02222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A0226F shade: #A0226F, #A02291, #8D22A0, #6B22A0 and #4922A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A0226F shade matches the following richer shades: #A0226F, #B01272 and #BF0376

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A0226F shade: #A0226F, #90326B, #814168, #715164 and #616161

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A0226F shade: #8D22A0, #A02291, #A02270, #A0224E and #A0222C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A0226F shade: #5C1340, #7E1B57, #A0226F, #C22987 and #D63E9B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A0226F shade: #A0226F, #A06B22 and #22A09E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A0226F shade: #A0226F, #70A022 and #2270A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A0226F shade: #A0226F, #A06B22, #22A052 and #2256A0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A0226F shade: #A0226F, #A09122, #22A052 and #2231A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 31 / 37

HEX #A0226F

RGB 160 34 111

HSL 323.33, 0.65%, 0.38%

LAB 37.42, 56.55, -13.39

 

Complementary color

CMYK 57 / 0 / 35 / 13

HEX #5FDD90

RGB 95 221 144

HSL 143.33, 0.65%, 0.62%

LAB 79.7, -52.07, 27.55

 

CMYK 0 / 79 / 36 / 35

HEX #A5226A

RGB 165 34 106

HSL 327.02, 0.66%, 0.39%

LAB 38.17, 57.26, -9.01

 

CMYK 0 / 71 / 31 / 29

HEX #B6347D

RGB 182 52 125

HSL 326.31, 0.56%, 0.46%

LAB 44.06, 58.11, -11.64

 

CMYK 0 / 65 / 28 / 22

HEX #C74690

RGB 199 70 144

HSL 325.58, 0.54%, 0.53%

LAB 50.14, 58.26, -13.66

 

CMYK 0 / 59 / 25 / 15

HEX #D858A3

RGB 216 88 163

HSL 324.84, 0.62%, 0.6%

LAB 56.31, 58.01, -15.27

 

CMYK 0 / 55 / 22 / 9

HEX #E96AB6

RGB 233 106 182

HSL 324.09, 0.74%, 0.66%

LAB 62.52, 57.52, -16.58

 

CMYK 0 / 79 / 31 / 37

HEX #A0226F

RGB 160 34 111

HSL 323.33, 0.65%, 0.38%

LAB 37.42, 56.55, -13.39

 

CMYK 0 / 89 / 36 / 44

HEX #8F105C

RGB 143 16 92

HSL 324.09, 0.8%, 0.31%

LAB 31.77, 54.62, -10.12

 

CMYK 0 / 100 / 42 / 51

HEX #7E0049

RGB 126 0 73

HSL 325.24, 1%, 0.25%

LAB 26.5, 51.34, -5.83

 

CMYK 0 / 100 / 50 / 57

HEX #6D0036

RGB 109 0 54

HSL 330.28, 1%, 0.21%

LAB 22.01, 45.48, 0.16

 

CMYK 0 / 100 / 62 / 64

HEX #5C0023

RGB 92 0 35

HSL 337.17, 1%, 0.18%

LAB 17.44, 39.59, 6.68

 

CMYK 0 / 79 / 31 / 37

HEX #A0226F

RGB 160 34 111

HSL 323.33, 0.65%, 0.38%

LAB 37.42, 56.55, -13.39

 

CMYK 0 / 79 / 52 / 37

HEX #A0224D

RGB 160 34 77

HSL 339.52, 0.65%, 0.38%

LAB 36.28, 53.07, 6.64

 

CMYK 0 / 79 / 73 / 37

HEX #A0222B

RGB 160 34 43

HSL 355.71, 0.65%, 0.38%

LAB 35.58, 50.87, 27.44

 

CMYK 0 / 79 / 79 / 37

HEX #A02222

RGB 160 34 34

HSL 0, 0.65%, 0.38%

LAB 35.47, 50.5, 32.74

 

CMYK 0 / 79 / 31 / 37

HEX #A0226F

RGB 160 34 111

HSL 323.33, 0.65%, 0.38%

LAB 37.42, 56.55, -13.39

 

CMYK 0 / 79 / 9 / 37

HEX #A02291

RGB 160 34 145

HSL 307.14, 0.65%, 0.38%

LAB 39.01, 61.19, -32.02

 

CMYK 12 / 79 / 0 / 37

HEX #8D22A0

RGB 141 34 160

HSL 290.95, 0.65%, 0.38%

LAB 36.64, 59.71, -45.08

 

CMYK 33 / 79 / 0 / 37

HEX #6B22A0

RGB 107 34 160

HSL 274.76, 0.65%, 0.38%

LAB 31.37, 53.33, -53.87

 

CMYK 54 / 79 / 0 / 37

HEX #4922A0

RGB 73 34 160

HSL 258.57, 0.65%, 0.38%

LAB 27.01, 47.97, -61.17

 

CMYK 0 / 79 / 31 / 37

HEX #A0226F

RGB 160 34 111

HSL 323.33, 0.65%, 0.38%

LAB 37.42, 56.55, -13.39

 

CMYK 0 / 90 / 35 / 31

HEX #B01272

RGB 176 18 114

HSL 323.54, 0.81%, 0.38%

LAB 39.37, 64.35, -12.02

 

CMYK 0 / 98 / 38 / 25

HEX #BF0376

RGB 191 3 118

HSL 323.3, 0.97%, 0.38%

LAB 41.92, 69.79, -10.38

 

CMYK 0 / 79 / 31 / 37

HEX #A0226F

RGB 160 34 111

HSL 323.33, 0.65%, 0.38%

LAB 37.42, 56.55, -13.39

 

CMYK 0 / 65 / 26 / 44

HEX #90326B

RGB 144 50 107

HSL 323.62, 0.48%, 0.38%

LAB 36.5, 45.66, -12.53

 

CMYK 0 / 50 / 19 / 49

HEX #814168

RGB 129 65 104

HSL 323.44, 0.33%, 0.38%

LAB 36.83, 32.78, -10.36

 

CMYK 0 / 28 / 12 / 56

HEX #715164

RGB 113 81 100

HSL 324.38, 0.16%, 0.38%

LAB 38.4, 16.7, -5.71

 

CMYK 0 / 0 / 0 / 62

HEX #616161

RGB 97 97 97

HSL 0, 0%, 0.38%

LAB 41.14, 0, -0.01

 

CMYK 12 / 79 / 0 / 37

HEX #8D22A0

RGB 141 34 160

HSL 290.95, 0.65%, 0.38%

LAB 36.64, 59.71, -45.08

 

CMYK 0 / 79 / 9 / 37

HEX #A02291

RGB 160 34 145

HSL 307.14, 0.65%, 0.38%

LAB 39.01, 61.19, -32.02

 

CMYK 0 / 79 / 30 / 37

HEX #A02270

RGB 160 34 112

HSL 322.86, 0.65%, 0.38%

LAB 37.46, 56.68, -13.96

 

CMYK 0 / 79 / 51 / 37

HEX #A0224E

RGB 160 34 78

HSL 339.05, 0.65%, 0.38%

LAB 36.31, 53.16, 6.03

 

CMYK 0 / 79 / 73 / 37

HEX #A0222C

RGB 160 34 44

HSL 355.24, 0.65%, 0.38%

LAB 35.6, 50.92, 26.83

 

CMYK 0 / 79 / 30 / 64

HEX #5C1340

RGB 92 19 64

HSL 323.01, 0.66%, 0.22%

LAB 20.48, 36.98, -9.46

 

CMYK 0 / 79 / 31 / 51

HEX #7E1B57

RGB 126 27 87

HSL 323.64, 0.65%, 0.3%

LAB 29.18, 46.82, -11.1

 

CMYK 0 / 79 / 31 / 37

HEX #A0226F

RGB 160 34 111

HSL 323.33, 0.65%, 0.38%

LAB 37.42, 56.55, -13.39

 

CMYK 0 / 79 / 30 / 24

HEX #C22987

RGB 194 41 135

HSL 323.14, 0.65%, 0.46%

LAB 45.37, 65.85, -15.57

 

CMYK 0 / 71 / 28 / 16

HEX #D63E9B

RGB 214 62 155

HSL 323.29, 0.65%, 0.54%

LAB 51.96, 66.72, -17.21

 

CMYK 0 / 79 / 31 / 37

HEX #A0226F

RGB 160 34 111

HSL 323.33, 0.65%, 0.38%

LAB 37.42, 56.55, -13.39

 

CMYK 0 / 33 / 79 / 37

HEX #A06B22

RGB 160 107 34

HSL 34.76, 0.65%, 0.38%

LAB 49.62, 14.76, 46.93

 

CMYK 79 / 0 / 1 / 37

HEX #22A09E

RGB 34 160 158

HSL 179.05, 0.65%, 0.38%

LAB 59.84, -32.51, -8.45

 

CMYK 0 / 79 / 31 / 37

HEX #A0226F

RGB 160 34 111

HSL 323.33, 0.65%, 0.38%

LAB 37.42, 56.55, -13.39

 

CMYK 30 / 0 / 79 / 37

HEX #70A022

RGB 112 160 34

HSL 82.86, 0.65%, 0.38%

LAB 60.52, -34.71, 55.72

 

CMYK 79 / 30 / 0 / 37

HEX #2270A0

RGB 34 112 160

HSL 202.86, 0.65%, 0.38%

LAB 44.89, -6.2, -32.5

 

CMYK 0 / 79 / 31 / 37

HEX #A0226F

RGB 160 34 111

HSL 323.33, 0.65%, 0.38%

LAB 37.42, 56.55, -13.39

 

CMYK 0 / 33 / 79 / 37

HEX #A06B22

RGB 160 107 34

HSL 34.76, 0.65%, 0.38%

LAB 49.62, 14.76, 46.93

 

CMYK 79 / 0 / 49 / 37

HEX #22A052

RGB 34 160 82

HSL 142.86, 0.65%, 0.38%

LAB 58.12, -50.78, 31.27

 

CMYK 79 / 46 / 0 / 37

HEX #2256A0

RGB 34 86 160

HSL 215.24, 0.65%, 0.38%

LAB 36.99, 10.22, -45.05

 

CMYK 0 / 79 / 31 / 37

HEX #A0226F

RGB 160 34 111

HSL 323.33, 0.65%, 0.38%

LAB 37.42, 56.55, -13.39

 

CMYK 0 / 9 / 79 / 37

HEX #A09122

RGB 160 145 34

HSL 52.86, 0.65%, 0.38%

LAB 59.74, -6.5, 56.33

 

CMYK 79 / 0 / 49 / 37

HEX #22A052

RGB 34 160 82

HSL 142.86, 0.65%, 0.38%

LAB 58.12, -50.78, 31.27

 

CMYK 79 / 69 / 0 / 37

HEX #2231A0

RGB 34 49 160

HSL 232.86, 0.65%, 0.38%

LAB 26.95, 34.95, -61.39

 

Description

Color code: HEX #A0226F | qconv.com Color code: HEX #A0226F | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 34 green and 111 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 34 111 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 31 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 31% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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enhttps://qconv.com/en/colors/hex-A0226FArray ( [type] => color [name] => [description] => [image] => [breadcrumb] => Array ( [0] => Array ( [name] => qConv [url] => https://qconv.com/en ) [1] => Array ( [name] => [url] => https://qconv.com/en/colors/hex-A0226F ) ) [color] => Array ( [hex] => a0226f [set] => HEX [props] => Array ( [0] => Array ( [id] => HEX [value] => #A0226F ) ) [name] => #A0226F ) )