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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A02027 it is the complementary color #5FDFD8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A02027. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A02027 shade: #A52022, #B63235, #C74448, #D8565B and #E9686E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A02027. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A02027 shade: #A02027, #8F0E14, #7E0001, #6D0000 and #5C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A02027 shade: #A22027 and #A22020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A02027 shade: #A22027, #A2204A, #A2206D, #A22090 and #9120A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A02027 shade matches the following richer shades: #A22027, #B21019 and #C1010B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A02027 shade: #A22027, #923035, #823F43, #734F51 and #635F5F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A02027 shade: #A2206E, #A2204B, #A22029, #A23A20 and #A25D20

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A02027 shade: #5D1216, #7F191F, #A22027, #C4272F and #D83C44

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A02027 shade: #A02027, #91A220 and #205DA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A02027 shade: #A02027, #29A220 and #2029A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A02027 shade: #A02027, #91A220, #20A299 and #3120A2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A02027 shade: #A02027, #6AA220, #20A299 and #5820A2

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 76 / 37

HEX #A02027

RGB 160 32 39

HSL 356.72, 0.67%, 0.38%

LAB 35.31, 51.31, 29.58

 

Complementary color

CMYK 57 / 0 / 3 / 13

HEX #5FDFD8

RGB 95 223 216

HSL 176.72, 0.67%, 0.62%

LAB 81.93, -36.78, -7.23

 

CMYK 0 / 81 / 79 / 35

HEX #A52022

RGB 165 32 34

HSL 359.1, 0.68%, 0.39%

LAB 36.27, 52.63, 33.89

 

CMYK 0 / 73 / 71 / 29

HEX #B63235

RGB 182 50 53

HSL 358.64, 0.57%, 0.45%

LAB 41.97, 52.74, 29.96

 

CMYK 0 / 66 / 64 / 22

HEX #C74448

RGB 199 68 72

HSL 358.17, 0.54%, 0.52%

LAB 47.94, 52.24, 26.64

 

CMYK 0 / 60 / 58 / 15

HEX #D8565B

RGB 216 86 91

HSL 357.69, 0.63%, 0.59%

LAB 54.04, 51.43, 23.87

 

CMYK 0 / 55 / 53 / 9

HEX #E9686E

RGB 233 104 110

HSL 357.21, 0.75%, 0.66%

LAB 60.2, 50.46, 21.53

 

CMYK 0 / 80 / 76 / 37

HEX #A02027

RGB 160 32 39

HSL 356.72, 0.67%, 0.38%

LAB 35.31, 51.31, 29.58

 

CMYK 0 / 90 / 86 / 44

HEX #8F0E14

RGB 143 14 20

HSL 357.21, 0.82%, 0.31%

LAB 29.92, 50.15, 34.09

 

CMYK 0 / 100 / 99 / 51

HEX #7E0001

RGB 126 0 1

HSL 359.52, 1%, 0.25%

LAB 25.07, 47.53, 37.05

 

CMYK 0 / 100 / 100 / 57

HEX #6D0000

RGB 109 0 0

HSL 0, 1%, 0.21%

LAB 21.02, 42.84, 32.03

 

CMYK 0 / 100 / 100 / 64

HEX #5C0000

RGB 92 0 0

HSL 0, 1%, 0.18%

LAB 16.87, 38.03, 26.13

 

CMYK 0 / 80 / 76 / 36

HEX #A22027

RGB 162 32 39

HSL 356.77, 0.67%, 0.38%

LAB 35.72, 51.91, 30.15

 

CMYK 0 / 80 / 80 / 36

HEX #A22020

RGB 162 32 32

HSL 0, 0.67%, 0.38%

LAB 35.63, 51.65, 34.2

 

CMYK 0 / 80 / 76 / 36

HEX #A22027

RGB 162 32 39

HSL 356.77, 0.67%, 0.38%

LAB 35.72, 51.91, 30.15

 

CMYK 0 / 80 / 54 / 36

HEX #A2204A

RGB 162 32 74

HSL 340.62, 0.67%, 0.38%

LAB 36.38, 53.99, 8.78

 

CMYK 0 / 80 / 33 / 36

HEX #A2206D

RGB 162 32 109

HSL 324.46, 0.67%, 0.38%

LAB 37.51, 57.4, -11.95

 

CMYK 0 / 80 / 11 / 36

HEX #A22090

RGB 162 32 144

HSL 308.31, 0.67%, 0.38%

LAB 39.12, 62.03, -31.2

 

CMYK 10 / 80 / 0 / 36

HEX #9120A2

RGB 145 32 162

HSL 292.15, 0.67%, 0.38%

LAB 37.23, 61.46, -45.31

 

CMYK 0 / 80 / 76 / 36

HEX #A22027

RGB 162 32 39

HSL 356.77, 0.67%, 0.38%

LAB 35.72, 51.91, 30.15

 

CMYK 0 / 91 / 86 / 30

HEX #B21019

RGB 178 16 25

HSL 356.67, 0.84%, 0.38%

LAB 37.67, 59.57, 41.17

 

CMYK 0 / 99 / 94 / 24

HEX #C1010B

RGB 193 1 11

HSL 356.88, 0.99%, 0.38%

LAB 40.22, 64.97, 50.63

 

CMYK 0 / 80 / 76 / 36

HEX #A22027

RGB 162 32 39

HSL 356.77, 0.67%, 0.38%

LAB 35.72, 51.91, 30.15

 

CMYK 0 / 67 / 64 / 43

HEX #923035

RGB 146 48 53

HSL 356.94, 0.51%, 0.38%

LAB 34.97, 41.54, 19.81

 

CMYK 0 / 52 / 48 / 49

HEX #823F43

RGB 130 63 67

HSL 356.42, 0.35%, 0.38%

LAB 35.41, 29.2, 11.05

 

CMYK 0 / 31 / 30 / 55

HEX #734F51

RGB 115 79 81

HSL 356.67, 0.19%, 0.38%

LAB 37.54, 15.47, 4.91

 

CMYK 0 / 4 / 4 / 61

HEX #635F5F

RGB 99 95 95

HSL 0, 0.02%, 0.38%

LAB 40.68, 1.59, 0.56

 

CMYK 0 / 80 / 32 / 36

HEX #A2206E

RGB 162 32 110

HSL 324, 0.67%, 0.38%

LAB 37.55, 57.52, -12.52

 

CMYK 0 / 80 / 54 / 36

HEX #A2204B

RGB 162 32 75

HSL 340.15, 0.67%, 0.38%

LAB 36.41, 54.07, 8.17

 

CMYK 0 / 80 / 75 / 36

HEX #A22029

RGB 162 32 41

HSL 355.85, 0.67%, 0.38%

LAB 35.74, 52, 28.96

 

CMYK 0 / 64 / 80 / 36

HEX #A23A20

RGB 162 58 32

HSL 12, 0.67%, 0.38%

LAB 39.26, 41.7, 37.87

 

CMYK 0 / 43 / 80 / 36

HEX #A25D20

RGB 162 93 32

HSL 28.15, 0.67%, 0.38%

LAB 46.46, 23.5, 44.87

 

CMYK 0 / 81 / 76 / 64

HEX #5D1216

RGB 93 18 22

HSL 356.8, 0.68%, 0.22%

LAB 19.3, 33.63, 18.34

 

CMYK 0 / 80 / 76 / 50

HEX #7F191F

RGB 127 25 31

HSL 356.47, 0.67%, 0.3%

LAB 27.59, 42.9, 23.94

 

CMYK 0 / 80 / 76 / 36

HEX #A22027

RGB 162 32 39

HSL 356.77, 0.67%, 0.38%

LAB 35.72, 51.91, 30.15

 

CMYK 0 / 80 / 76 / 23

HEX #C4272F

RGB 196 39 47

HSL 356.94, 0.67%, 0.46%

LAB 43.35, 60.23, 35.79

 

CMYK 0 / 72 / 69 / 15

HEX #D83C44

RGB 216 60 68

HSL 356.92, 0.67%, 0.54%

LAB 49.8, 60.49, 31.98

 

CMYK 0 / 80 / 76 / 37

HEX #A02027

RGB 160 32 39

HSL 356.72, 0.67%, 0.38%

LAB 35.31, 51.31, 29.58

 

CMYK 10 / 0 / 80 / 36

HEX #91A220

RGB 145 162 32

HSL 67.85, 0.67%, 0.38%

LAB 63.31, -22.12, 59.7

 

CMYK 80 / 43 / 0 / 36

HEX #205DA2

RGB 32 93 162

HSL 211.85, 0.67%, 0.38%

LAB 39.15, 6.19, -42.8

 

CMYK 0 / 80 / 76 / 37

HEX #A02027

RGB 160 32 39

HSL 356.72, 0.67%, 0.38%

LAB 35.31, 51.31, 29.58

 

CMYK 75 / 0 / 80 / 36

HEX #29A220

RGB 41 162 32

HSL 115.85, 0.67%, 0.38%

LAB 58.43, -56.16, 53.41

 

CMYK 80 / 75 / 0 / 36

HEX #2029A2

RGB 32 41 162

HSL 235.85, 0.67%, 0.38%

LAB 25.26, 40.43, -65.38

 

CMYK 0 / 80 / 76 / 37

HEX #A02027

RGB 160 32 39

HSL 356.72, 0.67%, 0.38%

LAB 35.31, 51.31, 29.58

 

CMYK 10 / 0 / 80 / 36

HEX #91A220

RGB 145 162 32

HSL 67.85, 0.67%, 0.38%

LAB 63.31, -22.12, 59.7

 

CMYK 80 / 0 / 6 / 36

HEX #20A299

RGB 32 162 153

HSL 175.85, 0.67%, 0.38%

LAB 60.29, -35.13, -4.96

 

CMYK 70 / 80 / 0 / 36

HEX #3120A2

RGB 49 32 162

HSL 247.85, 0.67%, 0.38%

LAB 24.62, 46.77, -66.41

 

CMYK 0 / 80 / 76 / 37

HEX #A02027

RGB 160 32 39

HSL 356.72, 0.67%, 0.38%

LAB 35.31, 51.31, 29.58

 

CMYK 35 / 0 / 80 / 36

HEX #6AA220

RGB 106 162 32

HSL 85.85, 0.67%, 0.38%

LAB 60.79, -38, 56.47

 

CMYK 80 / 0 / 6 / 36

HEX #20A299

RGB 32 162 153

HSL 175.85, 0.67%, 0.38%

LAB 60.29, -35.13, -4.96

 

CMYK 46 / 80 / 0 / 36

HEX #5820A2

RGB 88 32 162

HSL 265.85, 0.67%, 0.38%

LAB 28.69, 51.51, -59.57

 

Description

Color code: HEX #A02027 | qconv.com Color code: HEX #A02027 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 32 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 32 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 76 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 76% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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