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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A01F80 it is the complementary color #5FE07F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A01F80. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A01F80 shade: #A51F7B, #B6318E, #C743A1, #D855B4 and #E967C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A01F80. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A01F80 shade: #A01F80, #8F0D6D, #7E005A, #6D0047 and #5C0034

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A01F80 shade: #9F1E7F, #9F1E5C, #9F1E39 and #9F1E1E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A01F80 shade: #9F1E7F, #9C1E9F, #791E9F, #571E9F and #341E9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A01F80 shade matches the following richer shades: #9F1E7F and #AE0F86

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A01F80 shade: #9F1E7F, #8F2D77, #803D6F, #714C68 and #615B60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A01F80 shade: #781E9F, #9A1E9F, #9F1E81, #9F1E5E and #9F1E3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A01F80 shade: #591147, #7C1863, #9F1E7F, #C1259A and #D936B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A01F80 shade: #A01F80, #9F561E and #1E9F89

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A01F80 shade: #A01F80, #819F1E and #1E819F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A01F80 shade: #A01F80, #9F561E, #1E9F3C and #1E679F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A01F80 shade: #A01F80, #9F7C1E, #1E9F3C and #1E409F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 81 / 20 / 37

HEX #A01F80

RGB 160 31 128

HSL 314.88, 0.68%, 0.37%

LAB 37.86, 59.58, -23.34

 

Complementary color

CMYK 58 / 0 / 43 / 12

HEX #5FE07F

RGB 95 224 127

HSL 134.88, 0.68%, 0.63%

LAB 80.33, -56.15, 37

 

CMYK 0 / 81 / 25 / 35

HEX #A51F7B

RGB 165 31 123

HSL 318.81, 0.68%, 0.38%

LAB 38.57, 60.11, -19.07

 

CMYK 0 / 73 / 22 / 29

HEX #B6318E

RGB 182 49 142

HSL 318.05, 0.58%, 0.45%

LAB 44.37, 61.31, -21.54

 

CMYK 0 / 66 / 19 / 22

HEX #C743A1

RGB 199 67 161

HSL 317.27, 0.54%, 0.52%

LAB 50.37, 61.74, -23.41

 

CMYK 0 / 61 / 17 / 15

HEX #D855B4

RGB 216 85 180

HSL 316.49, 0.63%, 0.59%

LAB 56.48, 61.68, -24.88

 

CMYK 0 / 56 / 15 / 9

HEX #E967C7

RGB 233 103 199

HSL 315.69, 0.75%, 0.66%

LAB 62.63, 61.34, -26.06

 

CMYK 0 / 81 / 20 / 37

HEX #A01F80

RGB 160 31 128

HSL 314.88, 0.68%, 0.37%

LAB 37.86, 59.58, -23.34

 

CMYK 0 / 91 / 24 / 44

HEX #8F0D6D

RGB 143 13 109

HSL 315.69, 0.83%, 0.31%

LAB 32.33, 57.2, -20.23

 

CMYK 0 / 100 / 29 / 51

HEX #7E005A

RGB 126 0 90

HSL 317.14, 1%, 0.25%

LAB 27.22, 53.22, -16.07

 

CMYK 0 / 100 / 35 / 57

HEX #6D0047

RGB 109 0 71

HSL 320.92, 1%, 0.21%

LAB 22.68, 47.22, -10.61

 

CMYK 0 / 100 / 43 / 64

HEX #5C0034

RGB 92 0 52

HSL 326.09, 1%, 0.18%

LAB 18.02, 41.11, -4.75

 

CMYK 0 / 81 / 20 / 38

HEX #9F1E7F

RGB 159 30 127

HSL 314.88, 0.68%, 0.37%

LAB 37.54, 59.48, -23.24

 

CMYK 0 / 81 / 42 / 38

HEX #9F1E5C

RGB 159 30 92

HSL 331.16, 0.68%, 0.37%

LAB 36.12, 55.35, -3.27

 

CMYK 0 / 81 / 64 / 38

HEX #9F1E39

RGB 159 30 57

HSL 347.44, 0.68%, 0.37%

LAB 35.19, 52.52, 18.04

 

CMYK 0 / 81 / 81 / 38

HEX #9F1E1E

RGB 159 30 30

HSL 0, 0.68%, 0.37%

LAB 34.79, 51.26, 34.29

 

CMYK 0 / 81 / 20 / 38

HEX #9F1E7F

RGB 159 30 127

HSL 314.88, 0.68%, 0.37%

LAB 37.54, 59.48, -23.24

 

CMYK 2 / 81 / 0 / 38

HEX #9C1E9F

RGB 156 30 159

HSL 298.6, 0.68%, 0.37%

LAB 38.72, 63.64, -41

 

CMYK 24 / 81 / 0 / 38

HEX #791E9F

RGB 121 30 159

HSL 282.33, 0.68%, 0.37%

LAB 32.91, 57, -50.66

 

CMYK 45 / 81 / 0 / 38

HEX #571E9F

RGB 87 30 159

HSL 266.51, 0.68%, 0.37%

LAB 28, 51.41, -58.87

 

CMYK 67 / 81 / 0 / 38

HEX #341E9F

RGB 52 30 159

HSL 250.23, 0.68%, 0.37%

LAB 24.2, 47.11, -65.27

 

CMYK 0 / 81 / 20 / 38

HEX #9F1E7F

RGB 159 30 127

HSL 314.88, 0.68%, 0.37%

LAB 37.54, 59.48, -23.24

 

CMYK 0 / 91 / 23 / 32

HEX #AE0F86

RGB 174 15 134

HSL 315.09, 0.84%, 0.37%

LAB 39.68, 66.65, -24.02

 

CMYK 0 / 81 / 20 / 38

HEX #9F1E7F

RGB 159 30 127

HSL 314.88, 0.68%, 0.37%

LAB 37.54, 59.48, -23.24

 

CMYK 0 / 69 / 17 / 44

HEX #8F2D77

RGB 143 45 119

HSL 314.69, 0.52%, 0.37%

LAB 36.08, 49.26, -20.74

 

CMYK 0 / 52 / 13 / 50

HEX #803D6F

RGB 128 61 111

HSL 315.22, 0.35%, 0.37%

LAB 36.13, 35.8, -15.85

 

CMYK 0 / 33 / 8 / 56

HEX #714C68

RGB 113 76 104

HSL 314.59, 0.2%, 0.37%

LAB 37.26, 20.52, -9.92

 

CMYK 0 / 6 / 1 / 62

HEX #615B60

RGB 97 91 96

HSL 310, 0.03%, 0.37%

LAB 39.36, 3.43, -2.01

 

CMYK 25 / 81 / 0 / 38

HEX #781E9F

RGB 120 30 159

HSL 281.86, 0.68%, 0.37%

LAB 32.76, 56.82, -50.92

 

CMYK 3 / 81 / 0 / 38

HEX #9A1E9F

RGB 154 30 159

HSL 297.67, 0.68%, 0.37%

LAB 38.38, 63.25, -41.57

 

CMYK 0 / 81 / 19 / 38

HEX #9F1E81

RGB 159 30 129

HSL 313.95, 0.68%, 0.37%

LAB 37.63, 59.75, -24.33

 

CMYK 0 / 81 / 41 / 38

HEX #9F1E5E

RGB 159 30 94

HSL 330.23, 0.68%, 0.37%

LAB 36.19, 55.55, -4.45

 

CMYK 0 / 81 / 62 / 38

HEX #9F1E3C

RGB 159 30 60

HSL 346.05, 0.68%, 0.37%

LAB 35.25, 52.71, 16.19

 

CMYK 0 / 81 / 20 / 65

HEX #591147

RGB 89 17 71

HSL 315, 0.68%, 0.21%

LAB 19.96, 37.89, -15.14

 

CMYK 0 / 81 / 20 / 51

HEX #7C1863

RGB 124 24 99

HSL 315, 0.68%, 0.29%

LAB 29, 48.88, -19.24

 

CMYK 0 / 81 / 20 / 38

HEX #9F1E7F

RGB 159 30 127

HSL 314.88, 0.68%, 0.37%

LAB 37.54, 59.48, -23.24

 

CMYK 0 / 81 / 20 / 24

HEX #C1259A

RGB 193 37 154

HSL 315, 0.68%, 0.45%

LAB 45.63, 68.98, -26.67

 

CMYK 0 / 75 / 18 / 15

HEX #D936B1

RGB 217 54 177

HSL 314.72, 0.68%, 0.53%

LAB 52.47, 72.8, -29.33

 

CMYK 0 / 81 / 20 / 37

HEX #A01F80

RGB 160 31 128

HSL 314.88, 0.68%, 0.37%

LAB 37.86, 59.58, -23.34

 

CMYK 0 / 46 / 81 / 38

HEX #9F561E

RGB 159 86 30

HSL 26.05, 0.68%, 0.37%

LAB 44.4, 26.02, 43.66

 

CMYK 81 / 0 / 14 / 38

HEX #1E9F89

RGB 30 159 137

HSL 169.77, 0.68%, 0.37%

LAB 58.86, -38.51, 1.99

 

CMYK 0 / 81 / 20 / 37

HEX #A01F80

RGB 160 31 128

HSL 314.88, 0.68%, 0.37%

LAB 37.86, 59.58, -23.34

 

CMYK 19 / 0 / 81 / 38

HEX #819F1E

RGB 129 159 30

HSL 73.95, 0.68%, 0.37%

LAB 61.27, -27.53, 58.01

 

CMYK 81 / 19 / 0 / 38

HEX #1E819F

RGB 30 129 159

HSL 193.95, 0.68%, 0.37%

LAB 50.07, -16.75, -23.86

 

CMYK 0 / 81 / 20 / 37

HEX #A01F80

RGB 160 31 128

HSL 314.88, 0.68%, 0.37%

LAB 37.86, 59.58, -23.34

 

CMYK 0 / 46 / 81 / 38

HEX #9F561E

RGB 159 86 30

HSL 26.05, 0.68%, 0.37%

LAB 44.4, 26.02, 43.66

 

CMYK 81 / 0 / 62 / 38

HEX #1E9F3C

RGB 30 159 60

HSL 133.95, 0.68%, 0.37%

LAB 57.46, -54.17, 41.34

 

CMYK 81 / 35 / 0 / 38

HEX #1E679F

RGB 30 103 159

HSL 206.05, 0.68%, 0.37%

LAB 41.97, -1.54, -36.53

 

CMYK 0 / 81 / 20 / 37

HEX #A01F80

RGB 160 31 128

HSL 314.88, 0.68%, 0.37%

LAB 37.86, 59.58, -23.34

 

CMYK 0 / 22 / 81 / 38

HEX #9F7C1E

RGB 159 124 30

HSL 43.72, 0.68%, 0.37%

LAB 53.9, 4.49, 52.38

 

CMYK 81 / 0 / 62 / 38

HEX #1E9F3C

RGB 30 159 60

HSL 133.95, 0.68%, 0.37%

LAB 57.46, -54.17, 41.34

 

CMYK 81 / 60 / 0 / 38

HEX #1E409F

RGB 30 64 159

HSL 224.19, 0.68%, 0.37%

LAB 30.51, 24.22, -54.95

 

Description

Color code: HEX #A01F80 | qconv.com Color code: HEX #A01F80 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 31 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 31 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 81 magenta, 20 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 81% 20% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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