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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A01895 it is the complementary color #5FE76A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A01895. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A01895 shade: #A51890, #B62AA3, #C73CB6, #D84EC9 and #E960DC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A01895. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A01895 shade: #A01895, #8F0682, #7E006F, #6D005C and #5C0049

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A01895 shade: #A01895, #A01870, #A0184B, #A01827 and #A01818

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A01895 shade: #A01895, #8618A0, #6118A0, #3D18A0 and #1818A0

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A01895 shade matches the following richer shades: #A01895 and #AF09A1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A01895 shade: #A01895, #912788, #82367C, #73446F and #645363

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A01895 shade: #6018A0, #8518A0, #A01897, #A01872 and #A0184E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A01895 shade: #580D52, #7C1373, #A01895, #C41DB6 and #DF2BD1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A01895 shade: #A01895, #A03C18 and #18A072

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A01895 shade: #A01895, #97A018 and #1897A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A01895 shade: #A01895, #A03C18, #18A021 and #187CA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A01895 shade: #A01895, #A06518, #18A021 and #1853A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 85 / 7 / 37

HEX #A01895

RGB 160 24 149

HSL 304.85, 0.74%, 0.36%

LAB 38.37, 64.27, -35.46

 

Complementary color

CMYK 59 / 0 / 54 / 9

HEX #5FE76A

RGB 95 231 106

HSL 124.85, 0.74%, 0.64%

LAB 82.18, -61.76, 49.4

 

CMYK 0 / 85 / 13 / 35

HEX #A51890

RGB 165 24 144

HSL 308.94, 0.75%, 0.37%

LAB 39.01, 64.56, -31.33

HEX #A51890

CMYK 0 / 77 / 10 / 29

HEX #B62AA3

RGB 182 42 163

HSL 308.14, 0.63%, 0.44%

LAB 44.58, 66.45, -33.83

HEX #B62AA3

CMYK 0 / 70 / 9 / 22

HEX #C73CB6

RGB 199 60 182

HSL 307.34, 0.55%, 0.51%

LAB 50.39, 67.4, -35.71

HEX #C73CB6

CMYK 0 / 64 / 7 / 15

HEX #D84EC9

RGB 216 78 201

HSL 306.52, 0.64%, 0.58%

LAB 56.35, 67.72, -37.15

HEX #D84EC9

CMYK 0 / 59 / 6 / 9

HEX #E960DC

RGB 233 96 220

HSL 305.69, 0.76%, 0.65%

LAB 62.39, 67.64, -38.28

HEX #E960DC

CMYK 0 / 85 / 7 / 37

HEX #A01895

RGB 160 24 149

HSL 304.85, 0.74%, 0.36%

LAB 38.37, 64.27, -35.46

 

CMYK 0 / 96 / 9 / 44

HEX #8F0682

RGB 143 6 130

HSL 305.69, 0.92%, 0.29%

LAB 33.1, 61.09, -32.3

 

CMYK 0 / 100 / 12 / 51

HEX #7E006F

RGB 126 0 111

HSL 307.14, 1%, 0.25%

LAB 28.34, 56.01, -28.01

 

CMYK 0 / 100 / 16 / 57

HEX #6D005C

RGB 109 0 92

HSL 309.36, 1%, 0.21%

LAB 23.75, 49.94, -23.09

 

CMYK 0 / 100 / 21 / 64

HEX #5C0049

RGB 92 0 73

HSL 312.39, 1%, 0.18%

LAB 19.04, 43.71, -17.91

 

CMYK 0 / 85 / 7 / 37

HEX #A01895

RGB 160 24 149

HSL 304.85, 0.74%, 0.36%

LAB 38.37, 64.27, -35.46

 

CMYK 0 / 85 / 30 / 37

HEX #A01870

RGB 160 24 112

HSL 321.18, 0.74%, 0.36%

LAB 36.55, 59.28, -15.35

 

CMYK 0 / 85 / 53 / 37

HEX #A0184B

RGB 160 24 75

HSL 337.5, 0.74%, 0.36%

LAB 35.27, 55.62, 6.51

 

CMYK 0 / 85 / 76 / 37

HEX #A01827

RGB 160 24 39

HSL 353.38, 0.74%, 0.36%

LAB 34.55, 53.47, 28.71

 

CMYK 0 / 85 / 85 / 37

HEX #A01818

RGB 160 24 24

HSL 0, 0.74%, 0.36%

LAB 34.38, 52.97, 37.32

 

CMYK 0 / 85 / 7 / 37

HEX #A01895

RGB 160 24 149

HSL 304.85, 0.74%, 0.36%

LAB 38.37, 64.27, -35.46

 

CMYK 16 / 85 / 0 / 37

HEX #8618A0

RGB 134 24 160

HSL 288.53, 0.74%, 0.36%

LAB 34.52, 61.19, -48.56

 

CMYK 39 / 85 / 0 / 37

HEX #6118A0

RGB 97 24 160

HSL 272.21, 0.74%, 0.36%

LAB 28.73, 55.23, -58.24

 

CMYK 62 / 85 / 0 / 37

HEX #3D18A0

RGB 61 24 160

HSL 256.32, 0.74%, 0.36%

LAB 24.27, 50.86, -65.74

 

CMYK 85 / 85 / 0 / 37

HEX #1818A0

RGB 24 24 160

HSL 240, 0.74%, 0.36%

LAB 21.53, 48.32, -70.37

 

CMYK 0 / 85 / 7 / 37

HEX #A01895

RGB 160 24 149

HSL 304.85, 0.74%, 0.36%

LAB 38.37, 64.27, -35.46

 

CMYK 0 / 95 / 8 / 31

HEX #AF09A1

RGB 175 9 161

HSL 305.06, 0.9%, 0.36%

LAB 41.03, 71.13, -38.33

 

CMYK 0 / 85 / 7 / 37

HEX #A01895

RGB 160 24 149

HSL 304.85, 0.74%, 0.36%

LAB 38.37, 64.27, -35.46

 

CMYK 0 / 73 / 6 / 43

HEX #912788

RGB 145 39 136

HSL 305.09, 0.58%, 0.36%

LAB 36.46, 54.75, -30.69

 

CMYK 0 / 58 / 5 / 49

HEX #82367C

RGB 130 54 124

HSL 304.74, 0.41%, 0.36%

LAB 35.67, 42.35, -24.65

 

CMYK 0 / 41 / 3 / 55

HEX #73446F

RGB 115 68 111

HSL 305.11, 0.26%, 0.36%

LAB 35.84, 27.42, -16.44

 

CMYK 0 / 17 / 1 / 61

HEX #645363

RGB 100 83 99

HSL 303.53, 0.09%, 0.36%

LAB 37.48, 10.18, -6.63

 

CMYK 40 / 85 / 0 / 37

HEX #6018A0

RGB 96 24 160

HSL 271.76, 0.74%, 0.36%

LAB 28.59, 55.09, -58.48

 

CMYK 17 / 85 / 0 / 37

HEX #8518A0

RGB 133 24 160

HSL 288.09, 0.74%, 0.36%

LAB 34.35, 61.02, -48.84

 

CMYK 0 / 85 / 6 / 37

HEX #A01897

RGB 160 24 151

HSL 303.97, 0.74%, 0.36%

LAB 38.48, 64.57, -36.5

 

CMYK 0 / 85 / 29 / 37

HEX #A01872

RGB 160 24 114

HSL 320.29, 0.74%, 0.36%

LAB 36.63, 59.52, -16.48

 

CMYK 0 / 85 / 51 / 37

HEX #A0184E

RGB 160 24 78

HSL 336.18, 0.74%, 0.36%

LAB 35.35, 55.86, 4.68

 

CMYK 0 / 85 / 7 / 65

HEX #580D52

RGB 88 13 82

HSL 304.8, 0.74%, 0.2%

LAB 19.93, 40.74, -22.7

 

CMYK 0 / 85 / 7 / 51

HEX #7C1373

RGB 124 19 115

HSL 305.14, 0.73%, 0.28%

LAB 29.38, 52.68, -28.94

 

CMYK 0 / 85 / 7 / 37

HEX #A01895

RGB 160 24 149

HSL 304.85, 0.74%, 0.36%

LAB 38.37, 64.27, -35.46

 

CMYK 0 / 85 / 7 / 23

HEX #C41DB6

RGB 196 29 182

HSL 305.03, 0.74%, 0.44%

LAB 46.96, 75.16, -41.16

 

CMYK 0 / 81 / 6 / 13

HEX #DF2BD1

RGB 223 43 209

HSL 304.67, 0.74%, 0.52%

LAB 54.05, 81.32, -45.28

 

CMYK 0 / 85 / 7 / 37

HEX #A01895

RGB 160 24 149

HSL 304.85, 0.74%, 0.36%

LAB 38.37, 64.27, -35.46

 

CMYK 0 / 63 / 85 / 37

HEX #A03C18

RGB 160 60 24

HSL 15.88, 0.74%, 0.36%

LAB 39.19, 39.77, 41.65

 

CMYK 85 / 0 / 29 / 37

HEX #18A072

RGB 24 160 114

HSL 159.71, 0.74%, 0.36%

LAB 58.56, -45.37, 14.47

 

CMYK 0 / 85 / 7 / 37

HEX #A01895

RGB 160 24 149

HSL 304.85, 0.74%, 0.36%

LAB 38.37, 64.27, -35.46

 

CMYK 6 / 0 / 85 / 37

HEX #97A018

RGB 151 160 24

HSL 63.97, 0.74%, 0.36%

LAB 63.17, -18.76, 61.87

 

CMYK 85 / 6 / 0 / 37

HEX #1897A0

RGB 24 151 160

HSL 183.97, 0.74%, 0.36%

LAB 56.94, -28.41, -13.95

 

CMYK 0 / 85 / 7 / 37

HEX #A01895

RGB 160 24 149

HSL 304.85, 0.74%, 0.36%

LAB 38.37, 64.27, -35.46

 

CMYK 0 / 63 / 85 / 37

HEX #A03C18

RGB 160 60 24

HSL 15.88, 0.74%, 0.36%

LAB 39.19, 39.77, 41.65

 

CMYK 85 / 0 / 79 / 37

HEX #18A021

RGB 24 160 33

HSL 123.97, 0.74%, 0.36%

LAB 57.51, -57.77, 52.12

 

CMYK 85 / 23 / 0 / 37

HEX #187CA0

RGB 24 124 160

HSL 195.88, 0.74%, 0.36%

LAB 48.45, -14.17, -26.97

 

CMYK 0 / 85 / 7 / 37

HEX #A01895

RGB 160 24 149

HSL 304.85, 0.74%, 0.36%

LAB 38.37, 64.27, -35.46

 

CMYK 0 / 37 / 85 / 37

HEX #A06518

RGB 160 101 24

HSL 33.97, 0.74%, 0.36%

LAB 48.07, 17.82, 49.4

 

CMYK 85 / 0 / 79 / 37

HEX #18A021

RGB 24 160 33

HSL 123.97, 0.74%, 0.36%

LAB 57.51, -57.77, 52.12

 

CMYK 85 / 48 / 0 / 37

HEX #1853A0

RGB 24 83 160

HSL 213.97, 0.74%, 0.36%

LAB 35.83, 11.18, -46.94

 

Description

Color code: HEX #A01895 | qconv.com Color code: HEX #A01895 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 24 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 24 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 85 magenta, 7 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 85% 7% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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