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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A00FA5 it is the complementary color #5FF05A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A00FA5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A00FA5 shade: #A50FA0, #B621B3, #C733C6, #D845D9 and #E957EC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A00FA5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A00FA5 shade: #A00FA5, #8F0092, #7E007F, #6D006C and #5C0059

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A00FA5 shade: #9E0FA3, #A30F80, #A30F58, #A30F30 and #A30F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A00FA5 shade: #9E0FA3, #760FA3, #4E0FA3, #270FA3 and #0F0FA3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A00FA5 shade matches the following richer shades: #9E0FA3 and #AC01B2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A00FA5 shade: #9E0FA3, #911E95, #832C86, #763A78 and #68496A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A00FA5 shade: #4F0FA3, #770FA3, #9E0FA3, #A30F81 and #A30F59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A00FA5 shade: #550858, #7A0C7E, #9E0FA3, #C313C9 and #E31BEA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A00FA5 shade: #A00FA5, #A3280F and #0FA363

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A00FA5 shade: #A00FA5, #A39E0F and #0FA39E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A00FA5 shade: #A00FA5, #A3280F, #14A30F and #0F8BA3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A00FA5 shade: #A00FA5, #A3540F, #14A30F and #0F5EA3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 3 / 91 / 0 / 35

HEX #A00FA5

RGB 160 15 165

HSL 298, 0.83%, 0.35%

LAB 38.78, 68.34, -44.48

 

Complementary color

CMYK 60 / 0 / 63 / 6

HEX #5FF05A

RGB 95 240 90

HSL 118, 0.83%, 0.65%

LAB 84.74, -66.76, 59.38

 

CMYK 0 / 91 / 3 / 35

HEX #A50FA0

RGB 165 15 160

HSL 302, 0.83%, 0.35%

LAB 39.38, 68.46, -40.47

 

CMYK 0 / 82 / 2 / 29

HEX #B621B3

RGB 182 33 179

HSL 301.21, 0.69%, 0.42%

LAB 44.64, 71.19, -43.23

 

CMYK 0 / 74 / 1 / 22

HEX #C733C6

RGB 199 51 198

HSL 300.41, 0.59%, 0.49%

LAB 50.2, 72.8, -45.31

 

CMYK 0 / 68 / 0 / 15

HEX #D845D9

RGB 216 69 217

HSL 299.59, 0.66%, 0.56%

LAB 55.95, 73.61, -46.89

 

CMYK 1 / 63 / 0 / 7

HEX #E957EC

RGB 233 87 236

HSL 298.79, 0.8%, 0.63%

LAB 61.82, 73.89, -48.11

 

CMYK 3 / 91 / 0 / 35

HEX #A00FA5

RGB 160 15 165

HSL 298, 0.83%, 0.35%

LAB 38.78, 68.34, -44.48

 

CMYK 2 / 100 / 0 / 43

HEX #8F0092

RGB 143 0 146

HSL 298.77, 1%, 0.29%

LAB 33.81, 64.34, -41.09

 

CMYK 1 / 100 / 0 / 50

HEX #7E007F

RGB 126 0 127

HSL 299.53, 1%, 0.25%

LAB 29.33, 58.43, -36.61

 

CMYK 0 / 100 / 1 / 57

HEX #6D006C

RGB 109 0 108

HSL 300.55, 1%, 0.21%

LAB 24.75, 52.38, -32

 

CMYK 0 / 100 / 3 / 64

HEX #5C0059

RGB 92 0 89

HSL 301.96, 1%, 0.18%

LAB 20.03, 46.15, -27.21

 

CMYK 3 / 91 / 0 / 36

HEX #9E0FA3

RGB 158 15 163

HSL 297.97, 0.83%, 0.35%

LAB 38.3, 67.67, -44.08

 

CMYK 0 / 91 / 21 / 36

HEX #A30F80

RGB 163 15 128

HSL 314.19, 0.83%, 0.35%

LAB 37.27, 63.6, -24.22

 

CMYK 0 / 91 / 46 / 36

HEX #A30F58

RGB 163 15 88

HSL 330.41, 0.83%, 0.35%

LAB 35.66, 59.24, -1.28

 

CMYK 0 / 91 / 71 / 36

HEX #A30F30

RGB 163 15 48

HSL 346.62, 0.83%, 0.35%

LAB 34.68, 56.5, 23.36

 

CMYK 0 / 91 / 91 / 36

HEX #A30F0F

RGB 163 15 15

HSL 0, 0.83%, 0.35%

LAB 34.32, 55.46, 42.03

 

CMYK 3 / 91 / 0 / 36

HEX #9E0FA3

RGB 158 15 163

HSL 297.97, 0.83%, 0.35%

LAB 38.3, 67.67, -44.08

 

CMYK 28 / 91 / 0 / 36

HEX #760FA3

RGB 118 15 163

HSL 281.76, 0.83%, 0.35%

LAB 31.43, 61.18, -55.51

 

CMYK 52 / 91 / 0 / 36

HEX #4E0FA3

RGB 78 15 163

HSL 265.54, 0.83%, 0.35%

LAB 25.58, 56.21, -65.33

 

CMYK 76 / 91 / 0 / 36

HEX #270FA3

RGB 39 15 163

HSL 249.73, 0.83%, 0.35%

LAB 21.64, 53.33, -71.98

 

CMYK 91 / 91 / 0 / 36

HEX #0F0FA3

RGB 15 15 163

HSL 240, 0.83%, 0.35%

LAB 20.39, 52.51, -74.1

 

CMYK 3 / 91 / 0 / 36

HEX #9E0FA3

RGB 158 15 163

HSL 297.97, 0.83%, 0.35%

LAB 38.3, 67.67, -44.08

 

CMYK 3 / 99 / 0 / 30

HEX #AC01B2

RGB 172 1 178

HSL 297.97, 0.99%, 0.35%

LAB 41.23, 73.95, -48.2

 

CMYK 3 / 91 / 0 / 36

HEX #9E0FA3

RGB 158 15 163

HSL 297.97, 0.83%, 0.35%

LAB 38.3, 67.67, -44.08

 

CMYK 3 / 80 / 0 / 42

HEX #911E95

RGB 145 30 149

HSL 297.98, 0.66%, 0.35%

LAB 36.21, 59.76, -39.06

 

CMYK 2 / 67 / 0 / 47

HEX #832C86

RGB 131 44 134

HSL 298, 0.51%, 0.35%

LAB 34.7, 49.03, -32.39

 

CMYK 2 / 52 / 0 / 53

HEX #763A78

RGB 118 58 120

HSL 298.06, 0.35%, 0.35%

LAB 34.46, 35.89, -24.17

 

CMYK 2 / 31 / 0 / 58

HEX #68496A

RGB 104 73 106

HSL 296.36, 0.18%, 0.35%

LAB 35.5, 19.41, -13.96

 

CMYK 52 / 91 / 0 / 36

HEX #4F0FA3

RGB 79 15 163

HSL 265.95, 0.83%, 0.35%

LAB 25.71, 56.31, -65.12

 

CMYK 27 / 91 / 0 / 36

HEX #770FA3

RGB 119 15 163

HSL 282.16, 0.83%, 0.35%

LAB 31.6, 61.33, -55.23

 

CMYK 3 / 91 / 0 / 36

HEX #9E0FA3

RGB 158 15 163

HSL 297.97, 0.83%, 0.35%

LAB 38.3, 67.67, -44.08

 

CMYK 0 / 91 / 21 / 36

HEX #A30F81

RGB 163 15 129

HSL 313.78, 0.83%, 0.35%

LAB 37.32, 63.73, -24.76

 

CMYK 0 / 91 / 45 / 36

HEX #A30F59

RGB 163 15 89

HSL 330, 0.83%, 0.35%

LAB 35.69, 59.33, -1.88

 

CMYK 3 / 91 / 0 / 65

HEX #550858

RGB 85 8 88

HSL 297.75, 0.83%, 0.19%

LAB 19.26, 42.5, -27.84

 

CMYK 3 / 90 / 0 / 51

HEX #7A0C7E

RGB 122 12 126

HSL 297.89, 0.83%, 0.27%

LAB 29.18, 55.57, -36.27

 

CMYK 3 / 91 / 0 / 36

HEX #9E0FA3

RGB 158 15 163

HSL 297.97, 0.83%, 0.35%

LAB 38.3, 67.67, -44.08

 

CMYK 3 / 91 / 0 / 21

HEX #C313C9

RGB 195 19 201

HSL 298.02, 0.83%, 0.43%

LAB 47.35, 79.37, -51.64

 

CMYK 3 / 88 / 0 / 8

HEX #E31BEA

RGB 227 27 234

HSL 297.97, 0.83%, 0.51%

LAB 55.13, 88.58, -57.7

 

CMYK 3 / 91 / 0 / 35

HEX #A00FA5

RGB 160 15 165

HSL 298, 0.83%, 0.35%

LAB 38.78, 68.34, -44.48

 

CMYK 0 / 75 / 91 / 36

HEX #A3280F

RGB 163 40 15

HSL 10.14, 0.83%, 0.35%

LAB 36.63, 48.94, 43.73

 

CMYK 91 / 0 / 39 / 36

HEX #0FA363

RGB 15 163 99

HSL 154.05, 0.83%, 0.35%

LAB 59.16, -50.51, 23.53

 

CMYK 3 / 91 / 0 / 35

HEX #A00FA5

RGB 160 15 165

HSL 298, 0.83%, 0.35%

LAB 38.78, 68.34, -44.48

 

CMYK 0 / 3 / 91 / 36

HEX #A39E0F

RGB 163 158 15

HSL 57.97, 0.83%, 0.35%

LAB 63.57, -12.6, 64.46

 

CMYK 91 / 0 / 3 / 36

HEX #0FA39E

RGB 15 163 158

HSL 177.97, 0.83%, 0.35%

LAB 60.57, -35.33, -7.38

 

CMYK 3 / 91 / 0 / 35

HEX #A00FA5

RGB 160 15 165

HSL 298, 0.83%, 0.35%

LAB 38.78, 68.34, -44.48

 

CMYK 0 / 75 / 91 / 36

HEX #A3280F

RGB 163 40 15

HSL 10.14, 0.83%, 0.35%

LAB 36.63, 48.94, 43.73

 

CMYK 88 / 0 / 91 / 36

HEX #14A30F

RGB 20 163 15

HSL 117.97, 0.83%, 0.35%

LAB 58.39, -59.97, 57.45

 

CMYK 91 / 15 / 0 / 36

HEX #0F8BA3

RGB 15 139 163

HSL 189.73, 0.83%, 0.35%

LAB 53.18, -21.88, -21.41

 

CMYK 3 / 91 / 0 / 35

HEX #A00FA5

RGB 160 15 165

HSL 298, 0.83%, 0.35%

LAB 38.78, 68.34, -44.48

 

CMYK 0 / 48 / 91 / 36

HEX #A3540F

RGB 163 84 15

HSL 27.97, 0.83%, 0.35%

LAB 44.46, 28.42, 49.63

 

CMYK 88 / 0 / 91 / 36

HEX #14A30F

RGB 20 163 15

HSL 117.97, 0.83%, 0.35%

LAB 58.39, -59.97, 57.45

 

CMYK 91 / 42 / 0 / 36

HEX #0F5EA3

RGB 15 94 163

HSL 207.97, 0.83%, 0.35%

LAB 39.16, 4.5, -43.39

 

Description

Color code: HEX #A00FA5 | qconv.com Color code: HEX #A00FA5 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 15 green and 165 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 15 165 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 3 cyan, 91 magenta, none yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
3% 91% 0% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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