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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A00F2E it is the complementary color #5FF0D1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A00F2E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A00F2E shade: #A50F29, #B6213C, #C7334F, #D84562 and #E95775

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A00F2E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A00F2E shade: #A00F2E, #8F001B, #7E0008, #6D0000 and #5C0000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A00F2E shade: #9F0F2E and #9F0F0F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A00F2E shade: #9F0F2E, #9F0F54, #9F0F7B, #9B0F9F and #750F9F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A00F2E shade matches the following richer shades: #9F0F2E and #AD0125

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A00F2E shade: #9F0F2E, #911D36, #832B3E, #753946 and #67474E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A00F2E shade: #9F0F7B, #9F0F54, #9F0F2E, #9F160F and #9F3C0F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A00F2E shade: #530818, #790B23, #9F0F2E, #C41238 and #E91744

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A00F2E shade: #A00F2E, #9F9C0F and #0F679F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A00F2E shade: #A00F2E, #2E9F0F and #0F2E9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A00F2E shade: #A00F2E, #9F9C0F, #0F9F7F and #0F119F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A00F2E shade: #A00F2E, #769F0F, #0F9F7F and #380F9F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 71 / 37

HEX #A00F2E

RGB 160 15 46

HSL 347.17, 0.83%, 0.34%

LAB 34.01, 55.61, 23.66

 

Complementary color

CMYK 60 / 0 / 13 / 6

HEX #5FF0D1

RGB 95 240 209

HSL 167.17, 0.83%, 0.66%

LAB 86.68, -46.11, 3.43

 

CMYK 0 / 91 / 75 / 35

HEX #A50F29

RGB 165 15 41

HSL 349.6, 0.83%, 0.35%

LAB 35.01, 56.73, 28.28

 

CMYK 0 / 82 / 67 / 29

HEX #B6213C

RGB 182 33 60

HSL 349.13, 0.69%, 0.42%

LAB 40.18, 58.44, 23.47

 

CMYK 0 / 74 / 60 / 22

HEX #C7334F

RGB 199 51 79

HSL 348.65, 0.59%, 0.49%

LAB 45.74, 59.09, 19.55

 

CMYK 0 / 68 / 55 / 15

HEX #D84562

RGB 216 69 98

HSL 348.16, 0.65%, 0.56%

LAB 51.54, 59.07, 16.36

 

CMYK 0 / 63 / 50 / 9

HEX #E95775

RGB 233 87 117

HSL 347.67, 0.77%, 0.63%

LAB 57.49, 58.64, 13.74

 

CMYK 0 / 91 / 71 / 37

HEX #A00F2E

RGB 160 15 46

HSL 347.17, 0.83%, 0.34%

LAB 34.01, 55.61, 23.66

 

CMYK 0 / 100 / 81 / 44

HEX #8F001B

RGB 143 0 27

HSL 348.67, 1%, 0.28%

LAB 29.21, 52.63, 29.24

 

CMYK 0 / 100 / 94 / 51

HEX #7E0008

RGB 126 0 8

HSL 356.19, 1%, 0.25%

LAB 25.12, 47.66, 34.24

 

CMYK 0 / 100 / 100 / 57

HEX #6D0000

RGB 109 0 0

HSL 0, 1%, 0.21%

LAB 21.02, 42.84, 32.03

 

CMYK 0 / 100 / 100 / 64

HEX #5C0000

RGB 92 0 0

HSL 0, 1%, 0.18%

LAB 16.87, 38.03, 26.13

 

CMYK 0 / 91 / 71 / 38

HEX #9F0F2E

RGB 159 15 46

HSL 347.08, 0.83%, 0.34%

LAB 33.79, 55.34, 23.35

 

CMYK 0 / 91 / 91 / 38

HEX #9F0F0F

RGB 159 15 15

HSL 0, 0.83%, 0.34%

LAB 33.45, 54.35, 41

 

CMYK 0 / 91 / 71 / 38

HEX #9F0F2E

RGB 159 15 46

HSL 347.08, 0.83%, 0.34%

LAB 33.79, 55.34, 23.35

 

CMYK 0 / 91 / 47 / 38

HEX #9F0F54

RGB 159 15 84

HSL 331.25, 0.83%, 0.34%

LAB 34.71, 57.91, -0.19

 

CMYK 0 / 91 / 23 / 38

HEX #9F0F7B

RGB 159 15 123

HSL 315, 0.83%, 0.34%

LAB 36.26, 62.12, -22.74

 

CMYK 3 / 91 / 0 / 38

HEX #9B0F9F

RGB 155 15 159

HSL 298.33, 0.83%, 0.34%

LAB 37.51, 66.5, -42.96

 

CMYK 26 / 91 / 0 / 38

HEX #750F9F

RGB 117 15 159

HSL 282.5, 0.83%, 0.34%

LAB 30.94, 60.24, -53.89

 

CMYK 0 / 91 / 71 / 38

HEX #9F0F2E

RGB 159 15 46

HSL 347.08, 0.83%, 0.34%

LAB 33.79, 55.34, 23.35

 

CMYK 0 / 99 / 79 / 32

HEX #AD0125

RGB 173 1 37

HSL 347.44, 0.99%, 0.34%

LAB 36.06, 60.47, 32.4

 

CMYK 0 / 91 / 71 / 38

HEX #9F0F2E

RGB 159 15 46

HSL 347.08, 0.83%, 0.34%

LAB 33.79, 55.34, 23.35

 

CMYK 0 / 80 / 63 / 43

HEX #911D36

RGB 145 29 54

HSL 347.07, 0.67%, 0.34%

LAB 32.18, 48.5, 15.5

 

CMYK 0 / 67 / 53 / 49

HEX #832B3E

RGB 131 43 62

HSL 347.05, 0.51%, 0.34%

LAB 31.58, 39.26, 8.99

 

CMYK 0 / 51 / 40 / 54

HEX #753946

RGB 117 57 70

HSL 347, 0.34%, 0.34%

LAB 32.15, 27.76, 4.24

 

CMYK 0 / 31 / 24 / 60

HEX #67474E

RGB 103 71 78

HSL 346.88, 0.18%, 0.34%

LAB 33.86, 14.85, 1.32

 

CMYK 0 / 91 / 23 / 38

HEX #9F0F7B

RGB 159 15 123

HSL 315, 0.83%, 0.34%

LAB 36.26, 62.12, -22.74

 

CMYK 0 / 91 / 47 / 38

HEX #9F0F54

RGB 159 15 84

HSL 331.25, 0.83%, 0.34%

LAB 34.71, 57.91, -0.19

 

CMYK 0 / 91 / 71 / 38

HEX #9F0F2E

RGB 159 15 46

HSL 347.08, 0.83%, 0.34%

LAB 33.79, 55.34, 23.35

 

CMYK 0 / 86 / 91 / 38

HEX #9F160F

RGB 159 22 15

HSL 2.92, 0.83%, 0.34%

LAB 33.94, 52.96, 41.36

 

CMYK 0 / 62 / 91 / 38

HEX #9F3C0F

RGB 159 60 15

HSL 18.75, 0.83%, 0.34%

LAB 38.96, 39.17, 45.15

 

CMYK 0 / 90 / 71 / 67

HEX #530818

RGB 83 8 24

HSL 347.2, 0.82%, 0.18%

LAB 15.89, 33.78, 12.23

 

CMYK 0 / 91 / 71 / 53

HEX #790B23

RGB 121 11 35

HSL 346.91, 0.83%, 0.26%

LAB 25.03, 45.04, 17.92

 

CMYK 0 / 91 / 71 / 38

HEX #9F0F2E

RGB 159 15 46

HSL 347.08, 0.83%, 0.34%

LAB 33.79, 55.34, 23.35

 

CMYK 0 / 91 / 71 / 23

HEX #C41238

RGB 196 18 56

HSL 347.19, 0.83%, 0.42%

LAB 41.93, 64.99, 28.76

 

CMYK 0 / 90 / 71 / 9

HEX #E91744

RGB 233 23 68

HSL 347.14, 0.83%, 0.5%

LAB 49.92, 74.08, 32.9

 

CMYK 0 / 91 / 71 / 37

HEX #A00F2E

RGB 160 15 46

HSL 347.17, 0.83%, 0.34%

LAB 34.01, 55.61, 23.66

 

CMYK 0 / 2 / 91 / 38

HEX #9F9C0F

RGB 159 156 15

HSL 58.75, 0.83%, 0.34%

LAB 62.66, -13.35, 63.59

 

CMYK 91 / 35 / 0 / 38

HEX #0F679F

RGB 15 103 159

HSL 203.33, 0.83%, 0.34%

LAB 41.7, -2.8, -36.98

 

CMYK 0 / 91 / 71 / 37

HEX #A00F2E

RGB 160 15 46

HSL 347.17, 0.83%, 0.34%

LAB 34.01, 55.61, 23.66

 

CMYK 71 / 0 / 91 / 38

HEX #2E9F0F

RGB 46 159 15

HSL 107.08, 0.83%, 0.34%

LAB 57.47, -55.11, 56.82

 

CMYK 91 / 71 / 0 / 38

HEX #0F2E9F

RGB 15 46 159

HSL 227.08, 0.83%, 0.34%

LAB 25.44, 35.19, -63.29

 

CMYK 0 / 91 / 71 / 37

HEX #A00F2E

RGB 160 15 46

HSL 347.17, 0.83%, 0.34%

LAB 34.01, 55.61, 23.66

 

CMYK 0 / 2 / 91 / 38

HEX #9F9C0F

RGB 159 156 15

HSL 58.75, 0.83%, 0.34%

LAB 62.66, -13.35, 63.59

 

CMYK 91 / 0 / 20 / 38

HEX #0F9F7F

RGB 15 159 127

HSL 166.67, 0.83%, 0.34%

LAB 58.44, -42.37, 7.01

 

CMYK 91 / 89 / 0 / 38

HEX #0F119F

RGB 15 17 159

HSL 239.17, 0.83%, 0.34%

LAB 20.07, 50.63, -72.2

 

CMYK 0 / 91 / 71 / 37

HEX #A00F2E

RGB 160 15 46

HSL 347.17, 0.83%, 0.34%

LAB 34.01, 55.61, 23.66

 

CMYK 26 / 0 / 91 / 38

HEX #769F0F

RGB 118 159 15

HSL 77.08, 0.83%, 0.34%

LAB 60.5, -32.57, 60.58

 

CMYK 91 / 0 / 20 / 38

HEX #0F9F7F

RGB 15 159 127

HSL 166.67, 0.83%, 0.34%

LAB 58.44, -42.37, 7.01

 

CMYK 65 / 91 / 0 / 38

HEX #380F9F

RGB 56 15 159

HSL 257.08, 0.83%, 0.34%

LAB 22.6, 53.27, -67.9

 

Description

Color code: HEX #A00F2E | qconv.com Color code: HEX #A00F2E | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 15 green and 46 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 15 46 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 71 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 71% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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