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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A00C98 it is the complementary color #5FF367. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A00C98. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A00C98 shade: #A50C93, #B61EA6, #C730B9, #D842CC and #E954DF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A00C98. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A00C98 shade: #A00C98, #8F0085, #7E0072, #6D005F and #5C004C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A00C98 shade: #A10C99, #A10C71, #A10C49, #A10C21 and #A10C0C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A00C98 shade: #A10C99, #810CA1, #590CA1, #310CA1 and #0C0CA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A00C98 shade matches the following richer shades: #A10C99

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A00C98 shade: #A10C99, #931A8D, #852880, #773674 and #694467

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A00C98 shade: #590CA1, #810CA1, #A10C9A, #A10C72 and #A10C4A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A00C98 shade: #550650, #7B0975, #A10C99, #C80FBE and #ED13E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A00C98 shade: #A00C98, #A1310C and #0CA16D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A00C98 shade: #A00C98, #9AA10C and #0C9AA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A00C98 shade: #A00C98, #A1310C, #0CA114 and #0C7CA1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A00C98 shade: #A00C98, #A15E0C, #0CA114 and #0C4FA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 93 / 5 / 37

HEX #A00C98

RGB 160 12 152

HSL 303.24, 0.86%, 0.34%

LAB 37.85, 66.75, -38.11

 

Complementary color

CMYK 61 / 0 / 58 / 5

HEX #5FF367

RGB 95 243 103

HSL 123.24, 0.86%, 0.66%

LAB 85.76, -66.39, 54.98

 

CMYK 0 / 93 / 11 / 35

HEX #A50C93

RGB 165 12 147

HSL 307.06, 0.86%, 0.35%

LAB 38.5, 66.96, -33.98

 

CMYK 0 / 84 / 9 / 29

HEX #B61EA6

RGB 182 30 166

HSL 306.32, 0.72%, 0.42%

LAB 43.69, 69.91, -37.03

 

CMYK 0 / 76 / 7 / 22

HEX #C730B9

RGB 199 48 185

HSL 305.56, 0.61%, 0.48%

LAB 49.2, 71.68, -39.34

 

CMYK 0 / 69 / 6 / 15

HEX #D842CC

RGB 216 66 204

HSL 304.8, 0.66%, 0.55%

LAB 54.92, 72.6, -41.11

 

CMYK 0 / 64 / 4 / 9

HEX #E954DF

RGB 233 84 223

HSL 304.03, 0.77%, 0.62%

LAB 60.77, 72.95, -42.49

 

CMYK 0 / 93 / 5 / 37

HEX #A00C98

RGB 160 12 152

HSL 303.24, 0.86%, 0.34%

LAB 37.85, 66.75, -38.11

 

CMYK 0 / 100 / 7 / 44

HEX #8F0085

RGB 143 0 133

HSL 304.2, 1%, 0.28%

LAB 32.99, 62.36, -34.34

 

CMYK 0 / 100 / 10 / 51

HEX #7E0072

RGB 126 0 114

HSL 305.71, 1%, 0.25%

LAB 28.51, 56.44, -29.66

 

CMYK 0 / 100 / 13 / 57

HEX #6D005F

RGB 109 0 95

HSL 307.71, 1%, 0.21%

LAB 23.93, 50.38, -24.79

 

CMYK 0 / 100 / 17 / 64

HEX #5C004C

RGB 92 0 76

HSL 310.43, 1%, 0.18%

LAB 19.21, 44.14, -19.7

 

CMYK 0 / 93 / 5 / 37

HEX #A10C99

RGB 161 12 153

HSL 303.22, 0.86%, 0.34%

LAB 38.09, 67.08, -38.32

 

CMYK 0 / 93 / 30 / 37

HEX #A10C71

RGB 161 12 113

HSL 319.33, 0.86%, 0.34%

LAB 36.05, 61.78, -16.74

 

CMYK 0 / 93 / 55 / 37

HEX #A10C49

RGB 161 12 73

HSL 335.44, 0.86%, 0.34%

LAB 34.64, 57.97, 6.95

 

CMYK 0 / 93 / 80 / 37

HEX #A10C21

RGB 161 12 33

HSL 351.54, 0.86%, 0.34%

LAB 33.88, 55.83, 31.71

 

CMYK 0 / 93 / 93 / 37

HEX #A10C0C

RGB 161 12 12

HSL 0, 0.86%, 0.34%

LAB 33.7, 55.34, 42.71

 

CMYK 0 / 93 / 5 / 37

HEX #A10C99

RGB 161 12 153

HSL 303.22, 0.86%, 0.34%

LAB 38.09, 67.08, -38.32

 

CMYK 20 / 93 / 0 / 37

HEX #810CA1

RGB 129 12 161

HSL 287.11, 0.86%, 0.34%

LAB 32.93, 62.97, -51.79

 

CMYK 45 / 93 / 0 / 37

HEX #590CA1

RGB 89 12 161

HSL 271.01, 0.86%, 0.34%

LAB 26.62, 57.6, -62.35

 

CMYK 70 / 93 / 0 / 37

HEX #310CA1

RGB 49 12 161

HSL 254.9, 0.86%, 0.34%

LAB 21.91, 54.19, -70.3

 

CMYK 93 / 93 / 0 / 37

HEX #0C0CA1

RGB 12 12 161

HSL 240, 0.86%, 0.34%

LAB 19.7, 52.84, -74.04

 

CMYK 0 / 93 / 5 / 37

HEX #A10C99

RGB 161 12 153

HSL 303.22, 0.86%, 0.34%

LAB 38.09, 67.08, -38.32

 

CMYK 0 / 93 / 5 / 37

HEX #A10C99

RGB 161 12 153

HSL 303.22, 0.86%, 0.34%

LAB 38.09, 67.08, -38.32

 

CMYK 0 / 82 / 4 / 42

HEX #931A8D

RGB 147 26 141

HSL 302.98, 0.7%, 0.34%

LAB 35.72, 59.92, -34.91

 

CMYK 0 / 70 / 4 / 48

HEX #852880

RGB 133 40 128

HSL 303.23, 0.54%, 0.34%

LAB 34.11, 50.1, -29.56

 

CMYK 0 / 55 / 3 / 53

HEX #773674

RGB 119 54 116

HSL 302.77, 0.38%, 0.34%

LAB 33.61, 37.56, -22.99

 

CMYK 0 / 35 / 2 / 59

HEX #694467

RGB 105 68 103

HSL 303.24, 0.21%, 0.34%

LAB 34.22, 22.21, -14

 

CMYK 45 / 93 / 0 / 37

HEX #590CA1

RGB 89 12 161

HSL 271.01, 0.86%, 0.34%

LAB 26.62, 57.6, -62.35

 

CMYK 20 / 93 / 0 / 37

HEX #810CA1

RGB 129 12 161

HSL 287.11, 0.86%, 0.34%

LAB 32.93, 62.97, -51.79

 

CMYK 0 / 93 / 4 / 37

HEX #A10C9A

RGB 161 12 154

HSL 302.82, 0.86%, 0.34%

LAB 38.15, 67.23, -38.84

 

CMYK 0 / 93 / 29 / 37

HEX #A10C72

RGB 161 12 114

HSL 318.93, 0.86%, 0.34%

LAB 36.09, 61.9, -17.3

 

CMYK 0 / 93 / 54 / 37

HEX #A10C4A

RGB 161 12 74

HSL 335.03, 0.86%, 0.34%

LAB 34.67, 58.05, 6.33

 

CMYK 0 / 93 / 6 / 67

HEX #550650

RGB 85 6 80

HSL 303.8, 0.87%, 0.18%

LAB 18.54, 41.64, -23.58

 

CMYK 0 / 93 / 5 / 52

HEX #7B0975

RGB 123 9 117

HSL 303.16, 0.86%, 0.26%

LAB 28.62, 54.81, -31.44

 

CMYK 0 / 93 / 5 / 37

HEX #A10C99

RGB 161 12 153

HSL 303.22, 0.86%, 0.34%

LAB 38.09, 67.08, -38.32

 

CMYK 0 / 93 / 5 / 22

HEX #C80FBE

RGB 200 15 190

HSL 303.24, 0.86%, 0.42%

LAB 47.42, 79.08, -45.08

 

CMYK 0 / 92 / 5 / 7

HEX #ED13E1

RGB 237 19 225

HSL 303.3, 0.86%, 0.5%

LAB 55.99, 89.91, -51.14

 

CMYK 0 / 93 / 5 / 37

HEX #A00C98

RGB 160 12 152

HSL 303.24, 0.86%, 0.34%

LAB 37.85, 66.75, -38.11

 

CMYK 0 / 70 / 93 / 37

HEX #A1310C

RGB 161 49 12

HSL 14.9, 0.86%, 0.34%

LAB 37.48, 44.76, 45.32

 

CMYK 93 / 0 / 32 / 37

HEX #0CA16D

RGB 12 161 109

HSL 159.06, 0.86%, 0.34%

LAB 58.67, -47.76, 17.39

 

CMYK 0 / 93 / 5 / 37

HEX #A00C98

RGB 160 12 152

HSL 303.24, 0.86%, 0.34%

LAB 37.85, 66.75, -38.11

 

CMYK 4 / 0 / 93 / 37

HEX #9AA10C

RGB 154 161 12

HSL 62.82, 0.86%, 0.34%

LAB 63.66, -18.22, 64.68

 

CMYK 93 / 4 / 0 / 37

HEX #0C9AA1

RGB 12 154 161

HSL 182.82, 0.86%, 0.34%

LAB 57.81, -30.28, -13.22

 

CMYK 0 / 93 / 5 / 37

HEX #A00C98

RGB 160 12 152

HSL 303.24, 0.86%, 0.34%

LAB 37.85, 66.75, -38.11

 

CMYK 0 / 70 / 93 / 37

HEX #A1310C

RGB 161 49 12

HSL 14.9, 0.86%, 0.34%

LAB 37.48, 44.76, 45.32

 

CMYK 93 / 0 / 88 / 37

HEX #0CA114

RGB 12 161 20

HSL 123.22, 0.86%, 0.34%

LAB 57.67, -59.79, 55.79

 

CMYK 93 / 23 / 0 / 37

HEX #0C7CA1

RGB 12 124 161

HSL 194.9, 0.86%, 0.34%

LAB 48.34, -14.6, -27.72

 

CMYK 0 / 93 / 5 / 37

HEX #A00C98

RGB 160 12 152

HSL 303.24, 0.86%, 0.34%

LAB 37.85, 66.75, -38.11

 

CMYK 0 / 42 / 93 / 37

HEX #A15E0C

RGB 161 94 12

HSL 33.02, 0.86%, 0.34%

LAB 46.46, 21.94, 51.83

 

CMYK 93 / 0 / 88 / 37

HEX #0CA114

RGB 12 161 20

HSL 123.22, 0.86%, 0.34%

LAB 57.67, -59.79, 55.79

 

CMYK 93 / 51 / 0 / 37

HEX #0C4FA1

RGB 12 79 161

HSL 213.02, 0.86%, 0.34%

LAB 34.48, 13.46, -49.72

 

Description

Color code: HEX #A00C98 | qconv.com Color code: HEX #A00C98 | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 12 green and 152 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 12 152 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 93 magenta, 5 yellow and 37 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 93% 5% 37% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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