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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #A002CB it is the complementary color #5FFD34. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #A002CB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #A002CB shade: #A502C6, #B614D9, #C726EC, #D838FF and #E94AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #A002CB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #A002CB shade: #A002CB, #8F00B8, #7E00A5, #6D0092 and #5C007F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #A002CB shade: #9F02CA, #CA02BF, #CA0289, #CA0253 and #CA021D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #A002CB shade: #9F02CA, #6902CA, #3302CA and #0202CA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #A002CB shade matches the following richer shades: #9F02CA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #A002CB shade: #9F02CA, #9613B9, #8C23A9, #833498 and #794488

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #A002CB shade: #3402CA, #6902CA, #9F02CA, #CA02C0 and #CA028B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #A002CB shade: #5F0178, #7F02A1, #9F02CA, #BF02F3 and #CE22FD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #A002CB shade: #A002CB, #CA0205 and #02CA4F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #A002CB shade: #A002CB, #CA9F02 and #02CA9F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #A002CB shade: #A002CB, #CA0205, #2DCA02 and #02CAC7

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #A002CB shade: #A002CB, #CA3B02, #2DCA02 and #0291CA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 21 / 99 / 0 / 20

HEX #A002CB

RGB 160 2 203

HSL 287.16, 0.98%, 0.4%

LAB 40.94, 76.19, -63.43

 

Complementary color

CMYK 62 / 0 / 79 / 1

HEX #5FFD34

RGB 95 253 52

HSL 107.16, 0.98%, 0.6%

LAB 88.41, -73.93, 76.29

 

CMYK 17 / 99 / 0 / 22

HEX #A502C6

RGB 165 2 198

HSL 289.9, 0.98%, 0.39%

LAB 41.41, 76.01, -59.73

 

CMYK 16 / 91 / 0 / 15

HEX #B614D9

RGB 182 20 217

HSL 289.34, 0.83%, 0.46%

LAB 46.25, 79.75, -62.73

 

CMYK 16 / 84 / 0 / 7

HEX #C726EC

RGB 199 38 236

HSL 288.79, 0.84%, 0.54%

LAB 51.36, 82.41, -65.12

 

CMYK 15 / 78 / 0 / 0

HEX #D838FF

RGB 216 56 255

HSL 288.24, 1%, 0.61%

LAB 56.73, 84.08, -66.94

 

CMYK 9 / 71 / 0 / 0

HEX #E94AFF

RGB 233 74 255

HSL 292.71, 1%, 0.65%

LAB 61.17, 81.75, -59.68

 

CMYK 21 / 99 / 0 / 20

HEX #A002CB

RGB 160 2 203

HSL 287.16, 0.98%, 0.4%

LAB 40.94, 76.19, -63.43

 

CMYK 22 / 100 / 0 / 28

HEX #8F00B8

RGB 143 0 184

HSL 286.63, 1%, 0.36%

LAB 36.56, 70.76, -59.55

 

CMYK 24 / 100 / 0 / 35

HEX #7E00A5

RGB 126 0 165

HSL 285.82, 1%, 0.32%

LAB 32.15, 65.01, -55.49

 

CMYK 25 / 100 / 0 / 43

HEX #6D0092

RGB 109 0 146

HSL 284.79, 1%, 0.29%

LAB 27.65, 59.14, -51.35

 

CMYK 28 / 100 / 0 / 50

HEX #5C007F

RGB 92 0 127

HSL 283.46, 1%, 0.25%

LAB 23.02, 53.12, -47.12

 

CMYK 21 / 99 / 0 / 21

HEX #9F02CA

RGB 159 2 202

HSL 287.1, 0.98%, 0.4%

LAB 40.7, 75.88, -63.25

 

CMYK 0 / 99 / 5 / 21

HEX #CA02BF

RGB 202 2 191

HSL 303.3, 0.98%, 0.4%

LAB 47.45, 80.71, -45.6

 

CMYK 0 / 99 / 32 / 21

HEX #CA0289

RGB 202 2 137

HSL 319.5, 0.98%, 0.4%

LAB 44.81, 74.09, -17.5

 

CMYK 0 / 99 / 59 / 21

HEX #CA0253

RGB 202 2 83

HSL 335.7, 0.98%, 0.4%

LAB 43.1, 69.59, 13.6

 

CMYK 0 / 99 / 86 / 21

HEX #CA021D

RGB 202 2 29

HSL 351.9, 0.98%, 0.4%

LAB 42.29, 67.39, 45.09

 

CMYK 21 / 99 / 0 / 21

HEX #9F02CA

RGB 159 2 202

HSL 287.1, 0.98%, 0.4%

LAB 40.7, 75.88, -63.25

 

CMYK 48 / 99 / 0 / 21

HEX #6902CA

RGB 105 2 202

HSL 270.9, 0.98%, 0.4%

LAB 32.5, 69.9, -77.01

 

CMYK 75 / 99 / 0 / 21

HEX #3302CA

RGB 51 2 202

HSL 254.7, 0.98%, 0.4%

LAB 26.77, 66.82, -86.7

 

CMYK 99 / 99 / 0 / 21

HEX #0202CA

RGB 2 2 202

HSL 240, 0.98%, 0.4%

LAB 24.7, 66.03, -90.2

 

CMYK 21 / 99 / 0 / 21

HEX #9F02CA

RGB 159 2 202

HSL 287.1, 0.98%, 0.4%

LAB 40.7, 75.88, -63.25

 

CMYK 21 / 99 / 0 / 21

HEX #9F02CA

RGB 159 2 202

HSL 287.1, 0.98%, 0.4%

LAB 40.7, 75.88, -63.25

 

CMYK 19 / 90 / 0 / 27

HEX #9613B9

RGB 150 19 185

HSL 287.35, 0.81%, 0.4%

LAB 38.64, 69.44, -56.7

 

CMYK 17 / 79 / 0 / 34

HEX #8C23A9

RGB 140 35 169

HSL 287.01, 0.66%, 0.4%

LAB 37.19, 60.89, -49.62

 

CMYK 14 / 66 / 0 / 40

HEX #833498

RGB 131 52 152

HSL 287.4, 0.49%, 0.4%

LAB 37.02, 49.01, -39.72

 

CMYK 11 / 50 / 0 / 47

HEX #794488

RGB 121 68 136

HSL 286.76, 0.33%, 0.4%

LAB 37.8, 34.63, -28.82

 

CMYK 74 / 99 / 0 / 21

HEX #3402CA

RGB 52 2 202

HSL 255, 0.98%, 0.4%

LAB 26.84, 66.85, -86.58

 

CMYK 48 / 99 / 0 / 21

HEX #6902CA

RGB 105 2 202

HSL 270.9, 0.98%, 0.4%

LAB 32.5, 69.9, -77.01

 

CMYK 21 / 99 / 0 / 21

HEX #9F02CA

RGB 159 2 202

HSL 287.1, 0.98%, 0.4%

LAB 40.7, 75.88, -63.25

 

CMYK 0 / 99 / 5 / 21

HEX #CA02C0

RGB 202 2 192

HSL 303, 0.98%, 0.4%

LAB 47.5, 80.85, -46.09

 

CMYK 0 / 99 / 31 / 21

HEX #CA028B

RGB 202 2 139

HSL 318.9, 0.98%, 0.4%

LAB 44.89, 74.3, -18.6

 

CMYK 21 / 99 / 0 / 53

HEX #5F0178

RGB 95 1 120

HSL 287.39, 0.98%, 0.24%

LAB 23.04, 51.96, -42.62

 

CMYK 21 / 99 / 0 / 37

HEX #7F02A1

RGB 127 2 161

HSL 287.17, 0.98%, 0.32%

LAB 32.1, 64.12, -53.15

 

CMYK 21 / 99 / 0 / 21

HEX #9F02CA

RGB 159 2 202

HSL 287.1, 0.98%, 0.4%

LAB 40.7, 75.88, -63.25

 

CMYK 21 / 99 / 0 / 5

HEX #BF02F3

RGB 191 2 243

HSL 287.05, 0.98%, 0.48%

LAB 49, 87.17, -72.96

 

CMYK 19 / 87 / 0 / 1

HEX #CE22FD

RGB 206 34 253

HSL 287.12, 0.98%, 0.56%

LAB 53.34, 87.2, -71.39

 

CMYK 21 / 99 / 0 / 20

HEX #A002CB

RGB 160 2 203

HSL 287.16, 0.98%, 0.4%

LAB 40.94, 76.19, -63.43

 

CMYK 0 / 99 / 98 / 21

HEX #CA0205

RGB 202 2 5

HSL 359.1, 0.98%, 0.4%

LAB 42.17, 67.07, 54.68

 

CMYK 99 / 0 / 61 / 21

HEX #02CA4F

RGB 2 202 79

HSL 143.1, 0.98%, 0.4%

LAB 71.43, -67.3, 48.67

 

CMYK 21 / 99 / 0 / 20

HEX #A002CB

RGB 160 2 203

HSL 287.16, 0.98%, 0.4%

LAB 40.94, 76.19, -63.43

 

CMYK 0 / 21 / 99 / 21

HEX #CA9F02

RGB 202 159 2

HSL 47.1, 0.98%, 0.4%

LAB 67.54, 4.21, 70.88

 

CMYK 99 / 0 / 21 / 21

HEX #02CA9F

RGB 2 202 159

HSL 167.1, 0.98%, 0.4%

LAB 72.73, -52.15, 9.75

 

CMYK 21 / 99 / 0 / 20

HEX #A002CB

RGB 160 2 203

HSL 287.16, 0.98%, 0.4%

LAB 40.94, 76.19, -63.43

 

CMYK 0 / 99 / 98 / 21

HEX #CA0205

RGB 202 2 5

HSL 359.1, 0.98%, 0.4%

LAB 42.17, 67.07, 54.68

 

CMYK 78 / 0 / 99 / 21

HEX #2DCA02

RGB 45 202 2

HSL 107.1, 0.98%, 0.4%

LAB 71.42, -68.83, 70.04

 

CMYK 99 / 0 / 1 / 21

HEX #02CAC7

RGB 2 202 199

HSL 179.1, 0.98%, 0.4%

LAB 73.79, -41.18, -10.36

 

CMYK 21 / 99 / 0 / 20

HEX #A002CB

RGB 160 2 203

HSL 287.16, 0.98%, 0.4%

LAB 40.94, 76.19, -63.43

 

CMYK 0 / 71 / 99 / 21

HEX #CA3B02

RGB 202 59 2

HSL 17.1, 0.98%, 0.4%

LAB 46.56, 54.62, 57.7

 

CMYK 78 / 0 / 99 / 21

HEX #2DCA02

RGB 45 202 2

HSL 107.1, 0.98%, 0.4%

LAB 71.42, -68.83, 70.04

 

CMYK 99 / 28 / 0 / 21

HEX #0291CA

RGB 2 145 202

HSL 197.1, 0.98%, 0.4%

LAB 56.61, -11.62, -38.33

 

Description

Color code: HEX #A002CB | qconv.com Color code: HEX #A002CB | qconv.com - big

Red and blue clearly dominate this hue: the red and blue values are higher than green. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 160 red, 2 green and 203 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
160 2 203 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 21 cyan, 99 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
21% 99% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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