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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FFBC9 it is the complementary color #600436. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FFBC9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FFBC9 shade: #A4FBC4, #B5FFD7, #C6FFEA, #D7FFFD and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FFBC9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FFBC9 shade: #9FFBC9, #8EE9B6, #7DD7A3, #6CC590 and #5BB37D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FFBC9 shade: #9DFBC8, #9DFBAF, #A5FB9D, #BEFB9D and #D7FB9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FFBC9 shade: #9DFBC8, #9DFBE1, #9DFBFB, #9DE2FB and #9DC9FB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FFBC9 shade matches the following richer shades: #9DFBC8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FFBC9 shade: #9DFBC8, #A5F3C9, #AEEAC9, #B6E2CA and #BEDACB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FFBC9 shade: #A5FB9D, #9DFBAE, #9DFBC7, #9DFBE0 and #9DFBF9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FFBC9 shade: #4EF89B, #75F9B2, #9DFBC8, #C5FDDE and #ECFEF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FFBC9 shade: #9FFBC9, #9DBEFB and #FBA29D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FFBC9 shade: #9FFBC9, #C79DFB and #FBC79D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FFBC9 shade: #9FFBC9, #9DBEFB, #FB9DD1 and #FBDA9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FFBC9 shade: #9FFBC9, #9DA2FB, #FB9DD1 and #FBF69D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 20 / 2

HEX #9FFBC9

RGB 159 251 201

HSL 147.39, 0.92%, 0.8%

LAB 91.95, -37.95, 15.42

 

Complementary color

CMYK 0 / 96 / 44 / 62

HEX #600436

RGB 96 4 54

HSL 327.39, 0.92%, 0.2%

LAB 19.39, 41.23, -4.03

 

CMYK 35 / 0 / 22 / 2

HEX #A4FBC4

RGB 164 251 196

HSL 142.07, 0.92%, 0.81%

LAB 92.07, -37.47, 18.21

 

CMYK 29 / 0 / 16 / 0

HEX #B5FFD7

RGB 181 255 215

HSL 147.57, 1%, 0.85%

LAB 94.42, -30.78, 11.88

 

CMYK 22 / 0 / 8 / 0

HEX #C6FFEA

RGB 198 255 234

HSL 157.89, 1%, 0.89%

LAB 95.77, -22.02, 4.18

 

CMYK 16 / 0 / 1 / 0

HEX #D7FFFD

RGB 215 255 253

HSL 177, 1%, 0.92%

LAB 97.25, -13.11, -3.33

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 37 / 0 / 20 / 2

HEX #9FFBC9

RGB 159 251 201

HSL 147.39, 0.92%, 0.8%

LAB 91.95, -37.95, 15.42

 

CMYK 39 / 0 / 22 / 9

HEX #8EE9B6

RGB 142 233 182

HSL 146.37, 0.67%, 0.74%

LAB 85.71, -38.2, 16.37

 

CMYK 42 / 0 / 24 / 16

HEX #7DD7A3

RGB 125 215 163

HSL 145.33, 0.53%, 0.67%

LAB 79.39, -38.44, 17.38

 

CMYK 45 / 0 / 27 / 23

HEX #6CC590

RGB 108 197 144

HSL 144.27, 0.43%, 0.6%

LAB 72.98, -38.68, 18.46

 

CMYK 49 / 0 / 30 / 30

HEX #5BB37D

RGB 91 179 125

HSL 143.18, 0.37%, 0.53%

LAB 66.48, -38.88, 19.62

 

CMYK 37 / 0 / 20 / 2

HEX #9DFBC8

RGB 157 251 200

HSL 147.45, 0.92%, 0.8%

LAB 91.83, -38.7, 15.77

 

CMYK 37 / 0 / 30 / 2

HEX #9DFBAF

RGB 157 251 175

HSL 131.49, 0.92%, 0.8%

LAB 91.35, -43.2, 27.86

 

CMYK 34 / 0 / 37 / 2

HEX #A5FB9D

RGB 165 251 157

HSL 114.89, 0.92%, 0.8%

LAB 91.43, -43.63, 37.05

 

CMYK 24 / 0 / 37 / 2

HEX #BEFB9D

RGB 190 251 157

HSL 98.94, 0.92%, 0.8%

LAB 92.74, -35.5, 39.02

 

CMYK 14 / 0 / 37 / 2

HEX #D7FB9D

RGB 215 251 157

HSL 82.98, 0.92%, 0.8%

LAB 94.26, -26.74, 41.28

 

CMYK 37 / 0 / 20 / 2

HEX #9DFBC8

RGB 157 251 200

HSL 147.45, 0.92%, 0.8%

LAB 91.83, -38.7, 15.77

 

CMYK 37 / 0 / 10 / 2

HEX #9DFBE1

RGB 157 251 225

HSL 163.4, 0.92%, 0.8%

LAB 92.4, -33.62, 3.67

 

CMYK 37 / 0 / 0 / 2

HEX #9DFBFB

RGB 157 251 251

HSL 180, 0.92%, 0.8%

LAB 93.07, -27.78, -8.81

 

CMYK 37 / 10 / 0 / 2

HEX #9DE2FB

RGB 157 226 251

HSL 195.96, 0.92%, 0.8%

LAB 86.27, -15.47, -18.99

 

CMYK 37 / 20 / 0 / 2

HEX #9DC9FB

RGB 157 201 251

HSL 211.91, 0.92%, 0.8%

LAB 79.56, -2.43, -29.2

 

CMYK 37 / 0 / 20 / 2

HEX #9DFBC8

RGB 157 251 200

HSL 147.45, 0.92%, 0.8%

LAB 91.83, -38.7, 15.77

 

CMYK 37 / 0 / 20 / 2

HEX #9DFBC8

RGB 157 251 200

HSL 147.45, 0.92%, 0.8%

LAB 91.83, -38.7, 15.77

 

CMYK 32 / 0 / 17 / 5

HEX #A5F3C9

RGB 165 243 201

HSL 147.69, 0.76%, 0.8%

LAB 90.01, -32.56, 12.72

 

CMYK 26 / 0 / 14 / 8

HEX #AEEAC9

RGB 174 234 201

HSL 147, 0.59%, 0.8%

LAB 88, -25.59, 9.93

 

CMYK 19 / 0 / 11 / 11

HEX #B6E2CA

RGB 182 226 202

HSL 147.27, 0.43%, 0.8%

LAB 86.31, -18.96, 7.04

 

CMYK 13 / 0 / 7 / 15

HEX #BEDACB

RGB 190 218 203

HSL 147.86, 0.27%, 0.8%

LAB 84.69, -12.15, 4.24

 

CMYK 34 / 0 / 37 / 2

HEX #A5FB9D

RGB 165 251 157

HSL 114.89, 0.92%, 0.8%

LAB 91.43, -43.63, 37.05

 

CMYK 37 / 0 / 31 / 2

HEX #9DFBAE

RGB 157 251 174

HSL 130.85, 0.92%, 0.8%

LAB 91.33, -43.37, 28.34

 

CMYK 37 / 0 / 21 / 2

HEX #9DFBC7

RGB 157 251 199

HSL 146.81, 0.92%, 0.8%

LAB 91.81, -38.89, 16.25

 

CMYK 37 / 0 / 11 / 2

HEX #9DFBE0

RGB 157 251 224

HSL 162.77, 0.92%, 0.8%

LAB 92.37, -33.83, 4.15

 

CMYK 37 / 0 / 1 / 2

HEX #9DFBF9

RGB 157 251 249

HSL 178.72, 0.92%, 0.8%

LAB 93.02, -28.25, -7.86

 

CMYK 69 / 0 / 38 / 3

HEX #4EF89B

RGB 78 248 155

HSL 147.18, 0.92%, 0.64%

LAB 87.54, -63.59, 32.37

 

CMYK 53 / 0 / 29 / 2

HEX #75F9B2

RGB 117 249 178

HSL 147.73, 0.92%, 0.72%

LAB 89.27, -52.18, 23.25

 

CMYK 37 / 0 / 20 / 2

HEX #9DFBC8

RGB 157 251 200

HSL 147.45, 0.92%, 0.8%

LAB 91.83, -38.7, 15.77

 

CMYK 22 / 0 / 12 / 1

HEX #C5FDDE

RGB 197 253 222

HSL 146.79, 0.93%, 0.88%

LAB 94.91, -23.65, 9.09

 

CMYK 7 / 0 / 4 / 0

HEX #ECFEF4

RGB 236 254 244

HSL 146.67, 0.9%, 0.96%

LAB 98.13, -7.67, 2.75

 

CMYK 37 / 0 / 20 / 2

HEX #9FFBC9

RGB 159 251 201

HSL 147.39, 0.92%, 0.8%

LAB 91.95, -37.95, 15.42

 

CMYK 37 / 24 / 0 / 2

HEX #9DBEFB

RGB 157 190 251

HSL 218.94, 0.92%, 0.8%

LAB 76.65, 3.53, -33.67

 

CMYK 0 / 35 / 37 / 2

HEX #FBA29D

RGB 251 162 157

HSL 3.19, 0.92%, 0.8%

LAB 75.32, 32.41, 16.37

 

CMYK 37 / 0 / 20 / 2

HEX #9FFBC9

RGB 159 251 201

HSL 147.39, 0.92%, 0.8%

LAB 91.95, -37.95, 15.42

 

CMYK 21 / 37 / 0 / 2

HEX #C79DFB

RGB 199 157 251

HSL 266.81, 0.92%, 0.8%

LAB 71.7, 33.56, -41.1

 

CMYK 0 / 21 / 37 / 2

HEX #FBC79D

RGB 251 199 157

HSL 26.81, 0.92%, 0.8%

LAB 83.86, 13, 28.08

 

CMYK 37 / 0 / 20 / 2

HEX #9FFBC9

RGB 159 251 201

HSL 147.39, 0.92%, 0.8%

LAB 91.95, -37.95, 15.42

 

CMYK 37 / 24 / 0 / 2

HEX #9DBEFB

RGB 157 190 251

HSL 218.94, 0.92%, 0.8%

LAB 76.65, 3.53, -33.67

 

CMYK 0 / 37 / 17 / 2

HEX #FB9DD1

RGB 251 157 209

HSL 326.81, 0.92%, 0.8%

LAB 75.59, 41.96, -11.76

 

CMYK 0 / 13 / 37 / 2

HEX #FBDA9D

RGB 251 218 157

HSL 38.94, 0.92%, 0.8%

LAB 88.49, 3.16, 34.26

 

CMYK 37 / 0 / 20 / 2

HEX #9FFBC9

RGB 159 251 201

HSL 147.39, 0.92%, 0.8%

LAB 91.95, -37.95, 15.42

 

CMYK 37 / 35 / 0 / 2

HEX #9DA2FB

RGB 157 162 251

HSL 236.81, 0.92%, 0.8%

LAB 69.45, 19.16, -44.88

 

CMYK 0 / 37 / 17 / 2

HEX #FB9DD1

RGB 251 157 209

HSL 326.81, 0.92%, 0.8%

LAB 75.59, 41.96, -11.76

 

CMYK 0 / 2 / 37 / 2

HEX #FBF69D

RGB 251 246 157

HSL 56.81, 0.92%, 0.8%

LAB 95.52, -10.93, 43.42

 

Description

Color code: HEX #9FFBC9 | qconv.com Color code: HEX #9FFBC9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 251 green and 201 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 251 201 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 20 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 20% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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