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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FFB6D it is the complementary color #600492. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FFB6D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FFB6D shade: #A4FB68, #B5FF7B, #C6FF8E, #D7FFA1 and #E8FFB4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FFB6D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FFB6D shade: #9FFB6D, #8EE95A, #7DD747, #6CC534 and #5BB321

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FFB6D shade: #A0FB6F, #C6FB6F, #ECFB6F, #FBE56F and #FBBF6F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FFB6D shade: #A0FB6F, #7AFB6F, #6FFB89, #6FFBAF and #6FFBD5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FFB6D shade matches the following richer shades: #A0FB6F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FFB6D shade: #A0FB6F, #A4EF7B, #A7E387, #ABD793 and #AECB9F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FFB6D shade: #EDFB6F, #C8FB6F, #A2FB6F, #7DFB6F and #6FFB86

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FFB6D shade: #6BF91E, #86FA47, #A0FB6F, #BBFC97 and #D5FDBF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FFB6D shade: #9FFB6D, #6FFBE4 and #FB6FDB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FFB6D shade: #9FFB6D, #6FA2FB and #FB6FA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FFB6D shade: #9FFB6D, #6FFBE4, #C86FFB and #FB6F86

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FFB6D shade: #9FFB6D, #6FE9FB, #C86FFB and #FB826F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 37 / 0 / 57 / 2

HEX #9FFB6D

RGB 159 251 109

HSL 98.87, 0.95%, 0.71%

LAB 90.54, -51.44, 58.5

 

Complementary color

CMYK 34 / 97 / 0 / 43

HEX #600492

RGB 96 4 146

HSL 278.87, 0.95%, 0.29%

LAB 25.71, 56.69, -54.6

 

CMYK 35 / 0 / 59 / 2

HEX #A4FB68

RGB 164 251 104

HSL 95.51, 0.95%, 0.7%

LAB 90.73, -50.3, 60.94

 

CMYK 29 / 0 / 52 / 0

HEX #B5FF7B

RGB 181 255 123

HSL 93.64, 1%, 0.74%

LAB 92.92, -44.41, 55.32

 

CMYK 22 / 0 / 44 / 0

HEX #C6FF8E

RGB 198 255 142

HSL 90.27, 1%, 0.78%

LAB 94.09, -36.43, 48.11

 

CMYK 16 / 0 / 37 / 0

HEX #D7FFA1

RGB 215 255 161

HSL 85.53, 1%, 0.82%

LAB 95.39, -28.12, 40.78

 

CMYK 9 / 0 / 29 / 0

HEX #E8FFB4

RGB 232 255 180

HSL 78.4, 1%, 0.85%

LAB 96.81, -19.58, 33.44

 

CMYK 37 / 0 / 57 / 2

HEX #9FFB6D

RGB 159 251 109

HSL 98.87, 0.95%, 0.71%

LAB 90.54, -51.44, 58.5

 

CMYK 39 / 0 / 61 / 9

HEX #8EE95A

RGB 142 233 90

HSL 98.18, 0.76%, 0.63%

LAB 84.36, -51.34, 59.44

 

CMYK 42 / 0 / 67 / 16

HEX #7DD747

RGB 125 215 71

HSL 97.5, 0.64%, 0.56%

LAB 78.12, -51.12, 60.18

 

CMYK 45 / 0 / 74 / 23

HEX #6CC534

RGB 108 197 52

HSL 96.83, 0.58%, 0.49%

LAB 71.8, -50.72, 60.53

 

CMYK 49 / 0 / 82 / 30

HEX #5BB321

RGB 91 179 33

HSL 96.16, 0.69%, 0.42%

LAB 65.42, -50.06, 60.17

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 21 / 0 / 56 / 2

HEX #C6FB6F

RGB 198 251 111

HSL 82.71, 0.95%, 0.71%

LAB 92.64, -37.8, 60.59

 

CMYK 6 / 0 / 56 / 2

HEX #ECFB6F

RGB 236 251 111

HSL 66.43, 0.95%, 0.71%

LAB 95.15, -23.39, 64.11

 

CMYK 0 / 9 / 56 / 2

HEX #FBE56F

RGB 251 229 111

HSL 50.57, 0.95%, 0.71%

LAB 90.64, -6.68, 59.29

 

CMYK 0 / 24 / 56 / 2

HEX #FBBF6F

RGB 251 191 111

HSL 34.29, 0.95%, 0.71%

LAB 81.25, 12.79, 48.24

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 51 / 0 / 56 / 2

HEX #7AFB6F

RGB 122 251 111

HSL 115.29, 0.95%, 0.71%

LAB 89.05, -61.99, 55.5

 

CMYK 56 / 0 / 45 / 2

HEX #6FFB89

RGB 111 251 137

HSL 131.14, 0.95%, 0.71%

LAB 89.01, -61.29, 43.29

 

CMYK 56 / 0 / 30 / 2

HEX #6FFBAF

RGB 111 251 175

HSL 147.43, 0.95%, 0.71%

LAB 89.61, -54.88, 25.21

 

CMYK 56 / 0 / 15 / 2

HEX #6FFBD5

RGB 111 251 213

HSL 163.71, 0.95%, 0.71%

LAB 90.4, -46.93, 6.78

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 31 / 0 / 49 / 6

HEX #A4EF7B

RGB 164 239 123

HSL 98.79, 0.78%, 0.71%

LAB 87.51, -43.21, 48.57

 

CMYK 26 / 0 / 41 / 11

HEX #A7E387

RGB 167 227 135

HSL 99.13, 0.62%, 0.71%

LAB 84.43, -35.34, 38.91

 

CMYK 20 / 0 / 32 / 16

HEX #ABD793

RGB 171 215 147

HSL 98.82, 0.46%, 0.71%

LAB 81.49, -26.64, 29.01

 

CMYK 14 / 0 / 22 / 20

HEX #AECB9F

RGB 174 203 159

HSL 99.55, 0.3%, 0.71%

LAB 78.59, -17.8, 18.79

 

CMYK 6 / 0 / 56 / 2

HEX #EDFB6F

RGB 237 251 111

HSL 66, 0.95%, 0.71%

LAB 95.22, -23, 64.21

 

CMYK 20 / 0 / 56 / 2

HEX #C8FB6F

RGB 200 251 111

HSL 81.86, 0.95%, 0.71%

LAB 92.76, -37.07, 60.76

 

CMYK 35 / 0 / 56 / 2

HEX #A2FB6F

RGB 162 251 111

HSL 98.14, 0.95%, 0.71%

LAB 90.7, -50.27, 57.84

 

CMYK 50 / 0 / 56 / 2

HEX #7DFB6F

RGB 125 251 111

HSL 114, 0.95%, 0.71%

LAB 89.16, -61.21, 55.65

 

CMYK 56 / 0 / 47 / 2

HEX #6FFB86

RGB 111 251 134

HSL 129.86, 0.95%, 0.71%

LAB 88.97, -61.72, 44.68

 

CMYK 57 / 0 / 88 / 2

HEX #6BF91E

RGB 107 249 30

HSL 98.9, 0.95%, 0.55%

LAB 87.47, -70.76, 80.4

 

CMYK 46 / 0 / 72 / 2

HEX #86FA47

RGB 134 250 71

HSL 98.88, 0.95%, 0.63%

LAB 88.87, -61.89, 71.37

 

CMYK 36 / 0 / 56 / 2

HEX #A0FB6F

RGB 160 251 111

HSL 99, 0.95%, 0.71%

LAB 90.6, -50.92, 57.71

 

CMYK 26 / 0 / 40 / 1

HEX #BBFC97

RGB 187 252 151

HSL 98.61, 0.94%, 0.79%

LAB 92.76, -37.76, 41.95

 

CMYK 16 / 0 / 25 / 1

HEX #D5FDBF

RGB 213 253 191

HSL 98.71, 0.94%, 0.87%

LAB 95.23, -23.7, 25.54

 

CMYK 37 / 0 / 57 / 2

HEX #9FFB6D

RGB 159 251 109

HSL 98.87, 0.95%, 0.71%

LAB 90.54, -51.44, 58.5

 

CMYK 56 / 0 / 9 / 2

HEX #6FFBE4

RGB 111 251 228

HSL 170.14, 0.95%, 0.71%

LAB 90.77, -43.41, -0.47

 

CMYK 0 / 56 / 13 / 2

HEX #FB6FDB

RGB 251 111 219

HSL 313.71, 0.95%, 0.71%

LAB 67.27, 65.79, -29.93

 

CMYK 37 / 0 / 57 / 2

HEX #9FFB6D

RGB 159 251 109

HSL 98.87, 0.95%, 0.71%

LAB 90.54, -51.44, 58.5

 

CMYK 56 / 35 / 0 / 2

HEX #6FA2FB

RGB 111 162 251

HSL 218.14, 0.95%, 0.71%

LAB 66.66, 8.42, -49.46

 

CMYK 0 / 56 / 35 / 2

HEX #FB6FA2

RGB 251 111 162

HSL 338.14, 0.95%, 0.71%

LAB 65.35, 58.28, -0.68

 

CMYK 37 / 0 / 57 / 2

HEX #9FFB6D

RGB 159 251 109

HSL 98.87, 0.95%, 0.71%

LAB 90.54, -51.44, 58.5

 

CMYK 56 / 0 / 9 / 2

HEX #6FFBE4

RGB 111 251 228

HSL 170.14, 0.95%, 0.71%

LAB 90.77, -43.41, -0.47

 

CMYK 20 / 56 / 0 / 2

HEX #C86FFB

RGB 200 111 251

HSL 278.14, 0.95%, 0.71%

LAB 62.18, 58.17, -56.12

 

CMYK 0 / 56 / 47 / 2

HEX #FB6F86

RGB 251 111 134

HSL 350.14, 0.95%, 0.71%

LAB 64.64, 55.41, 14.3

 

CMYK 37 / 0 / 57 / 2

HEX #9FFB6D

RGB 159 251 109

HSL 98.87, 0.95%, 0.71%

LAB 90.54, -51.44, 58.5

 

CMYK 56 / 7 / 0 / 2

HEX #6FE9FB

RGB 111 233 251

HSL 187.71, 0.95%, 0.71%

LAB 86.32, -29.2, -19.1

 

CMYK 20 / 56 / 0 / 2

HEX #C86FFB

RGB 200 111 251

HSL 278.14, 0.95%, 0.71%

LAB 62.18, 58.17, -56.12

 

CMYK 0 / 48 / 56 / 2

HEX #FB826F

RGB 251 130 111

HSL 8.14, 0.95%, 0.71%

LAB 67.74, 44.38, 31.39

 

Description

Color code: HEX #9FFB6D | qconv.com Color code: HEX #9FFB6D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 251 green and 109 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 251 109 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 37 cyan, none magenta, 57 yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
37% 0% 57% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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