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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FF78A it is the complementary color #600875. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FF78A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FF78A shade: #A4F785, #B5FF98, #C6FFAB, #D7FFBE and #E8FFD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FF78A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FF78A shade: #9FF78A, #8EE577, #7DD364, #6CC151 and #5BAF3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FF78A shade: #9DF788, #BBF788, #D9F788, #F7F788 and #F7D988

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FF78A shade: #9DF788, #88F790, #88F7AE, #88F7CC and #88F7EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FF78A shade matches the following richer shades: #9DF788

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FF78A shade: #9DF788, #A3EC92, #AAE29C, #B0D8A7 and #B7CDB1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FF78A shade: #D9F788, #BCF788, #9EF788, #88F78F and #88F7AD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FF78A shade: #5EF13B, #7DF461, #9DF788, #BDF9AE and #DCFCD5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FF78A shade: #9FF78A, #88F7F7 and #F788CA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FF78A shade: #9FF78A, #889EF7 and #F7889E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FF78A shade: #9FF78A, #88F7F7, #E188F7 and #F78888

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FF78A shade: #9FF78A, #88D5F7, #E188F7 and #F7A988

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 44 / 3

HEX #9FF78A

RGB 159 247 138

HSL 108.44, 0.87%, 0.75%

LAB 89.73, -46.42, 44.11

 

Complementary color

CMYK 18 / 93 / 0 / 54

HEX #600875

RGB 96 8 117

HSL 288.44, 0.87%, 0.25%

LAB 23.49, 50.02, -39.95

 

CMYK 34 / 0 / 46 / 3

HEX #A4F785

RGB 164 247 133

HSL 103.68, 0.88%, 0.75%

LAB 89.91, -45.47, 46.79

 

CMYK 29 / 0 / 40 / 0

HEX #B5FF98

RGB 181 255 152

HSL 103.11, 1%, 0.8%

LAB 93.28, -40.97, 42.07

 

CMYK 22 / 0 / 33 / 0

HEX #C6FFAB

RGB 198 255 171

HSL 100.71, 1%, 0.84%

LAB 94.51, -32.69, 34.49

 

CMYK 16 / 0 / 25 / 0

HEX #D7FFBE

RGB 215 255 190

HSL 96.92, 1%, 0.87%

LAB 95.87, -24.12, 26.95

 

CMYK 9 / 0 / 18 / 0

HEX #E8FFD1

RGB 232 255 209

HSL 90, 1%, 0.91%

LAB 97.34, -15.38, 19.51

 

CMYK 36 / 0 / 44 / 3

HEX #9FF78A

RGB 159 247 138

HSL 108.44, 0.87%, 0.75%

LAB 89.73, -46.42, 44.11

 

CMYK 38 / 0 / 48 / 10

HEX #8EE577

RGB 142 229 119

HSL 107.45, 0.68%, 0.68%

LAB 83.51, -46.55, 45.3

 

CMYK 41 / 0 / 53 / 17

HEX #7DD364

RGB 125 211 100

HSL 106.49, 0.56%, 0.61%

LAB 77.2, -46.62, 46.49

 

CMYK 44 / 0 / 58 / 24

HEX #6CC151

RGB 108 193 81

HSL 105.54, 0.47%, 0.54%

LAB 70.82, -46.59, 47.63

 

CMYK 48 / 0 / 65 / 31

HEX #5BAF3E

RGB 91 175 62

HSL 104.6, 0.48%, 0.46%

LAB 64.35, -46.41, 48.63

 

CMYK 36 / 0 / 45 / 3

HEX #9DF788

RGB 157 247 136

HSL 108.65, 0.87%, 0.75%

LAB 89.61, -47.31, 44.9

 

CMYK 24 / 0 / 45 / 3

HEX #BBF788

RGB 187 247 136

HSL 92.43, 0.87%, 0.75%

LAB 91.17, -37.37, 47.2

 

CMYK 12 / 0 / 45 / 3

HEX #D9F788

RGB 217 247 136

HSL 76.22, 0.87%, 0.75%

LAB 93.04, -26.51, 49.92

 

CMYK 0 / 0 / 45 / 3

HEX #F7F788

RGB 247 247 136

HSL 60, 0.87%, 0.75%

LAB 95.19, -15.07, 53.05

 

CMYK 0 / 12 / 45 / 3

HEX #F7D988

RGB 247 217 136

HSL 43.78, 0.87%, 0.75%

LAB 87.57, -0.08, 43.6

 

CMYK 36 / 0 / 45 / 3

HEX #9DF788

RGB 157 247 136

HSL 108.65, 0.87%, 0.75%

LAB 89.61, -47.31, 44.9

 

CMYK 45 / 0 / 42 / 3

HEX #88F790

RGB 136 247 144

HSL 124.32, 0.87%, 0.75%

LAB 88.81, -52.37, 39.81

 

CMYK 45 / 0 / 30 / 3

HEX #88F7AE

RGB 136 247 174

HSL 140.54, 0.87%, 0.75%

LAB 89.3, -47.46, 25.44

 

CMYK 45 / 0 / 17 / 3

HEX #88F7CC

RGB 136 247 204

HSL 156.76, 0.87%, 0.75%

LAB 89.91, -41.61, 10.86

 

CMYK 45 / 0 / 5 / 3

HEX #88F7EA

RGB 136 247 234

HSL 172.97, 0.87%, 0.75%

LAB 90.64, -34.92, -3.67

 

CMYK 36 / 0 / 45 / 3

HEX #9DF788

RGB 157 247 136

HSL 108.65, 0.87%, 0.75%

LAB 89.61, -47.31, 44.9

 

CMYK 36 / 0 / 45 / 3

HEX #9DF788

RGB 157 247 136

HSL 108.65, 0.87%, 0.75%

LAB 89.61, -47.31, 44.9

 

CMYK 31 / 0 / 38 / 7

HEX #A3EC92

RGB 163 236 146

HSL 108.67, 0.7%, 0.75%

LAB 86.92, -39.24, 36.61

 

CMYK 25 / 0 / 31 / 11

HEX #AAE29C

RGB 170 226 156

HSL 108, 0.55%, 0.75%

LAB 84.66, -30.85, 28.61

 

CMYK 19 / 0 / 23 / 15

HEX #B0D8A7

RGB 176 216 167

HSL 108.98, 0.39%, 0.75%

LAB 82.45, -22.25, 19.94

 

CMYK 11 / 0 / 14 / 20

HEX #B7CDB1

RGB 183 205 177

HSL 107.14, 0.22%, 0.75%

LAB 80.13, -12.61, 11.45

 

CMYK 12 / 0 / 45 / 3

HEX #D9F788

RGB 217 247 136

HSL 76.22, 0.87%, 0.75%

LAB 93.04, -26.51, 49.92

 

CMYK 24 / 0 / 45 / 3

HEX #BCF788

RGB 188 247 136

HSL 91.89, 0.87%, 0.75%

LAB 91.23, -37.02, 47.28

 

CMYK 36 / 0 / 45 / 3

HEX #9EF788

RGB 158 247 136

HSL 108.11, 0.87%, 0.75%

LAB 89.66, -47, 44.97

 

CMYK 45 / 0 / 42 / 3

HEX #88F78F

RGB 136 247 143

HSL 123.78, 0.87%, 0.75%

LAB 88.8, -52.52, 40.29

 

CMYK 45 / 0 / 30 / 3

HEX #88F7AD

RGB 136 247 173

HSL 140, 0.87%, 0.75%

LAB 89.29, -47.64, 25.92

 

CMYK 61 / 0 / 76 / 5

HEX #5EF13B

RGB 94 241 59

HSL 108.46, 0.87%, 0.59%

LAB 84.8, -69.84, 70.82

 

CMYK 49 / 0 / 60 / 4

HEX #7DF461

RGB 125 244 97

HSL 108.57, 0.87%, 0.67%

LAB 86.96, -60.06, 59.2

 

CMYK 36 / 0 / 45 / 3

HEX #9DF788

RGB 157 247 136

HSL 108.65, 0.87%, 0.75%

LAB 89.61, -47.31, 44.9

 

CMYK 24 / 0 / 30 / 2

HEX #BDF9AE

RGB 189 249 174

HSL 108, 0.86%, 0.83%

LAB 92.41, -32.48, 30.08

 

CMYK 13 / 0 / 15 / 1

HEX #DCFCD5

RGB 220 252 213

HSL 109.23, 0.87%, 0.91%

LAB 95.85, -17.34, 15.25

 

CMYK 36 / 0 / 44 / 3

HEX #9FF78A

RGB 159 247 138

HSL 108.44, 0.87%, 0.75%

LAB 89.73, -46.42, 44.11

 

CMYK 45 / 0 / 0 / 3

HEX #88F7F7

RGB 136 247 247

HSL 180, 0.87%, 0.75%

LAB 90.99, -31.78, -9.91

 

CMYK 0 / 45 / 18 / 3

HEX #F788CA

RGB 247 136 202

HSL 324.32, 0.87%, 0.75%

LAB 70.63, 50.27, -15.4

 

CMYK 36 / 0 / 44 / 3

HEX #9FF78A

RGB 159 247 138

HSL 108.44, 0.87%, 0.75%

LAB 89.73, -46.42, 44.11

 

CMYK 45 / 36 / 0 / 3

HEX #889EF7

RGB 136 158 247

HSL 228.11, 0.87%, 0.75%

LAB 66.83, 15.07, -46.93

 

CMYK 0 / 45 / 36 / 3

HEX #F7889E

RGB 247 136 158

HSL 348.11, 0.87%, 0.75%

LAB 69.36, 44.46, 7.33

 

CMYK 36 / 0 / 44 / 3

HEX #9FF78A

RGB 159 247 138

HSL 108.44, 0.87%, 0.75%

LAB 89.73, -46.42, 44.11

 

CMYK 45 / 0 / 0 / 3

HEX #88F7F7

RGB 136 247 247

HSL 180, 0.87%, 0.75%

LAB 90.99, -31.78, -9.91

 

CMYK 9 / 45 / 0 / 3

HEX #E188F7

RGB 225 136 247

HSL 288.11, 0.87%, 0.75%

LAB 69.7, 51.35, -41.85

 

CMYK 0 / 45 / 45 / 3

HEX #F78888

RGB 247 136 136

HSL 0, 0.87%, 0.75%

LAB 68.87, 42.1, 18.94

 

CMYK 36 / 0 / 44 / 3

HEX #9FF78A

RGB 159 247 138

HSL 108.44, 0.87%, 0.75%

LAB 89.73, -46.42, 44.11

 

CMYK 45 / 14 / 0 / 3

HEX #88D5F7

RGB 136 213 247

HSL 198.38, 0.87%, 0.75%

LAB 81.59, -15.03, -24.07

 

CMYK 9 / 45 / 0 / 3

HEX #E188F7

RGB 225 136 247

HSL 288.11, 0.87%, 0.75%

LAB 69.7, 51.35, -41.85

 

CMYK 0 / 32 / 45 / 3

HEX #F7A988

RGB 247 169 136

HSL 17.84, 0.87%, 0.75%

LAB 76.02, 24.96, 28.63

 

Description

Color code: HEX #9FF78A | qconv.com Color code: HEX #9FF78A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 247 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 247 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 44 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 44% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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