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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FF73E it is the complementary color #6008C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FF73E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FF73E shade: #A4F739, #B5FF4C, #C6FF5F, #D7FF72 and #E8FF85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FF73E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FF73E shade: #9FF73E, #8EE52B, #7DD318, #6CC105 and #5BAF00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FF73E shade: #A0F740, #D1F740, #F7EB40, #F7BA40 and #F78940

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FF73E shade: #A0F740, #6FF740, #40F743, #40F774 and #40F7A5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FF73E shade matches the following richer shades: #A0F740

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FF73E shade: #A0F740, #9FE750, #9ED760, #9EC770 and #9DB780

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FF73E shade: #F7EB40, #D2F740, #A2F740, #71F740 and #40F740

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FF73E shade: #77DB09, #8CF518, #A0F740, #B4F968 and #C7FA8F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FF73E shade: #9FF73E, #40F7BA and #F740EB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FF73E shade: #9FF73E, #40A2F7 and #F740A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FF73E shade: #9FF73E, #40F7BA, #9540F7 and #F7407D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FF73E shade: #9FF73E, #40F7F1, #9540F7 and #F74046

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 0 / 75 / 3

HEX #9FF73E

RGB 159 247 62

HSL 88.54, 0.92%, 0.61%

LAB 89.04, -53.39, 74.83

 

Complementary color

CMYK 50 / 96 / 0 / 24

HEX #6008C1

RGB 96 8 193

HSL 268.54, 0.92%, 0.39%

LAB 30.67, 66.24, -74.81

 

CMYK 34 / 0 / 77 / 3

HEX #A4F739

RGB 164 247 57

HSL 86.21, 0.92%, 0.6%

LAB 89.26, -51.93, 76.62

 

CMYK 29 / 0 / 70 / 0

HEX #B5FF4C

RGB 181 255 76

HSL 84.8, 1%, 0.65%

LAB 92.52, -48.27, 74.01

 

CMYK 22 / 0 / 63 / 0

HEX #C6FF5F

RGB 198 255 95

HSL 81.38, 1%, 0.69%

LAB 93.6, -40.87, 68.35

 

CMYK 16 / 0 / 55 / 0

HEX #D7FF72

RGB 215 255 114

HSL 77.02, 1%, 0.72%

LAB 94.82, -33.06, 62.05

 

CMYK 9 / 0 / 48 / 0

HEX #E8FF85

RGB 232 255 133

HSL 71.31, 1%, 0.76%

LAB 96.15, -24.94, 55.36

 

CMYK 36 / 0 / 75 / 3

HEX #9FF73E

RGB 159 247 62

HSL 88.54, 0.92%, 0.61%

LAB 89.04, -53.39, 74.83

 

CMYK 38 / 0 / 81 / 10

HEX #8EE52B

RGB 142 229 43

HSL 88.06, 0.78%, 0.53%

LAB 82.89, -52.79, 74.2

 

CMYK 41 / 0 / 89 / 17

HEX #7DD318

RGB 125 211 24

HSL 87.59, 0.8%, 0.46%

LAB 76.69, -51.98, 72.59

 

CMYK 44 / 0 / 97 / 24

HEX #6CC105

RGB 108 193 5

HSL 87.13, 0.95%, 0.39%

LAB 70.41, -50.91, 69.68

 

CMYK 48 / 0 / 100 / 31

HEX #5BAF00

RGB 91 175 0

HSL 88.8, 1%, 0.34%

LAB 64.07, -49.49, 64.97

 

CMYK 35 / 0 / 74 / 3

HEX #A0F740

RGB 160 247 64

HSL 88.52, 0.92%, 0.61%

LAB 89.09, -52.94, 74.27

 

CMYK 15 / 0 / 74 / 3

HEX #D1F740

RGB 209 247 64

HSL 72.46, 0.92%, 0.61%

LAB 91.89, -34.96, 77.91

 

CMYK 0 / 5 / 74 / 3

HEX #F7EB40

RGB 247 235 64

HSL 56.07, 0.92%, 0.61%

LAB 91.49, -13.95, 78.54

 

CMYK 0 / 25 / 74 / 3

HEX #F7BA40

RGB 247 186 64

HSL 40, 0.92%, 0.61%

LAB 79.19, 10.95, 66.87

 

CMYK 0 / 45 / 74 / 3

HEX #F78940

RGB 247 137 64

HSL 23.93, 0.92%, 0.61%

LAB 68.05, 36.53, 55.74

 

CMYK 35 / 0 / 74 / 3

HEX #A0F740

RGB 160 247 64

HSL 88.52, 0.92%, 0.61%

LAB 89.09, -52.94, 74.27

 

CMYK 55 / 0 / 74 / 3

HEX #6FF740

RGB 111 247 64

HSL 104.59, 0.92%, 0.61%

LAB 87.13, -67.53, 71.69

 

CMYK 74 / 0 / 73 / 3

HEX #40F743

RGB 64 247 67

HSL 120.98, 0.92%, 0.61%

LAB 86.01, -76.66, 69.21

 

CMYK 74 / 0 / 53 / 3

HEX #40F774

RGB 64 247 116

HSL 137.05, 0.92%, 0.61%

LAB 86.44, -71.52, 49.76

 

CMYK 74 / 0 / 33 / 3

HEX #40F7A5

RGB 64 247 165

HSL 153.11, 0.92%, 0.61%

LAB 87.16, -63.3, 26.76

 

CMYK 35 / 0 / 74 / 3

HEX #A0F740

RGB 160 247 64

HSL 88.52, 0.92%, 0.61%

LAB 89.09, -52.94, 74.27

 

CMYK 35 / 0 / 74 / 3

HEX #A0F740

RGB 160 247 64

HSL 88.52, 0.92%, 0.61%

LAB 89.09, -52.94, 74.27

 

CMYK 31 / 0 / 65 / 9

HEX #9FE750

RGB 159 231 80

HSL 88.61, 0.76%, 0.61%

LAB 84.54, -45.62, 63.94

 

CMYK 27 / 0 / 55 / 16

HEX #9ED760

RGB 158 215 96

HSL 88.74, 0.6%, 0.61%

LAB 80.02, -37.59, 52.09

 

CMYK 21 / 0 / 44 / 22

HEX #9EC770

RGB 158 199 112

HSL 88.28, 0.44%, 0.61%

LAB 75.63, -28.4, 39.1

 

CMYK 14 / 0 / 30 / 28

HEX #9DB780

RGB 157 183 128

HSL 88.36, 0.28%, 0.61%

LAB 71.28, -18.73, 25.12

 

CMYK 0 / 5 / 74 / 3

HEX #F7EB40

RGB 247 235 64

HSL 56.07, 0.92%, 0.61%

LAB 91.49, -13.95, 78.54

 

CMYK 15 / 0 / 74 / 3

HEX #D2F740

RGB 210 247 64

HSL 72.13, 0.92%, 0.61%

LAB 91.95, -34.57, 78

 

CMYK 34 / 0 / 74 / 3

HEX #A2F740

RGB 162 247 64

HSL 87.87, 0.92%, 0.61%

LAB 89.19, -52.26, 74.4

 

CMYK 54 / 0 / 74 / 3

HEX #71F740

RGB 113 247 64

HSL 103.93, 0.92%, 0.61%

LAB 87.19, -67.02, 71.77

 

CMYK 74 / 0 / 74 / 3

HEX #40F740

RGB 64 247 64

HSL 120, 0.92%, 0.61%

LAB 86, -76.88, 70.19

 

CMYK 46 / 0 / 96 / 14

HEX #77DB09

RGB 119 219 9

HSL 88.57, 0.92%, 0.45%

LAB 78.81, -57.3, 76.16

 

CMYK 43 / 0 / 90 / 4

HEX #8CF518

RGB 140 245 24

HSL 88.51, 0.92%, 0.53%

LAB 87.46, -60.23, 81.8

 

CMYK 35 / 0 / 74 / 3

HEX #A0F740

RGB 160 247 64

HSL 88.52, 0.92%, 0.61%

LAB 89.09, -52.94, 74.27

 

CMYK 28 / 0 / 58 / 2

HEX #B4F968

RGB 180 249 104

HSL 88.55, 0.92%, 0.69%

LAB 90.99, -44, 61.45

 

CMYK 20 / 0 / 43 / 2

HEX #C7FA8F

RGB 199 250 143

HSL 88.6, 0.91%, 0.77%

LAB 92.79, -33.69, 46.02

 

CMYK 36 / 0 / 75 / 3

HEX #9FF73E

RGB 159 247 62

HSL 88.54, 0.92%, 0.61%

LAB 89.04, -53.39, 74.83

 

CMYK 74 / 0 / 25 / 3

HEX #40F7BA

RGB 64 247 186

HSL 160, 0.92%, 0.61%

LAB 87.56, -58.9, 16.56

 

CMYK 0 / 74 / 5 / 3

HEX #F740EB

RGB 247 64 235

HSL 303.93, 0.92%, 0.61%

LAB 61.17, 84.51, -48.45

 

CMYK 36 / 0 / 75 / 3

HEX #9FF73E

RGB 159 247 62

HSL 88.54, 0.92%, 0.61%

LAB 89.04, -53.39, 74.83

 

CMYK 74 / 34 / 0 / 3

HEX #40A2F7

RGB 64 162 247

HSL 207.87, 0.92%, 0.61%

LAB 64.68, -0.57, -50.53

 

CMYK 0 / 74 / 34 / 3

HEX #F740A2

RGB 247 64 162

HSL 327.87, 0.92%, 0.61%

LAB 58.08, 75.25, -11.52

 

CMYK 36 / 0 / 75 / 3

HEX #9FF73E

RGB 159 247 62

HSL 88.54, 0.92%, 0.61%

LAB 89.04, -53.39, 74.83

 

CMYK 74 / 0 / 25 / 3

HEX #40F7BA

RGB 64 247 186

HSL 160, 0.92%, 0.61%

LAB 87.56, -58.9, 16.56

 

CMYK 40 / 74 / 0 / 3

HEX #9540F7

RGB 149 64 247

HSL 267.87, 0.92%, 0.61%

LAB 47.97, 68.5, -77.12

 

CMYK 0 / 74 / 49 / 3

HEX #F7407D

RGB 247 64 125

HSL 340, 0.92%, 0.61%

LAB 57, 71.82, 8.68

 

CMYK 36 / 0 / 75 / 3

HEX #9FF73E

RGB 159 247 62

HSL 88.54, 0.92%, 0.61%

LAB 89.04, -53.39, 74.83

 

CMYK 74 / 0 / 2 / 3

HEX #40F7F1

RGB 64 247 241

HSL 178.03, 0.92%, 0.61%

LAB 88.9, -45.21, -10.1

 

CMYK 40 / 74 / 0 / 3

HEX #9540F7

RGB 149 64 247

HSL 267.87, 0.92%, 0.61%

LAB 47.97, 68.5, -77.12

 

CMYK 0 / 74 / 72 / 3

HEX #F74046

RGB 247 64 70

HSL 358.03, 0.92%, 0.61%

LAB 55.97, 68.48, 39.53

 

Description

Color code: HEX #9FF73E | qconv.com Color code: HEX #9FF73E | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 247 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 247 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, none magenta, 75 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 0% 75% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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