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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FF660 it is the complementary color #60099F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FF660. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FF660 shade: #A4F65B, #B5FF6E, #C6FF81, #D7FF94 and #E8FFA7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FF660. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FF660 shade: #9FF660, #8EE44D, #7DD23A, #6CC027 and #5BAE14

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FF660 shade: #9FF660, #C7F660, #F0F660, #F6D360 and #F6AB60

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FF660 shade: #9FF660, #76F660, #60F672, #60F69A and #60F6C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FF660 shade matches the following richer shades: #9FF660

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FF660 shade: #9FF660, #A1E86E, #A3DB7B, #A5CD89 and #A8BF96

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FF660 shade: #F1F660, #C9F660, #A1F660, #79F660 and #60F66F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FF660 shade: #70F112, #87F339, #9FF660, #B6F887 and #CEFAAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FF660 shade: #9FF660, #60F6D3 and #F660DD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FF660 shade: #9FF660, #60A1F6 and #F660A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FF660 shade: #9FF660, #60F6D3, #B560F6 and #F66083

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FF660 shade: #9FF660, #60ECF6, #B560F6 and #F66A60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 0 / 61 / 4

HEX #9FF660

RGB 159 246 96

HSL 94.8, 0.89%, 0.67%

LAB 88.98, -50.6, 62.29

 

Complementary color

CMYK 40 / 94 / 0 / 38

HEX #60099F

RGB 96 9 159

HSL 274.8, 0.89%, 0.33%

LAB 27.26, 58.53, -60.05

 

CMYK 33 / 0 / 63 / 4

HEX #A4F65B

RGB 164 246 91

HSL 91.74, 0.9%, 0.66%

LAB 89.19, -49.35, 64.63

 

CMYK 29 / 0 / 57 / 0

HEX #B5FF6E

RGB 181 255 110

HSL 90.62, 1%, 0.72%

LAB 92.78, -45.69, 60.93

 

CMYK 22 / 0 / 49 / 0

HEX #C6FF81

RGB 198 255 129

HSL 87.14, 1%, 0.75%

LAB 93.93, -37.86, 54.01

 

CMYK 16 / 0 / 42 / 0

HEX #D7FF94

RGB 215 255 148

HSL 82.43, 1%, 0.79%

LAB 95.21, -29.68, 46.87

 

CMYK 9 / 0 / 35 / 0

HEX #E8FFA7

RGB 232 255 167

HSL 75.68, 1%, 0.83%

LAB 96.6, -21.24, 39.63

 

CMYK 35 / 0 / 61 / 4

HEX #9FF660

RGB 159 246 96

HSL 94.8, 0.89%, 0.67%

LAB 88.98, -50.6, 62.29

 

CMYK 38 / 0 / 66 / 11

HEX #8EE44D

RGB 142 228 77

HSL 94.17, 0.74%, 0.6%

LAB 82.79, -50.39, 63.01

 

CMYK 40 / 0 / 72 / 18

HEX #7DD23A

RGB 125 210 58

HSL 93.55, 0.63%, 0.53%

LAB 76.53, -50.04, 63.38

 

CMYK 44 / 0 / 80 / 25

HEX #6CC027

RGB 108 192 39

HSL 92.94, 0.66%, 0.45%

LAB 70.2, -49.49, 63.14

 

CMYK 48 / 0 / 89 / 32

HEX #5BAE14

RGB 91 174 20

HSL 92.34, 0.79%, 0.38%

LAB 63.79, -48.65, 61.84

 

CMYK 35 / 0 / 61 / 4

HEX #9FF660

RGB 159 246 96

HSL 94.8, 0.89%, 0.67%

LAB 88.98, -50.6, 62.29

 

CMYK 19 / 0 / 61 / 4

HEX #C7F660

RGB 199 246 96

HSL 78.8, 0.89%, 0.67%

LAB 91.19, -36.41, 65.34

 

CMYK 2 / 0 / 61 / 4

HEX #F0F660

RGB 240 246 96

HSL 62.4, 0.89%, 0.67%

LAB 94, -20.48, 69.21

 

CMYK 0 / 14 / 61 / 4

HEX #F6D360

RGB 246 211 96

HSL 46, 0.89%, 0.67%

LAB 85.52, -0.68, 60.1

 

CMYK 0 / 30 / 61 / 4

HEX #F6AB60

RGB 246 171 96

HSL 30, 0.89%, 0.67%

LAB 75.8, 20.16, 49.02

 

CMYK 35 / 0 / 61 / 4

HEX #9FF660

RGB 159 246 96

HSL 94.8, 0.89%, 0.67%

LAB 88.98, -50.6, 62.29

 

CMYK 52 / 0 / 61 / 4

HEX #76F660

RGB 118 246 96

HSL 111.2, 0.89%, 0.67%

LAB 87.29, -62.77, 59.93

 

CMYK 61 / 0 / 54 / 4

HEX #60F672

RGB 96 246 114

HSL 127.2, 0.89%, 0.67%

LAB 86.81, -65.9, 51.29

 

CMYK 61 / 0 / 37 / 4

HEX #60F69A

RGB 96 246 154

HSL 143.2, 0.89%, 0.67%

LAB 87.35, -59.84, 32.69

 

CMYK 61 / 0 / 21 / 4

HEX #60F6C3

RGB 96 246 195

HSL 159.6, 0.89%, 0.67%

LAB 88.13, -51.7, 12.81

 

CMYK 35 / 0 / 61 / 4

HEX #9FF660

RGB 159 246 96

HSL 94.8, 0.89%, 0.67%

LAB 88.98, -50.6, 62.29

 

CMYK 35 / 0 / 61 / 4

HEX #9FF660

RGB 159 246 96

HSL 94.8, 0.89%, 0.67%

LAB 88.98, -50.6, 62.29

 

CMYK 31 / 0 / 53 / 9

HEX #A1E86E

RGB 161 232 110

HSL 94.92, 0.73%, 0.67%

LAB 85.21, -42.63, 51.82

 

CMYK 26 / 0 / 44 / 14

HEX #A3DB7B

RGB 163 219 123

HSL 95, 0.57%, 0.67%

LAB 81.77, -34.61, 41.43

 

CMYK 20 / 0 / 33 / 20

HEX #A5CD89

RGB 165 205 137

HSL 95.29, 0.4%, 0.67%

LAB 78.15, -25.4, 29.66

 

CMYK 12 / 0 / 21 / 25

HEX #A8BF96

RGB 168 191 150

HSL 93.66, 0.24%, 0.67%

LAB 74.69, -15.33, 18.13

 

CMYK 2 / 0 / 61 / 4

HEX #F1F660

RGB 241 246 96

HSL 62, 0.89%, 0.67%

LAB 94.08, -20.08, 69.31

 

CMYK 18 / 0 / 61 / 4

HEX #C9F660

RGB 201 246 96

HSL 78, 0.89%, 0.67%

LAB 91.31, -35.66, 65.51

 

CMYK 35 / 0 / 61 / 4

HEX #A1F660

RGB 161 246 96

HSL 94, 0.89%, 0.67%

LAB 89.08, -49.94, 62.42

 

CMYK 51 / 0 / 61 / 4

HEX #79F660

RGB 121 246 96

HSL 110, 0.89%, 0.67%

LAB 87.4, -61.99, 60.08

 

CMYK 61 / 0 / 55 / 4

HEX #60F66F

RGB 96 246 111

HSL 126, 0.89%, 0.67%

LAB 86.77, -66.28, 52.61

 

CMYK 54 / 0 / 93 / 5

HEX #70F112

RGB 112 241 18

HSL 94.71, 0.89%, 0.51%

LAB 85.2, -67.07, 80.29

 

CMYK 44 / 0 / 77 / 5

HEX #87F339

RGB 135 243 57

HSL 94.84, 0.89%, 0.59%

LAB 86.77, -59.81, 73.81

 

CMYK 35 / 0 / 61 / 4

HEX #9FF660

RGB 159 246 96

HSL 94.8, 0.89%, 0.67%

LAB 88.98, -50.6, 62.29

 

CMYK 27 / 0 / 46 / 3

HEX #B6F887

RGB 182 248 135

HSL 95.04, 0.89%, 0.75%

LAB 91.16, -39.67, 47.59

 

CMYK 18 / 0 / 30 / 2

HEX #CEFAAE

RGB 206 250 174

HSL 94.74, 0.88%, 0.83%

LAB 93.69, -27.19, 31.97

 

CMYK 35 / 0 / 61 / 4

HEX #9FF660

RGB 159 246 96

HSL 94.8, 0.89%, 0.67%

LAB 88.98, -50.6, 62.29

 

CMYK 61 / 0 / 14 / 4

HEX #60F6D3

RGB 96 246 211

HSL 166, 0.89%, 0.67%

LAB 88.5, -48.04, 5.02

 

CMYK 0 / 61 / 10 / 4

HEX #F660DD

RGB 246 96 221

HSL 310, 0.89%, 0.67%

LAB 64.31, 71.12, -35.7

 

CMYK 35 / 0 / 61 / 4

HEX #9FF660

RGB 159 246 96

HSL 94.8, 0.89%, 0.67%

LAB 88.98, -50.6, 62.29

 

CMYK 61 / 35 / 0 / 4

HEX #60A1F6

RGB 96 161 246

HSL 214, 0.89%, 0.67%

LAB 65.46, 4.52, -48.68

 

CMYK 0 / 61 / 35 / 4

HEX #F660A1

RGB 246 96 161

HSL 334, 0.89%, 0.67%

LAB 62.11, 63.2, -4.95

 

CMYK 35 / 0 / 61 / 4

HEX #9FF660

RGB 159 246 96

HSL 94.8, 0.89%, 0.67%

LAB 88.98, -50.6, 62.29

 

CMYK 61 / 0 / 14 / 4

HEX #60F6D3

RGB 96 246 211

HSL 166, 0.89%, 0.67%

LAB 88.5, -48.04, 5.02

 

CMYK 26 / 61 / 0 / 4

HEX #B560F6

RGB 181 96 246

HSL 274, 0.89%, 0.67%

LAB 56.92, 59.98, -61.89

 

CMYK 0 / 61 / 47 / 4

HEX #F66083

RGB 246 96 131

HSL 346, 0.89%, 0.67%

LAB 61.31, 60.16, 11.23

 

CMYK 35 / 0 / 61 / 4

HEX #9FF660

RGB 159 246 96

HSL 94.8, 0.89%, 0.67%

LAB 88.98, -50.6, 62.29

 

CMYK 61 / 4 / 0 / 4

HEX #60ECF6

RGB 96 236 246

HSL 184, 0.89%, 0.67%

LAB 86.57, -34.61, -16.14

 

CMYK 26 / 61 / 0 / 4

HEX #B560F6

RGB 181 96 246

HSL 274, 0.89%, 0.67%

LAB 56.92, 59.98, -61.89

 

CMYK 0 / 57 / 61 / 4

HEX #F66A60

RGB 246 106 96

HSL 4, 0.89%, 0.67%

LAB 62.29, 53.01, 32.58

 

Description

Color code: HEX #9FF660 | qconv.com Color code: HEX #9FF660 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 246 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 246 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, none magenta, 61 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 0% 61% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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