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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FEF95 it is the complementary color #60106A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FEF95. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FEF95 shade: #A4EF90, #B5FFA3, #C6FFB6, #D7FFC9 and #E8FFDC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FEF95. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FEF95 shade: #9FEF95, #8EDD82, #7DCB6F, #6CB95C and #5BA749

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FEF95 shade: #9FEF95, #B7EF95, #CFEF95, #E8EF95 and #EFDE95

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FEF95 shade: #9FEF95, #95EFA3, #95EFBB, #95EFD4 and #95EFEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FEF95 shade matches the following richer shades: #9FEF95 and #97F98B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FEF95 shade: #9FEF95, #A6E59E, #AEDBA8, #B6D1B2 and #BDC7BC

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FEF95 shade: #CFEF95, #B7EF95, #9FEF95, #95EFA2 and #95EFBA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FEF95 shade: #5EE44D, #7EEA71, #9FEF95, #BFF4B8 and #E0FADC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FEF95 shade: #9FEF95, #95E8EF and #EF95C3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FEF95 shade: #9FEF95, #959FEF and #EF959F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FEF95 shade: #9FEF95, #95E8EF, #E595EF and #EF9C95

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FEF95 shade: #9FEF95, #95CCEF, #E595EF and #EFB795

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

Complementary color

CMYK 9 / 85 / 0 / 58

HEX #60106A

RGB 96 16 106

HSL 293.33, 0.74%, 0.24%

LAB 23.33, 45.98, -33.1

 

CMYK 31 / 0 / 40 / 6

HEX #A4EF90

RGB 164 239 144

HSL 107.37, 0.75%, 0.75%

LAB 87.79, -40.53, 38.75

 

CMYK 29 / 0 / 36 / 0

HEX #B5FFA3

RGB 181 255 163

HSL 108.26, 1%, 0.82%

LAB 93.45, -39.46, 36.88

 

CMYK 22 / 0 / 29 / 0

HEX #C6FFB6

RGB 198 255 182

HSL 106.85, 1%, 0.86%

LAB 94.7, -31.07, 29.22

 

CMYK 16 / 0 / 21 / 0

HEX #D7FFC9

RGB 215 255 201

HSL 104.44, 1%, 0.89%

LAB 96.07, -22.42, 21.65

 

CMYK 9 / 0 / 14 / 0

HEX #E8FFDC

RGB 232 255 220

HSL 99.43, 1%, 0.93%

LAB 97.57, -13.62, 14.21

 

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

CMYK 36 / 0 / 41 / 13

HEX #8EDD82

RGB 142 221 130

HSL 112.09, 0.57%, 0.69%

LAB 81.33, -41.62, 37.16

 

CMYK 38 / 0 / 45 / 20

HEX #7DCB6F

RGB 125 203 111

HSL 110.87, 0.47%, 0.62%

LAB 74.96, -41.79, 38.38

 

CMYK 42 / 0 / 50 / 27

HEX #6CB95C

RGB 108 185 92

HSL 109.68, 0.4%, 0.54%

LAB 68.5, -41.91, 39.62

 

CMYK 46 / 0 / 56 / 35

HEX #5BA749

RGB 91 167 73

HSL 108.51, 0.39%, 0.47%

LAB 61.95, -41.92, 40.85

 

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

CMYK 23 / 0 / 38 / 6

HEX #B7EF95

RGB 183 239 149

HSL 97.33, 0.74%, 0.76%

LAB 88.91, -33.48, 37.91

 

CMYK 13 / 0 / 38 / 6

HEX #CFEF95

RGB 207 239 149

HSL 81.33, 0.74%, 0.76%

LAB 90.4, -24.93, 40.14

 

CMYK 3 / 0 / 38 / 6

HEX #E8EF95

RGB 232 239 149

HSL 64.67, 0.74%, 0.76%

LAB 92.16, -15.59, 42.75

 

CMYK 0 / 7 / 38 / 6

HEX #EFDE95

RGB 239 222 149

HSL 48.67, 0.74%, 0.76%

LAB 88.33, -4.41, 37.92

 

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

CMYK 38 / 0 / 32 / 6

HEX #95EFA3

RGB 149 239 163

HSL 129.33, 0.74%, 0.76%

LAB 87.37, -42.29, 28.5

 

CMYK 38 / 0 / 22 / 6

HEX #95EFBB

RGB 149 239 187

HSL 145.33, 0.74%, 0.76%

LAB 87.83, -38, 16.79

 

CMYK 38 / 0 / 11 / 6

HEX #95EFD4

RGB 149 239 212

HSL 162, 0.74%, 0.76%

LAB 88.39, -32.93, 4.58

 

CMYK 38 / 0 / 1 / 6

HEX #95EFEC

RGB 149 239 236

HSL 178, 0.74%, 0.76%

LAB 89.01, -27.54, -7.06

 

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

CMYK 39 / 0 / 44 / 2

HEX #97F98B

RGB 151 249 139

HSL 113.45, 0.9%, 0.76%

LAB 89.95, -49.59, 43.83

 

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

CMYK 28 / 0 / 31 / 10

HEX #A6E59E

RGB 166 229 158

HSL 113.24, 0.58%, 0.76%

LAB 85.31, -33.27, 28.42

 

CMYK 21 / 0 / 23 / 14

HEX #AEDBA8

RGB 174 219 168

HSL 112.94, 0.41%, 0.76%

LAB 83.17, -24.23, 20.4

 

CMYK 13 / 0 / 15 / 18

HEX #B6D1B2

RGB 182 209 178

HSL 112.26, 0.25%, 0.76%

LAB 81.16, -14.82, 12.38

 

CMYK 5 / 0 / 6 / 22

HEX #BDC7BC

RGB 189 199 188

HSL 114.55, 0.09%, 0.76%

LAB 79.21, -5.46, 4.31

 

CMYK 13 / 0 / 38 / 6

HEX #CFEF95

RGB 207 239 149

HSL 81.33, 0.74%, 0.76%

LAB 90.4, -24.93, 40.14

 

CMYK 23 / 0 / 38 / 6

HEX #B7EF95

RGB 183 239 149

HSL 97.33, 0.74%, 0.76%

LAB 88.91, -33.48, 37.91

 

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

CMYK 38 / 0 / 32 / 6

HEX #95EFA2

RGB 149 239 162

HSL 128.67, 0.74%, 0.76%

LAB 87.35, -42.45, 28.99

 

CMYK 38 / 0 / 22 / 6

HEX #95EFBA

RGB 149 239 186

HSL 144.67, 0.74%, 0.76%

LAB 87.81, -38.19, 17.28

 

CMYK 59 / 0 / 66 / 11

HEX #5EE44D

RGB 94 228 77

HSL 113.25, 0.74%, 0.6%

LAB 80.96, -64.05, 60.51

 

CMYK 46 / 0 / 52 / 8

HEX #7EEA71

RGB 126 234 113

HSL 113.55, 0.74%, 0.68%

LAB 84.21, -54.13, 48.85

 

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

CMYK 22 / 0 / 25 / 4

HEX #BFF4B8

RGB 191 244 184

HSL 113, 0.73%, 0.84%

LAB 91.34, -27.91, 23.56

 

CMYK 10 / 0 / 12 / 2

HEX #E0FADC

RGB 224 250 220

HSL 112, 0.75%, 0.92%

LAB 95.74, -13.84, 11.54

 

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

CMYK 38 / 3 / 0 / 6

HEX #95E8EF

RGB 149 232 239

HSL 184.67, 0.74%, 0.76%

LAB 87.16, -23.43, -11.38

 

CMYK 0 / 38 / 18 / 6

HEX #EF95C3

RGB 239 149 195

HSL 329.33, 0.74%, 0.76%

LAB 72.09, 39.97, -9.43

 

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

CMYK 38 / 33 / 0 / 6

HEX #959FEF

RGB 149 159 239

HSL 233.33, 0.74%, 0.76%

LAB 67.59, 15.56, -41.29

 

CMYK 0 / 38 / 33 / 6

HEX #EF959F

RGB 239 149 159

HSL 353.33, 0.74%, 0.76%

LAB 71.11, 35.03, 9.13

 

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

CMYK 38 / 3 / 0 / 6

HEX #95E8EF

RGB 149 232 239

HSL 184.67, 0.74%, 0.76%

LAB 87.16, -23.43, -11.38

 

CMYK 4 / 38 / 0 / 6

HEX #E595EF

RGB 229 149 239

HSL 293.33, 0.74%, 0.76%

LAB 72.49, 44.25, -33.13

 

CMYK 0 / 35 / 38 / 6

HEX #EF9C95

RGB 239 156 149

HSL 4.67, 0.74%, 0.76%

LAB 72.43, 30.16, 16.51

 

CMYK 33 / 0 / 38 / 6

HEX #9FEF95

RGB 159 239 149

HSL 113.33, 0.74%, 0.76%

LAB 87.62, -41.42, 35.98

 

CMYK 38 / 15 / 0 / 6

HEX #95CCEF

RGB 149 204 239

HSL 203.33, 0.74%, 0.76%

LAB 79.5, -9.2, -22.91

 

CMYK 4 / 38 / 0 / 6

HEX #E595EF

RGB 229 149 239

HSL 293.33, 0.74%, 0.76%

LAB 72.49, 44.25, -33.13

 

CMYK 0 / 23 / 38 / 6

HEX #EFB795

RGB 239 183 149

HSL 22.67, 0.74%, 0.76%

LAB 78.69, 15.85, 25.12

 

Description

Color code: HEX #9FEF95 | qconv.com Color code: HEX #9FEF95 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 239 green and 149 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 239 149 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 38 yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 38% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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