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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FEEE8 it is the complementary color #601117. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FEEE8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FEEE8 shade: #A4EEE3, #B5FFF6, #C6FFFF, #D7FFFF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FEEE8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FEEE8 shade: #9FEEE8, #8EDCD5, #7DCAC2, #6CB8AF and #5BA69C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FEEE8 shade: #A0EEE8, #A0EED3, #A0EEBE, #A0EEA9 and #ACEEA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FEEE8 shade: #A0EEE8, #A0DFEE, #A0CAEE, #A0B5EE and #A0A0EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FEEE8 shade matches the following richer shades: #A0EEE8 and #97F7F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FEEE8 shade: #A0EEE8, #A9E5E1, #B2DCD9, #BBD3D1 and #C4CAC9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FEEE8 shade: #A0EEBE, #A0EED3, #A0EEE8, #A0E0EE and #A0CBEE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FEEE8 shade: #59E2D7, #7DE8E0, #A0EEE8, #C3F4F1 and #E6FBF9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FEEE8 shade: #9FEEE8, #A9A0EE and #EEC8A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FEEE8 shade: #9FEEE8, #E8A0EE and #EEE8A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FEEE8 shade: #9FEEE8, #A9A0EE, #EEA0A6 and #E5EEA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FEEE8 shade: #9FEEE8, #C0A0EE, #EEA0A6 and #CDEEA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 3 / 7

HEX #9FEEE8

RGB 159 238 232

HSL 175.44, 0.7%, 0.78%

LAB 89.09, -25.38, -4.8

 

Complementary color

CMYK 0 / 82 / 76 / 62

HEX #601117

RGB 96 17 23

HSL 355.44, 0.7%, 0.22%

LAB 19.84, 35.07, 18.47

 

CMYK 31 / 0 / 5 / 7

HEX #A4EEE3

RGB 164 238 227

HSL 171.08, 0.69%, 0.79%

LAB 89.2, -25.13, -1.99

 

CMYK 29 / 0 / 4 / 0

HEX #B5FFF6

RGB 181 255 246

HSL 172.7, 1%, 0.85%

LAB 95.16, -24.51, -3.02

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 33 / 0 / 3 / 7

HEX #9FEEE8

RGB 159 238 232

HSL 175.44, 0.7%, 0.78%

LAB 89.09, -25.38, -4.8

 

CMYK 35 / 0 / 3 / 14

HEX #8EDCD5

RGB 142 220 213

HSL 174.62, 0.53%, 0.71%

LAB 82.78, -25.5, -4.18

 

CMYK 38 / 0 / 4 / 21

HEX #7DCAC2

RGB 125 202 194

HSL 173.77, 0.42%, 0.64%

LAB 76.37, -25.61, -3.52

 

CMYK 41 / 0 / 5 / 28

HEX #6CB8AF

RGB 108 184 175

HSL 172.89, 0.35%, 0.57%

LAB 69.87, -25.72, -2.83

 

CMYK 45 / 0 / 6 / 35

HEX #5BA69C

RGB 91 166 156

HSL 172, 0.3%, 0.5%

LAB 63.26, -25.81, -2.09

 

CMYK 33 / 0 / 3 / 7

HEX #A0EEE8

RGB 160 238 232

HSL 175.38, 0.7%, 0.78%

LAB 89.13, -25.11, -4.73

 

CMYK 33 / 0 / 11 / 7

HEX #A0EED3

RGB 160 238 211

HSL 159.23, 0.7%, 0.78%

LAB 88.6, -29.65, 5.48

 

CMYK 33 / 0 / 20 / 7

HEX #A0EEBE

RGB 160 238 190

HSL 143.08, 0.7%, 0.78%

LAB 88.13, -33.8, 15.74

 

CMYK 33 / 0 / 29 / 7

HEX #A0EEA9

RGB 160 238 169

HSL 126.92, 0.7%, 0.78%

LAB 87.72, -37.52, 26

 

CMYK 28 / 0 / 33 / 7

HEX #ACEEA0

RGB 172 238 160

HSL 110.77, 0.7%, 0.78%

LAB 88.19, -35.14, 31.32

 

CMYK 33 / 0 / 3 / 7

HEX #A0EEE8

RGB 160 238 232

HSL 175.38, 0.7%, 0.78%

LAB 89.13, -25.11, -4.73

 

CMYK 33 / 6 / 0 / 7

HEX #A0DFEE

RGB 160 223 238

HSL 191.54, 0.7%, 0.78%

LAB 85.21, -16.3, -13.71

 

CMYK 33 / 15 / 0 / 7

HEX #A0CAEE

RGB 160 202 238

HSL 207.69, 0.7%, 0.78%

LAB 79.55, -5.42, -22.25

 

CMYK 33 / 24 / 0 / 7

HEX #A0B5EE

RGB 160 181 238

HSL 223.85, 0.7%, 0.78%

LAB 73.99, 5.95, -30.75

 

CMYK 33 / 33 / 0 / 7

HEX #A0A0EE

RGB 160 160 238

HSL 240, 0.7%, 0.78%

LAB 68.6, 17.7, -39.11

 

CMYK 33 / 0 / 3 / 7

HEX #A0EEE8

RGB 160 238 232

HSL 175.38, 0.7%, 0.78%

LAB 89.13, -25.11, -4.73

 

CMYK 39 / 0 / 3 / 3

HEX #97F7F0

RGB 151 247 240

HSL 175.63, 0.86%, 0.78%

LAB 91.41, -29.93, -5.59

 

CMYK 33 / 0 / 3 / 7

HEX #A0EEE8

RGB 160 238 232

HSL 175.38, 0.7%, 0.78%

LAB 89.13, -25.11, -4.73

 

CMYK 26 / 0 / 2 / 10

HEX #A9E5E1

RGB 169 229 225

HSL 176, 0.54%, 0.78%

LAB 86.95, -19.73, -4.22

 

CMYK 19 / 0 / 1 / 14

HEX #B2DCD9

RGB 178 220 217

HSL 175.71, 0.38%, 0.78%

LAB 84.82, -14.23, -3.07

 

CMYK 11 / 0 / 1 / 17

HEX #BBD3D1

RGB 187 211 209

HSL 175, 0.21%, 0.78%

LAB 82.78, -8.39, -1.74

 

CMYK 3 / 0 / 0 / 21

HEX #C4CAC9

RGB 196 202 201

HSL 170, 0.05%, 0.78%

LAB 80.85, -2.23, -0.23

 

CMYK 33 / 0 / 20 / 7

HEX #A0EEBE

RGB 160 238 190

HSL 143.08, 0.7%, 0.78%

LAB 88.13, -33.8, 15.74

 

CMYK 33 / 0 / 11 / 7

HEX #A0EED3

RGB 160 238 211

HSL 159.23, 0.7%, 0.78%

LAB 88.6, -29.65, 5.48

 

CMYK 33 / 0 / 3 / 7

HEX #A0EEE8

RGB 160 238 232

HSL 175.38, 0.7%, 0.78%

LAB 89.13, -25.11, -4.73

 

CMYK 33 / 6 / 0 / 7

HEX #A0E0EE

RGB 160 224 238

HSL 190.77, 0.7%, 0.78%

LAB 85.48, -16.8, -13.3

 

CMYK 33 / 15 / 0 / 7

HEX #A0CBEE

RGB 160 203 238

HSL 206.92, 0.7%, 0.78%

LAB 79.82, -5.95, -21.84

 

CMYK 61 / 0 / 5 / 11

HEX #59E2D7

RGB 89 226 215

HSL 175.18, 0.7%, 0.62%

LAB 82.61, -39.46, -5.71

 

CMYK 46 / 0 / 3 / 9

HEX #7DE8E0

RGB 125 232 224

HSL 175.51, 0.7%, 0.7%

LAB 85.73, -32.82, -5.72

 

CMYK 33 / 0 / 3 / 7

HEX #A0EEE8

RGB 160 238 232

HSL 175.38, 0.7%, 0.78%

LAB 89.13, -25.11, -4.73

 

CMYK 20 / 0 / 1 / 4

HEX #C3F4F1

RGB 195 244 241

HSL 176.33, 0.69%, 0.86%

LAB 92.86, -16.13, -3.71

 

CMYK 8 / 0 / 1 / 2

HEX #E6FBF9

RGB 230 251 249

HSL 174.29, 0.72%, 0.94%

LAB 97.09, -7.19, -1.39

 

CMYK 33 / 0 / 3 / 7

HEX #9FEEE8

RGB 159 238 232

HSL 175.44, 0.7%, 0.78%

LAB 89.09, -25.38, -4.8

 

CMYK 29 / 33 / 0 / 7

HEX #A9A0EE

RGB 169 160 238

HSL 246.92, 0.7%, 0.78%

LAB 69.29, 20.22, -37.98

 

CMYK 0 / 16 / 33 / 7

HEX #EEC8A0

RGB 238 200 160

HSL 30.77, 0.7%, 0.78%

LAB 82.93, 7.83, 25.03

 

CMYK 33 / 0 / 3 / 7

HEX #9FEEE8

RGB 159 238 232

HSL 175.44, 0.7%, 0.78%

LAB 89.09, -25.38, -4.8

 

CMYK 3 / 33 / 0 / 7

HEX #E8A0EE

RGB 232 160 238

HSL 295.38, 0.7%, 0.78%

LAB 75.12, 39.19, -28.49

 

CMYK 0 / 3 / 33 / 7

HEX #EEE8A0

RGB 238 232 160

HSL 55.38, 0.7%, 0.78%

LAB 90.98, -8.58, 35.82

 

CMYK 33 / 0 / 3 / 7

HEX #9FEEE8

RGB 159 238 232

HSL 175.44, 0.7%, 0.78%

LAB 89.09, -25.38, -4.8

 

CMYK 29 / 33 / 0 / 7

HEX #A9A0EE

RGB 169 160 238

HSL 246.92, 0.7%, 0.78%

LAB 69.29, 20.22, -37.98

 

CMYK 0 / 33 / 30 / 7

HEX #EEA0A6

RGB 238 160 166

HSL 355.38, 0.7%, 0.78%

LAB 73.59, 29.76, 8.78

 

CMYK 4 / 0 / 33 / 7

HEX #E5EEA0

RGB 229 238 160

HSL 66.92, 0.7%, 0.78%

LAB 91.84, -14.95, 36.83

 

CMYK 33 / 0 / 3 / 7

HEX #9FEEE8

RGB 159 238 232

HSL 175.44, 0.7%, 0.78%

LAB 89.09, -25.38, -4.8

 

CMYK 19 / 33 / 0 / 7

HEX #C0A0EE

RGB 192 160 238

HSL 264.62, 0.7%, 0.78%

LAB 71.23, 26.94, -34.82

 

CMYK 0 / 33 / 30 / 7

HEX #EEA0A6

RGB 238 160 166

HSL 355.38, 0.7%, 0.78%

LAB 73.59, 29.76, 8.78

 

CMYK 14 / 0 / 33 / 7

HEX #CDEEA0

RGB 205 238 160

HSL 85.38, 0.7%, 0.78%

LAB 90.17, -23.76, 34.31

 

Description

Color code: HEX #9FEEE8 | qconv.com Color code: HEX #9FEEE8 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 238 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 238 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 3 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 3% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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