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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FEDD4 it is the complementary color #60122B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FEDD4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FEDD4 shade: #A4EDCF, #B5FFE2, #C6FFF5, #D7FFFF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FEDD4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FEDD4 shade: #9FEDD4, #8EDBC1, #7DC9AE, #6CB79B and #5BA588

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FEDD4 shade: #A1EDD5, #A1EDC0, #A1EDAB, #ABEDA1 and #BFEDA1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FEDD4 shade: #A1EDD5, #A1EDE9, #A1DCED, #A1C8ED and #A1B3ED

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FEDD4 shade matches the following richer shades: #A1EDD5 and #98F6D8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FEDD4 shade: #A1EDD5, #AAE4D1, #B3DBCE, #BCD2CB and #C5C9C8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FEDD4 shade: #A1EDAB, #A1EDBF, #A1EDD4, #A1EDE8 and #A1DEED

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FEDD4 shade: #5BE0B5, #7EE6C5, #A1EDD5, #C3F4E4 and #E6FAF4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FEDD4 shade: #9FEDD4, #A1ABED and #EDB5A1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FEDD4 shade: #9FEDD4, #D4A1ED and #EDD4A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FEDD4 shade: #9FEDD4, #A1ABED, #EDA1BA and #EDE3A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FEDD4 shade: #9FEDD4, #ADA1ED, #EDA1BA and #E0EDA1

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 11 / 7

HEX #9FEDD4

RGB 159 237 212

HSL 160.77, 0.68%, 0.78%

LAB 88.3, -29.25, 4.51

 

Complementary color

CMYK 0 / 81 / 55 / 62

HEX #60122B

RGB 96 18 43

HSL 340.77, 0.68%, 0.22%

LAB 20.42, 36.15, 5.24

 

CMYK 31 / 0 / 13 / 7

HEX #A4EDCF

RGB 164 237 207

HSL 155.34, 0.67%, 0.79%

LAB 88.43, -28.84, 7.34

 

CMYK 29 / 0 / 11 / 0

HEX #B5FFE2

RGB 181 255 226

HSL 156.49, 1%, 0.85%

LAB 94.67, -28.64, 6.58

 

CMYK 22 / 0 / 4 / 0

HEX #C6FFF5

RGB 198 255 245

HSL 169.47, 1%, 0.89%

LAB 96.05, -19.83, -1.09

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 33 / 0 / 11 / 7

HEX #9FEDD4

RGB 159 237 212

HSL 160.77, 0.68%, 0.78%

LAB 88.3, -29.25, 4.51

 

CMYK 35 / 0 / 12 / 14

HEX #8EDBC1

RGB 142 219 193

HSL 159.74, 0.52%, 0.71%

LAB 81.98, -29.45, 5.28

 

CMYK 38 / 0 / 13 / 21

HEX #7DC9AE

RGB 125 201 174

HSL 158.68, 0.41%, 0.64%

LAB 75.57, -29.66, 6.1

 

CMYK 41 / 0 / 15 / 28

HEX #6CB79B

RGB 108 183 155

HSL 157.6, 0.34%, 0.57%

LAB 69.06, -29.88, 6.97

 

CMYK 45 / 0 / 18 / 35

HEX #5BA588

RGB 91 165 136

HSL 156.49, 0.29%, 0.5%

LAB 62.43, -30.09, 7.91

 

CMYK 32 / 0 / 10 / 7

HEX #A1EDD5

RGB 161 237 213

HSL 161.05, 0.68%, 0.78%

LAB 88.42, -28.47, 4.18

 

CMYK 32 / 0 / 19 / 7

HEX #A1EDC0

RGB 161 237 192

HSL 144.47, 0.68%, 0.78%

LAB 87.95, -32.66, 14.45

 

CMYK 32 / 0 / 28 / 7

HEX #A1EDAB

RGB 161 237 171

HSL 127.89, 0.68%, 0.78%

LAB 87.53, -36.43, 24.72

 

CMYK 28 / 0 / 32 / 7

HEX #ABEDA1

RGB 171 237 161

HSL 112.11, 0.68%, 0.78%

LAB 87.87, -34.86, 30.38

 

CMYK 19 / 0 / 32 / 7

HEX #BFEDA1

RGB 191 237 161

HSL 96.32, 0.68%, 0.78%

LAB 89.03, -28.1, 32.13

 

CMYK 32 / 0 / 10 / 7

HEX #A1EDD5

RGB 161 237 213

HSL 161.05, 0.68%, 0.78%

LAB 88.42, -28.47, 4.18

 

CMYK 32 / 0 / 2 / 7

HEX #A1EDE9

RGB 161 237 233

HSL 176.84, 0.68%, 0.78%

LAB 88.94, -24.13, -5.54

 

CMYK 32 / 7 / 0 / 7

HEX #A1DCED

RGB 161 220 237

HSL 193.42, 0.68%, 0.78%

LAB 84.42, -14.74, -14.36

 

CMYK 32 / 16 / 0 / 7

HEX #A1C8ED

RGB 161 200 237

HSL 209.21, 0.68%, 0.78%

LAB 79.04, -4.32, -22.48

 

CMYK 32 / 24 / 0 / 7

HEX #A1B3ED

RGB 161 179 237

HSL 225.79, 0.68%, 0.78%

LAB 73.5, 7.08, -30.96

 

CMYK 32 / 0 / 10 / 7

HEX #A1EDD5

RGB 161 237 213

HSL 161.05, 0.68%, 0.78%

LAB 88.42, -28.47, 4.18

 

CMYK 38 / 0 / 12 / 4

HEX #98F6D8

RGB 152 246 216

HSL 160.85, 0.84%, 0.78%

LAB 90.57, -34.53, 5.67

 

CMYK 32 / 0 / 10 / 7

HEX #A1EDD5

RGB 161 237 213

HSL 161.05, 0.68%, 0.78%

LAB 88.42, -28.47, 4.18

 

CMYK 25 / 0 / 8 / 11

HEX #AAE4D1

RGB 170 228 209

HSL 160.34, 0.52%, 0.78%

LAB 86.32, -22.31, 3.29

 

CMYK 18 / 0 / 6 / 14

HEX #B3DBCE

RGB 179 219 206

HSL 160.5, 0.36%, 0.78%

LAB 84.33, -15.64, 2.05

 

CMYK 10 / 0 / 3 / 18

HEX #BCD2CB

RGB 188 210 203

HSL 160.91, 0.2%, 0.78%

LAB 82.43, -8.71, 0.95

 

CMYK 2 / 0 / 0 / 21

HEX #C5C9C8

RGB 197 201 200

HSL 165, 0.04%, 0.78%

LAB 80.64, -1.55, 0.01

 

CMYK 32 / 0 / 28 / 7

HEX #A1EDAB

RGB 161 237 171

HSL 127.89, 0.68%, 0.78%

LAB 87.53, -36.43, 24.72

 

CMYK 32 / 0 / 19 / 7

HEX #A1EDBF

RGB 161 237 191

HSL 143.68, 0.68%, 0.78%

LAB 87.92, -32.85, 14.93

 

CMYK 32 / 0 / 11 / 7

HEX #A1EDD4

RGB 161 237 212

HSL 160.26, 0.68%, 0.78%

LAB 88.4, -28.68, 4.67

 

CMYK 32 / 0 / 2 / 7

HEX #A1EDE8

RGB 161 237 232

HSL 176.05, 0.68%, 0.78%

LAB 88.91, -24.36, -5.05

 

CMYK 32 / 6 / 0 / 7

HEX #A1DEED

RGB 161 222 237

HSL 191.84, 0.68%, 0.78%

LAB 84.96, -15.76, -13.55

 

CMYK 59 / 0 / 19 / 12

HEX #5BE0B5

RGB 91 224 181

HSL 160.6, 0.68%, 0.62%

LAB 81.22, -46.53, 10.29

 

CMYK 45 / 0 / 14 / 10

HEX #7EE6C5

RGB 126 230 197

HSL 160.96, 0.68%, 0.7%

LAB 84.51, -37.92, 6.73

 

CMYK 32 / 0 / 10 / 7

HEX #A1EDD5

RGB 161 237 213

HSL 161.05, 0.68%, 0.78%

LAB 88.42, -28.47, 4.18

 

CMYK 20 / 0 / 7 / 4

HEX #C3F4E4

RGB 195 244 228

HSL 160.41, 0.69%, 0.86%

LAB 92.53, -18.75, 2.55

 

CMYK 8 / 0 / 2 / 2

HEX #E6FAF4

RGB 230 250 244

HSL 162, 0.67%, 0.94%

LAB 96.71, -7.61, 0.63

 

CMYK 33 / 0 / 11 / 7

HEX #9FEDD4

RGB 159 237 212

HSL 160.77, 0.68%, 0.78%

LAB 88.3, -29.25, 4.51

 

CMYK 32 / 28 / 0 / 7

HEX #A1ABED

RGB 161 171 237

HSL 232.11, 0.68%, 0.78%

LAB 71.43, 11.53, -34.16

 

CMYK 0 / 24 / 32 / 7

HEX #EDB5A1

RGB 237 181 161

HSL 15.79, 0.68%, 0.78%

LAB 78.24, 17.59, 18.04

 

CMYK 33 / 0 / 11 / 7

HEX #9FEDD4

RGB 159 237 212

HSL 160.77, 0.68%, 0.78%

LAB 88.3, -29.25, 4.51

 

CMYK 11 / 32 / 0 / 7

HEX #D4A1ED

RGB 212 161 237

HSL 280.26, 0.68%, 0.78%

LAB 73.29, 32.26, -30.94

 

CMYK 0 / 11 / 32 / 7

HEX #EDD4A1

RGB 237 212 161

HSL 40.26, 0.68%, 0.78%

LAB 85.84, 1.33, 28.44

 

CMYK 33 / 0 / 11 / 7

HEX #9FEDD4

RGB 159 237 212

HSL 160.77, 0.68%, 0.78%

LAB 88.3, -29.25, 4.51

 

CMYK 32 / 28 / 0 / 7

HEX #A1ABED

RGB 161 171 237

HSL 232.11, 0.68%, 0.78%

LAB 71.43, 11.53, -34.16

 

CMYK 0 / 32 / 22 / 7

HEX #EDA1BA

RGB 237 161 186

HSL 340.26, 0.68%, 0.78%

LAB 74.21, 31.63, -1.34

 

CMYK 0 / 4 / 32 / 7

HEX #EDE3A1

RGB 237 227 161

HSL 52.11, 0.68%, 0.78%

LAB 89.63, -6.32, 33.52

 

CMYK 33 / 0 / 11 / 7

HEX #9FEDD4

RGB 159 237 212

HSL 160.77, 0.68%, 0.78%

LAB 88.3, -29.25, 4.51

 

CMYK 27 / 32 / 0 / 7

HEX #ADA1ED

RGB 173 161 237

HSL 249.47, 0.68%, 0.78%

LAB 69.82, 20.56, -36.59

 

CMYK 0 / 32 / 22 / 7

HEX #EDA1BA

RGB 237 161 186

HSL 340.26, 0.68%, 0.78%

LAB 74.21, 31.63, -1.34

 

CMYK 5 / 0 / 32 / 7

HEX #E0EDA1

RGB 224 237 161

HSL 70.26, 0.68%, 0.78%

LAB 91.23, -16.2, 35.45

 

Description

Color code: HEX #9FEDD4 | qconv.com Color code: HEX #9FEDD4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 237 green and 212 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 237 212 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 11 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 11% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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