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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FECF4 it is the complementary color #60130B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FECF4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FECF4 shade: #A4ECEF, #B5FEFF, #C6FFFF, #D7FFFF and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FECF4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FECF4 shade: #9FECF4, #8EDAE1, #7DC8CE, #6CB6BB and #5BA4A8

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FECF4 shade: #9FECF4, #9FD5F4, #9FBEF4, #9FA7F4 and #AE9FF4

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FECF4 shade: #9FECF4, #9FD5F4, #9FBEF4, #9FA7F4 and #9F9FF4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FECF4 shade matches the following richer shades: #9FECF4 and #96F3FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FECF4 shade: #9FECF4, #A8E5EB, #B0DEE2, #B9D7DA and #C2D0D1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FECF4 shade: #9FF4CE, #9FF4E4, #9FEDF4, #9FD6F4 and #9FC0F4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FECF4 shade: #55DDEB, #7AE4EF, #9FECF4, #C4F3F8 and #E9FBFC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FECF4 shade: #9FECF4, #B79FF4 and #F4D99F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FECF4 shade: #9FECF4, #F49FED and #EDF49F

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FECF4 shade: #9FECF4, #B79FF4, #F4A69F and #DCF49F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FECF4 shade: #9FECF4, #D19FF4, #F4A69F and #C2F49F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 35 / 3 / 0 / 4

HEX #9FECF4

RGB 159 236 244

HSL 185.65, 0.79%, 0.79%

LAB 88.87, -21.64, -11.4

 

Complementary color

CMYK 0 / 80 / 89 / 62

HEX #60130B

RGB 96 19 11

HSL 5.65, 0.79%, 0.21%

LAB 19.95, 33.84, 25.51

 

CMYK 31 / 1 / 0 / 6

HEX #A4ECEF

RGB 164 236 239

HSL 182.4, 0.7%, 0.79%

LAB 88.98, -21.47, -8.6

 

CMYK 29 / 0 / 0 / 0

HEX #B5FEFF

RGB 181 254 255

HSL 180.81, 1%, 0.85%

LAB 95.13, -22.06, -7.7

 

CMYK 22 / 0 / 0 / 0

HEX #C6FFFF

RGB 198 255 255

HSL 180, 1%, 0.89%

LAB 96.31, -17.77, -5.86

 

CMYK 16 / 0 / 0 / 0

HEX #D7FFFF

RGB 215 255 255

HSL 180, 1%, 0.92%

LAB 97.3, -12.71, -4.28

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 35 / 3 / 0 / 4

HEX #9FECF4

RGB 159 236 244

HSL 185.65, 0.79%, 0.79%

LAB 88.87, -21.64, -11.4

 

CMYK 37 / 3 / 0 / 12

HEX #8EDAE1

RGB 142 218 225

HSL 185.06, 0.58%, 0.72%

LAB 82.56, -21.67, -10.88

 

CMYK 39 / 3 / 0 / 19

HEX #7DC8CE

RGB 125 200 206

HSL 184.44, 0.45%, 0.65%

LAB 76.15, -21.7, -10.34

 

CMYK 42 / 3 / 0 / 27

HEX #6CB6BB

RGB 108 182 187

HSL 183.8, 0.37%, 0.58%

LAB 69.63, -21.71, -9.78

 

CMYK 46 / 2 / 0 / 34

HEX #5BA4A8

RGB 91 164 168

HSL 183.12, 0.31%, 0.51%

LAB 63.01, -21.68, -9.18

 

CMYK 35 / 3 / 0 / 4

HEX #9FECF4

RGB 159 236 244

HSL 185.65, 0.79%, 0.79%

LAB 88.87, -21.64, -11.4

 

CMYK 35 / 13 / 0 / 4

HEX #9FD5F4

RGB 159 213 244

HSL 201.88, 0.79%, 0.79%

LAB 82.64, -9.99, -20.76

 

CMYK 35 / 22 / 0 / 4

HEX #9FBEF4

RGB 159 190 244

HSL 218.12, 0.79%, 0.79%

LAB 76.51, 2.26, -30.11

 

CMYK 35 / 32 / 0 / 4

HEX #9FA7F4

RGB 159 167 244

HSL 234.35, 0.79%, 0.79%

LAB 70.55, 15.02, -39.34

 

CMYK 29 / 35 / 0 / 4

HEX #AE9FF4

RGB 174 159 244

HSL 250.59, 0.79%, 0.79%

LAB 69.7, 23.68, -40.59

 

CMYK 35 / 3 / 0 / 4

HEX #9FECF4

RGB 159 236 244

HSL 185.65, 0.79%, 0.79%

LAB 88.87, -21.64, -11.4

 

CMYK 35 / 13 / 0 / 4

HEX #9FD5F4

RGB 159 213 244

HSL 201.88, 0.79%, 0.79%

LAB 82.64, -9.99, -20.76

 

CMYK 35 / 22 / 0 / 4

HEX #9FBEF4

RGB 159 190 244

HSL 218.12, 0.79%, 0.79%

LAB 76.51, 2.26, -30.11

 

CMYK 35 / 32 / 0 / 4

HEX #9FA7F4

RGB 159 167 244

HSL 234.35, 0.79%, 0.79%

LAB 70.55, 15.02, -39.34

 

CMYK 35 / 35 / 0 / 4

HEX #9F9FF4

RGB 159 159 244

HSL 240, 0.79%, 0.79%

LAB 68.53, 19.55, -42.5

 

CMYK 35 / 3 / 0 / 4

HEX #9FECF4

RGB 159 236 244

HSL 185.65, 0.79%, 0.79%

LAB 88.87, -21.64, -11.4

 

CMYK 40 / 4 / 0 / 1

HEX #96F3FC

RGB 150 243 252

HSL 185.29, 0.94%, 0.79%

LAB 90.6, -25.4, -13.04

 

CMYK 35 / 3 / 0 / 4

HEX #9FECF4

RGB 159 236 244

HSL 185.65, 0.79%, 0.79%

LAB 88.87, -21.64, -11.4

 

CMYK 29 / 3 / 0 / 8

HEX #A8E5EB

RGB 168 229 235

HSL 185.37, 0.63%, 0.79%

LAB 87.17, -17.8, -9.16

 

CMYK 22 / 2 / 0 / 11

HEX #B0DEE2

RGB 176 222 226

HSL 184.8, 0.46%, 0.79%

LAB 85.49, -13.94, -6.86

 

CMYK 15 / 1 / 0 / 15

HEX #B9D7DA

RGB 185 215 218

HSL 185.45, 0.31%, 0.79%

LAB 83.95, -9.28, -4.82

 

CMYK 7 / 0 / 0 / 18

HEX #C2D0D1

RGB 194 208 209

HSL 184, 0.14%, 0.79%

LAB 82.48, -4.53, -2.13

 

CMYK 35 / 0 / 16 / 4

HEX #9FF4CE

RGB 159 244 206

HSL 153.18, 0.79%, 0.79%

LAB 90.1, -33.76, 10.23

 

CMYK 35 / 0 / 7 / 4

HEX #9FF4E4

RGB 159 244 228

HSL 168.71, 0.79%, 0.79%

LAB 90.63, -29.15, -0.45

 

CMYK 35 / 3 / 0 / 4

HEX #9FEDF4

RGB 159 237 244

HSL 184.94, 0.79%, 0.79%

LAB 89.14, -22.13, -10.99

 

CMYK 35 / 12 / 0 / 4

HEX #9FD6F4

RGB 159 214 244

HSL 201.18, 0.79%, 0.79%

LAB 82.91, -10.51, -20.35

 

CMYK 35 / 21 / 0 / 4

HEX #9FC0F4

RGB 159 192 244

HSL 216.71, 0.79%, 0.79%

LAB 77.04, 1.17, -29.3

 

CMYK 64 / 6 / 0 / 8

HEX #55DDEB

RGB 85 221 235

HSL 185.6, 0.79%, 0.63%

LAB 81.64, -32.34, -17.78

 

CMYK 49 / 5 / 0 / 6

HEX #7AE4EF

RGB 122 228 239

HSL 185.64, 0.79%, 0.71%

LAB 84.92, -27.79, -14.84

 

CMYK 35 / 3 / 0 / 4

HEX #9FECF4

RGB 159 236 244

HSL 185.65, 0.79%, 0.79%

LAB 88.87, -21.64, -11.4

 

CMYK 21 / 2 / 0 / 3

HEX #C4F3F8

RGB 196 243 248

HSL 185.77, 0.79%, 0.87%

LAB 92.85, -13.88, -7.37

 

CMYK 8 / 0 / 0 / 1

HEX #E9FBFC

RGB 233 251 252

HSL 183.16, 0.76%, 0.95%

LAB 97.37, -5.67, -2.51

 

CMYK 35 / 3 / 0 / 4

HEX #9FECF4

RGB 159 236 244

HSL 185.65, 0.79%, 0.79%

LAB 88.87, -21.64, -11.4

 

CMYK 25 / 35 / 0 / 4

HEX #B79FF4

RGB 183 159 244

HSL 256.94, 0.79%, 0.79%

LAB 70.45, 26.24, -39.36

 

CMYK 0 / 11 / 35 / 4

HEX #F4D99F

RGB 244 217 159

HSL 40.94, 0.79%, 0.79%

LAB 87.66, 1.21, 32.02

 

CMYK 35 / 3 / 0 / 4

HEX #9FECF4

RGB 159 236 244

HSL 185.65, 0.79%, 0.79%

LAB 88.87, -21.64, -11.4

 

CMYK 0 / 35 / 3 / 4

HEX #F49FED

RGB 244 159 237

HSL 304.94, 0.79%, 0.79%

LAB 76.16, 43.27, -26.25

 

CMYK 3 / 0 / 35 / 4

HEX #EDF49F

RGB 237 244 159

HSL 64.94, 0.79%, 0.79%

LAB 93.97, -15.02, 40.22

 

CMYK 35 / 3 / 0 / 4

HEX #9FECF4

RGB 159 236 244

HSL 185.65, 0.79%, 0.79%

LAB 88.87, -21.64, -11.4

 

CMYK 25 / 35 / 0 / 4

HEX #B79FF4

RGB 183 159 244

HSL 256.94, 0.79%, 0.79%

LAB 70.45, 26.24, -39.36

 

CMYK 0 / 32 / 35 / 4

HEX #F4A69F

RGB 244 166 159

HSL 4.94, 0.79%, 0.79%

LAB 75.46, 27.94, 15.35

 

CMYK 10 / 0 / 35 / 4

HEX #DCF49F

RGB 220 244 159

HSL 76.94, 0.79%, 0.79%

LAB 92.76, -21.33, 38.41

 

CMYK 35 / 3 / 0 / 4

HEX #9FECF4

RGB 159 236 244

HSL 185.65, 0.79%, 0.79%

LAB 88.87, -21.64, -11.4

 

CMYK 14 / 35 / 0 / 4

HEX #D19FF4

RGB 209 159 244

HSL 275.29, 0.79%, 0.79%

LAB 72.81, 33.89, -35.5

 

CMYK 0 / 32 / 35 / 4

HEX #F4A69F

RGB 244 166 159

HSL 4.94, 0.79%, 0.79%

LAB 75.46, 27.94, 15.35

 

CMYK 20 / 0 / 35 / 4

HEX #C2F49F

RGB 194 244 159

HSL 95.29, 0.79%, 0.79%

LAB 91.09, -30.63, 35.9

 

Description

Color code: HEX #9FECF4 | qconv.com Color code: HEX #9FECF4 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 236 green and 244 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 236 244 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 35 cyan, 3 magenta, none yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
35% 3% 0% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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