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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FECB9 it is the complementary color #601346. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FECB9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FECB9 shade: #A4ECB4, #B5FEC7, #C6FFDA, #D7FFED and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FECB9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FECB9 shade: #9FECB9, #8EDAA6, #7DC893, #6CB680 and #5BA46D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FECB9 shade: #9DECB8, #9DECA2, #ADEC9D, #C2EC9D and #D7EC9D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FECB9 shade: #9DECB8, #9DECCD, #9DECE2, #9DE0EC and #9DCBEC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FECB9 shade matches the following richer shades: #9DECB8, #94F5B5 and #8AFFB1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FECB9 shade: #9DECB8, #A7E2BB, #B0D9BE, #BACFC1 and #C3C6C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FECB9 shade: #ADEC9D, #9DECA2, #9DECB7, #9DECCC and #9DECE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FECB9 shade: #58DE85, #7BE59E, #9DECB8, #C0F2D1 and #E2F9EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FECB9 shade: #9FECB9, #9DC2EC and #EC9DA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FECB9 shade: #9FECB9, #B79DEC and #ECB79D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FECB9 shade: #9FECB9, #9DC2EC, #EC9DD1 and #ECC79D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FECB9 shade: #9FECB9, #9DAAEC, #EC9DD1 and #ECDF9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 22 / 7

HEX #9FECB9

RGB 159 236 185

HSL 140.26, 0.67%, 0.77%

LAB 87.42, -34.1, 17.33

 

Complementary color

CMYK 0 / 80 / 27 / 62

HEX #601346

RGB 96 19 70

HSL 320.26, 0.67%, 0.23%

LAB 21.56, 38.97, -11.87

 

CMYK 31 / 0 / 24 / 7

HEX #A4ECB4

RGB 164 236 180

HSL 133.33, 0.65%, 0.78%

LAB 87.57, -33.48, 20.17

 

CMYK 29 / 0 / 22 / 0

HEX #B5FEC7

RGB 181 254 199

HSL 134.79, 0.97%, 0.85%

LAB 93.81, -33.24, 19.22

 

CMYK 22 / 0 / 15 / 0

HEX #C6FFDA

RGB 198 255 218

HSL 141.05, 1%, 0.89%

LAB 95.41, -25.04, 11.88

 

CMYK 16 / 0 / 7 / 0

HEX #D7FFED

RGB 215 255 237

HSL 153, 1%, 0.92%

LAB 96.85, -16.19, 4.32

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 33 / 0 / 22 / 7

HEX #9FECB9

RGB 159 236 185

HSL 140.26, 0.67%, 0.77%

LAB 87.42, -34.1, 17.33

 

CMYK 35 / 0 / 24 / 15

HEX #8EDAA6

RGB 142 218 166

HSL 138.95, 0.51%, 0.71%

LAB 81.1, -34.36, 18.3

 

CMYK 38 / 0 / 27 / 22

HEX #7DC893

RGB 125 200 147

HSL 137.6, 0.41%, 0.64%

LAB 74.68, -34.63, 19.33

 

CMYK 41 / 0 / 30 / 29

HEX #6CB680

RGB 108 182 128

HSL 136.22, 0.34%, 0.57%

LAB 68.17, -34.89, 20.43

 

CMYK 45 / 0 / 34 / 36

HEX #5BA46D

RGB 91 164 109

HSL 134.79, 0.29%, 0.5%

LAB 61.55, -35.15, 21.63

 

CMYK 33 / 0 / 22 / 7

HEX #9DECB8

RGB 157 236 184

HSL 140.51, 0.68%, 0.77%

LAB 87.3, -34.88, 17.66

 

CMYK 33 / 0 / 31 / 7

HEX #9DECA2

RGB 157 236 162

HSL 123.8, 0.68%, 0.77%

LAB 86.88, -38.7, 28.42

 

CMYK 27 / 0 / 33 / 7

HEX #ADEC9D

RGB 173 236 157

HSL 107.85, 0.68%, 0.77%

LAB 87.64, -34.35, 32.11

 

CMYK 18 / 0 / 33 / 7

HEX #C2EC9D

RGB 194 236 157

HSL 91.9, 0.68%, 0.77%

LAB 88.87, -27.14, 33.98

 

CMYK 9 / 0 / 33 / 7

HEX #D7EC9D

RGB 215 236 157

HSL 75.95, 0.68%, 0.77%

LAB 90.26, -19.54, 36.07

 

CMYK 33 / 0 / 22 / 7

HEX #9DECB8

RGB 157 236 184

HSL 140.51, 0.68%, 0.77%

LAB 87.3, -34.88, 17.66

 

CMYK 33 / 0 / 13 / 7

HEX #9DECCD

RGB 157 236 205

HSL 156.46, 0.68%, 0.77%

LAB 87.76, -30.79, 7.38

 

CMYK 33 / 0 / 4 / 7

HEX #9DECE2

RGB 157 236 226

HSL 172.41, 0.68%, 0.77%

LAB 88.28, -26.3, -2.86

 

CMYK 33 / 5 / 0 / 7

HEX #9DE0EC

RGB 157 224 236

HSL 189.11, 0.68%, 0.77%

LAB 85.27, -18.09, -12.58

 

CMYK 33 / 14 / 0 / 7

HEX #9DCBEC

RGB 157 203 236

HSL 205.06, 0.68%, 0.77%

LAB 79.58, -7.27, -21.15

 

CMYK 33 / 0 / 22 / 7

HEX #9DECB8

RGB 157 236 184

HSL 140.51, 0.68%, 0.77%

LAB 87.3, -34.88, 17.66

 

CMYK 40 / 0 / 26 / 4

HEX #94F5B5

RGB 148 245 181

HSL 140.41, 0.83%, 0.77%

LAB 89.36, -42.08, 22.02

 

CMYK 46 / 0 / 31 / 0

HEX #8AFFB1

RGB 138 255 177

HSL 140, 1%, 0.77%

LAB 91.73, -49.78, 27.23

 

CMYK 33 / 0 / 22 / 7

HEX #9DECB8

RGB 157 236 184

HSL 140.51, 0.68%, 0.77%

LAB 87.3, -34.88, 17.66

 

CMYK 26 / 0 / 17 / 11

HEX #A7E2BB

RGB 167 226 187

HSL 140.34, 0.5%, 0.77%

LAB 85.1, -26.55, 13.07

 

CMYK 19 / 0 / 12 / 15

HEX #B0D9BE

RGB 176 217 190

HSL 140.49, 0.35%, 0.77%

LAB 83.22, -18.69, 8.89

 

CMYK 10 / 0 / 7 / 19

HEX #BACFC1

RGB 186 207 193

HSL 140, 0.18%, 0.77%

LAB 81.24, -9.73, 4.54

 

CMYK 2 / 0 / 1 / 22

HEX #C3C6C4

RGB 195 198 196

HSL 140, 0.03%, 0.77%

LAB 79.6, -1.4, 0.63

 

CMYK 27 / 0 / 33 / 7

HEX #ADEC9D

RGB 173 236 157

HSL 107.85, 0.68%, 0.77%

LAB 87.64, -34.35, 32.11

 

CMYK 33 / 0 / 31 / 7

HEX #9DECA2

RGB 157 236 162

HSL 123.8, 0.68%, 0.77%

LAB 86.88, -38.7, 28.42

 

CMYK 33 / 0 / 22 / 7

HEX #9DECB7

RGB 157 236 183

HSL 139.75, 0.68%, 0.77%

LAB 87.28, -35.06, 18.15

 

CMYK 33 / 0 / 14 / 7

HEX #9DECCC

RGB 157 236 204

HSL 155.7, 0.68%, 0.77%

LAB 87.74, -30.99, 7.87

 

CMYK 33 / 0 / 5 / 7

HEX #9DECE1

RGB 157 236 225

HSL 171.65, 0.68%, 0.77%

LAB 88.25, -26.52, -2.37

 

CMYK 60 / 0 / 40 / 13

HEX #58DE85

RGB 88 222 133

HSL 140.15, 0.67%, 0.61%

LAB 79.62, -55.9, 33.02

 

CMYK 46 / 0 / 31 / 10

HEX #7BE59E

RGB 123 229 158

HSL 139.81, 0.67%, 0.69%

LAB 83.29, -46.07, 25.35

 

CMYK 33 / 0 / 22 / 7

HEX #9DECB8

RGB 157 236 184

HSL 140.51, 0.68%, 0.77%

LAB 87.3, -34.88, 17.66

 

CMYK 21 / 0 / 14 / 5

HEX #C0F2D1

RGB 192 242 209

HSL 140.4, 0.66%, 0.85%

LAB 91.38, -22.32, 10.72

 

CMYK 9 / 0 / 6 / 2

HEX #E2F9EA

RGB 226 249 234

HSL 140.87, 0.66%, 0.93%

LAB 95.94, -10.23, 4.63

 

CMYK 33 / 0 / 22 / 7

HEX #9FECB9

RGB 159 236 185

HSL 140.26, 0.67%, 0.77%

LAB 87.42, -34.1, 17.33

 

CMYK 33 / 18 / 0 / 7

HEX #9DC2EC

RGB 157 194 236

HSL 211.9, 0.68%, 0.77%

LAB 77.17, -2.48, -24.82

 

CMYK 0 / 33 / 31 / 7

HEX #EC9DA2

RGB 236 157 162

HSL 356.2, 0.68%, 0.77%

LAB 72.6, 30.1, 9.54

 

CMYK 33 / 0 / 22 / 7

HEX #9FECB9

RGB 159 236 185

HSL 140.26, 0.67%, 0.77%

LAB 87.42, -34.1, 17.33

 

CMYK 22 / 33 / 0 / 7

HEX #B79DEC

RGB 183 157 236

HSL 259.75, 0.68%, 0.77%

LAB 69.64, 25.49, -36.26

 

CMYK 0 / 22 / 33 / 7

HEX #ECB79D

RGB 236 183 157

HSL 19.75, 0.68%, 0.77%

LAB 78.54, 15.65, 20.59

 

CMYK 33 / 0 / 22 / 7

HEX #9FECB9

RGB 159 236 185

HSL 140.26, 0.67%, 0.77%

LAB 87.42, -34.1, 17.33

 

CMYK 33 / 18 / 0 / 7

HEX #9DC2EC

RGB 157 194 236

HSL 211.9, 0.68%, 0.77%

LAB 77.17, -2.48, -24.82

 

CMYK 0 / 33 / 11 / 7

HEX #EC9DD1

RGB 236 157 209

HSL 320.51, 0.68%, 0.77%

LAB 73.9, 36.98, -14.47

 

CMYK 0 / 16 / 33 / 7

HEX #ECC79D

RGB 236 199 157

HSL 31.9, 0.68%, 0.77%

LAB 82.44, 7.22, 25.92

 

CMYK 33 / 0 / 22 / 7

HEX #9FECB9

RGB 159 236 185

HSL 140.26, 0.67%, 0.77%

LAB 87.42, -34.1, 17.33

 

CMYK 33 / 28 / 0 / 7

HEX #9DAAEC

RGB 157 170 236

HSL 230.13, 0.68%, 0.77%

LAB 70.85, 10.72, -34.53

 

CMYK 0 / 33 / 11 / 7

HEX #EC9DD1

RGB 236 157 209

HSL 320.51, 0.68%, 0.77%

LAB 73.9, 36.98, -14.47

 

CMYK 0 / 6 / 33 / 7

HEX #ECDF9D

RGB 236 223 157

HSL 50.13, 0.68%, 0.77%

LAB 88.47, -5.16, 34

 

Description

Color code: HEX #9FECB9 | qconv.com Color code: HEX #9FECB9 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 236 green and 185 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 236 185 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 22 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 22% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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