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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FEC5E it is the complementary color #6013A1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FEC5E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FEC5E shade: #A4EC59, #B5FE6C, #C6FF7F, #D7FF92 and #E8FFA5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FEC5E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FEC5E shade: #9FEC5E, #8EDA4B, #7DC838, #6CB625 and #5BA412

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FEC5E shade: #9FEC5F, #C5EC5F, #EBEC5F, #ECC65F and #ECA05F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FEC5E shade: #9FEC5F, #79EC5F, #5FEC6A, #5FEC90 and #5FECB6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FEC5E shade matches the following richer shades: #9FEC5F and #9EFA50

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FEC5E shade: #9FEC5F, #A1DD6D, #A2CF7C, #A3C08A and #A4B299

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FEC5E shade: #ECEC5F, #C6EC5F, #A1EC5F, #7BEC5F and #5FEC68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FEC5E shade: #74DE1A, #89E73A, #9FEC5F, #B5F084 and #CBF4A9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FEC5E shade: #9FEC5E, #5FECC6 and #EC5FD9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FEC5E shade: #9FEC5E, #5FA1EC and #EC5FA1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FEC5E shade: #9FEC5E, #5FECC6, #AA5FEC and #EC5F84

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FEC5E shade: #9FEC5E, #5FE7EC, #AA5FEC and #EC635F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 60 / 7

HEX #9FEC5E

RGB 159 236 94

HSL 92.54, 0.79%, 0.65%

LAB 86.09, -46.59, 59.91

 

Complementary color

CMYK 40 / 88 / 0 / 37

HEX #6013A1

RGB 96 19 161

HSL 272.54, 0.79%, 0.35%

LAB 28.18, 56.78, -59.75

 

CMYK 31 / 0 / 62 / 7

HEX #A4EC59

RGB 164 236 89

HSL 89.39, 0.79%, 0.64%

LAB 86.31, -45.29, 62.31

 

CMYK 29 / 0 / 57 / 0

HEX #B5FE6C

RGB 181 254 108

HSL 90, 0.99%, 0.71%

LAB 92.48, -45.44, 61.45

 

CMYK 22 / 0 / 50 / 0

HEX #C6FF7F

RGB 198 255 127

HSL 86.72, 1%, 0.75%

LAB 93.91, -38.07, 54.91

 

CMYK 16 / 0 / 43 / 0

HEX #D7FF92

RGB 215 255 146

HSL 82.02, 1%, 0.79%

LAB 95.18, -29.91, 47.79

 

CMYK 9 / 0 / 35 / 0

HEX #E8FFA5

RGB 232 255 165

HSL 75.33, 1%, 0.82%

LAB 96.57, -21.48, 40.57

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5E

RGB 159 236 94

HSL 92.54, 0.79%, 0.65%

LAB 86.09, -46.59, 59.91

 

CMYK 35 / 0 / 66 / 15

HEX #8EDA4B

RGB 142 218 75

HSL 91.89, 0.66%, 0.57%

LAB 79.84, -46.4, 60.67

 

CMYK 38 / 0 / 72 / 22

HEX #7DC838

RGB 125 200 56

HSL 91.25, 0.57%, 0.5%

LAB 73.52, -46.07, 61.08

 

CMYK 41 / 0 / 80 / 29

HEX #6CB625

RGB 108 182 37

HSL 90.62, 0.66%, 0.43%

LAB 67.11, -45.55, 60.86

 

CMYK 45 / 0 / 89 / 36

HEX #5BA412

RGB 91 164 18

HSL 90, 0.8%, 0.36%

LAB 60.62, -44.74, 59.53

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5F

RGB 159 236 95

HSL 92.77, 0.79%, 0.65%

LAB 86.1, -46.51, 59.49

 

CMYK 17 / 0 / 60 / 7

HEX #C5EC5F

RGB 197 236 95

HSL 76.6, 0.79%, 0.65%

LAB 88.3, -32.69, 62.55

 

CMYK 0 / 0 / 60 / 7

HEX #EBEC5F

RGB 235 236 95

HSL 60.43, 0.79%, 0.65%

LAB 91, -17.72, 66.27

 

CMYK 0 / 16 / 60 / 7

HEX #ECC65F

RGB 236 198 95

HSL 43.83, 0.79%, 0.65%

LAB 81.32, 1.81, 55.58

 

CMYK 0 / 32 / 60 / 7

HEX #ECA05F

RGB 236 160 95

HSL 27.66, 0.79%, 0.65%

LAB 72.1, 21.82, 44.86

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5F

RGB 159 236 95

HSL 92.77, 0.79%, 0.65%

LAB 86.1, -46.51, 59.49

 

CMYK 49 / 0 / 60 / 7

HEX #79EC5F

RGB 121 236 95

HSL 108.94, 0.79%, 0.65%

LAB 84.42, -58.33, 57.14

 

CMYK 60 / 0 / 55 / 7

HEX #5FEC6A

RGB 95 236 106

HSL 124.68, 0.79%, 0.65%

LAB 83.69, -63.56, 51.2

 

CMYK 60 / 0 / 39 / 7

HEX #5FEC90

RGB 95 236 144

HSL 140.85, 0.79%, 0.65%

LAB 84.19, -57.96, 33.52

 

CMYK 60 / 0 / 23 / 7

HEX #5FECB6

RGB 95 236 182

HSL 157.02, 0.79%, 0.65%

LAB 84.89, -50.58, 14.98

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5F

RGB 159 236 95

HSL 92.77, 0.79%, 0.65%

LAB 86.1, -46.51, 59.49

 

CMYK 37 / 0 / 68 / 2

HEX #9EFA50

RGB 158 250 80

HSL 92.47, 0.94%, 0.65%

LAB 89.96, -53.82, 69.61

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5F

RGB 159 236 95

HSL 92.77, 0.79%, 0.65%

LAB 86.1, -46.51, 59.49

 

CMYK 27 / 0 / 51 / 13

HEX #A1DD6D

RGB 161 221 109

HSL 92.14, 0.62%, 0.65%

LAB 82.05, -37.87, 48.51

 

CMYK 22 / 0 / 40 / 19

HEX #A2CF7C

RGB 162 207 124

HSL 92.53, 0.46%, 0.65%

LAB 78.32, -29.23, 36.52

 

CMYK 15 / 0 / 28 / 25

HEX #A3C08A

RGB 163 192 138

HSL 92.22, 0.3%, 0.65%

LAB 74.39, -19.55, 24.07

 

CMYK 8 / 0 / 14 / 30

HEX #A4B299

RGB 164 178 153

HSL 93.6, 0.14%, 0.65%

LAB 70.89, -9.53, 11.14

 

CMYK 0 / 0 / 60 / 7

HEX #ECEC5F

RGB 236 236 95

HSL 60, 0.79%, 0.65%

LAB 91.08, -17.31, 66.38

 

CMYK 16 / 0 / 60 / 7

HEX #C6EC5F

RGB 198 236 95

HSL 76.17, 0.79%, 0.65%

LAB 88.36, -32.3, 62.64

 

CMYK 32 / 0 / 60 / 7

HEX #A1EC5F

RGB 161 236 95

HSL 91.91, 0.79%, 0.65%

LAB 86.2, -45.82, 59.63

 

CMYK 48 / 0 / 60 / 7

HEX #7BEC5F

RGB 123 236 95

HSL 108.09, 0.79%, 0.65%

LAB 84.5, -57.77, 57.25

 

CMYK 60 / 0 / 56 / 7

HEX #5FEC68

RGB 95 236 104

HSL 123.83, 0.79%, 0.65%

LAB 83.66, -63.81, 52.08

 

CMYK 48 / 0 / 88 / 13

HEX #74DE1A

RGB 116 222 26

HSL 92.45, 0.79%, 0.49%

LAB 79.63, -58.98, 74.57

 

CMYK 41 / 0 / 75 / 9

HEX #89E73A

RGB 137 231 58

HSL 92.6, 0.78%, 0.57%

LAB 83.32, -54.5, 70.23

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5F

RGB 159 236 95

HSL 92.77, 0.79%, 0.65%

LAB 86.1, -46.51, 59.49

 

CMYK 25 / 0 / 45 / 6

HEX #B5F084

RGB 181 240 132

HSL 92.78, 0.78%, 0.73%

LAB 88.83, -36.78, 46.12

 

CMYK 17 / 0 / 31 / 4

HEX #CBF4A9

RGB 203 244 169

HSL 92.8, 0.77%, 0.81%

LAB 91.8, -26.1, 31.93

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5E

RGB 159 236 94

HSL 92.54, 0.79%, 0.65%

LAB 86.09, -46.59, 59.91

 

CMYK 60 / 0 / 16 / 7

HEX #5FECC6

RGB 95 236 198

HSL 163.83, 0.79%, 0.65%

LAB 85.25, -47, 7.13

 

CMYK 0 / 60 / 8 / 7

HEX #EC5FD9

RGB 236 95 217

HSL 308.09, 0.79%, 0.65%

LAB 62.53, 68.36, -36.34

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5E

RGB 159 236 94

HSL 92.54, 0.79%, 0.65%

LAB 86.09, -46.59, 59.91

 

CMYK 60 / 32 / 0 / 7

HEX #5FA1EC

RGB 95 161 236

HSL 211.91, 0.79%, 0.65%

LAB 64.95, 1.11, -44.01

 

CMYK 0 / 60 / 32 / 7

HEX #EC5FA1

RGB 236 95 161

HSL 331.91, 0.79%, 0.65%

LAB 60.42, 60.65, -7.63

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5E

RGB 159 236 94

HSL 92.54, 0.79%, 0.65%

LAB 86.09, -46.59, 59.91

 

CMYK 60 / 0 / 16 / 7

HEX #5FECC6

RGB 95 236 198

HSL 163.83, 0.79%, 0.65%

LAB 85.25, -47, 7.13

 

CMYK 28 / 60 / 0 / 7

HEX #AA5FEC

RGB 170 95 236

HSL 271.91, 0.79%, 0.65%

LAB 54.85, 55.73, -59.71

 

CMYK 0 / 60 / 44 / 7

HEX #EC5F84

RGB 236 95 132

HSL 344.26, 0.79%, 0.65%

LAB 59.6, 57.52, 8.02

 

CMYK 33 / 0 / 60 / 7

HEX #9FEC5E

RGB 159 236 94

HSL 92.54, 0.79%, 0.65%

LAB 86.09, -46.59, 59.91

 

CMYK 60 / 2 / 0 / 7

HEX #5FE7EC

RGB 95 231 236

HSL 182.13, 0.79%, 0.65%

LAB 84.81, -35.17, -13.52

 

CMYK 28 / 60 / 0 / 7

HEX #AA5FEC

RGB 170 95 236

HSL 271.91, 0.79%, 0.65%

LAB 54.85, 55.73, -59.71

 

CMYK 0 / 58 / 60 / 7

HEX #EC635F

RGB 236 99 95

HSL 1.7, 0.79%, 0.65%

LAB 59.51, 52.68, 29.28

 

Description

Color code: HEX #9FEC5E | qconv.com Color code: HEX #9FEC5E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 236 green and 94 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 236 94 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 60 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 60% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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