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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FEAFFCE it is the complementary color #601500CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FEAFFCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FEAFFCE shade: #A4EAFACE, #B5FCFFCE, #C6FFFFCE, #D7FFFFCE and #E8FFFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FEAFFCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FEAFFCE shade: #9FEAFFCE, #8ED8ECCE, #7DC6D9CE, #6CB4C6CE and #5BA2B3CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FEAFFCE shade: #9EEAFF, #9ED0FF, #9EB6FF, #A19EFF and #BB9EFF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FEAFFCE shade: #9EEAFF, #9ED0FF, #9EB6FF and #9E9EFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FEAFFCE shade matches the following richer shades: #9EEAFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FEAFFCE shade: #9EEAFF, #A6E5F7, #AEE1EF, #B6DDE7 and #BDD8E0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FEAFFCE shade: #9EFFE0, #9EFFFA, #9EEAFF, #9ED0FF and #9EB6FF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FEAFFCE shade: #4CD8FF, #75E1FF, #9EEAFF, #C7F3FF and #F1FCFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FEAFFCE shade: #9FEAFF, #C69EFF and #FFED9E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FEAFFCE shade: #9FEAFF, #FF9EEA and #EAFF9E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FEAFFCE shade: #9FEAFF, #C69EFF, #FFB39E and #D7FF9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FEAFFCE shade: #9FEAFF, #E49EFF, #FFB39E and #BAFF9E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 7 / 0 / 0

HEX #9FEAFFCE

RGBA 159 234 255 0.81

HSLA 193.13, 1%, 0.81%, 0.81

LABA 88.66, -18, -17.48, 0.81

 

Complementary color

CMYK 0 / 63 / 81 / 51

HEX #601500CE

RGBA 96 21 0 0.81

HSLA 13.13, 1%, 0.19%, 0.81

LABA 20.14, 32.73, 30.21, 0.81

 

CMYK 28 / 5 / 0 / 2

HEX #A4EAFACE

RGBA 164 234 250 0.81

HSLA 191.16, 0.9%, 0.81%, 0.81

LABA 88.75, -17.91, -14.7, 0.81

 

CMYK 24 / 1 / 0 / 0

HEX #B5FCFFCE

RGBA 181 252 255 0.81

HSLA 182.43, 1%, 0.85%, 0.81

LABA 94.6, -21.09, -8.5, 0.81

 

CMYK 18 / 0 / 0 / 0

HEX #C6FFFFCE

RGBA 198 255 255 0.81

HSLA 180, 1%, 0.89%, 0.81

LABA 96.31, -17.77, -5.86, 0.81

 

CMYK 13 / 0 / 0 / 0

HEX #D7FFFFCE

RGBA 215 255 255 0.81

HSLA 180, 1%, 0.92%, 0.81

LABA 97.3, -12.71, -4.28, 0.81

 

CMYK 7 / 0 / 0 / 0

HEX #E8FFFFCE

RGBA 232 255 255 0.81

HSLA 180, 1%, 0.95%, 0.81

LABA 98.39, -7.43, -2.56, 0.81

 

CMYK 30 / 7 / 0 / 0

HEX #9FEAFFCE

RGBA 159 234 255 0.81

HSLA 193.13, 1%, 0.81%, 0.81

LABA 88.66, -18, -17.48, 0.81

 

CMYK 32 / 7 / 0 / 6

HEX #8ED8ECCE

RGBA 142 216 236 0.81

HSLA 192.77, 0.71%, 0.74%, 0.81

LABA 82.33, -17.95, -17.06, 0.81

 

CMYK 34 / 7 / 0 / 12

HEX #7DC6D9CE

RGBA 125 198 217 0.81

HSLA 192.39, 0.55%, 0.67%, 0.81

LABA 75.92, -17.88, -16.63, 0.81

 

CMYK 37 / 7 / 0 / 18

HEX #6CB4C6CE

RGBA 108 180 198 0.81

HSLA 192, 0.44%, 0.6%, 0.81

LABA 69.4, -17.77, -16.18, 0.81

 

CMYK 40 / 8 / 0 / 24

HEX #5BA2B3CE

RGBA 91 162 179 0.81

HSLA 191.59, 0.37%, 0.53%, 0.81

LABA 62.78, -17.62, -15.71, 0.81

 

CMYK 38 / 8 / 0 / 0

HEX #9EEAFF

RGB 158 234 255

HSL 192.99, 1%, 0.81%

LAB 88.61, -18.26, -17.56

 

CMYK 38 / 18 / 0 / 0

HEX #9ED0FF

RGB 158 208 255

HSL 209.07, 1%, 0.81%

LAB 81.62, -4.87, -28.16

 

CMYK 38 / 29 / 0 / 0

HEX #9EB6FF

RGB 158 182 255

HSL 225.15, 1%, 0.81%

LAB 74.79, 9.25, -38.7

 

CMYK 37 / 38 / 0 / 0

HEX #A19EFF

RGB 161 158 255

HSL 241.86, 1%, 0.81%

LAB 68.93, 23.54, -47.85

 

CMYK 27 / 38 / 0 / 0

HEX #BB9EFF

RGB 187 158 255

HSL 257.94, 1%, 0.81%

LAB 71.04, 30.54, -44.4

 

CMYK 38 / 8 / 0 / 0

HEX #9EEAFF

RGB 158 234 255

HSL 192.99, 1%, 0.81%

LAB 88.61, -18.26, -17.56

 

CMYK 38 / 18 / 0 / 0

HEX #9ED0FF

RGB 158 208 255

HSL 209.07, 1%, 0.81%

LAB 81.62, -4.87, -28.16

 

CMYK 38 / 29 / 0 / 0

HEX #9EB6FF

RGB 158 182 255

HSL 225.15, 1%, 0.81%

LAB 74.79, 9.25, -38.7

 

CMYK 38 / 38 / 0 / 0

HEX #9E9EFF

RGB 158 158 255

HSL 240, 1%, 0.81%

LAB 68.71, 22.76, -48.22

 

CMYK 38 / 8 / 0 / 0

HEX #9EEAFF

RGB 158 234 255

HSL 192.99, 1%, 0.81%

LAB 88.61, -18.26, -17.56

 

CMYK 38 / 8 / 0 / 0

HEX #9EEAFF

RGB 158 234 255

HSL 192.99, 1%, 0.81%

LAB 88.61, -18.26, -17.56

 

CMYK 33 / 7 / 0 / 3

HEX #A6E5F7

RGB 166 229 247

HSL 193.33, 0.84%, 0.81%

LAB 87.42, -15.58, -15.11

 

CMYK 27 / 6 / 0 / 6

HEX #AEE1EF

RGB 174 225 239

HSL 192.92, 0.67%, 0.81%

LAB 86.54, -13.18, -12.16

 

CMYK 21 / 4 / 0 / 9

HEX #B6DDE7

RGB 182 221 231

HSL 192.24, 0.51%, 0.81%

LAB 85.72, -10.55, -9.12

 

CMYK 16 / 4 / 0 / 12

HEX #BDD8E0

RGB 189 216 224

HSL 193.71, 0.36%, 0.81%

LAB 84.64, -7.3, -6.96

 

CMYK 38 / 0 / 12 / 0

HEX #9EFFE0

RGB 158 255 224

HSL 160.82, 1%, 0.81%

LAB 93.52, -35.41, 5.82

 

CMYK 38 / 0 / 2 / 0

HEX #9EFFFA

RGB 158 255 250

HSL 176.91, 1%, 0.81%

LAB 94.18, -29.67, -6.65

 

CMYK 38 / 8 / 0 / 0

HEX #9EEAFF

RGB 158 234 255

HSL 192.99, 1%, 0.81%

LAB 88.61, -18.26, -17.56

 

CMYK 38 / 18 / 0 / 0

HEX #9ED0FF

RGB 158 208 255

HSL 209.07, 1%, 0.81%

LAB 81.62, -4.87, -28.16

 

CMYK 38 / 29 / 0 / 0

HEX #9EB6FF

RGB 158 182 255

HSL 225.15, 1%, 0.81%

LAB 74.79, 9.25, -38.7

 

CMYK 70 / 15 / 0 / 0

HEX #4CD8FF

RGB 76 216 255

HSL 193.07, 1%, 0.65%

LAB 80.67, -25.28, -29.9

 

CMYK 54 / 12 / 0 / 0

HEX #75E1FF

RGB 117 225 255

HSL 193.04, 1%, 0.73%

LAB 84.41, -23.04, -24.08

 

CMYK 38 / 8 / 0 / 0

HEX #9EEAFF

RGB 158 234 255

HSL 192.99, 1%, 0.81%

LAB 88.61, -18.26, -17.56

 

CMYK 22 / 5 / 0 / 0

HEX #C7F3FF

RGB 199 243 255

HSL 192.86, 1%, 0.89%

LAB 93.22, -11.51, -10.43

 

CMYK 5 / 1 / 0 / 0

HEX #F1FCFF

RGB 241 252 255

HSL 192.86, 1%, 0.97%

LAB 98.25, -3.04, -2.69

 

CMYK 38 / 8 / 0 / 0

HEX #9FEAFF

RGB 159 234 255

HSL 193.13, 1%, 0.81%

LAB 88.66, -18, -17.48

 

CMYK 22 / 38 / 0 / 0

HEX #C69EFF

RGB 198 158 255

HSL 264.74, 1%, 0.81%

LAB 72.01, 33.63, -42.8

 

CMYK 0 / 7 / 38 / 0

HEX #FFED9E

RGB 255 237 158

HSL 48.87, 1%, 0.81%

LAB 93.58, -4.82, 40.48

 

CMYK 38 / 8 / 0 / 0

HEX #9FEAFF

RGB 159 234 255

HSL 193.13, 1%, 0.81%

LAB 88.66, -18, -17.48

 

CMYK 0 / 38 / 8 / 0

HEX #FF9EEA

RGB 255 158 234

HSL 312.99, 1%, 0.81%

LAB 77.07, 46.71, -23.11

 

CMYK 8 / 0 / 38 / 0

HEX #EAFF9E

RGB 234 255 158

HSL 72.99, 1%, 0.81%

LAB 96.61, -21.57, 44.07

 

CMYK 38 / 8 / 0 / 0

HEX #9FEAFF

RGB 159 234 255

HSL 193.13, 1%, 0.81%

LAB 88.66, -18, -17.48

 

CMYK 22 / 38 / 0 / 0

HEX #C69EFF

RGB 198 158 255

HSL 264.74, 1%, 0.81%

LAB 72.01, 33.63, -42.8

 

CMYK 0 / 30 / 38 / 0

HEX #FFB39E

RGB 255 179 158

HSL 12.99, 1%, 0.81%

LAB 79.6, 25.12, 21.82

 

CMYK 16 / 0 / 38 / 0

HEX #D7FF9E

RGB 215 255 158

HSL 84.74, 1%, 0.81%

LAB 95.34, -28.49, 42.2

 

CMYK 38 / 8 / 0 / 0

HEX #9FEAFF

RGB 159 234 255

HSL 193.13, 1%, 0.81%

LAB 88.66, -18, -17.48

 

CMYK 11 / 38 / 0 / 0

HEX #E49EFF

RGB 228 158 255

HSL 283.3, 1%, 0.81%

LAB 74.93, 42.32, -38.03

 

CMYK 0 / 30 / 38 / 0

HEX #FFB39E

RGB 255 179 158

HSL 12.99, 1%, 0.81%

LAB 79.6, 25.12, 21.82

 

CMYK 27 / 0 / 38 / 0

HEX #BAFF9E

RGB 186 255 158

HSL 102.68, 1%, 0.81%

LAB 93.64, -38.51, 39.65

 

Description

Color code: HEX #9FEAFFCE | qconv.com Color code: HEX #9FEAFFCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 234 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 234 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, 7 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 7% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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