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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FE970 it is the complementary color #60168F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FE970. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FE970 shade: #A4E96B, #B5FB7E, #C6FF91, #D7FFA4 and #E8FFB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FE970. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FE970 shade: #9FE970, #8ED75D, #7DC54A, #6CB337 and #5BA124

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FE970 shade: #A0E972, #C0E972, #E0E972, #E9D172 and #E9B172

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FE970 shade: #A0E972, #80E972, #72E984, #72E9A4 and #72E9C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FE970 shade matches the following richer shades: #A0E972 and #9DF665

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FE970 shade: #A0E972, #A3DC7F, #A6CF8C, #A9C199 and #ACB4A7

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FE970 shade: #E1E972, #C1E972, #A1E972, #82E972 and #72E982

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FE970 shade: #70DE2A, #88E34E, #A0E972, #B8EF96 and #D0F4B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FE970 shade: #9FE970, #72E9D1 and #E972D1

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FE970 shade: #9FE970, #72A1E9 and #E972A1

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FE970 shade: #9FE970, #72E9D1, #B972E9 and #E9728A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FE970 shade: #9FE970, #72DDE9, #B972E9 and #E97E72

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 52 / 9

HEX #9FE970

RGB 159 233 112

HSL 96.69, 0.73%, 0.68%

LAB 85.41, -43.53, 51.12

 

Complementary color

CMYK 33 / 85 / 0 / 44

HEX #60168F

RGB 96 22 143

HSL 276.69, 0.73%, 0.32%

LAB 26.86, 51.84, -50.86

 

CMYK 30 / 0 / 54 / 9

HEX #A4E96B

RGB 164 233 107

HSL 92.86, 0.74%, 0.67%

LAB 85.62, -42.35, 53.72

 

CMYK 28 / 0 / 50 / 2

HEX #B5FB7E

RGB 181 251 126

HSL 93.6, 0.94%, 0.74%

LAB 91.83, -42.35, 52.64

 

CMYK 22 / 0 / 43 / 0

HEX #C6FF91

RGB 198 255 145

HSL 91.09, 1%, 0.78%

LAB 94.13, -36.08, 46.73

 

CMYK 16 / 0 / 36 / 0

HEX #D7FFA4

RGB 215 255 164

HSL 86.37, 1%, 0.82%

LAB 95.43, -27.74, 39.37

 

CMYK 9 / 0 / 28 / 0

HEX #E8FFB7

RGB 232 255 183

HSL 79.17, 1%, 0.86%

LAB 96.86, -19.17, 32.01

 

CMYK 32 / 0 / 52 / 9

HEX #9FE970

RGB 159 233 112

HSL 96.69, 0.73%, 0.68%

LAB 85.41, -43.53, 51.12

 

CMYK 34 / 0 / 57 / 16

HEX #8ED75D

RGB 142 215 93

HSL 95.9, 0.6%, 0.6%

LAB 79.12, -43.52, 52.19

 

CMYK 37 / 0 / 62 / 23

HEX #7DC54A

RGB 125 197 74

HSL 95.12, 0.51%, 0.53%

LAB 72.75, -43.41, 53.14

 

CMYK 40 / 0 / 69 / 30

HEX #6CB337

RGB 108 179 55

HSL 94.35, 0.53%, 0.46%

LAB 66.29, -43.16, 53.82

 

CMYK 43 / 0 / 78 / 37

HEX #5BA124

RGB 91 161 36

HSL 93.6, 0.63%, 0.39%

LAB 59.75, -42.7, 53.95

 

CMYK 31 / 0 / 51 / 9

HEX #A0E972

RGB 160 233 114

HSL 96.81, 0.73%, 0.68%

LAB 85.49, -42.97, 50.29

 

CMYK 18 / 0 / 51 / 9

HEX #C0E972

RGB 192 233 114

HSL 80.67, 0.73%, 0.68%

LAB 87.34, -31.53, 52.95

 

CMYK 4 / 0 / 51 / 9

HEX #E0E972

RGB 224 233 114

HSL 64.54, 0.73%, 0.68%

LAB 89.55, -19.21, 56.11

 

CMYK 0 / 10 / 51 / 9

HEX #E9D172

RGB 233 209 114

HSL 47.9, 0.73%, 0.68%

LAB 84.04, -3.62, 49.74

 

CMYK 0 / 24 / 51 / 9

HEX #E9B172

RGB 233 177 114

HSL 31.76, 0.73%, 0.68%

LAB 76.06, 13.09, 39.94

 

CMYK 31 / 0 / 51 / 9

HEX #A0E972

RGB 160 233 114

HSL 96.81, 0.73%, 0.68%

LAB 85.49, -42.97, 50.29

 

CMYK 45 / 0 / 51 / 9

HEX #80E972

RGB 128 233 114

HSL 112.94, 0.73%, 0.68%

LAB 84.01, -53.04, 48.15

 

CMYK 51 / 0 / 43 / 9

HEX #72E984

RGB 114 233 132

HSL 129.08, 0.73%, 0.68%

LAB 83.72, -54.36, 38.99

 

CMYK 51 / 0 / 30 / 9

HEX #72E9A4

RGB 114 233 164

HSL 145.21, 0.73%, 0.68%

LAB 84.24, -48.91, 23.5

 

CMYK 51 / 0 / 16 / 9

HEX #72E9C4

RGB 114 233 196

HSL 161.34, 0.73%, 0.68%

LAB 84.92, -42.3, 7.77

 

CMYK 31 / 0 / 51 / 9

HEX #A0E972

RGB 160 233 114

HSL 96.81, 0.73%, 0.68%

LAB 85.49, -42.97, 50.29

 

CMYK 36 / 0 / 59 / 4

HEX #9DF665

RGB 157 246 101

HSL 96.83, 0.89%, 0.68%

LAB 88.93, -50.8, 60.09

 

CMYK 31 / 0 / 51 / 9

HEX #A0E972

RGB 160 233 114

HSL 96.81, 0.73%, 0.68%

LAB 85.49, -42.97, 50.29

 

CMYK 26 / 0 / 42 / 14

HEX #A3DC7F

RGB 163 220 127

HSL 96.77, 0.57%, 0.68%

LAB 82.11, -34.57, 39.87

 

CMYK 20 / 0 / 32 / 19

HEX #A6CF8C

RGB 166 207 140

HSL 96.72, 0.41%, 0.68%

LAB 78.83, -25.57, 29.01

 

CMYK 12 / 0 / 21 / 24

HEX #A9C199

RGB 169 193 153

HSL 96, 0.24%, 0.68%

LAB 75.37, -15.5, 17.47

 

CMYK 4 / 0 / 7 / 29

HEX #ACB4A7

RGB 172 180 167

HSL 96.92, 0.08%, 0.68%

LAB 72.36, -5.22, 5.66

 

CMYK 3 / 0 / 51 / 9

HEX #E1E972

RGB 225 233 114

HSL 64.03, 0.73%, 0.68%

LAB 89.63, -18.81, 56.22

 

CMYK 17 / 0 / 51 / 9

HEX #C1E972

RGB 193 233 114

HSL 80.17, 0.73%, 0.68%

LAB 87.4, -31.15, 53.04

 

CMYK 31 / 0 / 51 / 9

HEX #A1E972

RGB 161 233 114

HSL 96.3, 0.73%, 0.68%

LAB 85.54, -42.63, 50.36

 

CMYK 44 / 0 / 51 / 9

HEX #82E972

RGB 130 233 114

HSL 111.93, 0.73%, 0.68%

LAB 84.09, -52.46, 48.27

 

CMYK 51 / 0 / 44 / 9

HEX #72E982

RGB 114 233 130

HSL 128.07, 0.73%, 0.68%

LAB 83.69, -54.66, 39.94

 

CMYK 50 / 0 / 81 / 13

HEX #70DE2A

RGB 112 222 42

HSL 96.67, 0.73%, 0.52%

LAB 79.53, -59.57, 70.94

 

CMYK 40 / 0 / 66 / 11

HEX #88E34E

RGB 136 227 78

HSL 96.64, 0.73%, 0.6%

LAB 82.23, -51.86, 61.94

 

CMYK 31 / 0 / 51 / 9

HEX #A0E972

RGB 160 233 114

HSL 96.81, 0.73%, 0.68%

LAB 85.49, -42.97, 50.29

 

CMYK 23 / 0 / 37 / 6

HEX #B8EF96

RGB 184 239 150

HSL 97.08, 0.74%, 0.76%

LAB 88.98, -33, 37.52

 

CMYK 15 / 0 / 24 / 4

HEX #D0F4B9

RGB 208 244 185

HSL 96.61, 0.73%, 0.84%

LAB 92.4, -22.01, 24.67

 

CMYK 32 / 0 / 52 / 9

HEX #9FE970

RGB 159 233 112

HSL 96.69, 0.73%, 0.68%

LAB 85.41, -43.53, 51.12

 

CMYK 51 / 0 / 10 / 9

HEX #72E9D1

RGB 114 233 209

HSL 167.9, 0.73%, 0.68%

LAB 85.23, -39.31, 1.39

 

CMYK 0 / 51 / 10 / 9

HEX #E972D1

RGB 233 114 209

HSL 312.1, 0.73%, 0.68%

LAB 64.93, 57.8, -28.15

 

CMYK 32 / 0 / 52 / 9

HEX #9FE970

RGB 159 233 112

HSL 96.69, 0.73%, 0.68%

LAB 85.41, -43.53, 51.12

 

CMYK 51 / 31 / 0 / 9

HEX #72A1E9

RGB 114 161 233

HSL 216.3, 0.73%, 0.68%

LAB 65.71, 4.1, -41.1

 

CMYK 0 / 51 / 31 / 9

HEX #E972A1

RGB 233 114 161

HSL 336.3, 0.73%, 0.68%

LAB 63.29, 50.97, -3.43

 

CMYK 32 / 0 / 52 / 9

HEX #9FE970

RGB 159 233 112

HSL 96.69, 0.73%, 0.68%

LAB 85.41, -43.53, 51.12

 

CMYK 51 / 0 / 10 / 9

HEX #72E9D1

RGB 114 233 209

HSL 167.9, 0.73%, 0.68%

LAB 85.23, -39.31, 1.39

 

CMYK 21 / 51 / 0 / 9

HEX #B972E9

RGB 185 114 233

HSL 275.8, 0.73%, 0.68%

LAB 60.1, 48.96, -49.56

 

CMYK 0 / 51 / 41 / 9

HEX #E9728A

RGB 233 114 138

HSL 347.9, 0.73%, 0.68%

LAB 62.67, 48.3, 8.86

 

CMYK 32 / 0 / 52 / 9

HEX #9FE970

RGB 159 233 112

HSL 96.69, 0.73%, 0.68%

LAB 85.41, -43.53, 51.12

 

CMYK 51 / 5 / 0 / 9

HEX #72DDE9

RGB 114 221 233

HSL 186.05, 0.73%, 0.68%

LAB 82.47, -27.65, -15.38

 

CMYK 21 / 51 / 0 / 9

HEX #B972E9

RGB 185 114 233

HSL 275.8, 0.73%, 0.68%

LAB 60.1, 48.96, -49.56

 

CMYK 0 / 46 / 51 / 9

HEX #E97E72

RGB 233 126 114

HSL 6.05, 0.73%, 0.68%

LAB 64.53, 39.97, 25.06

 

Description

Color code: HEX #9FE970 | qconv.com Color code: HEX #9FE970 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 233 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 233 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 52 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 52% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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