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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FE347 it is the complementary color #601CB8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FE347. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FE347 shade: #A4E342, #B5F555, #C6FF68, #D7FF7B and #E8FF8E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FE347. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FE347 shade: #9FE347, #8ED134, #7DBF21, #6CAD0E and #5B9B00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FE347 shade: #9EE345, #C9E345, #E3D345, #E3A845 and #E37D45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FE347 shade: #9EE345, #73E345, #49E345, #45E36B and #45E396

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FE347 shade matches the following richer shades: #9EE345 and #A0F433

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FE347 shade: #9EE345, #9CD256, #9AC067, #97AF79 and #959E8A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FE347 shade: #E3D345, #C9E345, #9EE345, #74E345 and #4AE345

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FE347 shade: #75BA1C, #8BDD21, #9EE345, #B1E969 and #C3EE8C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FE347 shade: #9FE347, #45E3A9 and #E345DE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FE347 shade: #9FE347, #459EE3 and #E3459E

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FE347 shade: #9FE347, #45E3A9, #8945E3 and #E3457F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FE347 shade: #9FE347, #45E3D9, #8945E3 and #E3454F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 30 / 0 / 69 / 11

HEX #9FE347

RGB 159 227 71

HSL 86.15, 0.74%, 0.58%

LAB 83.32, -44.54, 66.11

 

Complementary color

CMYK 48 / 85 / 0 / 28

HEX #601CB8

RGB 96 28 184

HSL 266.15, 0.74%, 0.42%

LAB 31.3, 59.51, -68.44

 

CMYK 28 / 0 / 71 / 11

HEX #A4E342

RGB 164 227 66

HSL 83.48, 0.74%, 0.57%

LAB 83.56, -43.05, 68.24

 

CMYK 26 / 0 / 65 / 4

HEX #B5F555

RGB 181 245 85

HSL 84, 0.89%, 0.65%

LAB 89.76, -43.42, 67.88

 

CMYK 22 / 0 / 59 / 0

HEX #C6FF68

RGB 198 255 104

HSL 82.65, 1%, 0.7%

LAB 93.68, -40.18, 64.75

 

CMYK 16 / 0 / 52 / 0

HEX #D7FF7B

RGB 215 255 123

HSL 78.18, 1%, 0.74%

LAB 94.91, -32.26, 58.17

 

CMYK 9 / 0 / 44 / 0

HEX #E8FF8E

RGB 232 255 142

HSL 72.21, 1%, 0.78%

LAB 96.26, -24.05, 51.28

 

CMYK 30 / 0 / 69 / 11

HEX #9FE347

RGB 159 227 71

HSL 86.15, 0.74%, 0.58%

LAB 83.32, -44.54, 66.11

 

CMYK 32 / 0 / 75 / 18

HEX #8ED134

RGB 142 209 52

HSL 85.61, 0.63%, 0.51%

LAB 77.04, -44.11, 66.19

 

CMYK 35 / 0 / 83 / 25

HEX #7DBF21

RGB 125 191 33

HSL 85.06, 0.71%, 0.44%

LAB 70.69, -43.49, 65.51

 

CMYK 38 / 0 / 92 / 32

HEX #6CAD0E

RGB 108 173 14

HSL 84.53, 0.85%, 0.37%

LAB 64.25, -42.63, 63.59

 

CMYK 41 / 0 / 100 / 39

HEX #5B9B00

RGB 91 155 0

HSL 84.77, 1%, 0.3%

LAB 57.72, -41.47, 60.02

 

CMYK 30 / 0 / 70 / 11

HEX #9EE345

RGB 158 227 69

HSL 86.2, 0.74%, 0.58%

LAB 83.25, -45.03, 66.75

 

CMYK 11 / 0 / 70 / 11

HEX #C9E345

RGB 201 227 69

HSL 69.87, 0.74%, 0.58%

LAB 85.9, -28.63, 70.28

 

CMYK 0 / 7 / 70 / 11

HEX #E3D345

RGB 227 211 69

HSL 53.92, 0.74%, 0.58%

LAB 83.63, -10.14, 68.7

 

CMYK 0 / 26 / 70 / 11

HEX #E3A845

RGB 227 168 69

HSL 37.59, 0.74%, 0.58%

LAB 72.74, 12.21, 57.62

 

CMYK 0 / 45 / 70 / 11

HEX #E37D45

RGB 227 125 69

HSL 21.27, 0.74%, 0.58%

LAB 62.87, 35.02, 47.01

 

CMYK 30 / 0 / 70 / 11

HEX #9EE345

RGB 158 227 69

HSL 86.2, 0.74%, 0.58%

LAB 83.25, -45.03, 66.75

 

CMYK 49 / 0 / 70 / 11

HEX #73E345

RGB 115 227 69

HSL 102.53, 0.74%, 0.58%

LAB 81.3, -58.93, 64.13

 

CMYK 68 / 0 / 70 / 11

HEX #49E345

RGB 73 227 69

HSL 118.48, 0.74%, 0.58%

LAB 80.06, -68.8, 62.46

 

CMYK 70 / 0 / 53 / 11

HEX #45E36B

RGB 69 227 107

HSL 134.43, 0.74%, 0.58%

LAB 80.33, -65.29, 46.55

 

CMYK 70 / 0 / 34 / 11

HEX #45E396

RGB 69 227 150

HSL 150.76, 0.74%, 0.58%

LAB 80.96, -58.11, 26.05

 

CMYK 30 / 0 / 70 / 11

HEX #9EE345

RGB 158 227 69

HSL 86.2, 0.74%, 0.58%

LAB 83.25, -45.03, 66.75

 

CMYK 34 / 0 / 79 / 4

HEX #A0F433

RGB 160 244 51

HSL 86.11, 0.9%, 0.58%

LAB 88.17, -52.36, 77.21

 

CMYK 30 / 0 / 70 / 11

HEX #9EE345

RGB 158 227 69

HSL 86.2, 0.74%, 0.58%

LAB 83.25, -45.03, 66.75

 

CMYK 26 / 0 / 59 / 18

HEX #9CD256

RGB 156 210 86

HSL 86.13, 0.58%, 0.58%

LAB 78.36, -36.99, 54.65

 

CMYK 20 / 0 / 46 / 25

HEX #9AC067

RGB 154 192 103

HSL 85.62, 0.41%, 0.58%

LAB 73.25, -27.61, 40.58

 

CMYK 14 / 0 / 31 / 31

HEX #97AF79

RGB 151 175 121

HSL 86.67, 0.25%, 0.58%

LAB 68.47, -17.94, 25.03

 

CMYK 6 / 0 / 13 / 38

HEX #959E8A

RGB 149 158 138

HSL 87, 0.09%, 0.58%

LAB 63.9, -6.98, 9.36

 

CMYK 0 / 7 / 70 / 11

HEX #E3D345

RGB 227 211 69

HSL 53.92, 0.74%, 0.58%

LAB 83.63, -10.14, 68.7

 

CMYK 11 / 0 / 70 / 11

HEX #C9E345

RGB 201 227 69

HSL 69.87, 0.74%, 0.58%

LAB 85.9, -28.63, 70.28

 

CMYK 30 / 0 / 70 / 11

HEX #9EE345

RGB 158 227 69

HSL 86.2, 0.74%, 0.58%

LAB 83.25, -45.03, 66.75

 

CMYK 49 / 0 / 70 / 11

HEX #74E345

RGB 116 227 69

HSL 102.15, 0.74%, 0.58%

LAB 81.34, -58.64, 64.18

 

CMYK 67 / 0 / 70 / 11

HEX #4AE345

RGB 74 227 69

HSL 118.1, 0.74%, 0.58%

LAB 80.08, -68.61, 62.49

 

CMYK 37 / 0 / 85 / 27

HEX #75BA1C

RGB 117 186 28

HSL 86.2, 0.74%, 0.42%

LAB 68.74, -44.45, 64.85

 

CMYK 37 / 0 / 85 / 13

HEX #8BDD21

RGB 139 221 33

HSL 86.17, 0.74%, 0.5%

LAB 80.35, -50.97, 74.23

 

CMYK 30 / 0 / 70 / 11

HEX #9EE345

RGB 158 227 69

HSL 86.2, 0.74%, 0.58%

LAB 83.25, -45.03, 66.75

 

CMYK 24 / 0 / 55 / 9

HEX #B1E969

RGB 177 233 105

HSL 86.25, 0.74%, 0.66%

LAB 86.33, -37.93, 55.63

 

CMYK 18 / 0 / 41 / 7

HEX #C3EE8C

RGB 195 238 140

HSL 86.33, 0.74%, 0.74%

LAB 89.23, -29.92, 42.91

 

CMYK 30 / 0 / 69 / 11

HEX #9FE347

RGB 159 227 71

HSL 86.15, 0.74%, 0.58%

LAB 83.32, -44.54, 66.11

 

CMYK 70 / 0 / 26 / 11

HEX #45E3A9

RGB 69 227 169

HSL 157.97, 0.74%, 0.58%

LAB 81.33, -54.16, 16.68

 

CMYK 0 / 70 / 2 / 11

HEX #E345DE

RGB 227 69 222

HSL 301.9, 0.74%, 0.58%

LAB 57.9, 76.81, -46.51

 

CMYK 30 / 0 / 69 / 11

HEX #9FE347

RGB 159 227 71

HSL 86.15, 0.74%, 0.58%

LAB 83.32, -44.54, 66.11

 

CMYK 70 / 30 / 0 / 11

HEX #459EE3

RGB 69 158 227

HSL 206.2, 0.74%, 0.58%

LAB 62.73, -4.51, -42.6

 

CMYK 0 / 70 / 30 / 11

HEX #E3459E

RGB 227 69 158

HSL 326.2, 0.74%, 0.58%

LAB 55.13, 68.03, -13.96

 

CMYK 30 / 0 / 69 / 11

HEX #9FE347

RGB 159 227 71

HSL 86.15, 0.74%, 0.58%

LAB 83.32, -44.54, 66.11

 

CMYK 70 / 0 / 26 / 11

HEX #45E3A9

RGB 69 227 169

HSL 157.97, 0.74%, 0.58%

LAB 81.33, -54.16, 16.68

 

CMYK 40 / 70 / 0 / 11

HEX #8945E3

RGB 137 69 227

HSL 265.82, 0.74%, 0.58%

LAB 45.8, 59.48, -69.45

 

CMYK 0 / 70 / 44 / 11

HEX #E3457F

RGB 227 69 127

HSL 337.97, 0.74%, 0.58%

LAB 54.15, 64.78, 2.95

 

CMYK 30 / 0 / 69 / 11

HEX #9FE347

RGB 159 227 71

HSL 86.15, 0.74%, 0.58%

LAB 83.32, -44.54, 66.11

 

CMYK 70 / 0 / 4 / 11

HEX #45E3D9

RGB 69 227 217

HSL 176.2, 0.74%, 0.58%

LAB 82.49, -42.35, -6.99

 

CMYK 40 / 70 / 0 / 11

HEX #8945E3

RGB 137 69 227

HSL 265.82, 0.74%, 0.58%

LAB 45.8, 59.48, -69.45

 

CMYK 0 / 70 / 65 / 11

HEX #E3454F

RGB 227 69 79

HSL 356.2, 0.74%, 0.58%

LAB 53.12, 61.21, 30.08

 

Description

Color code: HEX #9FE347 | qconv.com Color code: HEX #9FE347 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 227 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 227 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 30 cyan, none magenta, 69 yellow and 11 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
30% 0% 69% 11% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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