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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FDEC2 it is the complementary color #60213D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FDEC2. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FDEC2 shade: #A4DEBD, #B5F0D0, #C6FFE3, #D7FFF6 and #E8FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FDEC2. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FDEC2 shade: #9FDEC2, #8ECCAF, #7DBA9C, #6CA889 and #5B9676

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FDEC2 shade: #A0DEC3, #A0DEB2, #A0DEA1, #B0DEA0 and #C1DEA0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FDEC2 shade: #A0DEC3, #A0DED4, #A0D9DE, #A0C8DE and #A0B7DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FDEC2 shade matches the following richer shades: #A0DEC3, #96E9C4, #8BF3C5 and #81FDC6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FDEC2 shade: #A0DEC3, #AAD4C2, #B5CAC0, #BFC0BF and #C9B5BE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FDEC2 shade: #A0DEA1, #A0DEB2, #A0DEC2, #A0DED3 and #A0D9DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FDEC2 shade: #63C99C, #81D4AF, #A0DEC3, #BFE9D6 and #DDF4EA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FDEC2 shade: #9FDEC2, #A0B0DE and #DEA9A0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FDEC2 shade: #9FDEC2, #C2A0DE and #DEC2A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FDEC2 shade: #9FDEC2, #A0B0DE, #DEA0BC and #DECFA0

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FDEC2 shade: #9FDEC2, #A3A0DE, #DEA0BC and #DBDEA0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 13 / 13

HEX #9FDEC2

RGB 159 222 194

HSL 153.33, 0.49%, 0.75%

LAB 83.71, -25.73, 7.35

 

Complementary color

CMYK 0 / 66 / 36 / 62

HEX #60213D

RGB 96 33 61

HSL 333.33, 0.49%, 0.25%

LAB 23.38, 31.66, -2.97

 

CMYK 26 / 0 / 15 / 13

HEX #A4DEBD

RGB 164 222 189

HSL 145.86, 0.47%, 0.76%

LAB 83.87, -25.18, 10.25

 

CMYK 25 / 0 / 13 / 6

HEX #B5F0D0

RGB 181 240 208

HSL 147.46, 0.66%, 0.83%

LAB 90.18, -24.98, 9.45

 

CMYK 22 / 0 / 11 / 0

HEX #C6FFE3

RGB 198 255 227

HSL 150.53, 1%, 0.89%

LAB 95.61, -23.37, 7.54

 

CMYK 16 / 0 / 4 / 0

HEX #D7FFF6

RGB 215 255 246

HSL 166.5, 1%, 0.92%

LAB 97.07, -14.48, 0.01

 

CMYK 9 / 0 / 0 / 0

HEX #E8FFFF

RGB 232 255 255

HSL 180, 1%, 0.95%

LAB 98.39, -7.43, -2.56

 

CMYK 28 / 0 / 13 / 13

HEX #9FDEC2

RGB 159 222 194

HSL 153.33, 0.49%, 0.75%

LAB 83.71, -25.73, 7.35

 

CMYK 30 / 0 / 14 / 20

HEX #8ECCAF

RGB 142 204 175

HSL 151.94, 0.38%, 0.68%

LAB 77.3, -25.95, 8.16

 

CMYK 33 / 0 / 16 / 27

HEX #7DBA9C

RGB 125 186 156

HSL 150.49, 0.31%, 0.61%

LAB 70.79, -26.18, 9.01

 

CMYK 36 / 0 / 18 / 34

HEX #6CA889

RGB 108 168 137

HSL 149, 0.26%, 0.54%

LAB 64.16, -26.44, 9.92

 

CMYK 39 / 0 / 21 / 41

HEX #5B9676

RGB 91 150 118

HSL 147.46, 0.24%, 0.47%

LAB 57.41, -26.7, 10.91

 

CMYK 28 / 0 / 12 / 13

HEX #A0DEC3

RGB 160 222 195

HSL 153.87, 0.48%, 0.75%

LAB 83.79, -25.23, 6.94

 

CMYK 28 / 0 / 20 / 13

HEX #A0DEB2

RGB 160 222 178

HSL 137.42, 0.48%, 0.75%

LAB 83.41, -28.5, 15.36

 

CMYK 28 / 0 / 27 / 13

HEX #A0DEA1

RGB 160 222 161

HSL 120.97, 0.48%, 0.75%

LAB 83.07, -31.48, 23.77

 

CMYK 21 / 0 / 28 / 13

HEX #B0DEA0

RGB 176 222 160

HSL 104.52, 0.48%, 0.75%

LAB 83.97, -26.29, 25.68

 

CMYK 13 / 0 / 28 / 13

HEX #C1DEA0

RGB 193 222 160

HSL 88.06, 0.48%, 0.75%

LAB 85.06, -20.3, 27.33

 

CMYK 28 / 0 / 12 / 13

HEX #A0DEC3

RGB 160 222 195

HSL 153.87, 0.48%, 0.75%

LAB 83.79, -25.23, 6.94

 

CMYK 28 / 0 / 5 / 13

HEX #A0DED4

RGB 160 222 212

HSL 170.32, 0.48%, 0.75%

LAB 84.21, -21.69, -1.44

 

CMYK 28 / 2 / 0 / 13

HEX #A0D9DE

RGB 160 217 222

HSL 184.84, 0.48%, 0.75%

LAB 83.11, -16.97, -8.36

 

CMYK 28 / 10 / 0 / 13

HEX #A0C8DE

RGB 160 200 222

HSL 201.29, 0.48%, 0.75%

LAB 78.49, -8.2, -15.26

 

CMYK 28 / 18 / 0 / 13

HEX #A0B7DE

RGB 160 183 222

HSL 217.74, 0.48%, 0.75%

LAB 73.94, 0.9, -22.15

 

CMYK 28 / 0 / 12 / 13

HEX #A0DEC3

RGB 160 222 195

HSL 153.87, 0.48%, 0.75%

LAB 83.79, -25.23, 6.94

 

CMYK 36 / 0 / 16 / 9

HEX #96E9C4

RGB 150 233 196

HSL 153.25, 0.65%, 0.75%

LAB 86.38, -33.19, 10.06

 

CMYK 43 / 0 / 19 / 5

HEX #8BF3C5

RGB 139 243 197

HSL 153.46, 0.81%, 0.75%

LAB 88.74, -40.52, 12.84

 

CMYK 49 / 0 / 22 / 1

HEX #81FDC6

RGB 129 253 198

HSL 153.39, 0.97%, 0.75%

LAB 91.23, -47.14, 15.79

 

CMYK 28 / 0 / 12 / 13

HEX #A0DEC3

RGB 160 222 195

HSL 153.87, 0.48%, 0.75%

LAB 83.79, -25.23, 6.94

 

CMYK 20 / 0 / 8 / 17

HEX #AAD4C2

RGB 170 212 194

HSL 154.29, 0.33%, 0.75%

LAB 81.58, -17.36, 4.36

 

CMYK 10 / 0 / 5 / 21

HEX #B5CAC0

RGB 181 202 192

HSL 151.43, 0.17%, 0.75%

LAB 79.54, -9.02, 2.57

 

CMYK 1 / 0 / 1 / 25

HEX #BFC0BF

RGB 191 192 191

HSL 120, 0.01%, 0.75%

LAB 77.6, -0.53, 0.37

 

CMYK 0 / 10 / 5 / 21

HEX #C9B5BE

RGB 201 181 190

HSL 333, 0.16%, 0.75%

LAB 75.57, 8.7, -1.97

 

CMYK 28 / 0 / 27 / 13

HEX #A0DEA1

RGB 160 222 161

HSL 120.97, 0.48%, 0.75%

LAB 83.07, -31.48, 23.77

 

CMYK 28 / 0 / 20 / 13

HEX #A0DEB2

RGB 160 222 178

HSL 137.42, 0.48%, 0.75%

LAB 83.41, -28.5, 15.36

 

CMYK 28 / 0 / 13 / 13

HEX #A0DEC2

RGB 160 222 194

HSL 152.9, 0.48%, 0.75%

LAB 83.76, -25.43, 7.43

 

CMYK 28 / 0 / 5 / 13

HEX #A0DED3

RGB 160 222 211

HSL 169.35, 0.48%, 0.75%

LAB 84.18, -21.9, -0.95

 

CMYK 28 / 2 / 0 / 13

HEX #A0D9DE

RGB 160 217 222

HSL 184.84, 0.48%, 0.75%

LAB 83.11, -16.97, -8.36

 

CMYK 51 / 0 / 22 / 21

HEX #63C99C

RGB 99 201 156

HSL 153.53, 0.49%, 0.59%

LAB 74.08, -40.31, 13.51

 

CMYK 39 / 0 / 17 / 17

HEX #81D4AF

RGB 129 212 175

HSL 153.25, 0.49%, 0.67%

LAB 78.95, -33.55, 10.43

 

CMYK 28 / 0 / 12 / 13

HEX #A0DEC3

RGB 160 222 195

HSL 153.87, 0.48%, 0.75%

LAB 83.79, -25.23, 6.94

 

CMYK 18 / 0 / 8 / 9

HEX #BFE9D6

RGB 191 233 214

HSL 152.86, 0.49%, 0.83%

LAB 89.02, -17.28, 4.73

 

CMYK 9 / 0 / 4 / 4

HEX #DDF4EA

RGB 221 244 234

HSL 153.91, 0.51%, 0.91%

LAB 94.32, -9.36, 2.24

 

CMYK 28 / 0 / 13 / 13

HEX #9FDEC2

RGB 159 222 194

HSL 153.33, 0.49%, 0.75%

LAB 83.71, -25.73, 7.35

 

CMYK 28 / 21 / 0 / 13

HEX #A0B0DE

RGB 160 176 222

HSL 224.52, 0.48%, 0.75%

LAB 72.09, 4.74, -24.97

 

CMYK 0 / 24 / 28 / 13

HEX #DEA9A0

RGB 222 169 160

HSL 8.71, 0.48%, 0.75%

LAB 73.83, 18.18, 12.18

 

CMYK 28 / 0 / 13 / 13

HEX #9FDEC2

RGB 159 222 194

HSL 153.33, 0.49%, 0.75%

LAB 83.71, -25.73, 7.35

 

CMYK 13 / 28 / 0 / 13

HEX #C2A0DE

RGB 194 160 222

HSL 272.9, 0.48%, 0.75%

LAB 70.79, 24.08, -26.72

 

CMYK 0 / 13 / 28 / 13

HEX #DEC2A0

RGB 222 194 160

HSL 32.9, 0.48%, 0.75%

LAB 79.98, 4.85, 20.77

 

CMYK 28 / 0 / 13 / 13

HEX #9FDEC2

RGB 159 222 194

HSL 153.33, 0.49%, 0.75%

LAB 83.71, -25.73, 7.35

 

CMYK 28 / 21 / 0 / 13

HEX #A0B0DE

RGB 160 176 222

HSL 224.52, 0.48%, 0.75%

LAB 72.09, 4.74, -24.97

 

CMYK 0 / 28 / 15 / 13

HEX #DEA0BC

RGB 222 160 188

HSL 332.9, 0.48%, 0.75%

LAB 72.43, 27.18, -5.26

 

CMYK 0 / 7 / 28 / 13

HEX #DECFA0

RGB 222 207 160

HSL 45.48, 0.48%, 0.75%

LAB 83.28, -1.94, 25.28

 

CMYK 28 / 0 / 13 / 13

HEX #9FDEC2

RGB 159 222 194

HSL 153.33, 0.49%, 0.75%

LAB 83.71, -25.73, 7.35

 

CMYK 27 / 28 / 0 / 13

HEX #A3A0DE

RGB 163 160 222

HSL 242.9, 0.48%, 0.75%

LAB 68.17, 14.56, -30.98

 

CMYK 0 / 28 / 15 / 13

HEX #DEA0BC

RGB 222 160 188

HSL 332.9, 0.48%, 0.75%

LAB 72.43, 27.18, -5.26

 

CMYK 1 / 0 / 28 / 13

HEX #DBDEA0

RGB 219 222 160

HSL 62.9, 0.48%, 0.75%

LAB 86.92, -10.73, 30.16

 

Description

Color code: HEX #9FDEC2 | qconv.com Color code: HEX #9FDEC2 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 222 green and 194 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 222 194 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 13 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 13% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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