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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FDE06 it is the complementary color #6021F9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FDE06. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FDE06 shade: #A4DE01, #B5F014, #C6FF27, #D7FF3A and #E8FF4D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FDE06. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FDE06 shade: #9FDE06, #8ECC00, #7DBA00, #6CA800 and #5B9600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FDE06 shade: #A0E006, #DBE006, #E0AA06, #E06F06 and #E03406

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FDE06 shade: #A0E006, #65E006, #2BE006, #06E01C and #06E056

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FDE06 shade matches the following richer shades: #A0E006

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FDE06 shade: #A0E006, #98CD18, #91BB2B, #89A83D and #819550

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FDE06 shade: #E0A906, #DCE006, #A2E006, #68E006 and #2EE006

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FDE06 shade: #678F04, #83B805, #A0E006, #B7F916 and #C3FA3E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FDE06 shade: #9FDE06, #06E06F and #C606E0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FDE06 shade: #9FDE06, #06A2E0 and #E006A2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FDE06 shade: #9FDE06, #06E06F, #4406E0 and #E00676

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FDE06 shade: #9FDE06, #06E0B1, #4406E0 and #E00635

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 97 / 13

HEX #9FDE06

RGB 159 222 6

HSL 77.5, 0.95%, 0.45%

LAB 81.63, -44.74, 79.48

 

Complementary color

CMYK 61 / 87 / 0 / 2

HEX #6021F9

RGB 96 33 249

HSL 257.5, 0.95%, 0.55%

LAB 38.58, 73.91, -93.91

 

CMYK 26 / 0 / 100 / 13

HEX #A4DE01

RGB 164 222 1

HSL 75.75, 0.99%, 0.44%

LAB 81.91, -42.91, 80.26

 

CMYK 25 / 0 / 92 / 6

HEX #B5F014

RGB 181 240 20

HSL 76.09, 0.88%, 0.51%

LAB 88.06, -44, 83.68

 

CMYK 22 / 0 / 85 / 0

HEX #C6FF27

RGB 198 255 39

HSL 75.83, 1%, 0.58%

LAB 93.31, -43.64, 85.31

 

CMYK 16 / 0 / 77 / 0

HEX #D7FF3A

RGB 215 255 58

HSL 72.18, 1%, 0.61%

LAB 94.43, -36.49, 82.17

 

CMYK 9 / 0 / 70 / 0

HEX #E8FF4D

RGB 232 255 77

HSL 67.75, 1%, 0.65%

LAB 95.67, -28.99, 77.84

 

CMYK 28 / 0 / 97 / 13

HEX #9FDE06

RGB 159 222 6

HSL 77.5, 0.95%, 0.45%

LAB 81.63, -44.74, 79.48

 

CMYK 30 / 0 / 100 / 20

HEX #8ECC00

RGB 142 204 0

HSL 78.24, 1%, 0.4%

LAB 75.41, -43.49, 74.83

 

CMYK 33 / 0 / 100 / 27

HEX #7DBA00

RGB 125 186 0

HSL 79.68, 1%, 0.36%

LAB 69.1, -42.15, 69.57

 

CMYK 36 / 0 / 100 / 34

HEX #6CA800

RGB 108 168 0

HSL 81.43, 1%, 0.33%

LAB 62.67, -40.78, 64.23

 

CMYK 39 / 0 / 100 / 41

HEX #5B9600

RGB 91 150 0

HSL 83.6, 1%, 0.29%

LAB 56.12, -39.36, 58.78

 

CMYK 29 / 0 / 97 / 12

HEX #A0E006

RGB 160 224 6

HSL 77.61, 0.95%, 0.45%

LAB 82.27, -45.22, 79.99

 

CMYK 2 / 0 / 97 / 12

HEX #DBE006

RGB 219 224 6

HSL 61.38, 0.95%, 0.45%

LAB 86.2, -21.59, 84.71

 

CMYK 0 / 24 / 97 / 12

HEX #E0AA06

RGB 224 170 6

HSL 45.14, 0.95%, 0.45%

LAB 72.63, 8.08, 75.04

 

CMYK 0 / 50 / 97 / 12

HEX #E06F06

RGB 224 111 6

HSL 28.9, 0.95%, 0.45%

LAB 59.19, 39.21, 66

 

CMYK 0 / 77 / 97 / 12

HEX #E03406

RGB 224 52 6

HSL 12.66, 0.95%, 0.45%

LAB 49.88, 63.88, 60.63

 

CMYK 29 / 0 / 97 / 12

HEX #A0E006

RGB 160 224 6

HSL 77.61, 0.95%, 0.45%

LAB 82.27, -45.22, 79.99

 

CMYK 55 / 0 / 97 / 12

HEX #65E006

RGB 101 224 6

HSL 93.85, 0.95%, 0.45%

LAB 79.67, -64.32, 76.83

 

CMYK 81 / 0 / 97 / 12

HEX #2BE006

RGB 43 224 6

HSL 109.82, 0.95%, 0.45%

LAB 78.37, -75.32, 75.24

 

CMYK 97 / 0 / 88 / 12

HEX #06E01C

RGB 6 224 28

HSL 126.06, 0.95%, 0.45%

LAB 78.13, -77.29, 72.08

 

CMYK 97 / 0 / 62 / 12

HEX #06E056

RGB 6 224 86

HSL 142.02, 0.95%, 0.45%

LAB 78.47, -72.91, 53.66

 

CMYK 29 / 0 / 97 / 12

HEX #A0E006

RGB 160 224 6

HSL 77.61, 0.95%, 0.45%

LAB 82.27, -45.22, 79.99

 

CMYK 29 / 0 / 97 / 12

HEX #A0E006

RGB 160 224 6

HSL 77.61, 0.95%, 0.45%

LAB 82.27, -45.22, 79.99

 

CMYK 26 / 0 / 88 / 20

HEX #98CD18

RGB 152 205 24

HSL 77.57, 0.79%, 0.45%

LAB 76.32, -39.72, 72.86

 

CMYK 22 / 0 / 77 / 27

HEX #91BB2B

RGB 145 187 43

HSL 77.5, 0.63%, 0.45%

LAB 70.69, -33.66, 63.1

 

CMYK 18 / 0 / 64 / 34

HEX #89A83D

RGB 137 168 61

HSL 77.38, 0.47%, 0.45%

LAB 64.69, -26.76, 50.15

 

CMYK 13 / 0 / 46 / 42

HEX #819550

RGB 129 149 80

HSL 77.39, 0.3%, 0.45%

LAB 58.73, -18.67, 33.96

 

CMYK 0 / 25 / 97 / 12

HEX #E0A906

RGB 224 169 6

HSL 44.86, 0.95%, 0.45%

LAB 72.39, 8.61, 74.87

 

CMYK 2 / 0 / 97 / 12

HEX #DCE006

RGB 220 224 6

HSL 61.1, 0.95%, 0.45%

LAB 86.28, -21.17, 84.8

 

CMYK 28 / 0 / 97 / 12

HEX #A2E006

RGB 162 224 6

HSL 77.06, 0.95%, 0.45%

LAB 82.38, -44.47, 80.13

 

CMYK 54 / 0 / 97 / 12

HEX #68E006

RGB 104 224 6

HSL 93.03, 0.95%, 0.45%

LAB 79.77, -63.51, 76.95

 

CMYK 79 / 0 / 97 / 12

HEX #2EE006

RGB 46 224 6

HSL 108.99, 0.95%, 0.45%

LAB 78.41, -74.97, 75.29

 

CMYK 28 / 0 / 97 / 44

HEX #678F04

RGB 103 143 4

HSL 77.27, 0.95%, 0.29%

LAB 54.59, -31.47, 57.22

 

CMYK 29 / 0 / 97 / 28

HEX #83B805

RGB 131 184 5

HSL 77.77, 0.95%, 0.37%

LAB 68.84, -38.92, 68.93

 

CMYK 29 / 0 / 97 / 12

HEX #A0E006

RGB 160 224 6

HSL 77.61, 0.95%, 0.45%

LAB 82.27, -45.22, 79.99

 

CMYK 27 / 0 / 91 / 2

HEX #B7F916

RGB 183 249 22

HSL 77.44, 0.95%, 0.53%

LAB 90.72, -47.06, 85.6

 

CMYK 22 / 0 / 75 / 2

HEX #C3FA3E

RGB 195 250 62

HSL 77.55, 0.95%, 0.61%

LAB 91.83, -41.75, 78.16

 

CMYK 28 / 0 / 97 / 13

HEX #9FDE06

RGB 159 222 6

HSL 77.5, 0.95%, 0.45%

LAB 81.63, -44.74, 79.48

 

CMYK 97 / 0 / 50 / 12

HEX #06E06F

RGB 6 224 111

HSL 148.9, 0.95%, 0.45%

LAB 78.75, -69.5, 42.55

 

CMYK 12 / 97 / 0 / 12

HEX #C606E0

RGB 198 6 224

HSL 292.84, 0.95%, 0.45%

LAB 48.91, 84.68, -62.31

 

CMYK 28 / 0 / 97 / 13

HEX #9FDE06

RGB 159 222 6

HSL 77.5, 0.95%, 0.45%

LAB 81.63, -44.74, 79.48

 

CMYK 97 / 28 / 0 / 12

HEX #06A2E0

RGB 6 162 224

HSL 197.06, 0.95%, 0.45%

LAB 62.73, -12.91, -41.02

 

CMYK 0 / 97 / 28 / 12

HEX #E006A2

RGB 224 6 162

HSL 317.06, 0.95%, 0.45%

LAB 50.2, 80.81, -23.91

 

CMYK 28 / 0 / 97 / 13

HEX #9FDE06

RGB 159 222 6

HSL 77.5, 0.95%, 0.45%

LAB 81.63, -44.74, 79.48

 

CMYK 97 / 0 / 50 / 12

HEX #06E06F

RGB 6 224 111

HSL 148.9, 0.95%, 0.45%

LAB 78.75, -69.5, 42.55

 

CMYK 70 / 97 / 0 / 12

HEX #4406E0

RGB 68 6 224

HSL 257.06, 0.95%, 0.45%

LAB 31.21, 72.03, -92.02

 

CMYK 0 / 97 / 47 / 12

HEX #E00676

RGB 224 6 118

HSL 329.17, 0.95%, 0.45%

LAB 48.62, 76.67, 0.28

 

CMYK 28 / 0 / 97 / 13

HEX #9FDE06

RGB 159 222 6

HSL 77.5, 0.95%, 0.45%

LAB 81.63, -44.74, 79.48

 

CMYK 97 / 0 / 21 / 12

HEX #06E0B1

RGB 6 224 177

HSL 167.06, 0.95%, 0.45%

LAB 79.91, -56.17, 10.37

 

CMYK 70 / 97 / 0 / 12

HEX #4406E0

RGB 68 6 224

HSL 257.06, 0.95%, 0.45%

LAB 31.21, 72.03, -92.02

 

CMYK 0 / 97 / 76 / 12

HEX #E00635

RGB 224 6 53

HSL 347.06, 0.95%, 0.45%

LAB 47.28, 73.06, 38.24

 

Description

Color code: HEX #9FDE06 | qconv.com Color code: HEX #9FDE06 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 222 green and 6 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 222 6 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 97 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 97% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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