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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FDD58 it is the complementary color #6022A7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FDD58. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FDD58 shade: #A4DD53, #B5EF66, #C6FF79, #D7FF8C and #E8FF9F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FDD58. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FDD58 shade: #9FDD58, #8ECB45, #7DB932, #6CA71F and #5B950C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FDD58 shade: #A0DD5A, #C3DD5A, #DDD45A, #DDB05A and #DD8D5A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FDD58 shade: #A0DD5A, #7DDD5A, #5ADD5B, #5ADD7E and #5ADDA1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FDD58 shade matches the following richer shades: #A0DD5A, #A1ED4A and #A2FD3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FDD58 shade: #A0DD5A, #9FCD6A, #9EBD7A, #9DAD8A and #9C9D9A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FDD58 shade: #DDD25A, #C5DD5A, #A2DD5A, #7FDD5A and #5CDD5A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FDD58 shade: #77BE27, #8CD638, #A0DD5A, #B4E47C and #C7EB9E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FDD58 shade: #9FDD58, #5ADDAF and #DD5AD7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FDD58 shade: #9FDD58, #5AA2DD and #DD5AA2

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FDD58 shade: #9FDD58, #5ADDAF, #955ADD and #DD5A88

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FDD58 shade: #9FDD58, #5ADDD7, #955ADD and #DD5A60

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 60 / 13

HEX #9FDD58

RGB 159 221 88

HSL 87.97, 0.66%, 0.61%

LAB 81.72, -40.64, 57.59

 

Complementary color

CMYK 43 / 80 / 0 / 35

HEX #6022A7

RGB 96 34 167

HSL 267.97, 0.66%, 0.39%

LAB 30.45, 53.17, -59.66

 

CMYK 26 / 0 / 62 / 13

HEX #A4DD53

RGB 164 221 83

HSL 84.78, 0.67%, 0.6%

LAB 81.96, -39.23, 60.04

 

CMYK 24 / 0 / 57 / 6

HEX #B5EF66

RGB 181 239 102

HSL 85.4, 0.81%, 0.67%

LAB 88.22, -39.43, 59.19

 

CMYK 22 / 0 / 53 / 0

HEX #C6FF79

RGB 198 255 121

HSL 85.52, 1%, 0.74%

LAB 93.84, -38.67, 57.55

 

CMYK 16 / 0 / 45 / 0

HEX #D7FF8C

RGB 215 255 140

HSL 80.87, 1%, 0.77%

LAB 95.1, -30.56, 50.55

 

CMYK 9 / 0 / 38 / 0

HEX #E8FF9F

RGB 232 255 159

HSL 74.38, 1%, 0.81%

LAB 96.48, -22.2, 43.4

 

CMYK 28 / 0 / 60 / 13

HEX #9FDD58

RGB 159 221 88

HSL 87.97, 0.66%, 0.61%

LAB 81.72, -40.64, 57.59

 

CMYK 30 / 0 / 66 / 20

HEX #8ECB45

RGB 142 203 69

HSL 87.31, 0.56%, 0.53%

LAB 75.38, -40.41, 58.33

 

CMYK 32 / 0 / 73 / 27

HEX #7DB932

RGB 125 185 50

HSL 86.67, 0.57%, 0.46%

LAB 68.96, -40.05, 58.69

 

CMYK 35 / 0 / 81 / 35

HEX #6CA71F

RGB 108 167 31

HSL 86.03, 0.69%, 0.39%

LAB 62.44, -39.49, 58.31

 

CMYK 39 / 0 / 92 / 42

HEX #5B950C

RGB 91 149 12

HSL 85.4, 0.85%, 0.32%

LAB 55.83, -38.65, 56.63

 

CMYK 28 / 0 / 59 / 13

HEX #A0DD5A

RGB 160 221 90

HSL 87.94, 0.66%, 0.61%

LAB 81.8, -40.1, 56.82

 

CMYK 12 / 0 / 59 / 13

HEX #C3DD5A

RGB 195 221 90

HSL 71.91, 0.66%, 0.61%

LAB 83.99, -26.82, 59.88

 

CMYK 0 / 4 / 59 / 13

HEX #DDD45A

RGB 221 212 90

HSL 55.88, 0.66%, 0.61%

LAB 83.55, -11.9, 59.94

 

CMYK 0 / 20 / 59 / 13

HEX #DDB05A

RGB 221 176 90

HSL 39.39, 0.66%, 0.61%

LAB 74.29, 6.73, 49.51

 

CMYK 0 / 36 / 59 / 13

HEX #DD8D5A

RGB 221 141 90

HSL 23.36, 0.66%, 0.61%

LAB 65.87, 25.47, 39.53

 

CMYK 28 / 0 / 59 / 13

HEX #A0DD5A

RGB 160 221 90

HSL 87.94, 0.66%, 0.61%

LAB 81.8, -40.1, 56.82

 

CMYK 43 / 0 / 59 / 13

HEX #7DDD5A

RGB 125 221 90

HSL 103.97, 0.66%, 0.61%

LAB 80.07, -51.81, 54.41

 

CMYK 59 / 0 / 59 / 13

HEX #5ADD5B

RGB 90 221 91

HSL 120.46, 0.66%, 0.61%

LAB 78.83, -61.07, 52.22

 

CMYK 59 / 0 / 43 / 13

HEX #5ADD7E

RGB 90 221 126

HSL 136.49, 0.66%, 0.61%

LAB 79.27, -56.26, 36.1

 

CMYK 59 / 0 / 27 / 13

HEX #5ADDA1

RGB 90 221 161

HSL 152.52, 0.66%, 0.61%

LAB 79.87, -49.8, 18.92

 

CMYK 28 / 0 / 59 / 13

HEX #A0DD5A

RGB 160 221 90

HSL 87.94, 0.66%, 0.61%

LAB 81.8, -40.1, 56.82

 

CMYK 32 / 0 / 69 / 7

HEX #A1ED4A

RGB 161 237 74

HSL 87.98, 0.82%, 0.61%

LAB 86.33, -47.87, 68.12

 

CMYK 36 / 0 / 77 / 1

HEX #A2FD3A

RGB 162 253 58

HSL 88, 0.98%, 0.61%

LAB 90.89, -54.98, 77.82

 

CMYK 28 / 0 / 59 / 13

HEX #A0DD5A

RGB 160 221 90

HSL 87.94, 0.66%, 0.61%

LAB 81.8, -40.1, 56.82

 

CMYK 22 / 0 / 48 / 20

HEX #9FCD6A

RGB 159 205 106

HSL 87.88, 0.5%, 0.61%

LAB 77.33, -31.57, 44.18

 

CMYK 16 / 0 / 35 / 26

HEX #9EBD7A

RGB 158 189 122

HSL 87.76, 0.34%, 0.61%

LAB 72.94, -22.22, 30.51

 

CMYK 9 / 0 / 20 / 32

HEX #9DAD8A

RGB 157 173 138

HSL 87.43, 0.18%, 0.61%

LAB 68.67, -12, 16.15

 

CMYK 1 / 0 / 2 / 38

HEX #9C9D9A

RGB 156 157 154

HSL 80, 0.02%, 0.61%

LAB 64.58, -0.93, 1.43

 

CMYK 0 / 5 / 59 / 13

HEX #DDD25A

RGB 221 210 90

HSL 54.96, 0.66%, 0.61%

LAB 83.02, -10.89, 59.37

 

CMYK 11 / 0 / 59 / 13

HEX #C5DD5A

RGB 197 221 90

HSL 70.99, 0.66%, 0.61%

LAB 84.13, -26.03, 60.07

 

CMYK 27 / 0 / 59 / 13

HEX #A2DD5A

RGB 162 221 90

HSL 87.02, 0.66%, 0.61%

LAB 81.91, -39.38, 56.98

 

CMYK 43 / 0 / 59 / 13

HEX #7FDD5A

RGB 127 221 90

HSL 103.05, 0.66%, 0.61%

LAB 80.16, -51.2, 54.53

 

CMYK 58 / 0 / 59 / 13

HEX #5CDD5A

RGB 92 221 90

HSL 119.08, 0.66%, 0.61%

LAB 78.88, -60.73, 52.73

 

CMYK 37 / 0 / 79 / 25

HEX #77BE27

RGB 119 190 39

HSL 88.21, 0.66%, 0.45%

LAB 70.1, -44.95, 63.24

 

CMYK 35 / 0 / 74 / 16

HEX #8CD638

RGB 140 214 56

HSL 88.1, 0.66%, 0.53%

LAB 78.43, -46.71, 66.19

 

CMYK 28 / 0 / 59 / 13

HEX #A0DD5A

RGB 160 221 90

HSL 87.94, 0.66%, 0.61%

LAB 81.8, -40.1, 56.82

 

CMYK 21 / 0 / 46 / 11

HEX #B4E47C

RGB 180 228 124

HSL 87.69, 0.66%, 0.69%

LAB 85.32, -32.57, 45.6

 

CMYK 15 / 0 / 33 / 8

HEX #C7EB9E

RGB 199 235 158

HSL 88.05, 0.66%, 0.77%

LAB 88.94, -24.75, 33.62

 

CMYK 28 / 0 / 60 / 13

HEX #9FDD58

RGB 159 221 88

HSL 87.97, 0.66%, 0.61%

LAB 81.72, -40.64, 57.59

 

CMYK 59 / 0 / 21 / 13

HEX #5ADDAF

RGB 90 221 175

HSL 158.93, 0.66%, 0.61%

LAB 80.17, -46.79, 11.96

 

CMYK 0 / 59 / 3 / 13

HEX #DD5AD7

RGB 221 90 215

HSL 302.75, 0.66%, 0.61%

LAB 59.52, 66.32, -40.08

 

CMYK 28 / 0 / 60 / 13

HEX #9FDD58

RGB 159 221 88

HSL 87.97, 0.66%, 0.61%

LAB 81.72, -40.64, 57.59

 

CMYK 59 / 27 / 0 / 13

HEX #5AA2DD

RGB 90 162 221

HSL 207.02, 0.66%, 0.61%

LAB 64.35, -5.2, -36.69

 

CMYK 0 / 59 / 27 / 13

HEX #DD5AA2

RGB 221 90 162

HSL 327.02, 0.66%, 0.61%

LAB 57.36, 58.48, -13.03

 

CMYK 28 / 0 / 60 / 13

HEX #9FDD58

RGB 159 221 88

HSL 87.97, 0.66%, 0.61%

LAB 81.72, -40.64, 57.59

 

CMYK 59 / 0 / 21 / 13

HEX #5ADDAF

RGB 90 221 175

HSL 158.93, 0.66%, 0.61%

LAB 80.17, -46.79, 11.96

 

CMYK 33 / 59 / 0 / 13

HEX #955ADD

RGB 149 90 221

HSL 267.02, 0.66%, 0.61%

LAB 50.6, 49.95, -58.22

 

CMYK 0 / 59 / 38 / 13

HEX #DD5A88

RGB 221 90 136

HSL 338.93, 0.66%, 0.61%

LAB 56.55, 55.38, 0.98

 

CMYK 28 / 0 / 60 / 13

HEX #9FDD58

RGB 159 221 88

HSL 87.97, 0.66%, 0.61%

LAB 81.72, -40.64, 57.59

 

CMYK 59 / 0 / 3 / 13

HEX #5ADDD7

RGB 90 221 215

HSL 177.25, 0.66%, 0.61%

LAB 81.18, -37.01, -7.82

 

CMYK 33 / 59 / 0 / 13

HEX #955ADD

RGB 149 90 221

HSL 267.02, 0.66%, 0.61%

LAB 50.6, 49.95, -58.22

 

CMYK 0 / 59 / 57 / 13

HEX #DD5A60

RGB 221 90 96

HSL 357.25, 0.66%, 0.61%

LAB 55.61, 51.7, 23.17

 

Description

Color code: HEX #9FDD58 | qconv.com Color code: HEX #9FDD58 | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 221 green and 88 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 221 88 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 60 yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 60% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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