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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FDC4A it is the complementary color #6023B5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FDC4A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FDC4A shade: #A4DC45, #B5EE58, #C6FF6B, #D7FF7E and #E8FF91

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FDC4A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FDC4A shade: #9FDC4A, #8ECA37, #7DB824, #6CA611 and #5B9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FDC4A shade: #A0DD4B, #C7DD4B, #DDCB4B, #DDA44B and #DD7C4B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FDC4A shade: #A0DD4B, #79DD4B, #51DD4B, #4BDD6C and #4BDD93

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FDC4A shade matches the following richer shades: #A0DD4B and #A3EE3A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FDC4A shade: #A0DD4B, #9DCB5C, #9ABA6E, #97A97F and #949790

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FDC4A shade: #DDCC4B, #C7DD4B, #A0DD4B, #79DD4B and #52DD4B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FDC4A shade: #77B322, #8DD629, #A0DD4B, #B2E36E and #C5EA90

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FDC4A shade: #9FDC4A, #4BDDA5 and #DD4BDA

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FDC4A shade: #9FDC4A, #4BA0DD and #DD4BA0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FDC4A shade: #9FDC4A, #4BDDA5, #884BDD and #DD4B83

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FDC4A shade: #9FDC4A, #4BDDD1, #884BDD and #DD4B57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 66 / 14

HEX #9FDC4A

RGB 159 220 74

HSL 85.07, 0.68%, 0.58%

LAB 81.32, -41.3, 62.9

 

Complementary color

CMYK 47 / 81 / 0 / 29

HEX #6023B5

RGB 96 35 181

HSL 265.07, 0.68%, 0.42%

LAB 31.86, 56.27, -65.73

 

CMYK 25 / 0 / 69 / 14

HEX #A4DC45

RGB 164 220 69

HSL 82.25, 0.68%, 0.57%

LAB 81.57, -39.79, 65.15

 

CMYK 24 / 0 / 63 / 7

HEX #B5EE58

RGB 181 238 88

HSL 82.8, 0.82%, 0.64%

LAB 87.81, -40.13, 64.62

 

CMYK 22 / 0 / 58 / 0

HEX #C6FF6B

RGB 198 255 107

HSL 83.11, 1%, 0.71%

LAB 93.7, -39.93, 63.52

 

CMYK 16 / 0 / 51 / 0

HEX #D7FF7E

RGB 215 255 126

HSL 78.6, 1%, 0.75%

LAB 94.94, -31.98, 56.85

 

CMYK 9 / 0 / 43 / 0

HEX #E8FF91

RGB 232 255 145

HSL 72.55, 1%, 0.78%

LAB 96.29, -23.74, 49.91

 

CMYK 28 / 0 / 66 / 14

HEX #9FDC4A

RGB 159 220 74

HSL 85.07, 0.68%, 0.58%

LAB 81.32, -41.3, 62.9

 

CMYK 30 / 0 / 73 / 21

HEX #8ECA37

RGB 142 202 55

HSL 84.49, 0.58%, 0.5%

LAB 74.99, -40.91, 63.19

 

CMYK 32 / 0 / 80 / 28

HEX #7DB824

RGB 125 184 36

HSL 83.92, 0.67%, 0.43%

LAB 68.58, -40.36, 62.82

 

CMYK 35 / 0 / 90 / 35

HEX #6CA611

RGB 108 166 17

HSL 83.36, 0.81%, 0.36%

LAB 62.08, -39.56, 61.29

 

CMYK 39 / 0 / 100 / 42

HEX #5B9400

RGB 91 148 0

HSL 83.11, 1%, 0.29%

LAB 55.49, -38.5, 58.29

 

CMYK 28 / 0 / 66 / 13

HEX #A0DD4B

RGB 160 221 75

HSL 85.07, 0.68%, 0.58%

LAB 81.67, -41.3, 62.89

 

CMYK 10 / 0 / 66 / 13

HEX #C7DD4B

RGB 199 221 75

HSL 69.04, 0.68%, 0.58%

LAB 84.15, -26.25, 66.25

 

CMYK 0 / 8 / 66 / 13

HEX #DDCB4B

RGB 221 203 75

HSL 52.6, 0.68%, 0.58%

LAB 81.07, -8.29, 63.6

 

CMYK 0 / 26 / 66 / 13

HEX #DDA44B

RGB 221 164 75

HSL 36.58, 0.68%, 0.58%

LAB 71.17, 12.13, 53.06

 

CMYK 0 / 44 / 66 / 13

HEX #DD7C4B

RGB 221 124 75

HSL 20.14, 0.68%, 0.58%

LAB 61.91, 33.49, 42.65

 

CMYK 28 / 0 / 66 / 13

HEX #A0DD4B

RGB 160 221 75

HSL 85.07, 0.68%, 0.58%

LAB 81.67, -41.3, 62.89

 

CMYK 45 / 0 / 66 / 13

HEX #79DD4B

RGB 121 221 75

HSL 101.1, 0.68%, 0.58%

LAB 79.78, -54.41, 60.31

 

CMYK 63 / 0 / 66 / 13

HEX #51DD4B

RGB 81 221 75

HSL 117.53, 0.68%, 0.58%

LAB 78.44, -64.7, 58.48

 

CMYK 66 / 0 / 51 / 13

HEX #4BDD6C

RGB 75 221 108

HSL 133.56, 0.68%, 0.58%

LAB 78.63, -62.01, 44.03

 

CMYK 66 / 0 / 33 / 13

HEX #4BDD93

RGB 75 221 147

HSL 149.59, 0.68%, 0.58%

LAB 79.22, -55.42, 25.26

 

CMYK 28 / 0 / 66 / 13

HEX #A0DD4B

RGB 160 221 75

HSL 85.07, 0.68%, 0.58%

LAB 81.67, -41.3, 62.89

 

CMYK 32 / 0 / 76 / 7

HEX #A3EE3A

RGB 163 238 58

HSL 85, 0.84%, 0.58%

LAB 86.62, -48.52, 73.83

 

CMYK 28 / 0 / 66 / 13

HEX #A0DD4B

RGB 160 221 75

HSL 85.07, 0.68%, 0.58%

LAB 81.67, -41.3, 62.89

 

CMYK 23 / 0 / 55 / 20

HEX #9DCB5C

RGB 157 203 92

HSL 84.86, 0.52%, 0.58%

LAB 76.47, -32.86, 49.78

 

CMYK 17 / 0 / 41 / 27

HEX #9ABA6E

RGB 154 186 110

HSL 85.26, 0.36%, 0.58%

LAB 71.63, -23.84, 34.99

 

CMYK 11 / 0 / 25 / 34

HEX #97A97F

RGB 151 169 127

HSL 85.71, 0.2%, 0.58%

LAB 66.89, -13.93, 19.64

 

CMYK 2 / 0 / 5 / 41

HEX #949790

RGB 148 151 144

HSL 85.71, 0.03%, 0.58%

LAB 62.03, -2.43, 3.3

 

CMYK 0 / 8 / 66 / 13

HEX #DDCC4B

RGB 221 204 75

HSL 53.01, 0.68%, 0.58%

LAB 81.33, -8.8, 63.87

 

CMYK 10 / 0 / 66 / 13

HEX #C7DD4B

RGB 199 221 75

HSL 69.04, 0.68%, 0.58%

LAB 84.15, -26.25, 66.25

 

CMYK 28 / 0 / 66 / 13

HEX #A0DD4B

RGB 160 221 75

HSL 85.07, 0.68%, 0.58%

LAB 81.67, -41.3, 62.89

 

CMYK 45 / 0 / 66 / 13

HEX #79DD4B

RGB 121 221 75

HSL 101.1, 0.68%, 0.58%

LAB 79.78, -54.41, 60.31

 

CMYK 63 / 0 / 66 / 13

HEX #52DD4B

RGB 82 221 75

HSL 117.12, 0.68%, 0.58%

LAB 78.47, -64.49, 58.52

 

CMYK 34 / 0 / 81 / 30

HEX #77B322

RGB 119 179 34

HSL 84.83, 0.68%, 0.42%

LAB 66.73, -40.5, 61.58

 

CMYK 34 / 0 / 81 / 16

HEX #8DD629

RGB 141 214 41

HSL 85.32, 0.68%, 0.5%

LAB 78.41, -47.1, 70.67

 

CMYK 28 / 0 / 66 / 13

HEX #A0DD4B

RGB 160 221 75

HSL 85.07, 0.68%, 0.58%

LAB 81.67, -41.3, 62.89

 

CMYK 22 / 0 / 52 / 11

HEX #B2E36E

RGB 178 227 110

HSL 85.13, 0.68%, 0.66%

LAB 84.76, -34.35, 51.52

 

CMYK 16 / 0 / 38 / 8

HEX #C5EA90

RGB 197 234 144

HSL 84.67, 0.68%, 0.74%

LAB 88.32, -26.82, 39.8

 

CMYK 28 / 0 / 66 / 14

HEX #9FDC4A

RGB 159 220 74

HSL 85.07, 0.68%, 0.58%

LAB 81.32, -41.3, 62.9

 

CMYK 66 / 0 / 25 / 13

HEX #4BDDA5

RGB 75 221 165

HSL 156.99, 0.68%, 0.58%

LAB 79.57, -51.7, 16.34

 

CMYK 0 / 66 / 1 / 13

HEX #DD4BDA

RGB 221 75 218

HSL 301.23, 0.68%, 0.58%

LAB 57.53, 72.74, -44.91

 

CMYK 28 / 0 / 66 / 14

HEX #9FDC4A

RGB 159 220 74

HSL 85.07, 0.68%, 0.58%

LAB 81.32, -41.3, 62.9

 

CMYK 66 / 28 / 0 / 13

HEX #4BA0DD

RGB 75 160 221

HSL 205.07, 0.68%, 0.58%

LAB 63.23, -6.73, -38.49

 

CMYK 0 / 66 / 28 / 13

HEX #DD4BA0

RGB 221 75 160

HSL 325.07, 0.68%, 0.58%

LAB 55.01, 64.44, -15.41

 

CMYK 28 / 0 / 66 / 14

HEX #9FDC4A

RGB 159 220 74

HSL 85.07, 0.68%, 0.58%

LAB 81.32, -41.3, 62.9

 

CMYK 66 / 0 / 25 / 13

HEX #4BDDA5

RGB 75 221 165

HSL 156.99, 0.68%, 0.58%

LAB 79.57, -51.7, 16.34

 

CMYK 38 / 66 / 0 / 13

HEX #884BDD

RGB 136 75 221

HSL 265.07, 0.68%, 0.58%

LAB 46.29, 54.9, -65.24

 

CMYK 0 / 66 / 41 / 13

HEX #DD4B83

RGB 221 75 131

HSL 336.99, 0.68%, 0.58%

LAB 54.07, 61.17, 0.33

 

CMYK 28 / 0 / 66 / 14

HEX #9FDC4A

RGB 159 220 74

HSL 85.07, 0.68%, 0.58%

LAB 81.32, -41.3, 62.9

 

CMYK 66 / 0 / 5 / 13

HEX #4BDDD1

RGB 75 221 209

HSL 175.07, 0.68%, 0.58%

LAB 80.63, -41, -5.47

 

CMYK 38 / 66 / 0 / 13

HEX #884BDD

RGB 136 75 221

HSL 265.07, 0.68%, 0.58%

LAB 46.29, 54.9, -65.24

 

CMYK 0 / 66 / 61 / 13

HEX #DD4B57

RGB 221 75 87

HSL 355.07, 0.68%, 0.58%

LAB 53.05, 57.5, 25.08

 

Description

Color code: HEX #9FDC4A | qconv.com Color code: HEX #9FDC4A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 220 green and 74 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 220 74 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 66 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 66% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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