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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FDC36 it is the complementary color #6023C9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FDC36. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FDC36 shade: #A4DC31, #B5EE44, #C6FF57, #D7FF6A and #E8FF7D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FDC36. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FDC36 shade: #9FDC36, #8ECA23, #7DB810, #6CA600 and #5B9400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FDC36 shade: #9FDC38, #CCDC38, #DCC038, #DC9338 and #DC6738

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FDC36 shade: #9FDC38, #73DC38, #47DC38, #38DC55 and #38DC81

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FDC36 shade matches the following richer shades: #9FDC38 and #A4EF25

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FDC36 shade: #9FDC38, #9AC94B, #95B65E, #90A371 and #8B9084

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FDC36 shade: #DCC038, #CBDC38, #A0DC38, #74DC38 and #48DC38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FDC36 shade: #72A41D, #8BC723, #9FDC38, #B0E25B and #C1E87E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FDC36 shade: #9FDC36, #38DC95 and #D638DC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FDC36 shade: #9FDC36, #38A0DC and #DC38A0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FDC36 shade: #9FDC36, #38DC95, #7438DC and #DC387F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FDC36 shade: #9FDC36, #38DCC6, #7438DC and #DC384D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 28 / 0 / 75 / 14

HEX #9FDC36

RGB 159 220 54

HSL 82.05, 0.7%, 0.54%

LAB 81.19, -42.52, 69.84

 

Complementary color

CMYK 52 / 83 / 0 / 21

HEX #6023C9

RGB 96 35 201

HSL 262.05, 0.7%, 0.46%

LAB 33.79, 61.29, -74.35

 

CMYK 25 / 0 / 78 / 14

HEX #A4DC31

RGB 164 220 49

HSL 79.65, 0.71%, 0.53%

LAB 81.46, -40.88, 71.7

 

CMYK 24 / 0 / 71 / 7

HEX #B5EE44

RGB 181 238 68

HSL 80.12, 0.83%, 0.6%

LAB 87.67, -41.44, 71.95

 

CMYK 22 / 0 / 66 / 0

HEX #C6FF57

RGB 198 255 87

HSL 80.36, 1%, 0.67%

LAB 93.54, -41.43, 71.39

 

CMYK 16 / 0 / 58 / 0

HEX #D7FF6A

RGB 215 255 106

HSL 76.11, 1%, 0.71%

LAB 94.74, -33.71, 65.39

 

CMYK 9 / 0 / 51 / 0

HEX #E8FF7D

RGB 232 255 125

HSL 70.62, 1%, 0.75%

LAB 96.06, -25.67, 58.91

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC36

RGB 159 220 54

HSL 82.05, 0.7%, 0.54%

LAB 81.19, -42.52, 69.84

 

CMYK 30 / 0 / 83 / 21

HEX #8ECA23

RGB 142 202 35

HSL 81.56, 0.7%, 0.46%

LAB 74.9, -41.87, 69.08

 

CMYK 32 / 0 / 91 / 28

HEX #7DB810

RGB 125 184 16

HSL 81.07, 0.84%, 0.39%

LAB 68.52, -41.01, 67.15

 

CMYK 35 / 0 / 100 / 35

HEX #6CA600

RGB 108 166 0

HSL 80.96, 1%, 0.33%

LAB 62.05, -39.92, 63.75

 

CMYK 39 / 0 / 100 / 42

HEX #5B9400

RGB 91 148 0

HSL 83.11, 1%, 0.29%

LAB 55.49, -38.5, 58.29

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC38

RGB 159 220 56

HSL 82.32, 0.7%, 0.54%

LAB 81.21, -42.41, 69.22

 

CMYK 7 / 0 / 75 / 14

HEX #CCDC38

RGB 204 220 56

HSL 65.85, 0.7%, 0.54%

LAB 84.13, -24.73, 73.01

 

CMYK 0 / 13 / 75 / 14

HEX #DCC038

RGB 220 192 56

HSL 49.76, 0.7%, 0.54%

LAB 77.99, -4.01, 67.73

 

CMYK 0 / 33 / 75 / 14

HEX #DC9338

RGB 220 147 56

HSL 33.29, 0.7%, 0.54%

LAB 66.8, 19.85, 56.89

 

CMYK 0 / 53 / 75 / 14

HEX #DC6738

RGB 220 103 56

HSL 17.2, 0.7%, 0.54%

LAB 57.27, 42.83, 47.15

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC38

RGB 159 220 56

HSL 82.32, 0.7%, 0.54%

LAB 81.21, -42.41, 69.22

 

CMYK 48 / 0 / 75 / 14

HEX #73DC38

RGB 115 220 56

HSL 98.41, 0.7%, 0.54%

LAB 79.11, -57.19, 66.46

 

CMYK 68 / 0 / 75 / 14

HEX #47DC38

RGB 71 220 56

HSL 114.51, 0.7%, 0.54%

LAB 77.76, -67.91, 64.69

 

CMYK 75 / 0 / 61 / 14

HEX #38DC55

RGB 56 220 85

HSL 130.61, 0.7%, 0.54%

LAB 77.69, -67.75, 53.33

 

CMYK 75 / 0 / 41 / 14

HEX #38DC81

RGB 56 220 129

HSL 146.71, 0.7%, 0.54%

LAB 78.24, -61.32, 33.1

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC38

RGB 159 220 56

HSL 82.32, 0.7%, 0.54%

LAB 81.21, -42.41, 69.22

 

CMYK 31 / 0 / 85 / 6

HEX #A4EF25

RGB 164 239 37

HSL 82.28, 0.86%, 0.54%

LAB 86.88, -49.43, 79.49

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC38

RGB 159 220 56

HSL 82.32, 0.7%, 0.54%

LAB 81.21, -42.41, 69.22

 

CMYK 23 / 0 / 63 / 21

HEX #9AC94B

RGB 154 201 75

HSL 82.38, 0.54%, 0.54%

LAB 75.55, -34.57, 56.24

 

CMYK 18 / 0 / 48 / 29

HEX #95B65E

RGB 149 182 94

HSL 82.5, 0.38%, 0.54%

LAB 69.93, -25.7, 40.9

 

CMYK 12 / 0 / 31 / 36

HEX #90A371

RGB 144 163 113

HSL 82.8, 0.21%, 0.54%

LAB 64.42, -15.6, 23.83

 

CMYK 3 / 0 / 8 / 44

HEX #8B9084

RGB 139 144 132

HSL 85, 0.05%, 0.54%

LAB 59.07, -4.13, 5.74

 

CMYK 0 / 13 / 75 / 14

HEX #DCC038

RGB 220 192 56

HSL 49.76, 0.7%, 0.54%

LAB 77.99, -4.01, 67.73

 

CMYK 8 / 0 / 75 / 14

HEX #CBDC38

RGB 203 220 56

HSL 66.22, 0.7%, 0.54%

LAB 84.05, -25.14, 72.92

 

CMYK 27 / 0 / 75 / 14

HEX #A0DC38

RGB 160 220 56

HSL 81.95, 0.7%, 0.54%

LAB 81.26, -42.04, 69.29

 

CMYK 47 / 0 / 75 / 14

HEX #74DC38

RGB 116 220 56

HSL 98.05, 0.7%, 0.54%

LAB 79.15, -56.9, 66.52

 

CMYK 67 / 0 / 75 / 14

HEX #48DC38

RGB 72 220 56

HSL 114.15, 0.7%, 0.54%

LAB 77.79, -67.72, 64.72

 

CMYK 30 / 0 / 82 / 36

HEX #72A41D

RGB 114 164 29

HSL 82.22, 0.7%, 0.38%

LAB 61.84, -35.98, 58.45

 

CMYK 30 / 0 / 82 / 22

HEX #8BC723

RGB 139 199 35

HSL 81.95, 0.7%, 0.46%

LAB 73.84, -41.69, 68.09

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC38

RGB 159 220 56

HSL 82.32, 0.7%, 0.54%

LAB 81.21, -42.41, 69.22

 

CMYK 22 / 0 / 60 / 11

HEX #B0E25B

RGB 176 226 91

HSL 82.22, 0.7%, 0.62%

LAB 84.16, -36.38, 59.29

 

CMYK 17 / 0 / 46 / 9

HEX #C1E87E

RGB 193 232 126

HSL 82.08, 0.7%, 0.7%

LAB 87.27, -29.44, 47.22

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC36

RGB 159 220 54

HSL 82.05, 0.7%, 0.54%

LAB 81.19, -42.52, 69.84

 

CMYK 75 / 0 / 32 / 14

HEX #38DC95

RGB 56 220 149

HSL 154.02, 0.7%, 0.54%

LAB 78.58, -57.49, 23.28

 

CMYK 3 / 75 / 0 / 14

HEX #D638DC

RGB 214 56 220

HSL 297.8, 0.7%, 0.54%

LAB 54.34, 77.86, -51.18

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC36

RGB 159 220 54

HSL 82.05, 0.7%, 0.54%

LAB 81.19, -42.52, 69.84

 

CMYK 75 / 27 / 0 / 14

HEX #38A0DC

RGB 56 160 220

HSL 201.95, 0.7%, 0.54%

LAB 62.63, -9.77, -38.9

 

CMYK 0 / 75 / 27 / 14

HEX #DC38A0

RGB 220 56 160

HSL 321.95, 0.7%, 0.54%

LAB 52.49, 70.77, -19.27

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC36

RGB 159 220 54

HSL 82.05, 0.7%, 0.54%

LAB 81.19, -42.52, 69.84

 

CMYK 75 / 0 / 32 / 14

HEX #38DC95

RGB 56 220 149

HSL 154.02, 0.7%, 0.54%

LAB 78.58, -57.49, 23.28

 

CMYK 47 / 75 / 0 / 14

HEX #7438DC

RGB 116 56 220

HSL 261.95, 0.7%, 0.54%

LAB 40.75, 60.21, -73.81

 

CMYK 0 / 75 / 42 / 14

HEX #DC387F

RGB 220 56 127

HSL 334.02, 0.7%, 0.54%

LAB 51.35, 67.24, -1.28

 

CMYK 28 / 0 / 75 / 14

HEX #9FDC36

RGB 159 220 54

HSL 82.05, 0.7%, 0.54%

LAB 81.19, -42.52, 69.84

 

CMYK 75 / 0 / 10 / 14

HEX #38DCC6

RGB 56 220 198

HSL 171.95, 0.7%, 0.54%

LAB 79.67, -45.93, -1.07

 

CMYK 47 / 75 / 0 / 14

HEX #7438DC

RGB 116 56 220

HSL 261.95, 0.7%, 0.54%

LAB 40.75, 60.21, -73.81

 

CMYK 0 / 75 / 65 / 14

HEX #DC384D

RGB 220 56 77

HSL 352.32, 0.7%, 0.54%

LAB 50.19, 63.5, 27.3

 

Description

Color code: HEX #9FDC36 | qconv.com Color code: HEX #9FDC36 | qconv.com - big

Red and green clearly dominate this hue: the red and green values are higher than blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 220 green and 54 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 220 54 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 28 cyan, none magenta, 75 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
28% 0% 75% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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