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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #9FDBFB4C it is the complementary color #6024044C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #9FDBFB4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #9FDBFB4C shade: #A4DBF64C, #B5EDFF4C, #C6FFFF4C, #D7FFFF4C and #E8FFFF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #9FDBFB4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #9FDBFB4C shade: #9FDBFB4C, #8EC9E84C, #7DB7D54C, #6CA5C24C and #5B93AF4C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #9FDBFB4C shade: #9DDAFB, #9DC1FB, #9DA8FB, #AC9DFB and #C59DFB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #9FDBFB4C shade: #9DDAFB, #9DC1FB, #9DA8FB and #9D9DFB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #9FDBFB4C shade matches the following richer shades: #9DDAFB

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #9FDBFB4C shade: #9DDAFB, #A5D8F3, #AED5EA, #B6D3E2 and #BED0DA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #9FDBFB4C shade: #9DFBE8, #9DF5FB, #9DDCFB, #9DC3FB and #9DAAFB

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #9FDBFB4C shade: #4EBDF8, #75CBF9, #9DDAFB, #C5E9FD and #ECF8FE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #9FDBFB4C shade: #9FDBFB, #CF9DFB and #FBF59D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #9FDBFB4C shade: #9FDBFB, #FB9DDC and #DCFB9D

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #9FDBFB4C shade: #9FDBFB, #CF9DFB, #FBBC9D and #C9FB9D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #9FDBFB4C shade: #9FDBFB, #EB9DFB, #FBBC9D and #ADFB9D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 11 / 4 / 0 / 0

HEX #9FDBFB4C

RGBA 159 219 251 0.3

HSLA 200.87, 0.92%, 0.8%, 0.3

LABA 84.48, -11.37, -21.68, 0.3

 

Complementary color

CMYK 0 / 19 / 29 / 19

HEX #6024044C

RGBA 96 36 4 0.3

HSLA 20.87, 0.92%, 0.2%, 0.3

LABA 22.85, 25.65, 31.51, 0.3

 

CMYK 10 / 3 / 0 / 1

HEX #A4DBF64C

RGBA 164 219 246 0.3

HSLA 199.76, 0.82%, 0.8%, 0.3

LABA 84.59, -11.26, -18.85, 0.3

 

CMYK 9 / 2 / 0 / 0

HEX #B5EDFF4C

RGBA 181 237 255 0.3

HSLA 194.59, 1%, 0.85%, 0.3

LABA 90.6, -13.64, -14.44, 0.3

 

CMYK 7 / 0 / 0 / 0

HEX #C6FFFF4C

RGBA 198 255 255 0.3

HSLA 180, 1%, 0.89%, 0.3

LABA 96.31, -17.77, -5.86, 0.3

 

CMYK 5 / 0 / 0 / 0

HEX #D7FFFF4C

RGBA 215 255 255 0.3

HSLA 180, 1%, 0.92%, 0.3

LABA 97.3, -12.71, -4.28, 0.3

 

CMYK 3 / 0 / 0 / 0

HEX #E8FFFF4C

RGBA 232 255 255 0.3

HSLA 180, 1%, 0.95%, 0.3

LABA 98.39, -7.43, -2.56, 0.3

 

CMYK 11 / 4 / 0 / 0

HEX #9FDBFB4C

RGBA 159 219 251 0.3

HSLA 200.87, 0.92%, 0.8%, 0.3

LABA 84.48, -11.37, -21.68, 0.3

 

CMYK 12 / 4 / 0 / 3

HEX #8EC9E84C

RGBA 142 201 232 0.3

HSLA 200.67, 0.66%, 0.73%, 0.3

LABA 78.08, -11.24, -21.36, 0.3

 

CMYK 12 / 4 / 0 / 5

HEX #7DB7D54C

RGBA 125 183 213 0.3

HSLA 200.45, 0.51%, 0.66%, 0.3

LABA 71.58, -11.09, -21.03, 0.3

 

CMYK 13 / 4 / 0 / 7

HEX #6CA5C24C

RGBA 108 165 194 0.3

HSLA 200.23, 0.41%, 0.59%, 0.3

LABA 64.96, -10.89, -20.71, 0.3

 

CMYK 14 / 5 / 0 / 9

HEX #5B93AF4C

RGBA 91 147 175 0.3

HSLA 200, 0.34%, 0.52%, 0.3

LABA 58.21, -10.65, -20.39, 0.3

 

CMYK 37 / 13 / 0 / 2

HEX #9DDAFB

RGB 157 218 251

HSL 201.06, 0.92%, 0.8%

LAB 84.11, -11.37, -22.26

 

CMYK 37 / 23 / 0 / 2

HEX #9DC1FB

RGB 157 193 251

HSL 217.02, 0.92%, 0.8%

LAB 77.44, 1.89, -32.45

 

CMYK 37 / 33 / 0 / 2

HEX #9DA8FB

RGB 157 168 251

HSL 232.98, 0.92%, 0.8%

LAB 70.97, 15.76, -42.51

 

CMYK 31 / 37 / 0 / 2

HEX #AC9DFB

RGB 172 157 251

HSL 249.57, 0.92%, 0.8%

LAB 69.36, 25.99, -44.94

 

CMYK 22 / 37 / 0 / 2

HEX #C59DFB

RGB 197 157 251

HSL 265.53, 0.92%, 0.8%

LAB 71.52, 32.99, -41.41

 

CMYK 37 / 13 / 0 / 2

HEX #9DDAFB

RGB 157 218 251

HSL 201.06, 0.92%, 0.8%

LAB 84.11, -11.37, -22.26

 

CMYK 37 / 23 / 0 / 2

HEX #9DC1FB

RGB 157 193 251

HSL 217.02, 0.92%, 0.8%

LAB 77.44, 1.89, -32.45

 

CMYK 37 / 33 / 0 / 2

HEX #9DA8FB

RGB 157 168 251

HSL 232.98, 0.92%, 0.8%

LAB 70.97, 15.76, -42.51

 

CMYK 37 / 37 / 0 / 2

HEX #9D9DFB

RGB 157 157 251

HSL 240, 0.92%, 0.8%

LAB 68.2, 22.01, -46.84

 

CMYK 37 / 13 / 0 / 2

HEX #9DDAFB

RGB 157 218 251

HSL 201.06, 0.92%, 0.8%

LAB 84.11, -11.37, -22.26

 

CMYK 37 / 13 / 0 / 2

HEX #9DDAFB

RGB 157 218 251

HSL 201.06, 0.92%, 0.8%

LAB 84.11, -11.37, -22.26

 

CMYK 32 / 11 / 0 / 5

HEX #A5D8F3

RGB 165 216 243

HSL 200.77, 0.76%, 0.8%

LAB 83.75, -10.16, -18.53

 

CMYK 26 / 9 / 0 / 8

HEX #AED5EA

RGB 174 213 234

HSL 201, 0.59%, 0.8%

LAB 83.19, -8.14, -14.53

 

CMYK 19 / 7 / 0 / 11

HEX #B6D3E2

RGB 182 211 226

HSL 200.45, 0.43%, 0.8%

LAB 82.93, -6.46, -10.62

 

CMYK 13 / 5 / 0 / 15

HEX #BED0DA

RGB 190 208 218

HSL 201.43, 0.27%, 0.8%

LAB 82.44, -4.05, -7.02

 

CMYK 37 / 0 / 8 / 2

HEX #9DFBE8

RGB 157 251 232

HSL 167.87, 0.92%, 0.8%

LAB 92.57, -32.1, 0.29

 

CMYK 37 / 2 / 0 / 2

HEX #9DF5FB

RGB 157 245 251

HSL 183.83, 0.92%, 0.8%

LAB 91.43, -24.89, -11.25

 

CMYK 37 / 12 / 0 / 2

HEX #9DDCFB

RGB 157 220 251

HSL 199.79, 0.92%, 0.8%

LAB 84.65, -12.4, -21.44

 

CMYK 37 / 22 / 0 / 2

HEX #9DC3FB

RGB 157 195 251

HSL 215.74, 0.92%, 0.8%

LAB 77.97, 0.81, -31.64

 

CMYK 37 / 32 / 0 / 2

HEX #9DAAFB

RGB 157 170 251

HSL 231.7, 0.92%, 0.8%

LAB 71.48, 14.64, -41.71

 

CMYK 69 / 24 / 0 / 3

HEX #4EBDF8

RGB 78 189 248

HSL 200.82, 0.92%, 0.64%

LAB 72.75, -13.31, -38.38

 

CMYK 53 / 18 / 0 / 2

HEX #75CBF9

RGB 117 203 249

HSL 200.91, 0.92%, 0.72%

LAB 78.07, -13.51, -30.58

 

CMYK 37 / 13 / 0 / 2

HEX #9DDAFB

RGB 157 218 251

HSL 201.06, 0.92%, 0.8%

LAB 84.11, -11.37, -22.26

 

CMYK 22 / 8 / 0 / 1

HEX #C5E9FD

RGB 197 233 253

HSL 201.43, 0.93%, 0.88%

LAB 90.43, -7.45, -13.56

 

CMYK 7 / 2 / 0 / 0

HEX #ECF8FE

RGB 236 248 254

HSL 200, 0.9%, 0.96%

LAB 96.87, -2.82, -4.24

 

CMYK 37 / 13 / 0 / 2

HEX #9FDBFB

RGB 159 219 251

HSL 200.87, 0.92%, 0.8%

LAB 84.48, -11.37, -21.68

 

CMYK 18 / 37 / 0 / 2

HEX #CF9DFB

RGB 207 157 251

HSL 271.91, 0.92%, 0.8%

LAB 72.46, 35.88, -39.87

 

CMYK 0 / 2 / 37 / 2

HEX #FBF59D

RGB 251 245 157

HSL 56.17, 0.92%, 0.8%

LAB 95.27, -10.43, 43.09

 

CMYK 37 / 13 / 0 / 2

HEX #9FDBFB

RGB 159 219 251

HSL 200.87, 0.92%, 0.8%

LAB 84.48, -11.37, -21.68

 

CMYK 0 / 37 / 12 / 2

HEX #FB9DDC

RGB 251 157 220

HSL 319.79, 0.92%, 0.8%

LAB 75.94, 43.68, -17.25

 

CMYK 12 / 0 / 37 / 2

HEX #DCFB9D

RGB 220 251 157

HSL 79.79, 0.92%, 0.8%

LAB 94.59, -24.92, 41.77

 

CMYK 37 / 13 / 0 / 2

HEX #9FDBFB

RGB 159 219 251

HSL 200.87, 0.92%, 0.8%

LAB 84.48, -11.37, -21.68

 

CMYK 18 / 37 / 0 / 2

HEX #CF9DFB

RGB 207 157 251

HSL 271.91, 0.92%, 0.8%

LAB 72.46, 35.88, -39.87

 

CMYK 0 / 25 / 37 / 2

HEX #FBBC9D

RGB 251 188 157

HSL 19.79, 0.92%, 0.8%

LAB 81.24, 18.76, 24.53

 

CMYK 20 / 0 / 37 / 2

HEX #C9FB9D

RGB 201 251 157

HSL 91.91, 0.92%, 0.8%

LAB 93.38, -31.71, 39.98

 

CMYK 37 / 13 / 0 / 2

HEX #9FDBFB

RGB 159 219 251

HSL 200.87, 0.92%, 0.8%

LAB 84.48, -11.37, -21.68

 

CMYK 6 / 37 / 0 / 2

HEX #EB9DFB

RGB 235 157 251

HSL 289.79, 0.92%, 0.8%

LAB 75.29, 44.14, -35.25

 

CMYK 0 / 25 / 37 / 2

HEX #FBBC9D

RGB 251 188 157

HSL 19.79, 0.92%, 0.8%

LAB 81.24, 18.76, 24.53

 

CMYK 31 / 0 / 37 / 2

HEX #ADFB9D

RGB 173 251 157

HSL 109.79, 0.92%, 0.8%

LAB 91.83, -41.11, 37.65

 

Description

Color code: HEX #9FDBFB4C | qconv.com Color code: HEX #9FDBFB4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 159 red, 219 green and 251 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
159 219 251 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 11 cyan, 4 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
11% 4% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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